{"product_id":"sony-a6700-mirrorless-camera-with-16-55mm-and-70-350mm-lenses-and-content-creation-kit-2","title":"Sony a6700 Mirrorless Camera with 16-55mm and 70-350mm Lenses and Content Creation Kit","description":"\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    Kit Contains:\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\n         \u003cdiv\u003e\n          \u003cspan\u003e\n           \u003cdiv\u003e\n            \u003cimg alt=\"Sony a6700 Mirrorless Camera\"\u003e \n           \u003c\/div\u003e\n           \u003cdiv\u003e\u003c\/div\u003e\u003c\/span\u003e\n         \u003c\/div\u003e\n        \u003c\/div\u003e\n       \u003c\/div\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\n         \u003cdiv\u003e\n          \u003cspan\u003e\n           \u003cdiv\u003e\n            \u003cimg alt=\"Sony E 16-55mm f\/2.8 G Lens\"\u003e \n           \u003c\/div\u003e\u003c\/span\u003e\n         \u003c\/div\u003e\n        \u003c\/div\u003e\n       \u003c\/div\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\n         \u003cdiv\u003e\n          \u003cspan\u003e\n           \u003cdiv\u003e\n            \u003cimg alt=\"Sony E 70-350mm f\/4.5-6.3 G OSS Lens\"\u003e \n           \u003c\/div\u003e\u003c\/span\u003e\n         \u003c\/div\u003e\n        \u003c\/div\u003e\n       \u003c\/div\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\n         \u003cdiv\u003e\n          \u003cspan\u003e\n           \u003cdiv\u003e\n            \u003cimg alt=\"Sony GP-VPT2BT Wireless Shooting Grip (Black)\"\u003e \n           \u003c\/div\u003e\u003c\/span\u003e\n         \u003c\/div\u003e\n        \u003c\/div\u003e\n       \u003c\/div\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\n         \u003cdiv\u003e\n          \u003cspan\u003e\n           \u003cdiv\u003e\n            \u003cimg alt=\"Sony ECM-G1 Ultracompact Camera-Mount Vlogger Shotgun Microphone\"\u003e \n           \u003c\/div\u003e\u003c\/span\u003e\n         \u003c\/div\u003e\n        \u003c\/div\u003e\n       \u003c\/div\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\n         \u003cdiv\u003e\n          \u003cspan\u003e\n           \u003cdiv\u003e\n            \u003cimg alt=\"Lexar 128GB Professional 2000x UHS-II SDXC Memory Card\"\u003e \n           \u003c\/div\u003e\u003c\/span\u003e\n         \u003c\/div\u003e\n        \u003c\/div\u003e\n       \u003c\/div\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\n         \u003cdiv\u003e\n          \u003cspan\u003e\n           \u003cdiv\u003e\n            \u003cimg alt=\"Watson NP-FZ100 V3 Lithium-Ion Battery Pack (7.2V, 2250mAh, 16.2Wh)\"\u003e \n           \u003c\/div\u003e\u003c\/span\u003e\n         \u003c\/div\u003e\n        \u003c\/div\u003e\n       \u003c\/div\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\n         \u003cdiv\u003e\n          \u003cspan\u003e\n           \u003cdiv\u003e\n            \u003cimg alt=\"Watson Mini Duo USB-C Charger for Sony NP-FZ100 Batteries\"\u003e \n           \u003c\/div\u003e\u003c\/span\u003e\n         \u003c\/div\u003e\n        \u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Sony a6700 Mirrorless Camera\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The Multi-Tool for the Multi-Hyphenate\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       A compact synthesis of \n       \u003cb\u003eSony\u003c\/b\u003e's Cinema Line innovations, ?-series still-image rendering quality, and advancements in AI-based recognition technology, the \n       \u003cb\u003ea6700 Mirrorless Camera\u003c\/b\u003e puts powerful and versatile imaging capabilities into the hands of ambitious content creators. Powered-up by its combo of the latest 26.0MP back-illuminated Exmor R CMOS sensor and the BIONZ XR processor, the camera nevertheless weighs less than its predecessor, resulting in a mobile workhorse capable of an unstrained 11 fps continuous stills capture or stress-free UHD 4K video oversampled from a 6K resolution, making it a formidable multi-tool for the multi-hyphenate creative.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      26.0MP Exmor R CMOS Sensor and BIONZ XR Processor\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The Sony a6700's advanced imaging system is powered by the 26MP APS-C Exmor R CMOS sensor and BIONZ XR processor, a combination introduced in the FX30 Digital Cinema Camera that is capable of 10-bit UHD 4K imagery at up to 120 fps or a top continuous shooting rate of 11 fps with AF and AE and up to 59 compressed raw still images in bursts. The introduction of the back-illuminated structure to the camera's sensor gives it a higher resolution without sacrificing sensitivity. With an ISO range of 100-32000 that's expandable to ISO50-102400 when shooting stills, the camera boasts low-light performance with minimal noise and more than 14 stops of dynamic range.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Cinematic Video in UHD 4K\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Along with its powerful sensor and processor, the Sony a6700 brings a strong suite of professional video features from its Cinema Line series to everyday content creators and aspiring filmmakers.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e \n        \u003cli\u003eFull pixel readout from the 6K sensor creates high-quality UHD 4K video, with approximately 2.4x the data required for 4K video, minimizing moir? and aliasing.\u003c\/li\u003e \n        \u003cli\u003eUHD 4K recording is possible with frame rates up to 120p and full HD recording up to 240p, using full 1:1 pixel readout without binning. \u003c\/li\u003e \n        \u003cli\u003eRecord in 10-bit 4:2:2 using advanced XAVC HS and XAVC S-I formats for consistent performance and quality at bitrates up to 600 Mb\/s.