{"product_id":"udo-audio-super-6-digital-analog-hybrid-synthesizer-blue","title":"UDO Audio Super 6 Digital-Analog Hybrid Synthesizer (Blue)","description":"\u003cdiv\u003e\n \u003ch2\u003eUDO Audio Super 6 Keyboard Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cul\u003e\n    \u003cli\u003e\n\u003cspan\u003e1\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e2\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eTop-Notch Keyboard for Maximum Expression\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e3\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eBinaural Analog Signal Path\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e4\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eMassive Modulation Without Menus\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e5\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eDirect Digital Oscillators\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e6\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eAnalog VCF and VCA\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e7\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eVersatile LFOs\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e8\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eFlexible Dual Envelopes\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e9\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eArpeggiator and Sequencer\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e10\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003ePlethora of Connections\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e11\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eSolid Build Quality\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Super 6 - The Modulation Matrix\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      UDO Audio \u0026amp; Hazel Mills - Bloom - Super 6\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      UDO Audio \u0026amp; Kiefer - Super 6\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eFeaturing an expressive 49-key Fatar keyboard with velocity and polyphonic aftertouch, the blue \u003cstrong\u003eSuper 6 Synthesizer\u003c\/strong\u003e from \u003cstrong\u003eUDO Audio\u003c\/strong\u003e is a polyphonic, 12-voice digital-analog hybrid synth with two digital FPGA-based oscillators per voice fed into a real analog SSM2044-inspired VCF with a resonant 4-pole LPF and fixed linkable HPF, a fully analog VCA with selectable velocity sensitivity, and two highly versatile envelope generators. The Super 6 synthesizer can support binaural output for true-stereo audio with massive spatial potential, allowing you to create uniquely immersive and dynamic sounds with the benefits of analog warmth and digital precision.\u003c\/p\u003e\n    \u003cp\u003eOnce you've sculpted optimal sounds, there's plenty more room for creativity with a sophisticated modulation matrix that supports both predefined destinations and custom mapping for a wide range of controls, as well as 24-bit stereo effects like chorus and delay for sweetening your sounds even further. Both the five-mode arpeggiator and 64-step sequencer are MIDI-syncable, and you get swing and a four-octave range. With 128 rewritable patch memory locations (64 user, 64 factory) and 16 rewritable sequence memories, you can build up a sizable library of creations for instant recall at any time.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Top-Notch Keyboard for Maximum Expression\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       An instrument is cherished not just for the way it sounds but for the way it feels to play. To that end, UDO has ensured that the Super 6 sports a semiweighted Fatar keyboard with 49 full-sized keys, along with adjustable velocity sensitivity and polyphonic aftertouch. You also get:\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cul\u003e\n        \u003cli\u003eTwo-axis bender joystick with LFO trigger\u003c\/li\u003e\n        \u003cli\u003eSix voicing modes: Poly 1, Poly 2, Solo, Legato, variable size and type Unison for polyphonic modes\u003c\/li\u003e\n        \u003cli\u003eVariable portamento \u003c\/li\u003e\n        \u003cli\u003eNumerous keyboard-adjacent controls for bender DDS 1\/2 pitch and VCF cutoff modulation\u003c\/li\u003e\n        \u003cli\u003ePlayable spring-lever keyboard octave selector\u003c\/li\u003e\n        \u003cli\u003eMPE MIDI compliance with polyphonic aftertouch, pitch bend, and expression\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Binaural Analog Signal Path\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       In Binaural mode, the Super 6 features a true-stereo signal path in which the instrument�s twelve voices are twinned to form six stereo super voices. Consequently, the left and right channels�and each of the player�s ears�are assigned their own complete synthesizer voice.\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003eParameters for both channels of each super voice may be independently controlled, facilitating the player to create rich and unique stereo images. The effect ranges from subtle to extreme stereo movement, creating an enhanced sense of spatial positioning relative to conventional monaural signal chains panned at their output.\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Massive Modulation Without Menus\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The Super 6 delivers enormous flexibility at the player's fingertips through simple controls and a carefully designed front panel. Going deeper, there is an intuitive and immediate modulation system based around the performance area switches. For those who want to go further, every panel control can be targeted for modulation, all simultaneously and with unique amounts.