{"product_id":"sony-a9-iii-mirrorless-camera-with-70-200mm-f-2-8-ii-lens-and-performance-kit-2","title":"Sony a9 III Mirrorless Camera with 70-200mm f\/2.8 II Lens and Performance Kit","description":"\u003cdiv\u003e  \n \u003cdiv\u003e \n  \u003cdiv\u003e \n   \u003cdiv\u003e\n     Kit Contains: \n   \u003c\/div\u003e \n  \u003c\/div\u003e \n  \u003cdiv\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e \n       \u003cdiv\u003e \n        \u003cdiv\u003e \n         \u003cdiv\u003e \n          \u003cspan\u003e \n           \u003cdiv\u003e \n            \u003cimg alt=\"Sony a9 III Mirrorless Camera\"\u003e \n           \u003c\/div\u003e \n           \u003cdiv\u003e\u003c\/div\u003e\u003c\/span\u003e \n         \u003c\/div\u003e \n        \u003c\/div\u003e \n       \u003c\/div\u003e \n       \u003cdiv\u003e \n        \u003cdiv\u003e \n         \u003cdiv\u003e \n          \u003cspan\u003e \n           \u003cdiv\u003e \n            \u003cimg alt=\"Sony FE 70-200mm f\/2.8 GM OSS II Lens\"\u003e \n           \u003c\/div\u003e\u003c\/span\u003e \n         \u003c\/div\u003e \n        \u003c\/div\u003e \n       \u003c\/div\u003e \n       \u003cdiv\u003e \n        \u003cdiv\u003e \n         \u003cdiv\u003e \n          \u003cspan\u003e \n           \u003cdiv\u003e \n            \u003cimg alt=\"Sony VG-C5 Vertical Grip\"\u003e \n           \u003c\/div\u003e\u003c\/span\u003e \n         \u003c\/div\u003e \n        \u003c\/div\u003e \n       \u003c\/div\u003e \n       \u003cdiv\u003e \n        \u003cdiv\u003e \n         \u003cdiv\u003e \n          \u003cspan\u003e \n           \u003cdiv\u003e \n            \u003cimg alt=\"Lexar 256GB Professional GOLD CFexpress 4.0 Type A Memory Card\"\u003e \n           \u003c\/div\u003e\u003c\/span\u003e \n         \u003c\/div\u003e \n        \u003c\/div\u003e \n       \u003c\/div\u003e \n       \u003cdiv\u003e \n        \u003cdiv\u003e \n         \u003cdiv\u003e \n          \u003cspan\u003e \n           \u003cdiv\u003e \n            \u003cimg alt=\"Sony NP-FZ100 Battery (2280mAh)\"\u003e \n           \u003c\/div\u003e\u003c\/span\u003e \n         \u003c\/div\u003e \n        \u003c\/div\u003e \n       \u003c\/div\u003e \n       \u003cdiv\u003e \n        \u003cdiv\u003e \n         \u003cdiv\u003e \n          \u003cspan\u003e \n           \u003cdiv\u003e \n            \u003cimg alt=\"Xcellon CFexpress Type A and UHS-II SD Card Reader\"\u003e \n           \u003c\/div\u003e\u003c\/span\u003e \n         \u003c\/div\u003e \n        \u003c\/div\u003e \n       \u003c\/div\u003e \n       \u003cdiv\u003e \n        \u003cdiv\u003e \n         \u003cdiv\u003e \n          \u003cspan\u003e \n           \u003cdiv\u003e \n            \u003cimg alt=\"Watson Mini Duo USB-C Charger for Sony NP-FZ100 Batteries\"\u003e \n           \u003c\/div\u003e\u003c\/span\u003e \n         \u003c\/div\u003e \n        \u003c\/div\u003e \n       \u003c\/div\u003e \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n  \u003c\/div\u003e \n \u003c\/div\u003e \n \u003cdiv\u003e \n  \u003ca\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e\u003c\/div\u003e \n   \u003c\/div\u003e\n\u003cp\u003eSony Releases Major Firmware for a1, a7S III, a7 IV \u0026amp; a9 III\u003c\/p\u003e\u003c\/a\u003e \n \u003c\/div\u003e \n \u003cdiv\u003e \n  \u003cdiv\u003e\u003c\/div\u003e \n \u003c\/div\u003e \n \u003cdiv\u003e\u003c\/div\u003e \n \u003cdiv\u003e \n  \u003cdiv\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e\n      Sony a9 III Mirrorless Camera \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n   \u003cdiv\u003e\u003c\/div\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e\n       A New Dimension of Image Performance \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Laying claim to the title of world's first global shutter mirrorless camera, the \n       \u003cb\u003eSony a9 III\u003c\/b\u003e is a speedy and incredibly capable system for sports, wildlife, photojournalism, and much, much more. This revolutionary sensor technology raises the bar for full-frame imaging, including the ability to shoot raw continuously at up to 120 fps and enjoy flash sync up to the maximum shutter speed of 1\/80,000 second. Blending the functionality of this 24.6MP sensor with Sony's powerful BIONZ XR processor and AI Processing Unit results in a system that will provide unmatched