{"product_id":"sony-fe-70-200mm-f-4-macro-g-oss-ii-lens-with-72mm-filter-kit-3","title":"Sony FE 70-200mm f\/4 Macro G OSS II Lens with 72mm Filter Kit","description":"\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    Kit Contains:\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\n         \u003cdiv\u003e\n          \u003cspan\u003e\n           \u003cdiv\u003e\n            \u003cimg alt=\"Sony FE 70-200mm f\/4 Macro G OSS II Lens (Sony E)\"\u003e \n           \u003c\/div\u003e\n           \u003cdiv\u003e\u003c\/div\u003e\u003c\/span\u003e\n         \u003c\/div\u003e\n        \u003c\/div\u003e\n       \u003c\/div\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\n         \u003cdiv\u003e\n          \u003cspan\u003e\n           \u003cdiv\u003e\n            \u003cimg alt=\"Chiaro Pro 72mm 98-UVATS UV Filter\"\u003e \n           \u003c\/div\u003e\u003c\/span\u003e\n         \u003c\/div\u003e\n        \u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Sony FE 70-200mm f\/4 Macro G OSS II Lens (Sony E)\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      A Classic Telephoto Zoom, Refined and Reimagined\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Nine years in the making, \n       \u003cb\u003eSony\u003c\/b\u003e has retooled their classic, workhorse telephoto zoom lens with the \n       \u003cb\u003eFE 70-200mm f\/4 Macro G OSS II\u003c\/b\u003e, introducing performance upgrades in autofocus, stabilization, magnification, and sharpness while reducing both its length and size. Remaining a portable, workaday stalwart for events, sports, and portraiture, this latest iteration expands its capabilities into video and macro applications.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Improved Optical Performance\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       The biggest change to the optical design of the lens is the introduction of a floating focusing element, enabling the lens' high-resolution .5x \"half-macro\" magnification, shrinking the minimum focusing distance to 10.2\" at 70mm. This increased resolution is available across the entirety of the zoom range, as is the lens' improved corner-to-corner sharpness. The lens features aspherical, Advanced Aspherical, Super Extra-low dispersion, and extra-low dispersion aspherical elements to reduce and suppress chromatic and spherical aberrations. Nano AR Coating II controls flare and ghosting, while the rounded, nine-blade diaphragm supplies the lens with its soft, smooth bokeh.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Faster, Video-Optimized Autofocus\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Chief among the 70-200mm f\/4 II's enhancements is its faster, video-optimized autofocus system. Featuring 4 XD Linear motors, two for each of the lens' focus groups, the lens now performs 20% faster than its predecessor and supports focus tracking while zooming. The new autofocus system also works with the Alpha 1's blackout-free 30 fps high-speed continuous shooting, double the rate of the f\/4 OSS I.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       For those eager to apply the lens' virtues to video, Sony has introduced several features from their cinema division. The new autofocus system has near-silent operation while dramatically reducing focus breathing and focus shift. The Linear Response MF system to ensures a consistent, natural-feeling operation, while the full-time Direct Manual Focus (DMF) feature makes it easy to make quick adjustments using the focus ring while in AF modes.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Rounding out the improvements to image quality, the lens' built-in SteadyShot optical image stabilization is designed to work in tandem with the camera body's stabilization system to ensure sharp images while shooting handheld even at the longest focal lengths.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Redesigned for Portability and Durability\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       In reconfiguring the 70-200mm f\/4 II, Sony has kept in mind both the endurance of the lens and its user, reducing both the length and weight of the optic by 15% to 5.8\" and 1.7 lb, respectively. The internal zoom mechanism minimizes front-heaviness to reduce strain while focusing, while its dust- and moisture-resistant design and rubber control rings make it suitable for inclement conditions.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Other design features include: \n       \u003cul\u003e\n        \u003cli\u003eA removable and rotating tripod collar for added stability and reducing strain on the camera's lens mount.\u003c\/li\u003e\n        \u003cli\u003eThree focus hold buttons and an AF\/MF switch on the lens barrel for intuitive tactile control and rapid access to select settings.\u003c\/li\u003e\n        \u003cli\u003eThree-mode optical image stabilization switch to ensure sharpness in varying shooting conditions.\u003c\/li\u003e\n        \u003cli\u003eA full-time DMF switch for manual focus override during AF-C mode.\u003c\/li\u003e\n        \u003cli\u003eZoom lock and focus range limiter switches to prevent unwanted lens extension or to constrain the usable focus range between a set limited range or full for improving focus speed.\u003c\/li\u003e\n        \u003cli\u003eA fluorine coating for the front-lens element to repel water, oil, and other contaminants and facilitate lens-cleaning.\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Teleconverter Compatibility\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The FE 70-200mm f\/4 GM OSS II is compatible with Sony's optional FE 1.4x and 2.0x teleconverters. These teleconverters allow for life-size, 1:1 macro photography throughout the entire zoom range. When used, the 1.4x and 2.0x teleconverters will provide effective focal lengths and apertures of 98-280mm f\/5.6 and 140-400mm f\/8, respectively.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     UPC: 027242925168\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Chiaro Pro 72mm 98-UVATS UV Filter\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cp\u003eThe \u003cb\u003ePro 72mm 98-UVATS UV Filter\u003c\/b\u003e is one of \u003cstrong\u003eChiaro?s\u003c\/strong\u003e highest-rated protective UV filters with 98% light transmission. It?s ideal for photographers of all levels who demand high-quality glass and other essential features for excellent image fidelity and construction.\u003c\/p\u003e\n     \u003cp\u003eTo achieve 98% light transmission, Chiaro uses highly-polished optical glass, multi-coating, and additional advanced elements that improve the filter?s light transmission. A scratch-resistant coating minimizes scratching of the glass and helps assure that water, oil, dust, and fingerprints are removed with a gentle wipe. Its hard-anodized aluminum filter ring is designed to screw on and off effortlessly, and it is thin to prevent vignetting when used with wide-angle lenses. Side knurling helps assure that you?ll have a firm grip when attaching or removing your filter.\u003c\/p\u003e\n     \u003cp\u003eImage quality is what matters most at Chiaro. The company has tested and combined many features and essentials to achieve superior image quality and the highest light transmission. To help take the confusion out of selecting a filter, Chiaro prominently displays the light transmission levels so that you can choose the perfect filter for your lens and photo session.\u003c\/p\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       98% Light Transmission\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Protecting your lens doesn't mean you have to lose optical quality. By using highly-polished optical glass and advanced coatings, Chiaro offers a 98% transmission rate, which is an excellent transmission rate for glass. And the company verifies the ratings with ISO certified lab testing.