\u003c\/li\u003e \n        \u003cli\u003eRecord for more than two hours in 4K 30p, or more than 40 minutes at 4K 60p on a 128GB card.\u003c\/li\u003e \n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eSlow \u0026amp; Quick (S\u0026amp;Q) mode allows shooters to capture 4K video at specified steps between 1-120 fps and Full HD between 1-240 fps, depending on the format. These settings will allow you to slow down action as well as speed up a slow-moving scene.\u003c\/li\u003e\n        \u003cli\u003eS-Cinetone can be used to deliver distinct colors and healthy-looking skin tone rendering that is based on technology from the professional Cinema Line cameras, such as the VENICE. This color profile offers natural mid-tones, soft colors, and especially well-controlled highlights.\u003c\/li\u003e\n        \u003cli\u003eThe S-Log3 and S-Gamut3.Cine Gamma Curves allow for more than 14 stops of dynamic range and for increased post-production flexibility, including matching video from other Sony Cinema Line cameras.\u003c\/li\u003e \n        \u003cli\u003eCreative Looks can be baked into the recorded footage to create a specific mood during recording and minimize the need for editing.\u003c\/li\u003e \n        \u003cli\u003eUser-created LUTs and presets can be set for accurately monitoring footage or previewing a specific look during shooting and can be applied to the camera's monitor, EVF, or HDMI output.\u003c\/li\u003e \n        \u003cli\u003eThe camera supports instant time-lapse settings with framerate, recording, light, and interval customization.\u003c\/li\u003e \n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      AI-Powered Autofocus and Image Stabilization\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The Sony a6700's AI Processing Unit brings a host of enhanced capabilities to the camera's autofocus and image stabilization systems, ensuring smooth handling and clarity no matter the shooting conditions. The camera's 759 phase detection points in stills mode and 495 points in video mode, covering 93% of the image area, are enhanced with AI-powered subject recognition performance and real-time tracking. Other autofocus features include focus bracketing in up to 299 images with sequentially-shifted focus points, focus accuracy in low light down to EV -3.0, focus breathing compensation, autofocus assist, focus mapping, and focus peaking during autofocus.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Vlog-Friendly AI-Enhanced Framing\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Additionally, the AI Processing Unit recognizes and tracks subjects when recording video, seamlessly auto-cropping to maintain the subject in a prominent position in the frame and lending ease to otherwise difficult camerawork. This tracking can be custom located within the frame and adjusted for speed and sensitivity, all at the touch of a finger.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Image Stabilization\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The camera's pixel-level 5-axis optical image stabilization system, which compensates for five different types of camera shake encountered during handheld shooting of stills and video, is algorithmically optimized for precision detection and control down to a single pixel. The AI Processing Unit also improves communication between the body and the lens, providing more stable framing before shooting. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Advanced Rendering\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       For stills-shooters, the a6700 offers a wide range of color renderings and compressions for optimal image quality and storage management, led by the introduction of the High Efficiency Image File (HEIF) format, available here in 4:2:0 and 4:2:2 options. Users also have the choice between Compressed and Lossless Compressed options when shooting raw. The AI Processing Unit also helps to achieve better exposure results in Auto mode, achieving a 20% increase in reliability over the a6600 according to manufacturer testing, with applicable algorithmic adjustments made for skin tone, backlit situations, and white balance. The same Creative Looks presets available in video are also available when shooting stills, allowing additionally for user-defined configurations with eight adjustable parameters. For optimal viewing of stills when tethered to select monitors and televisions, the a6700 now offers a stills-designed Hybrid Log-Gamma mode that delivers accurate dynamic range in 10-bit HEIF format.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Body Design and Connectivity\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e \n        \u003cli\u003eThe introduction of a front command dial puts an added level of control and speed at the tip of your forefinger and ensures that you won't be all thumbs at the moment of peak action.\u003c\/li\u003e \n        \u003cli\u003eUse the camera's USB output function with UVC\/UAC control via a computer for streaming applications and broadcasts with 4K video at 15 or 30 fps or full HD at 30 or 60 fps.\u003c\/li\u003e \n        \u003cli\u003eBuilt-in 802.11a\/b\/g\/n\/ac Wi-Fi allows communication on the 2.4 GHz and 5 GHz bands to instantly share imagery to mobile devices for direct sharing online to social networking, via email, and to cloud storage sites.\u003c\/li\u003e\n        \u003cli\u003eThe camera can connect to the Creators' Cloud central cloud platform using the Creators app for sharing and storing media, editing in the cloud, and collaboration tools. The phone can also be used as a camera remote and to monitor battery power and storage levels.