Focal Press Arthur Lessac's Embodied Actor Training

Arthur Lessac's Embodied Actor Training from Focal Press situates the work of the renowned voice and movement trainer Arthur Lessac in the context of contemporary actor training as a whole. Author Melissa Hurt uses Maurice Merleau-Ponty's theories of embodiment to frame Lessac's approach in terms of Embodied Acting, a key subject in contemporary performance. In doing so, she explains how the actor can come to experience both technique and expression as a subjective whole, through meditation and spatial attunement. As well as feeding this somatic approach into a wider discussion of embodiment, the author provides concrete examples of how the practice can be put into effect and studied at university level.

Melissa Hurt is a Lessac Certified Trainer and has taught acting and Lessac's voice, speech, and movement work at colleges across the United States. She has a PhD from the University of Oregon and an MFA from Virginia Commonwealth University.

• Description
• I. Arthur Lessac's Kinesensics and Embodied Actor Training
• II. Getting to Know You
• III. Braiding Perceptions Through Heightened Awareness
• IV. The Actor's Relationship with Space
• V. Spontaneously Free
• Afterword