{"product_id":"sony-fx3-full-frame-cinema-camera-with-24-50mm-f-2-8-lens-kit-1","title":"Sony FX3 Full-Frame Cinema Camera with 24-50mm f\/2.8 Lens Kit","description":"\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    Kit Contains:\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\n         \u003cdiv\u003e\n          \u003cspan\u003e\n           \u003cdiv\u003e\n            \u003cimg alt=\"Sony FX3A Full-Frame Cinema Camera\"\u003e \n           \u003c\/div\u003e\n           \u003cdiv\u003e\u003c\/div\u003e\u003c\/span\u003e\n         \u003c\/div\u003e\n        \u003c\/div\u003e\n       \u003c\/div\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\n         \u003cdiv\u003e\n          \u003cspan\u003e\n           \u003cdiv\u003e\n            \u003cimg alt=\"Sony FE 24-50mm f\/2.8 G Lens (Sony E)\"\u003e \n           \u003c\/div\u003e\u003c\/span\u003e\n         \u003c\/div\u003e\n        \u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Sony FX3A Full-Frame Cinema Camera\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Cinematic Capture in a Compact, Streamlined Form\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       With a compact design for solo shooters, travel applications, or as an ideal B camera, the \n       \u003cstrong\u003eSony FX3A\u003c\/strong\u003e borrows from both the Cinema Line and Alpha series of cameras to create an optimized portable cinema camera. The FX3A features all the imaging attributes you'd expect from this class but sports a new lightweight, handheld form with a streamlined profile and a \"cage-free\" design, offering the ability to secure various accessories directly to the camera body.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Firmware Update v2.00\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Firmware update v2.00 provides multiple features, including the BIG6 home screen, where you can easily review shooting settings and equipment configurations, 1.5x and 1.6x magnifications in the De-Squeeze Display, support for the Focus Magnifier and Auto Magnifier in MF settings while using the Bright Monitoring feature, and raw video output via HDMI that enables external recording of Blackmagic Raw. This update also enables the camera to automatically recognize a separate USB-LAN conversion adapter, filter camera images for smartphone and FTP transfers, and record in the metadata the optical density of pre-registered ND filters. To learn more and download v2.00, please visit the \n       \u003ca\u003eSony FX3A firmware support page\u003c\/a\u003e.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Expressive UHD 4K Video Capture\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       The FX3A's 12.1MP Exmor R BSI CMOS sensor (10.2MP effective in video mode) is paired with a BIONZ XR processor to achieve UHD 4K video capture with internal 10-bit 4:2:2 sampling or 16-bit raw output. The sensor's BSI design heightens clarity and sensitivity, with an expandable ISO 80-409,600 range and a greater-than-15-stop dynamic range for working in mixed lighting conditions. Benefiting color and tonal control, the S-Cinetone mode can be used for matching to VENICE, FX9, or FX6 sources, and there is also S-Log3\/2 gamut support and 10-bit HLG for simple HDR productions. The sensor and processor also work together to greatly reduce rolling shutter, and the sensor's design incorporates a Fast Hybrid AF system for intelligent and quick focusing performance and subject tracking.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      4K Full-Frame CMOS Exmor R Sensor\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       A 12.1MP Exmor R sensor and BIONZ XR processor offer the FX3A true cinematic expression with 10.2MP effective video and 12.1MP still capture. The full-frame sensor provides shallow depth of field looks, impressive bokeh, and reduced rolling shutter artifacts. A base sensitivity of 80-102,400 expands to a lofty 409,600 for impressive low-light capture, and 15+ stops of dynamic range reproduce the nuances of both spectacular exteriors and carefully lit interior scenes with plenty of allowance for color grading.