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Direct Digital Oscillators\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The oscillators in the Super 6 are digital chips based on FPGA architectures. DDS 1 (oscillator 1) utilizes a centroid oscillator with six sister oscillators that can be dephased in the stereo field, essentially providing seven free-running oscillators. DDS 2 (oscillator 2) sports a single oscillator core, and both oscillators can be coarsely detuned from 64 to 2'.\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cul\u003e\n        \u003cli\u003eDDS 1: six waveforms (sine, sawtooth, square, triangle, and noise) as well as 32 user-downloadable alternative waveforms\u003c\/li\u003e\n        \u003cli\u003eDDS 2: six waveforms including sine, sawtooth, square, triangle, and pulse-width modulation\u003c\/li\u003e\n        \u003cli\u003eCoarse tuning between 64 and 2' for DDS 1 and 32 and 2' for DDS 2\u003c\/li\u003e\n        \u003cli\u003eFine tuning over a range of 10 semitones up and down for DDS 2\u003c\/li\u003e\n        \u003cli\u003eX-Fade mode crossfades the two oscillators over two octaves from a single keyboard split point\u003c\/li\u003e\n        \u003cli\u003eHard-sync support\u003c\/li\u003e\n        \u003cli\u003eDDS 2 can double as an LFO or a fixed square wave suboscillator\u003c\/li\u003e\n        \u003cli\u003eDDS 2 can also process external audio signals via the stereo 1\/4\" audio input\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Analog VCF and VCA\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The SSI2144 reprises the SSM2044 of legacy chipmaker Solid State Micro Technology, which many believe to be the best-sounding analog synthesis filter IC ever produced. Based on Dave Rossum�s patented classic improved ladder topology, the SSI2144 allows rich tonal characteristics that showcase the very best attributes of subtractive synthesis.\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cul\u003e\n        \u003cli\u003eReal analog VCF with 4-pole \/ 24 dB per octave low-pass filter\u003c\/li\u003e\n        \u003cli\u003eResonance control and two levels of overdrive\u003c\/li\u003e\n        \u003cli\u003eExtra fixed-frequency high-pass filter set before the LPF, with on\/off selection\u003c\/li\u003e\n        \u003cli\u003eCreates a band-pass filter when linked with the LPF\u003c\/li\u003e\n        \u003cli\u003eSelectable keyboard tracking modes with filter autotune for accurate tracking\u003c\/li\u003e\n        \u003cli\u003eAnalog VCA with selectable fixed or variable envelope modulation\u003c\/li\u003e\n        \u003cli\u003eDynamics control for selectable velocity sensitivity \u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Versatile LFOs\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The Super 6 includes two assignable, programmable LFOs that greatly enhance your sound creation possibilities. LFO 1 is freely assignable, with low- and high-frequency modes, and it can be used as a standard LFO, a third oscillator, a drone, or for audio-rate modulations.\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003eIt also features controls for delay, delay with left\/right phase offset, as well as a selection of run modes (free running, reset, and one-shot) and syncing modes (arpeggiator\/sequencer or external clock). LFO 2 sports rate and delay controls, selectable trigger modes, and dedicated controls for rate, pitch, and VCF\/VCA modulation.\u003c\/p\u003e\n       \u003cul\u003e\n        \u003cli\u003eLFO 1 Waveforms: triangle, reverse sawtooth, sample and hold, square, and any waveform selection for Oscillator 1\u003c\/li\u003e\n        \u003cli\u003eLFO 2 Waveforms: sine, reverse sawtooth, sample and hold, square, sawtooth, and sample and glide\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Flexible Dual Envelopes\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The envelopes are the final stage of your sound creation, and the envelopes loaded onto the Super 6 are designed to create a wide range of sounds, from mostly static classical tones to dynamic, moving soundscapes. ENV 1 sports an invertable AHDSR (attack, hold, decay, sustain, release) design, which is fully mappable through the mod matrix.\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003eA looping mode with selectable keytracking allows ENV 1 to be used as an LFO or FM source. ENV 2 features a traditional ADSR design with multiple destinations.\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Arpeggiator and Sequencer\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Create epic grooves and patterns with the powerful onboard sequencer and arpeggiator section. The arp features five MIDI-syncable modes with a smart-hold option, while the 64-step sequencer sports programmable step, slide, accent, rest, and sequence length tracks. Clock parameters feature easily adjusted division and swing settings per layer. And you can store up to 16 patterns total.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Plethora of Connections\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Super 6 includes plenty of connections to support any workflow. With true-stereo output, audio in processing, and support for a diversity of pedals, you should have no problem integrating this feature-rich synth into your audio setup, whether live or in the studio.