performance for those looking for an incredibly responsive and reliable camera system. \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e \n       \u003cdiv\u003e \n        \u003cdiv\u003e\u003c\/div\u003e \n       \u003c\/div\u003e \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e \n       \u003cdiv\u003e \n        \u003cdiv\u003e \n         \u003cdiv\u003e\u003c\/div\u003e \n        \u003c\/div\u003e \n       \u003c\/div\u003e \n      \u003c\/div\u003e \n      \u003cdiv\u003e \n       \u003cdiv\u003e\n         Global Shutter?A First for Mirrorless \n       \u003c\/div\u003e \n      \u003c\/div\u003e \n      \u003cdiv\u003e\n        Sony has delivered the world's first full-frame global shutter mirrorless camera with the a9 III. The use of a global shutter provides a leap in performance over the rolling shutter technology used for decades. A global shutter provides a near instantaneous and simultaneous readout of all 24.6MP, eliminating skew and other artifacts that plagued rolling shutters. It also far surpasses mechanical shutter technology is every way, making the physical shutter unnecessary in the a9 III. \n       \u003cbr\u003e \n       \u003cbr\u003e Global shutters help ensure consistent and uniform exposure across the entire frame in all lighting conditions. Flash sync is possible at any shutter speed-even the maximum of 1\/80,000 second. The simultaneous readout also prevents banding from certain light sources, such as fluorescent lighting. In a gym, outside, or with mixed artificial lighting the a9 III will handle it with ease. \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Flash photography and mixed lighting conditions will see major usability enhancements with the use of a global shutter. This includes the ability to sync at up to 1\/80,000 second with any flash. Sony flashes will benefit from communication that ensures optimal results and third-party flashes can be synced with the shutter by using a menu setting to adjust the delay. \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e \n       \u003cdiv\u003e \n        \u003cdiv\u003e \n         \u003cdiv\u003e\u003c\/div\u003e \n        \u003c\/div\u003e \n       \u003c\/div\u003e \n      \u003c\/div\u003e \n      \u003cdiv\u003e \n       \u003cdiv\u003e\n         Pre-Capture \u0026amp; Speed Boost?Never Miss a Moment \n       \u003c\/div\u003e \n      \u003c\/div\u003e \n      \u003cdiv\u003e\n        Along with the key technology delivered by the sensor, the a9 III offers features new features to unlock the camera's full potential. \n       \u003cul\u003e \n        \u003cli\u003e\n\u003cb\u003ePre-Capture:\u003c\/b\u003e The a9 III can be configured to begin recording images to the buffer when the shutter button is half-pressed. Users can set this between 0.05-1.0 second. Upon pressing the shutter these images will be saved to the memory card.\u003c\/li\u003e \n        \u003cli\u003e\n\u003cb\u003eSpeed Boost:\u003c\/b\u003e Not every shoot calls for the a9 III's impressive max speed of 120 fps. With Speed Boost and the C5 button, which is conveniently placed near the grip on the front of the camera, users can instantly switch their camera from their usual continuous shooting frame rate to a faster one to make sure their next shot is just right. Photographers will be able to select various frame rates up to 120 fps.\u003c\/li\u003e \n       \u003c\/ul\u003e \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Pro-Quality 4K Video \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        While video benefits greatly from the use of global shutter technology-rolling shutter and banding artifacts are completely eliminated-the a9 III boasts plenty of other video improvements over its predecessor worth talking about. \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e \n       \u003cdiv\u003e \n        \u003cdiv\u003e \n         \u003cdiv\u003e\u003c\/div\u003e \n        \u003c\/div\u003e \n       \u003c\/div\u003e \n      \u003c\/div\u003e \n      \u003cdiv\u003e \n       \u003cul\u003e \n        \u003cli\u003eThe a9 III captures and downsamples the full 6K image area to produce high-quality UHD 4K video up to 60 fps. It can also record 4K up to 120 fps with no crop.\u003c\/li\u003e \n        \u003cli\u003eRecord 10-bit 4:2:2 internally using All-I encoding for maximum quality.