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      S-Cinetone Color\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Beautiful skin tone reproduction and a softer-toned look that complements your VENICE, FX9, or FX6 footage are created using the FX3A's default S-Cinetone color setting. S-Log-3, S-Gamut3, S-Gamut3.Cine, and 10-bit 4:2:2 support help maintain rich gradation and color matching with the range of Sony Cinema Line cameras, while HLG HDR provides the option of direct HLG playback without the need for grading.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Video Recording\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\u003c\/div\u003e\n      \u003cdiv\u003e\n       Capture sharp, detailed images at rates up to 4K 120p with up to 5x slow motion at 24p output. Recording options include the ability to output DCI 4K+ in 16-bit raw over HDMI to compatible recorders while simultaneously recording XAVC 4K and proxies in-camera. Internal 4K recording options include 4:2:2 10-bit color with All-Intra and Long GOP codecs.\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cul\u003e\n        \u003cli\u003eCooling features like a silent fan and a heatsink dissipate warmth to enable uninterrupted recording up to 4K60\u003c\/li\u003e\n        \u003cli\u003eDual SD card slots accept both CFexpress Type A and SDXC cards for easy relay or backup recording\u003c\/li\u003e\n        \u003cli\u003eSuper 35 1080p capture at rates up to 240p\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Steady Focus\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eNow, even solo shooters can keep the action in focus thanks to real-time Tracking and Eye autofocus functions made possible by AI-based algorithms, plus a simple touchscreen focus function.\u003c\/li\u003e\n        \u003cli\u003eSeven choices of AF Transition Speed let you rack focus, and five AF Subject Shift settings enable you to adjust the speed when shifting from a locked-on subject.\u003c\/li\u003e\n        \u003cli\u003eFast Hybrid AF uses 627 points to cover approximately 89% of the image frame.\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Ergonomic Form for Solo Operation\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       The FX3A's cage-free design enables you to mount ?\"-20 compatible accessories directly on the camera or the detachable handle, saving you the weight and setup\/breakdown time of a camera cage. The clustered record button, focus and menu controls, and six assignable buttons all help to enable single-handed control, leaving your left hand free for balancing or controlling your lens.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Tilting Touchscreen LCD\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The fold-out 3\" touchscreen LCD has a crisp 2.35MP resolution and can be variously angled for optimal viewing.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Easily Viewable Tally Lights\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eTop, front, and rear tally indicators let the operator, talent, and sound person know precisely when the camera is recording.\u003c\/li\u003e\n        \u003cli\u003eThis enables more accurately timed movements and dialogue delivery.\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Quality Audio Options\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       Pro audio recording options include:\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cul\u003e\n        \u003cli\u003eA detachable XLR adapter handle with two XLR-1\/4\" TRS combo audio inputs\u003c\/li\u003e\n        \u003cli\u003eA mic holder and a 3.5mm input for adding a microphone\u003c\/li\u003e\n        \u003cli\u003eUp to 4-channel, 24-bit audio recording\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Remote Control, Streaming, and Transfers\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eControl your FX3A remotely using the Imaging Edge Mobile or Imaging Edge Desktop apps, and transfer files using Wi-Fi or via a wired USB-C connector to let your editor get a jump on post-production.\u003c\/li\u003e\n        \u003cli\u003eYou can also stream your content using your computer and the Imaging Edge Webcam app.