Schoeps Colette CMC 6 Microphone Amps and MK 2XS Omni Capsules Stereo Set (Matte Gray)

The MK 2XS is designed for placement in a diffuse sound field, i.e. at distances in reverberant environments where the greater portion of arriving sound has already been reflected from various room surfaces. In such placement the integrated frequency response of this capsule is essentially flat; the on-axis high-frequency response elevation shown in the graph below is not heard as such. It is remarkable how well-focused a recording can be made with omnidirectional microphones at such distances, when the microphones have been designed and placed appropriately. If this type of microphone is used close to the sound source, the emphasis of high frequencies for on-axis sound incidence would become clearly audible, producing an overly brilliant sonic impression. If miking distances more typical of the mono and early stereo era are to be used, a capsule such as the MK 2XS, with its full diffuse-field equalization, may well offer the optimal balance of focus, depth and spaciousness.

The Schoeps CMC6-U is a balanced output stage and +12 to +48V phantom power supply for the Schoeps Colette series modular capsules. The transformer-less output stage ensures low-noise and pristine audio reproduction throughout. The CMC6-U is terminated with a standard balanced 3-pin XLR connection for use with standard microphone inputs and preamplifiers.

Schoeps Microphones has created the B-5D Windscreen in grey is best when used on pressure-gradient transducers in light wind and as a close-speech guard. The foam encloses an air chamber around the microphone capsule, similar to a basket windscreen.

Although not designed for it, it works hand in hand with the MK 4V, MK 41V or MK 4VXS microphone capsules and the corresponding CCM Compact Condenser Microphones. But this microphone cannot be used with MK 6 or MK 8 capsules, or the corresponding CCM Compact Microphones.