\u003c\/li\u003e \n        \u003cli\u003eOutput 16-bit raw via the full-size HDMI port to a compatible external recorder.\u003c\/li\u003e \n        \u003cli\u003eS-Log3, S-Cinetone, and other Picture Profiles are available for optimizing the image for your workflow and production environment.\u003c\/li\u003e \n       \u003c\/ul\u003e \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Refined Body Design \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        With a new generation of Alpha-series cameras comes some slight tweaks and modifications designed to make the operation of the system more ergonomic. The a9 III features a handful of updates: \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e \n       \u003cdiv\u003e \n        \u003cdiv\u003e \n         \u003cdiv\u003e\u003c\/div\u003e \n        \u003c\/div\u003e \n       \u003c\/div\u003e \n      \u003c\/div\u003e \n      \u003cdiv\u003e \n       \u003cul\u003e \n        \u003cli\u003eAddition of C5 custom button to front of camera body.\u003c\/li\u003e \n        \u003cli\u003eContinuous shooting mode dial can now be disabled and shooting speed can be adjusted in the menu.\u003c\/li\u003e \n        \u003cli\u003eEnhanced grip and the shutter button has been slightly moved to provide a more ergonomic experience.\u003c\/li\u003e \n        \u003cli\u003eDual CFexpress Type A\/SD card slots provide versatility, allowing users to use existing media or pick up the faster CFexpress options to take full advantage of the a9 III's increased speed.\u003c\/li\u003e \n        \u003cli\u003eUSB-C port now offers faster USB 3.2 Gen 2 speeds of up to 10 Gb\/s.\u003c\/li\u003e \n       \u003c\/ul\u003e \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e \n       \u003cdiv\u003e \n        \u003cdiv\u003e \n         \u003cdiv\u003e\u003c\/div\u003e \n        \u003c\/div\u003e \n       \u003c\/div\u003e \n      \u003c\/div\u003e \n      \u003cdiv\u003e \n       \u003cul\u003e \n        \u003cli\u003e3.2\" 2.1m-dot 4-axis multi-angle touchscreen LCD-first seen on the a7R V. This screen has a wide color gamut covering the DCI-P3 space.\u003c\/li\u003e \n        \u003cli\u003e9.44m-dot 0.90x OLED electronic viewfinder with maximum refresh rate of 240 fps. The a9 III benefits from maximum quality viewing at up to 120 fps.\u003c\/li\u003e \n        \u003cli\u003eEthernet port for advanced networking and data transfer workflows.\u003c\/li\u003e \n        \u003cli\u003eThe optional VG-C5 Vertical Grip is designed to match the updated ergonomics of the a9 III, including the new C5 button.\u003c\/li\u003e \n       \u003c\/ul\u003e \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Enhanced Functionality and Usability \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Sony has continued to improve the workflows of their professional cameras with upgraded and additional features: \n       \u003cul\u003e \n        \u003cli\u003eA voice memo function promises clearer recording with a microphone located close to the user. These memos can be transferred via FTP and can be converted to text using Sony's Transfer \u0026amp; Tagging application.\u003c\/li\u003e \n        \u003cli\u003eIPTC metadata can be automatically added to images and up to 20 presets can be saved.\u003c\/li\u003e \n        \u003cli\u003eImage bursts can now be set to display as a group during playback to make it easier to navigate through a shoot, especially when using the a9 III's fastest continuous shooting rates.\u003c\/li\u003e \n        \u003cli\u003eBuilt-in Wi-Fi and Ethernet can be used for fast networked data transfer during shooting.\u003c\/li\u003e \n       \u003c\/ul\u003e \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e \n       \u003cdiv\u003e \n        \u003cdiv\u003e \n         \u003cdiv\u003e\u003c\/div\u003e \n        \u003c\/div\u003e \n       \u003c\/div\u003e \n      \u003c\/div\u003e \n      \u003cdiv\u003e \n       \u003cul\u003e \n        \u003cli\u003eThe a9 III is designed to be used in a wide ranging of shooting conditions and is weather sealed to protect it from the elements.\u003c\/li\u003e \n        \u003cli\u003eA shading curtain activates when the camera is powered off, protecting the camera's sensor from dust and the elements.