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Description
Canon TS-E 50mm f/2.8L Macro Overview
Characterized by its close-focusing and perspective control capabilities, the TS-E 50mm f/2.8L Macro from Canon is a normal-length tilt-shift lens well-suited for product, tabletop, architectural, and interior photography. Up to +/- 8.5° of tilt is possible, for focus control, and +/- 12mm of shift, to adjust perspective and composition, and a tilt-locking mechanism can be used while shooting for more stability. A minimum focus distance of 10.6" and a maximum magnification of 0.5x are also benefitted by the range of movements for more control over depth of field when photographing close-up subjects.
Complementing the operation of the lens, this L-series prime is also distinguished by its optical design that features a pair of Ultra-Low Dispersion elements to significantly reduce color fringing and chromatic aberrations as well as one aspherical element to minimize spherical aberrations and distortion. Individual elements also feature both Air Sphere and Subwavelength Coatings to suppress flare and ghosting for greater contrast and color neutrality.
In the Box
- Canon TS-E 50mm f/2.8L Macro Tilt-Shift Lens
- Canon E-77 II 77mm Lens Cap
- Canon Lens Dust Cap E (Rear Lens Cap)
- Canon ES-84 Lens Hood
- Canon LP1219 Soft Lens Case
Canon TS-E 50mm f/2.8L Macro Specs
Focal Length | 50mm |
Maximum Aperture | f/2.8 |
Minimum Aperture | f/32 |
Lens Mount | Canon EF |
Lens Format Coverage | Full-Frame |
Angle of View | 46° |
Tilt-Shift | +/- 8.5° Tilt +/- 12 mm Shift |
Minimum Focus Distance | 10.63" / 27 cm |
Maximum Magnification | 0.5x |
Macro Reproduction Ratio | 1:2 |
Optical Design | 12 Elements in 9 Groups |
Diaphragm Blades | 9, Rounded |
Focus Type | Manual Focus |
Image Stabilization | No |
Filter Size | 77 mm (Front) |
Dimensions (ø x L) | 3.42 x 4.52" / 86.9 x 114.9 mm |
Length at Maximum Extension | 5.55" / 141 mm |
Weight | 2.08 lb / 945 g |
Package Weight | 2.79 lb |
Box Dimensions (LxWxH) | 10.3 x 6.1 x 6" |
Canon TS-E 50mm f/2.8L Macro Reviews
Miles better than the 45mm TS-E!
After extensive side-by-side evaluation, as much as I wanted to be ok with the 45mm TS-E, the 50mm was just so much better I couldn't be ok with the older design. In addition to being *much* sharper, it has virtually zero chromatic aberration, better color rendering and no distortion-all issues with the 45mm lens. The 45mm also has some bad flaring issues that crop up, especially at night with light sources near the corners of the frame. In fact, 50mm TS-E resolves better than any other L-series lens I own, including my RF 24-70, & the 24mm and 17mm EF TS-E lenses. It practically embarrasses the 24mm TS-E and definitely makes me anxious for an update to that lens. I use it adapted to the EOS R5. My only complaints with this lens are of no fault of its own-50mm is a tough focal length for architectural photography, and the macro magnification isn't enough to scan film with. Despite those very personal complaints I still love this lens and relish any chance to bust it out.
My new main lens - love it
This is an incredible upgrade from the last series of tilt shift lenses from Canon. If this is the type of lens you shoot with - wait no more. Absolutely gorgeous color and clarity. I hope someday to get the entire line up - I love them so much.
Incredible lens
This is a really great lens! It's razor-sharp and built like a tank. I mostly use the shift function for straight lines in architecture and interior photography, although I've also been using it to stitch together panoramas (you can basically double the resolution of your camera doing and you get less distortion in the images because of the longer focal length.) The 50mm focal length is also great for detail shots and portraits. I highly recommend it!
The best shop ever
Hope to visit you in store ASAP!! Thanks for great service as always.
Outstanding!!
Every bit as sharp as my 24 TS-E, possibly a hair sharper. Using it for architectural photography.
A shame, this lens falls short of being excellent
Optically, Canon's TSE 50mm is an excellent lens. It performs as expected with both shift and tilt. However as a lens designed for manual focus it falls short of being an excellent lens overall - the focus throw is too short making accurate focus far more difficult than necessary. It's a shame, why would you build a lens requiring manual focus with a short focus throw? With a long throw, you can ease into tack sharp focus. As it is tack sharp focus is difficult to achieve because you can't fine tune the focus. There was no need for this, Canon could easily have designed the lens with far better manual focus than they did.
A revelation!
Currently using all Canon L series primes Thought they were great lenses until I purchased this one. Absolutely amazing.
Great do all lens
In the early days, most cameras were essentially tilt- shift in design. That was an essential part of composure that was lost over time. The 50mm TS- E is a perfect do- all lens size. The ability to shoot panorama and macro is an added bonus. Sharper and noticeably higher resolution than the 50mm f/ 1.2L, and especially in landscape. The tilt function can add an interesting twist to portraiture. Quality is superb and the function is smooth. If you want to eliminate soft corner focus, this is the lens that can do that due to the glass size. My 1DX MK3 has a focus arrow feature and face recognition for this lens that makes it super accurate and almost as fast as an auto-focus lens. Definitely 10 out of 10.
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Bulk Discount
Quantity | Price |
2 | ₹ 308802.9 |
3-5 | ₹ 305651.85 |
5-10 | ₹ 299349.75 |
10+ | ₹ 293047.65 |
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