Sony a7CR Mirrorless Camera with 16-25mm f/2.8 Lens and Landscape Photography Kit (Black)

A Compact Powerhouse for Everyday Carry

Packed with processing and resolving power, Sony has stuffed the a7R V's 61MP full-frame sensor and BIONZ XR processor into its beefiest compact yet, the black a7CR Mirrorless Camera, putting professional image quality into a form factor optimized for all-day, everyday carry.

The Sony a7CR's advanced imaging system is powered by a 61MP Full-Frame Exmor R CMOS sensor and the BIONZ XR processor, a potent combination of incredible resolution with high clarity, low noise, and a wide 15-stop dynamic range. In terms of shooting speeds, the sensor and processor enable up to 8 fps shooting with the mechanical shutter and 7 fps with the electronic shutter at full resolution with full-time AF/AE. If shooting JPEG only, more than 1000 frames can be recorded in a single burst. The sensor's structure promotes impressive image quality, and a copper wiring layer dramatically improves data transmission speed for creating 14-bit, high-resolution 61MP stills with a native sensitivity range from ISO 100-32000, which can be further expanded to ISO 50-102400.

A new BIONZ XR processing engine offers up to 8x greater processing performance compared to previous generations, which enables faster overall performance, impressive image quality with wide sensitivity and dynamic ranges, and more fluent processing that's capable of handling a bevy of AI tasks and intelligent AF alongside imaging processes. This processing system also reduces rolling shutter and other motion distortions for clean rendering of moving subjects.

Pixel Shift Multi Shooting

This unique compositing mode allows you to achieve even greater resolution than the 61MP sensor affords. Working in conjunction with the sensor-shift image stabilization, this mode shifts the sensor while making 16 consecutive exposures in order to acquire approximately 240.8MP of information for greater color accuracy and detail than possible with a single exposure, along with an impressive image size of 19,008 x 12,672-pixels. These files can then be merged together during post-production by using the Sony Imaging software suite.

Accurate Exposure and Color

The a7CR uses AI-powered algorithms like Human Pose Estimation to detect skin areas for more accurately balance exposures when shooting portraits. This AE method is approximately 20% more reliable, even in backlit or direct sunlight situations, or even when the subject is not directly facing the camera. Deep learning technology, along with external visible light and IR sensors, also contributes to more accurate color reproduction and auto white balance processing.

Image Stabilization

Now offering seven stops of shake compensation, the camera's pixel-level 5-axis optical image stabilization system, which counters five different types of camera shake encountered during handheld shooting of stills and video, is algorithmically optimized for precision detection and control down to a single pixel. The AI Processing Unit also improves communication between the body and the lens, providing more stable framing before shooting. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake.

AI Processing Unit

Using dedicated processing, the a7RC's autofocus is greatly benefitted by more intelligent subject tracking and recognition capabilities along with the reliable hybrid AF system Alpha cameras are known for. Real-time Recognition AF works with seven different selectable target types:

• Human, which tracks body and head positions for accurate portraits. Real-time Eye AF performance has also been improved by 60% thanks to the human pose estimation capabilities.
• Animal, Bird, and Animal/Bird modes are now 40% more accurate for tracking and recognizing a variety of animal types. Recognition of these subjects includes dogs, cats, birds and more, with the ability to pinpoint focus on eyes and recognize animal bodies and heads.
• Insect recognition offers even finer performance with the ability to detect the head or entire insect subject.
• Car/Train and Airplane recognition means the camera can detect the front part of a train, nose of an airplane, or easily detect the entire fast-moving subject.
• Real-time Tracking benefits from AI-based subject recognition for following moving subjects, making it particularly well-suited to sports and action subjects. Also, Human pose estimation allows the camera to distinguish between multiple people and maintain focus on the targeted subject; even if someone crosses in front, the camera maintains focus on the key person.