\u003c\/li\u003e \n       \u003c\/ul\u003e \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e \n       \u003cdiv\u003e \n        \u003cdiv\u003e \n         \u003cdiv\u003e\u003c\/div\u003e \n        \u003c\/div\u003e \n       \u003c\/div\u003e \n      \u003c\/div\u003e \n      \u003cdiv\u003e \n       \u003cdiv\u003e\n         Future Firmware Updates \n       \u003c\/div\u003e \n      \u003c\/div\u003e \n      \u003cdiv\u003e\n        The Sony a9 III is going to get better with time and there are some details on what to expect in future firmware updates: \n       \u003cul\u003e \n        \u003cli\u003eThe ability to shooting continuously at up to 120 fps when using the maximum shutter speed of 1\/80,000 second.\u003c\/li\u003e \n        \u003cli\u003eWorkflow enhancements for IPTC metadata and FTP functions.\u003c\/li\u003e \n        \u003cli\u003eAddition of C2PA technology from the Content Authenticity Initiative.\u003c\/li\u003e \n       \u003c\/ul\u003e \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e \n       \u003cdiv\u003e \n        \u003cdiv\u003e\u003c\/div\u003e \n       \u003c\/div\u003e \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e\u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e\n      UPC: 027242927803 \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n  \u003c\/div\u003e \n \u003c\/div\u003e \n \u003cdiv\u003e \n  \u003cdiv\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e\n      Sony FE 70-200mm f\/2.8 GM OSS II Lens \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n   \u003cdiv\u003e\u003c\/div\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e\n       Redefining Excellence \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e \n       \u003cb\u003eSony's FE 70-200mm f\/2.8 GM OSS II\u003c\/b\u003e takes the classic fast zoom and elevates performance to a whole new level. This lens builds upon the best parts of the original and makes them even better while simultaneously reducing weight by 29%?making this lens the lightest in its class. Sony has also given this lens a brand-new AF system that promises up to four times the speed and has made plenty of optical optimizations that will appeal to video shooters, including improvements to focus breathing and focus shift. Whether you shoot portraits, sports, landscapes, or video, the 70-200mm f\/2.8 will get the job done. \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e \n       \u003cdiv\u003e \n        \u003cdiv\u003e\u003c\/div\u003e \n       \u003c\/div\u003e \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e\n       Improved Optical Performance \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e \n       \u003cdiv\u003e \n        \u003cdiv\u003e \n         \u003cdiv\u003e\u003c\/div\u003e \n        \u003c\/div\u003e \n       \u003c\/div\u003e \n      \u003c\/div\u003e \n      \u003cdiv\u003e\n        A hallmark of the G Master line is outstanding optical performance with both high sharpness and smooth bokeh. Using a new design, the FE 70-200mm f\/2.8 GM OSS II promises corner-to-corner sharpness across the entire zoom range?even when shooting wide open at f\/2.8. Along with that, a newly designed 11-blade aperture helps create soft, pleasing bokeh. \n       \u003cul\u003e \n        \u003cli\u003eFast f\/2.8 constant aperture allows users to capture images in dim lighting conditions and with a shallow depth of field.\u003c\/li\u003e \n        \u003cli\u003eTwo ED (extra-low dispersion) and two Super ED elements, including one aspherical ED element, effectively suppress chromatic and spherical aberrations.\u003c\/li\u003e \n       \u003c\/ul\u003e \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e \n       \u003cdiv\u003e \n        \u003cdiv\u003e \n         \u003cdiv\u003e\u003c\/div\u003e \n        \u003c\/div\u003e \n       \u003c\/div\u003e \n      \u003c\/div\u003e \n      \u003cdiv\u003e \n       \u003cul\u003e \n        \u003cli\u003eTwo aspherical lenses, including one extreme aspherical lens (XA), minimize distance-related aberrations and also reduce 'onion ring' bokeh.\u003c\/li\u003e \n        \u003cli\u003eNano AR Coating II controls flare and ghosting with support from a new optical design that reduces internal reflections.\u003c\/li\u003e \n        \u003cli\u003eAn 11-blade aperture diaphragm helps create smooth, circular bokeh at all aperture settings.