\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Post-Production Stabilization with E-Mount Lenses\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eSony's Catalyst Prepare\/Browse software uses shake metadata to stabilize your image\u003c\/li\u003e\n        \u003cli\u003eAn adjustable balance between shake compensation and image area trimming lets you fine-tune the image\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Improved FX3A Features\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       The FX3A updates the Cinema Line with improvements like comfortable, cage-free handheld operation, a battery runtime 1.6x longer than that of the a7S II, and a USB-PD power option for extended shooting times.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Common FX3A\/FX6\/a7S III Features\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       Like the FX6 and the a7S III, the FX3A features:\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cul\u003e\n        \u003cli\u003eFull-frame, back-illuminated 12.1MP Exmor R CMOS sensor and BIONZ XR processor\u003c\/li\u003e\n        \u003cli\u003eHigh-speed rates of 120p in 4K and 240p in HD\u003c\/li\u003e\n        \u003cli\u003eA dynamic range of 15+ stops\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Shared FX3A\/FX6 Attributes\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Attributes that the FX3A has in common with the larger FX6 camera include:\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cul\u003e\n        \u003cli\u003eS-Cinetone, S-Log3, HLG, and Rec. 709 gamma options\u003c\/li\u003e\n        \u003cli\u003eTally lamps on the front, side, and rear\u003c\/li\u003e\n        \u003cli\u003eAn internal fan to prevent overheating\u003c\/li\u003e\n        \u003cli\u003eA zoom lever for easy frame adjustments\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Shared FX3A\/a7S III Attributes\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       Attributes that the FX3A shares with the a7S III include:\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cul\u003e\n        \u003cli\u003e5-axis in-body image stabilization\u003c\/li\u003e\n        \u003cli\u003e16-bit raw output via HDMI\u003c\/li\u003e\n        \u003cli\u003eS-Log2 gamma choice\u003c\/li\u003e\n        \u003cli\u003e80 to 409,600 ISO range (expanded)\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Wireless Connectivity\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eDual-band 2.4\/5 GHz wireless connectivity\u003c\/li\u003e\n        \u003cli\u003eWired LAN link using the USB-C port and a separate adapter\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     UPC: 027242932302\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Sony FE 24-50mm f\/2.8 G Lens (Sony E)\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      A Portable, High-Quality Mid-Range Zoom Lens\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Bringing a bright, wide maximum aperture to an easy-to-carry form factor, the \n       \u003cb\u003eSony FE 24-50mm f\/2.8 G Lens\u003c\/b\u003e is a versatile mid-range zoom lens built for everyday mobility. The lens's outstanding image quality benefits both stills and video shooters, yielding high resolution and smooth bokeh.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Image Quality and Optical Design\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Featuring 16 elements in 13 groups, this zoom's optics have been optimized to provide greater resolution, clarity, and bokeh quality.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       \u003cli\u003eBright f\/2.8 constant aperture allows users to capture images in dim lighting conditions and with a shallow depth of field. Combined with its 11-blade circular aperture, the lens yields a large and smooth bokeh. \u003c\/li\u003e\n       \u003cli\u003eFour aspherical elements help minimize spherical aberrations, distortion, and also reduce 'onion ring' bokeh, while two extra-low dispersion elements effectively suppress chromatic aberrations and color fringing for greater clarity and color fidelity. \u003c\/li\u003e\n       \u003cli\u003eThe lens boasts strong close-up performance thanks to a minimum focusing distance of 7.1\" and a maximum magnification of 0.33x.\u003c\/li\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Autofocus\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Faster focusing performance, improved close-up shooting, and enhanced control are all benefits of the redesigned focusing system.