\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cul\u003e\n        \u003cli\u003eOne stereo pair of 1\/4\" outputs for true-stereo, binaural audio output (summed as mono when binaural is off)\u003c\/li\u003e\n        \u003cli\u003eA 1\/4\" stereo input for processing external audio through the second oscillator\u003c\/li\u003e\n        \u003cli\u003eA powerful headphone output with dedicated volume control\u003c\/li\u003e\n        \u003cli\u003eTwo pedal inputs: expression and sustain\u003c\/li\u003e\n        \u003cli\u003e5-pin DIN MIDI input, output, and thru connectors\u003c\/li\u003e\n        \u003cli\u003eUSB-B for MIDI, waveform swapping, and firmware updates\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Solid Build Quality\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The Super 6 is built to last, sporting a physical design that is both rugged and engineered to foster an immediate connection with the player. The housing is constructed from durable metal and the numerous control elements are solid, no wiggly sliders or easily broken knobs. The switches are metal too, ensuring the Super 6 will survive years of touring or heavy studio use.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\u003c\/div\u003e\n   \u003cdiv\u003e\n    UPC: 860009821903\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eUDO Audio Super 6 Digital-Analog Hybrid Synthesizer (Blue)\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eLimited 1-Year Manufacturer Warranty\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ca\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cp\u003eUser Manual\u003c\/p\u003e\n      \u003cp\u003e4.1 MB\u003c\/p\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\u003c\/a\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Table of Contents\n    \u003c\/div\u003e\n    \u003cul\u003e\n     \u003cli\u003eDescription\u003c\/li\u003e\n     \u003cli\u003eTop-Notch Keyboard for Maximum Expression\u003c\/li\u003e\n     \u003cli\u003eBinaural Analog Signal Path\u003c\/li\u003e\n     \u003cli\u003eMassive Modulation Without Menus\u003c\/li\u003e\n     \u003cli\u003eDirect Digital Oscillators\u003c\/li\u003e\n     \u003cli\u003eAnalog VCF and VCA\u003c\/li\u003e\n     \u003cli\u003eVersatile LFOs\u003c\/li\u003e\n     \u003cli\u003eFlexible Dual Envelopes\u003c\/li\u003e\n     \u003cli\u003eArpeggiator and Sequencer\u003c\/li\u003e\n     \u003cli\u003ePlethora of Connections\u003c\/li\u003e\n     \u003cli\u003eSolid Build Quality\u003c\/li\u003e\n    \u003c\/ul\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eUDO Audio Super 6 Keyboard Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Key Specs\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eSound Generation\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eAnalog\/Digital Hybrid\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eKeyboard\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e49 Full-Size Keys with Semi-Weighted Action\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eTouch Sensitivity\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e3 Levels of Sensitivity\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eExpression Controls\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1x Joystick\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Sounds, Kits, or Samples\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e64x Factory Sound Preset\u003cbr\u003e64x User Sound Preset\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMaximum Polyphony\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e12 Voice (Stereo)\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePerformance Functions\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eArpeggiator, Sequencer\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAudio I\/O\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e2x 1\/4\" TS Unbalanced Summed-Mono Line Output (1 Stereo Pair)\u003cbr\u003e1x 1\/4\" TRS Stereo Headphone Output\u003cbr\u003e1x 1\/4\" TRS Stereo Aux Input\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePedal Support\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1x 1\/4\" TRS Expression\u003cbr\u003e1x 1\/4\" Sustain\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMIDI I\/O\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1x DIN 5-Pin Input\u003cbr\u003e1x DIN 5-Pin Output\u003cbr\u003e1x DIN 5-Pin Thru\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eUSB I\/O\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1x USB-B (MIDI, Update)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       General\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eItem Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eKeyboard Synth\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eSound Generation\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eAnalog\/Digital Hybrid\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eKeyboard\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e49 Full-Size Keys with Semi-Weighted Action\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eTouch Sensitivity\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e3 Levels of Sensitivity\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAftertouch\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003ePolyphonic Aftertouch\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eExpression Controls\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1x Joystick\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eDisplay\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eNo\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Sounds\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Sounds, Kits, or