\u003c\/li\u003e \n       \u003c\/ul\u003e \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e\n       Optimized for Video \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e \n       \u003cdiv\u003e \n        \u003cdiv\u003e\u003c\/div\u003e \n       \u003c\/div\u003e \n      \u003c\/div\u003e \n      \u003cdiv\u003e\n        Taking cues from their cinema division, Sony has optimized the 70-200mm II for video. Changes include a dramatic reduction of focus breathing and focus shift, improved autofocus performance, and a Linear Response MF system to ensure consistent, natural-feeling operation. Full-time Direct Manual Focus (DMF) also makes it easy to make quick adjustments using the focus ring while in AF modes. \n       \u003cbr\u003e \n       \u003cbr\u003e The exterior design of the lens also sees some big changes. One clear example is the addition of a physical aperture ring that was not present on its predecessor. Users will be able to de-click this ring at the flip of a switch for smooth iris control during shooting. This provides shooters with independent controls for focus, zoom, and iris. \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e\n       Fast Autofocus and Reliable Image Stabilization \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e \n       \u003cdiv\u003e \n        \u003cdiv\u003e \n         \u003cdiv\u003e\u003c\/div\u003e \n        \u003c\/div\u003e \n       \u003c\/div\u003e \n      \u003c\/div\u003e \n      \u003cdiv\u003e\n        Among the biggest improvements with the 70-200mm II is a vastly superior autofocus system. Now comprised of 4 XD Linear motors, the lens now performs up to four times faster. Focus tracking while zooming sees its own specific improvement of around 30% when compared to the previous model. Users will also enjoy high-speed continuous shooting at up to 30 fps with AF and video will benefit from the near-silent operation. \n       \u003cbr\u003e \n       \u003cbr\u003e An advanced Optical SteadyShot image stabilization system will ensure sharp images while shooting handheld at even the longest focal lengths. Multiple modes are available, including standard, panning, and a new Mode 3 for moving subjects. \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e\n       Professional Design and Durability \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e \n       \u003cdiv\u003e \n        \u003cdiv\u003e \n         \u003cdiv\u003e\u003c\/div\u003e \n        \u003c\/div\u003e \n       \u003c\/div\u003e \n      \u003c\/div\u003e \n      \u003cdiv\u003e\n        Being designed for professional use, the 70-200mm II has been ruggedized with advanced weather sealing. The weight has also been reduced by approximately 29%, to just under 2.3 lb, making this model among the lightest in its class. Optics have also been designed for balance with an internal zoom mechanism, minimizing front heaviness to provide a more ergonomic center of gravity. \n       \u003cbr\u003e \n       \u003cbr\u003e Other features of the physical design include three programmable focus hold buttons, all located in 90-degree increments, for more tactile control over select settings in both landscape and portrait orientation. Users also have a removable tripod foot for added stability on support systems. \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e \n       \u003cdiv\u003e \n        \u003cdiv\u003e \n         \u003cdiv\u003e\u003c\/div\u003e \n        \u003c\/div\u003e \n       \u003c\/div\u003e \n      \u003c\/div\u003e \n      \u003cdiv\u003e \n       \u003cul\u003e \n        \u003cli\u003eFocus range limiter switch will optimize performance and improve AF speed and responsiveness in certain shooting scenarios.\u003c\/li\u003e \n        \u003cli\u003eZoom ring torque has been optimized.\u003c\/li\u003e \n        \u003cli\u003eIris lock switch prevents users from accidentally moving the aperture ring to or from the auto aperture position.\u003c\/li\u003e \n        \u003cli\u003eFront lens element has a fluorine coating that repels water, oil, and other contaminants and makes the lens easier to clean.\u003c\/li\u003e \n        \u003cli\u003eIncluded lens hood features a locking button and a filter window for easier adjustment of variable filters (e.g. polarizers, ND).