• Covering 79% of the full-frame image area, or 100% of the APS-C cropped area, a Fast Hybrid AF system incorporates a dense 693 phase-detection point grid for quick and precise focusing in a variety of lighting conditions with sensitivity down to -4 EV. This focusing system is available for use in all recording modes, to benefit both video and stills applications.
• Full-time DMF (Direct Manual Focus) enables using the lens's focus ring for manual focus control at any time, making it easier to switch focus to a different subject even when working with AF.
• For photographic moving subjects, this AF system keeps up with the top 10 fps continuous shooting speeds, offering full-time AF tracking between each consecutive frame.
• In-camera focus bracketing is possible, with the ability to record up to 299 frames with sequentially shifted focus points for creating composite images during post-production with greater-than-possible depth of field.

• Real-time Eye AF is fully supported during video recording, for subject detection and tracking of human, animal, and bird eyes while shooting.
• Focus Map is a unique way of visualizing depth of field and functions in a similar way to peaking with a colorful overlay of the scene that indicates which parts of the scene are in front of and behind the focus point depending on the chosen aperture.
• A feature carried over from the FX6 digital cine camera, AF Assist lets you intuitively switch over to manual focus control for adjusting focus position when working with AF. This is a quick way to shift selective focus between various subjects in a scene while recording.
• A unique solution to compensate for how certain lenses perform when racking focus, Focus Breathing compensation will automatically smooth focus transitions and maintain a consistent field of view when changing the focus position during a shot. This mode crops into the image slightly and corrects for any detected shifts in composition when focusing is happening.

• Record full frame, 60 fps 4K video in 10-bit 4:2:2 using the advanced XAVC S-I format for consistent performance and quality at bitrates up to 600 Mb/s, and, if recording externally via the full-size HDMI port, 16-bit raw output can be used for even greater tonal reproduction and post-production flexibility.
• If using a Super 35 crop, full pixel readout recording is possible at up to UHD 4K at frame rates up to 30p or 6.2K oversampling can be used for greater sharpness and detail.
• Raw output is supported at up to 4K 60p and simultaneous internal 4K recording is possible, too.
• If recording in Full HD, high-speed, 120 fps recording enables 4x and 5x slow-motion movie recording with the frame rate playback set to either 30p or 24p.
• The S-Log3 and S-Gamut3.Cine Gamma Curves allow for more than 15 stops of dynamic range and for increased post-production flexibility, including matching video from other Sony Cinema Line cameras.
• S-Cinetone can be used to deliver distinct colors and healthy-looking skin tone rendering that is based on technology from the professional Cinema Line cameras, such as the VENICE. This color profile offers natural mid-tones, soft colors, and especially well-controlled highlights.
• Creative Looks can be baked into the recorded footage to create a specific mood during recording and minimize the need for editing.
• User-created LUTs and presets can be set for accurately monitoring footage or previewing a specific look during shooting and can be applied to the camera's monitor, EVF, or HDMI output.

• The introduction of a front command dial puts an added level of control and speed at the tip of your forefinger and ensures that you won't be all thumbs at the moment of peak action.
• Use the camera's USB output function with UVC/UAC control via a computer for streaming applications and broadcasts.
• Built-in 802.11a/b/g/n/ac Wi-Fi allows communication on the 2.4 GHz and 5 GHz bands to instantly share imagery to mobile devices for direct sharing online to social networking, via email, and to cloud storage sites.
• Integrated 3.5mm headphone and microphone ports afford greater control over audio during video recording.
• The 2.36m-dot OLED electronic viewfinder offers a bright, high-resolution, .70x magnification means for eye-level monitoring and sports and a dedicated 120 fps mode for smoother viewing when tracking moving subjects.
• The side-opening, vari-angle 3.0" 1.03m-dot LCD touchscreen works from high, low, and front-facing angles.
• Accepts the high-capacity Z battery rechargeable lithium-ion battery and can also be powered via a USB connection to a computer or mobile battery. This connection can also be used to charge the battery.
• Robust magnesium alloy body offers a durable profile and incorporates dust and moisture seals to protect against harsh environments.