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eThe autofocus system's linear motors contribute to improved focusing performance, resulting in a faster, quieter, and more precise AF ideal for both video and stills.\u003c\/li\u003e\n        \u003cli\u003eFaster AF means improved focusing when working with fast-moving subjects; support is available for shooting at up to 120 fps with the Sony a9 III, full AF is maintained even when shooting stopped down, and focus tracking is possible even when in shooting slow motion 4K 120p and Full HD 240p.\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Improved Control and Video Capabilities\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Just as camera design has grown to appeal to both photo and video shooters, this lens has also been updated with attributes that specifically appeal to the needs of video shooters.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e \n        \u003cli\u003eThe lens supports Dynamic\/Active Mode image stabilization in compatible cameras. \u003c\/li\u003e\n        \u003cli\u003eSupports the Breathing Compensation function in select cine-line and Alpha cameras. \u003c\/li\u003e\n        \u003cli\u003eManual aperture ring can be de-clicked for silent operation, and the zoom smoothness can be adjusted depending on the desired torque.\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Compact, Lightweight, and Robust Design\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Bringing a bright, f\/2.8 maximum aperture to a compact and lightweight optic, the lens is primed for a broad spectrum of use cases and remains a weather-sealed, durable lens for use in trying working conditions. \n       \u003cbr\u003e \n       \u003cul\u003e \n        \u003cli\u003eFit with a manual aperture ring, tactile exposure control is possible. This ring can be de-clicked for smooth and silent iris pulls, or it can be locked in the 'A' position for camera-based aperture switching. \u003c\/li\u003e\n        \u003cli\u003eOne programmable focus hold button and a focus mode switch for intuitive focus control. \u003c\/li\u003e\n        \u003cli\u003eDust- and moisture-resistant design for use when working in inclement weather conditions. The front lens element has a fluorine coating that repels water, oil, and other contaminants and makes the lens easier to clean. \u003c\/li\u003e\n        \u003cli\u003eIncluded lens hood has been redesigned to complement the lens's sleek design by reducing both its diameter and length.\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     UPC: 027242925151\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eItems Included\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003e\u003cspan\u003eSony FX3A Full-Frame Cinema Camera\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n    \u003cul\u003e\n     \u003cli\u003e\u003cspan\u003eSony NP-FZ100 Battery (2280mAh)\u003c\/span\u003e\u003c\/li\u003e\n     \u003cli\u003e\u003cspan\u003eSony BC-ZD1 Dual-Battery Charger for NP-FZ100 Batteries\u003c\/span\u003e\u003c\/li\u003e\n     \u003cli\u003e\u003cspan\u003eSony XLR-H1 XLR Handle Unit\u003c\/span\u003e\u003c\/li\u003e\n     \u003cli\u003e\u003cspan\u003eBody Cap\u003c\/span\u003e\u003c\/li\u003e\n     \u003cli\u003e\u003cspan\u003eM1 Accessory Shoe Cap\u003c\/span\u003e\u003c\/li\u003e\n     \u003cli\u003e\u003cspan\u003eHandle Shoe Cap\u003c\/span\u003e\u003c\/li\u003e\n     \u003cli\u003e\u003cspan\u003eAccessory Cold Shoe Kit\u003c\/span\u003e\u003c\/li\u003e\n     \u003cli\u003e\u003cspan\u003eLimited 1-Year Manufacturer Warranty\u003c\/span\u003e\u003c\/li\u003e\n    \u003c\/ul\u003e\n    \u003cli\u003e\u003cspan\u003e\u003cspan\u003eSony FE 24-50mm f\/2.8 G Lens (Sony E)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n    \u003cul\u003e\n     \u003cli\u003e\u003cspan\u003eSony ALC-F67S 67mm Front Lens Cap\u003c\/span\u003e\u003c\/li\u003e\n     \u003cli\u003e\u003cspan\u003eSony ALC-R1EM Rear Lens Cap\u003c\/span\u003e\u003c\/li\u003e\n     \u003cli\u003e\u003cspan\u003eSH-178 Lens Hood\u003c\/span\u003e\u003c\/li\u003e\n     \u003cli\u003e\u003cspan\u003eLimited 1-Year Manufacturer Warranty\u003c\/span\u003e\u003c\/li\u003e\n    \u003c\/ul\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003ch4\u003eNot Included\u003c\/h4\u003e\n \u003cul\u003e\n  \u003cli\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Essential\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n\u003ca\u003eRecording