\u003c\/li\u003e \n       \u003c\/ul\u003e \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e \n       \u003cdiv\u003e \n        \u003cdiv\u003e \n         \u003cdiv\u003e\u003c\/div\u003e \n        \u003c\/div\u003e \n       \u003c\/div\u003e \n      \u003c\/div\u003e \n      \u003cdiv\u003e \n       \u003cdiv\u003e\n         Teleconverter Compatibility \n       \u003c\/div\u003e \n      \u003c\/div\u003e \n      \u003cdiv\u003e\n        The FE 70-200mm f\/2.8 GM OSS II is compatible with Sony's optional FE 1.4x and 2.0x teleconverters. These teleconverters can be used while still retaining full autofocus capabilities. When used, the 1.4x and 2.0x teleconverters will provide effective focal lengths and apertures of 98-280mm f\/4 and 140-400mm f\/5.6, respectively. \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e\u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e\n      UPC: 027242923768 \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n  \u003c\/div\u003e \n \u003c\/div\u003e \n \u003cdiv\u003e \n  \u003cdiv\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e\n      Sony VG-C5 Vertical Grip \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e \n     \u003cp\u003eDedicated to the \u003cb\u003eSony\u003c\/b\u003e a9 III and a1 II mirrorless cameras, the \u003cb\u003eVG-C5 Vertical Grip\u003c\/b\u003e offers both extended battery and a more comfortable grip when shooting in the vertical orientation. The grip accepts either one or two NP-FZ100 batteries to increase the effective battery life for longer shooting sessions, and the batteries can be charged in the grip while attached to the camera via the body's USB port. Compared to previous-generation vertical grips, the VG-C5 also has refined circuitry that supports parallel power supply to provide even longer effective operation times and and the remaining battery life for both batteries can be indicated on the camera display.\u003c\/p\u003e \n     \u003cp\u003e The grip's design maintains the same layout as the camera body itself, and includes a secondary shutter button and Multi-Selector for intuitive use, as well as a secondary C5 front custom button. The grip is built from magnesium alloy and is dust and moisture resistant to match the weather-sealing of the camera itself.\u003c\/p\u003e \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Compatible Cameras \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e \n       \u003cul\u003e \n        \u003cli\u003eSony a9 III\u003c\/li\u003e \n        \u003cli\u003eSony a1 II\u003c\/li\u003e \n       \u003c\/ul\u003e \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e\u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e\n      UPC: 027242929722 \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n  \u003c\/div\u003e \n \u003c\/div\u003e \n \u003cdiv\u003e \n  \u003cdiv\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e\n      Lexar 256GB Professional GOLD CFexpress 4.0 Type A Memory Card \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e \n     \u003cp\u003eExperience the CFexpress 4.0 advantage and capture 8K raw cinema-quality video with the \u003cb\u003e256GB Professional GOLD CFexpress 4.0 Type A Memory Card\u003c\/b\u003e from \u003cb\u003eLexar\u003c\/b\u003e, which delivers read speeds of up to 1800 MB\/s, write speeds of up to 1650 MB\/s, and sustained write speeds of 1400 MB\/s, all of which help to expedite post-production. Additionally, thanks to its VPG-400 rating, write speeds are guaranteed not to drop below 400 MB\/s. Also featured is 8-point protection against temperatures, vibration, wear-out, dust and water (IP68), drops, shocks, compression, and bends. Protection is provided by a limited lifetime warranty and data recovery software.\u003c\/p\u003e \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Impressive Pro Performance \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        PCIe 4.0 technology delivers max read speeds of 1800 MB\/s and max write speeds of 1650 MB\/s to capture vibrant, fast-action shots and then power through post-production. \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Stunning Sustained Write Speeds \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        1400 MB\/s sustained write speeds let you shoot commercial-quality video with no dropped frames and capture stutter-free burst-mode photos, shot after shot. Plus, the card is future-proofed to capture 8K raw video as