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Resistance Coating\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The layers of advanced resistance coating on the filter are designed to resist moderate scratches, and allow you to easily clean your filter. Water beads up and rolls off your filter, and oil and fingerprints can come off with a gentle wipe. Dust and debris won't adhere to the filter and can be removed with a puff of air.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Polished Optical Glass\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Glass that's polished to perfection is essential to achieve a high level of light transmission. The optical glass in this Chiaro filter is highly-polished for flatness that ensures excellent optical clarity.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Multi-Coating\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Multi-coating enhances light transmission to the demanding level set for all Chiaro filters. It reduces unwanted internal reflections and ghosting that can compromise your images.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       UV Protection\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The filter blocks UV light and reduces the bluish cast of daylight that can affect color accuracy, especially at higher altitudes.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Hard Anodized Aluminum Construction\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The process of hard anodizing toughens and strengthens the aluminum for a lightweight yet durable filter ring.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Slim Design\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Measuring only 3.2mm, this filter is slim enough to use on wide-angle lenses without experiencing vignetting.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Top and Side Knurling\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       In addition to top knurling, Chiaro added side knurling to better grip the filter when you're attaching and removing it, or when you're stacking filters.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Secure Attachment\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       It takes two full turns to mount the filter on your lens. This feature will securely hold your Chiaro filter through the most demanding photo shoots.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Front Threads\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The front threads on the filter allow you to stack filters by screwing them onto your Chiaro filter.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     UPC: 847628593510\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eItems Included\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003e\u003cspan\u003eSony FE 70-200mm f\/4 Macro G OSS II Lens (Sony E)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n    \u003cul\u003e\n     \u003cli\u003e\u003cspan\u003eSony ALC-F72S 72mm Front Lens Cap\u003c\/span\u003e\u003c\/li\u003e\n     \u003cli\u003e\u003cspan\u003eSony ALC-R1EM Rear Lens Cap\u003c\/span\u003e\u003c\/li\u003e\n     \u003cli\u003e\u003cspan\u003eALC-SH176 Lens Hood\u003c\/span\u003e\u003c\/li\u003e\n     \u003cli\u003e\u003cspan\u003eLimited 1-Year Manufacturer Warranty\u003c\/span\u003e\u003c\/li\u003e\n    \u003c\/ul\u003e\n    \u003cli\u003e\u003cspan\u003e\u003cspan\u003eChiaro Pro 72mm 98-UVATS UV Filter\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n    \u003cul\u003e\n     \u003cli\u003e\u003cspan\u003eJewel Case\u003c\/span\u003e\u003c\/li\u003e\n     \u003cli\u003e\u003cspan\u003eBooklet: The Surprising Truth About Lens Filters\u003c\/span\u003e\u003c\/li\u003e\n     \u003cli\u003e\u003cspan\u003eLimited 10-Year Manufacturer Warranty\u003c\/span\u003e\u003c\/li\u003e\n    \u003c\/ul\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003ch4\u003eAdditional Resources \u003c\/h4\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eGuides \u0026amp; Manuals\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eFirmware Updates\u003c\/p\u003e\n    \u003cp\u003ev.02, \u003cspan\u003e Dec  ' 23\u003c\/span\u003e\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eSony FE 70-200mm f\/4 G OSS II Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Key Specs\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eFocal Length\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e70 to 200mm\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMaximum Aperture\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003ef\/4\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eLens Format Coverage\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eFull-Frame\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eFocus Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eAutofocus\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eImage Stabilization\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eYes\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eFilter Size\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e72 mm (Front)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMaximum Aperture\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003ef\/4\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMinimum Aperture\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003ef\/22\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eLens Mount\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSony E\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eLens Format Coverage\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eFull-Frame\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAngle of View\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e34? to 12? 30'\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMinimum Focus Distance\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e10.2\" \/ 26 cm\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMaximum Magnification\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e0.5x\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eOptical Design\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e19 Elements in 13 Groups\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAperture\/Iris Blades\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9, Rounded\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eFocus Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eAutofocus\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eImage Stabilization\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eYes\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eTripod Mounting\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRemovable and Rotating Collar\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eFilter Size\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e72 mm (Front)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eDimensions\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e?: 3.2 x L: 5.9\" \/ ?: 82.2 x L: 149 mm\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eWeight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1.7 lb \/ 794 g\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Sony-10","offers":[{"title":"Default Title","offer_id":41978507264085,"sku":"SO702004G2FK:SO702004G2FK:bhpv","price":277535.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1720202109_1803571_f61b2b2f-e0d5-4f4c-a862-03b79a838c1d.jpg?v=1766004300","url":"https:\/\/www.tanotis.com\/products\/sony-fe-70-200mm-f-4-macro-g-oss-ii-lens-with-72mm-filter-kit-3","provider":"Tanotis","version":"1.0","type":"link"}