Schoeps CMC 1 L Miniature Colette Microphone Amp and MK 41 Supercardioid Condenser Capsule (Matte Gray)

The matte gray Schoeps CMC 1 L is a miniature Colette Series microphone amplifier offering uncompromising high fidelity in a lightweight and ultracompact form factor for studio recording, broadcast, and live stage applications. Presented as an alternative to the renowned Schoeps CMC 6 amplifier, the CMC 1 L is compatible with all existing MK mic capsules and Colette active accessories (available separately).

It features a balanced mini LEMO output, compliance with 12 or 48V phantom power, and low current consumption. Its Schoeps RFI Shield provides high immunity from RF interference for a clean, low-noise signal. The CMC 1 L supports the high maximum SPLs tolerated by the various MK mic capsules (available separately). A stand adapter and a 16.4' mini LEMO to XLR 3-pin male adapter cable are supplied with the CMC 1 L.

• Complete, no-compromise alternative to the renowned CMC 6 amplifier
• Electrical characteristics of the CMC 1 L are equal to, or even better than, those of the CMC 6 (flat frequency response, very-low distortion, and constant output impedance across the audio frequency range)
• Only 1" long (about a third the size of the CMC 6)
• Weighs just 1 ounce (about 53% lighter than the CMC 6)
• Fully compatible with all existing MK capsules and Colette active accessories such as the CUT 60 and RC tubes
• Compatible with all accessories of the CCM series
• Very-high immunity from RF interference with the Schoeps RFI Shield
• Optimized RF protection of the CMC 1 L makes it ideal for use with transmitters such as the Audio Limited A 10
• Balanced, direct-coupled, Class-A output circuit
• Output is filtered in the ultrasonic range to prevent interference, e.g. from camera autofocus

The Schoeps MK 41 is part of the Colette series of modular capsules designed for use with the CMC mic amplifiers. The MK 41 effectively attenuates diffuse sound energy and produces a clear, "dry" sound pickup. Its polar pattern is exceptionally frequency independent; sounds from the side and back are strongly attenuated, but picked up without false coloration. This feature has made the MK 41 an international standard for indoor film sound.

The susceptibility of the MK 41 to acoustic feedback is lower than with any other Schoeps capsule type, provided that no loudspeaker radiates directly from the rear. The sensitivity minimum of the supercardioid occurs at approximately a 125° angle of incidence. The directional effect is independent of frequency, so that off-axis and diffuse sound are picked up free of false coloration, thus sounding natural. That is a real advantage over shotgun microphones, which have appreciably greater directivity only at higher frequencies, and frequency response (and thus sound quality) that depends on the direction of sound incidence.

Thus for many situations, the MK 41 offers an interesting alternative to a shotgun microphone, even if its small dimensions do not appear to suggest high directivity. As a capsule without an interference tube in front of it, the MK 41 can also be placed closer to the sound source.