well. \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Accelerate Your Workflow by 2x \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Paired with the Lexar Professional Workflow CFexpress 4.0 Type A Card Reader (sold separately), this card enables you to dramatically expedite your post-production process twice as fast as CFexpress 2.0 cards. \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Built to Withstand Harsh Environments \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        The Lexar Professional GOLD CFexpress 4.0 Type A Card features a rugged design that is temperature-proof, vibration-resistant, 12,000x wear-out resistant, dust and waterproof (IP68), 16.4' drop-proof, shock-resistant, bend-resistant, and 150N pressure-proof. \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        More Room for Your Creativity \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        With a massive capacity of up to 256GB, you can experience unrivaled performance that lets you shoot and record continuous, seamless, 8K raw video, resulting in a more efficient workflow. \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Lexar Has You Covered \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Lexar's Recovery Tool helps you recover accidentally deleted and formatted pictures or video files and a limited lifetime warranty provides extra peace of mind. \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Rigorously Tested \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        All Lexar products undergo extensive testing in the Lexar Quality Labs, facilities with thousands of different cameras and digital devices to ensure performance, quality, compatibility, and reliability. \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e\u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e\n      UPC: 843367143238 \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n  \u003c\/div\u003e \n \u003c\/div\u003e \n \u003cdiv\u003e \n  \u003cdiv\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e\n      Sony NP-FZ100 Battery (2280mAh) \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e \n     \u003cp\u003eThe 7.2 VDC, 2280mAh \u003cb\u003eNP-FZ100 Battery\u003c\/b\u003e from \u003cb\u003eSony\u003c\/b\u003e is a high-capacity Z-series power source for select digital cameras. This battery has InfoLITHIUM support for displaying the remaining charge of the battery on the camera's LCD screen.\u003c\/p\u003e \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Compatible Cameras \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Sony a1 \n       \u003cbr\u003e Sony a1 II \n       \u003cbr\u003e Sony a9 III \n       \u003cbr\u003e Sony a9 II \n       \u003cbr\u003e Sony a9 \n       \u003cbr\u003e Sony a7S III \n       \u003cbr\u003e Sony a7R V \n       \u003cbr\u003e Sony a7R IVA \n       \u003cbr\u003e Sony a7R IV \n       \u003cbr\u003e Sony a7R IIIA \n       \u003cbr\u003e Sony a7R III \n       \u003cbr\u003e Sony a7CR \n       \u003cbr\u003e Sony a7C II \n       \u003cbr\u003e Sony a7C \n       \u003cbr\u003e Sony a7 V \n       \u003cbr\u003e Sony a7 IV \n       \u003cbr\u003e Sony a7 III \n       \u003cbr\u003e Sony a6700 \n       \u003cbr\u003e Sony a6600 \n       \u003cbr\u003e Sony ZV-E1 \n       \u003cbr\u003e Sony ZV-E10 II \n       \u003cbr\u003e \n       \u003cbr\u003e Sony FX3A \n       \u003cbr\u003e Sony FX3 \n       \u003cbr\u003e Sony FX2 \n       \u003cbr\u003e Sony FX30 \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e\u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e\n      UPC: 027242907508 \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n  \u003c\/div\u003e \n \u003c\/div\u003e \n \u003cdiv\u003e \n  \u003cdiv\u003e\u003c\/div\u003e \n \u003c\/div\u003e  \n\u003c\/div\u003e\n\u003cp\u003eAll product and company names are trademarks or registered trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.\u003c\/p\u003e","brand":"Sony-10","offers":[{"title":"Default Title","offer_id":42626274132053,"sku":"SOA937020BGK:SOA937020BGK:bhpv","price":1582360.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1779732418_1850242.jpg?v=1782176947","url":"https:\/\/www.tanotis.com\/products\/sony-a9-iii-mirrorless-camera-with-70-200mm-f-2-8-ii-lens-and-performance-kit-2","provider":"Tanotis","version":"1.0","type":"link"}