A sleek and powerful wide-angle zoom designed for E-mount mirrorless cameras, the FE 16-25mm f/2.8 G Lens from Sony is an excellent on-the-go lens that specializes in landscape, travel, and close-up photography. By coupling a maximum f/2.8 aperture with an 11-bladed diaphragm, smooth and beautiful bokeh is naturally created. Additionally, this bright maximum aperture allows for high-quality captures even in dimly lit shooting scenarios. Not only is the FE 16-25mm f/2.8 dust and moisture-resistant, but it features a fluorine coating on the front lens element to repel fingerprints, water, and oil from accumulating. The de-clickable aperture ring is a massive benefit to video shooters to ensure smooth transitions.

For making quick adjustments while shooting, three control rings are available: focus, zoom, and aperture. The aperture ring has the option of being set to click to provide tactile feedback when capturing photos, or it can be turned off in order to give you smooth, silent control while shooting video.

• Rounded 11-blade diaphragm
• 16 lens elements in 13 groups
• Three aspherical elements, one ED aspherical element, three ED elements
• Customizable focus hold button
• Focus mode switch
• 67mm filter thread

Ready for Photographers on the Go

The CQL-13 Compact Carbon Fiber Travel Tripod with Ball Head from Oben is designed for shooters on the go. The tripod and ball head fully extend to a maximum height of 51.1", and the 8x carbon fiber construction delivers a load capacity of 13 lb for solidly supporting most heavy camera and telephoto lens setups.

Each five-section leg can be positioned independently at three locking angles to ensure stable support when shooting on uneven terrain. The legs feature internal twist locks that allow it to slide in and out of the carry bag without snagging or catching. It sets up and breaks down in seconds and easily fits in light cases or backpacks. A reversible center column and a separate short center column allow camera positioning close to the ground and provide several options for low-angle shooting.

The 2-way panoramic ball head features solid aluminum construction and simple operation and boasts independent ball head and panoramic base adjustments. It has a 90? notch for instantly switching from portrait to landscape orientation. An Arca-type quick release set allows for mounting and dismounting the camera quickly and effortlessly.

8x carbon fiber construction gives the CQL-13 the strength to support loads up to 13 lb, enough capacity to support a camera and a large telephoto lens.

This tripod folds down to a compact 14.5", and weighs only 1.5 lb. It's perfect for travel and won't weigh down your gear bag. It's even small enough to carry in a backpack. The Y-shaped center column gives the CQL-13 a more compact diameter than a standard tripod when folded.

The 5-section telescoping legs are secured by internal twist locks. The five sections can be unlocked at once with one twist to the end of each leg, making opening and setting up quick and easy. A small turn unlocks each section to individually adjust each leg's height. Internal twist locks provide a more compact design, and the tripod won't snag or catch on the other gear in your gear bag.

The legs offer independent leg spread, and lock at three different angles for support on uneven terrain or at low angles. Set the legs at 21-, 52-, or 82? to ensure the camera's stability.

With the center column fully extended, this compact tripod can reach a height of 51.1". Reversing the center column makes it possible to practically place your camera on the ground for macro and nature shots. A spring-loaded ballast hook lets you add some weight, like a sandbag, to secure the tripod in windy conditions or on uneven terrain.

For dramatic low-angle shots, the included short center column can be used to position a camera as low as 5" off the ground.

The ball head features independent tilt and panoramic locks and a 90? notch for effortless switching from landscape to portrait orientation. A bubble level assures accurate camera alignment with the horizon. The ball head includes an Arca-type quick-release set for easily mounting and dismounting a camera.

Luminesque PRO

• Constructed from Schott optical glass for maintained image quality and clarity.
• A 12-layer multi-coating helps to reduce surface reflections and glare for improved contrast and color neutrality.
• Anodized aluminum filter rings feature a knurled top edge for easier installation and removal.

UV Slim Filter

• Absorbs UV light and reduces bluish cast of daylight for greater image clarity.
• Clear filter provides no additional coloration or contrast, allowing you to pair this filter with others.
• Works as general protection filter to reduce dust, moisture, and scratches from reaching the front lens element.
• 12-layer multi-coating helps to realize a high light transmission rate of 98.2%.
• Slim filter ring incorporates front threads and measures 3.4mm-thick to lessen the likelihood of vignetting when used on wide-angle lenses.

Circular Polarizer Filter

• Reduce reflections and glare by filtering out light that has become polarized due to reflection from a non-metallic surface.
• A