Samples\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e64x Factory Sound Preset\u003cbr\u003e64x User Sound Preset\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Rhythm Pattern Presets\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e16x User Pattern\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Song Presets\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eNo\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMaximum Polyphony\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e12 Voice (Stereo)\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMultitimbrality\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1-Part (Monotimbral)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eBuilt-In Effects\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u003cb\u003e1x Modulation\u003c\/b\u003e: \u003ci\u003eChorus (24-Bit \/ 192 kHz)\u003c\/i\u003e\u003cbr\u003e\u003cb\u003e1x Delay\u003c\/b\u003e: \u003ci\u003e24-Bit \/ 192 kHz\u003c\/i\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePerformance Functions\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eArpeggiator, Sequencer\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eBuilt-In Speaker\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eNo\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Synthesis\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eOscillators\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e2x Variable (Noise, PWM, Sawtooth, Sine, Square, Triangle, Wavetable)\u003cbr\u003e1x Fixed Sub (Square)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMixer\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eOscillator, Oscillator 2, External Audio (Level)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAmplifiers\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1x VCA per Voice\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEnvelopes\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1x Assignable Envelope Generator per Voice: Attack, Hold, Decay, Sustain, Release (Loopable, Invertable)\u003cbr\u003e1x Assignable Envelope Generator per Voice: Attack, Decay, Sustain, Release\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eFilters\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u003cb\u003eNumber of Filters: \u003c\/b\u003e1 per Voice\u003cbr\u003e\u003cb\u003eCharacteristic: \u003c\/b\u003eAnalog Stereo Ladder (Modern)\u003cbr\u003e\u003cb\u003eType: \u003c\/b\u003eLow-Pass, Band-Pass, High-Pass\u003cbr\u003e\u003cb\u003eSlope: \u003c\/b\u003e4-Pole\/24 dB (LPF)\u003cb\u003e\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eKey Tracking: \u003c\/b\u003eYes (Off, Half, Full)\u003cbr\u003e\u003cb\u003eControls: \u003c\/b\u003eCutoff, Resonance, Drive\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eLFOs\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u003cb\u003eNumber of LFOs: \u003c\/b\u003e2x Polyphonic per Voice\u003cb\u003e\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eWaveforms: \u003c\/b\u003eSawtooth, Square, Triangle, Random, Noise\u003cbr\u003e\u003cb\u003eLFO Rate: \u003c\/b\u003e0.5 to 50 Hz\u003cbr\u003e\u003cb\u003eKey Tracking: \u003c\/b\u003eFull\u003cbr\u003e\u003cb\u003eControls\/Modes: \u003c\/b\u003eClock Sync, Rate\/Frequency, Fade Time\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eModulation Matrix\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e16-Slot per Voice (16 Sources \/ 16 Destinations)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eGlide\/Portamento\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eYes, Portamento\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Sequencing \u0026amp; Recording\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eSequencer\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u003cb\u003eNumber of Steps:\u003c\/b\u003e 64x Step\u003cb\u003e\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eNumber of Step Buttons:\u003c\/b\u003e 16\u003cbr\u003e\u003cb\u003eNumber of Sequencer Patterns:\u003c\/b\u003e 16x User\u003cb\u003e\u003c\/b\u003e\u003cbr\u003e\u003cb\u003ePattern Chaining:\u003c\/b\u003e Yes \u003cbr\u003e\u003cb\u003eTime Divisions:\u003c\/b\u003e 1\/16, 1\/16 Triplet, 1\/2, 1\/32, 1\/4, 1\/8, 1\/8 Triplet, Whole Note\u003cbr\u003e\u003cb\u003eTempo Range:\u003c\/b\u003e 30 to 300 BPM\u003cbr\u003e\u003cb\u003eInput\/Record Modes:\u003c\/b\u003e Step Record\u003cbr\u003e\u003cb\u003ePlayback \u0026amp; Features:\u003c\/b\u003e Accent, Active Step, Slide\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eArpeggiator\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u003cb\u003eNumber of Steps:\u003c\/b\u003e 64x Step\u003cb\u003e\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eNumber of Arpeggio Patterns:\u003c\/b\u003e 16x User\u003cb\u003e\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eRange:\u003c\/b\u003e Up to 4 Octaves\u003cbr\u003e\u003cb\u003eModes:\u003c\/b\u003e Up, Down, Up \u0026amp; Down, Random\u003cbr\u003e\u003cb\u003eFeatures:\u003c\/b\u003e Accent, Swing Setting(s)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Connectivity\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAudio I\/O\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"UDO Audio-10","offers":[{"title":"Default Title","offer_id":40774553403477,"sku":"UDSPR6KYBRBU:UDSPR6KYBRBU:bhpv","price":554045.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1688656832_1774527.jpg?v=1707336326","url":"https:\/\/www.tanotis.com\/products\/udo-audio-super-6-digital-analog-hybrid-synthesizer-blue","provider":"Tanotis","version":"1.0","type":"link"}