Media\u003c\/a\u003e\n\u003c\/li\u003e\n  \u003cli\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Essential\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n\u003ca\u003eChargers\u003c\/a\u003e\n\u003c\/li\u003e\n \u003c\/ul\u003e\n \u003ch4\u003eAdditional Resources \u003c\/h4\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eGuides \u0026amp; Manuals\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eFirmware Updates\u003c\/p\u003e\n    \u003cp\u003ev7.00, \u003cspan\u003e Aug  ' 25\u003c\/span\u003e\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003ca\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cp\u003eMore from manufacturer\u003c\/p\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\u003c\/a\u003e\n \u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Kit Contains:\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\n         \u003cdiv\u003e\n          \u003cdiv\u003e\n           \u003cdiv\u003e\n            \u003cdiv\u003e\n             \u003cdiv\u003e\n              \u003cspan\u003e\n               \u003cdiv\u003e\n                \u003cimg alt=\"Sony FX3A Full-Frame Cinema Camera\"\u003e \n               \u003c\/div\u003e\n               \u003cdiv\u003e\u003c\/div\u003e\u003c\/span\u003e\n             \u003c\/div\u003e\n            \u003c\/div\u003e\n           \u003c\/div\u003e\n           \u003cdiv\u003e\n            \u003cdiv\u003e\n             \u003cdiv\u003e\n              \u003cspan\u003e\n               \u003cdiv\u003e\n                \u003cimg alt=\"Sony FE 24-50mm f\/2.8 G Lens (Sony E)\"\u003e \n               \u003c\/div\u003e\u003c\/span\u003e\n             \u003c\/div\u003e\n            \u003c\/div\u003e\n           \u003c\/div\u003e\n          \u003c\/div\u003e\n         \u003c\/div\u003e\n        \u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eSony FX3A Full-Frame Cinema Camera\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Key Specs\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eLens Mount\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSony E\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eImage Sensor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e35.6 x 23.8 mm (Full-Frame) CMOS\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eSensor Resolution\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eActual: 12.1 Megapixel\u003cbr\u003eEffective: 10.2 Megapixel\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eImage Stabilization\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSensor-Shift\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISO\/Gain Sensitivity\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u003cb\u003e\u003c\/b\u003eNative: 80 to 102,400 (80 to 409,600 Extended)\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eInternal Recording\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u003cb\u003eH.265 Long GOP\/XAVC HS 4:2:2 10-Bit\u003c\/b\u003e\u003cbr\u003eUHD 4K (3840 x 2160) at 1\/2\/3\/4\/6\/8\/12\/15\/23.98\/25\/29.97\/50\/59.94\/100\/120 fps [50 to 280 Mb\/s] \u003ci\u003e \u003c\/i\u003e\u003cbr\u003e\u003cb\u003eH.265 Long GOP\/XAVC HS 4:2:0 10-Bit\u003c\/b\u003e\u003cbr\u003e3840 x 2160 at 1\/2\/3\/4\/6\/8\/12\/15\/23.98\/25\/29.97\/50\/59.94\/100\/120 fps [30 to 150 Mb\/s] \u003ci\u003e \u003c\/i\u003e\u003cbr\u003e\u003cb\u003eMPEG-4 AVC\/XAVC S 4:2:2 10-Bit\u003c\/b\u003e\u003cbr\u003e3840 x 2160 at 1\/2\/3\/4\/6\/8\/12\/15\/23.98\/25\/29.97\/50\/59.94\/100\/120 fps [100 to 280 Mb\/s] \u003cbr\u003e1920 x 1080p at 1\/2\/3\/4\/6\/8\/12\/15\/23.98\/25\/29.97\/50\/59.94\/100\/120\/200\/240 fps [50 Mb\/s] \u003ci\u003e \u003c\/i\u003e\u003cbr\u003e\u003cb\u003eMPEG-4 AVC\/XAVC S-I 4:2:2 10-Bit\u003c\/b\u003e\u003cbr\u003e4096 x 2160 at 1\/2\/3\/6\/12\/23.98\/24.00\/29.97\/48.00\/59.94 fps\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Sony-10","offers":[{"title":"Default Title","offer_id":41978617954389,"sku":"SOFX32450LK:SOFX32450LK:bhpv","price":885730.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1746688006_1845247_60129a02-cb9b-4a26-8ad9-9d062c72f751.jpg?v=1766006192","url":"https:\/\/www.tanotis.com\/products\/sony-fx3-full-frame-cinema-camera-with-24-50mm-f-2-8-lens-kit-1","provider":"Tanotis","version":"1.0","type":"link"}