\u003c\/li\u003e\n        \u003cli\u003eIntegrated 3.5mm headphone and microphone ports afford greater control over audio during video recording. The Multi-Interface Shoe also functions as a digital audio interface.\u003c\/li\u003e\n        \u003cli\u003eThe XGA Tru-Finder 2.36m-dot OLED electronic viewfinder offers a bright, high-resolution, 1.07x magnification means for eye-level monitoring and sports and a dedicated 120 fps mode for smoother viewing when tracking moving subjects.\u003c\/li\u003e \n        \u003cli\u003eThe side-opening, vari-angle 3.0\" 1.03m-dot LCD touchscreen works from high, low, and front-facing angles.\u003c\/li\u003e\n        \u003cli\u003eAccepts the high-capacity Z battery rechargeable lithium-ion battery, which provides approximately 550 stills\/120 minutes of video recording per charge when using the LCD screen.\u003c\/li\u003e \n        \u003cli\u003eIn addition to the battery, the a6700 can also be powered via a USB connection to a computer or mobile battery. This connection can also be used to charge the battery.\u003c\/li\u003e \n        \u003cli\u003eRobust magnesium alloy body offers a durable profile and incorporates dust and moisture seals to protect against harsh environments.\u003c\/li\u003e \n        \u003cli\u003eA new grip design enhances handling and stability for long shooting sessions and facilitates access to the main control buttons and dials.\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     UPC: 027242926202\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Sony E 16-55mm f\/2.8 G Lens\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Compact and Fast Zoom for APS-C\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Positioned as the workhorse lens for APS-C, the \n       \u003cb\u003eSony E 16-55mm f\/2.8 G\u003c\/b\u003e is a flexible wide-angle to portrait-length zoom featuring a bright constant f\/2.8 maximum aperture. Covering a versatile range, this sleek lens is well-positioned for a wide variety of subjects, from landscapes to portraiture, and its portable size makes it a go-to lens for everyday shooting.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      G Lens Series\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003e Four aspherical elements, including two AA (Advanced Aspherical) elements, help to greatly reduce distortion and spherical aberrations in order to accurately render scenes with a high degree of sharpness.\u003c\/li\u003e\n        \u003cli\u003e Three extra-low dispersion elements reduce color fringing and chromatic aberrations for improved clarity and color accuracy.\u003c\/li\u003e\n        \u003cli\u003e A Nano AR Coating has been applied to minimize surface reflections, flare, and ghosting for increased contrast and color rendering in strong lighting conditions.\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003e Wide-to-portrait-length 16-55mm zoom is designed for APS-C-format Sony E-mount mirrorless cameras and provides a 24-82.5mm equivalent focal length range.\u003c\/li\u003e\n        \u003cli\u003e Bright f\/2.8 constant maximum aperture enables greater control over depth of field and also suits working in difficult lighting conditions.\u003c\/li\u003e\n        \u003cli\u003e Rounded nine-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Autofocus and Handling\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003e XD Linear Motor system provides quick, quiet, and precise autofocus performance that suits both photo and video applications.\u003c\/li\u003e\n        \u003cli\u003e Linear Response manual focus control offers more natural handling and an AF\/MF switch is located on the lens barrel for tactile control over this setting.\u003c\/li\u003e\n        \u003cli\u003e Customizable focus hold buttons are present on the lens barrel for intuitive tactile control and rapid access to select settings.\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Compact and Durable Design\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003e Dust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures.\u003c\/li\u003e\n        \u003cli\u003e Fluorine-coated front element resists dust, moisture, and fingerprints and is easy to clean.\u003c\/li\u003e\n        \u003cli\u003e Portable design measures 4\" long and weighs just over 1 lb, making it an ideal companion for the smaller size of APS-C camera bodies.\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     UPC: 027242916081\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Sony E 70-350mm f\/4.5-6.3 G OSS Lens\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Versatile Telephoto Zoom for APS-C\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Covering a useful range of telephoto focal lengths, the \n       \u003cb\u003eE 70-350mm f\/4.5-6.3 G OSS\u003c\/b\u003e from \n       \u003cb\u003eSony\u003c\/b\u003e is a 105-525mm-equivalent zoom for APS-C-format E-mount cameras. The long reach is suitable for sports, wildlife, and landscape shooting, and is benefitted by Optical SteadyShot image stabilization to minimize the appearance of camera shake for sharper handheld shooting.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      G Lens Series\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eOne aspherical element helps to reduce distortion and spherical aberrations in order to accurately render scenes with a high degree of sharpness.\u003c\/li\u003e\n        \u003cli\u003e Three extra-low dispersion elements reduce color fringing and chromatic aberrations for improved clarity and color accuracy.\u003c\/li\u003e\n        \u003cli\u003e Seven-blade diaphragm contributes to a pleasing bokeh quality.\u003c\/li\u003e\n        \u003cli\u003e Telephoto zoom 70-350mm lens is designed for APS-C-format Sony E-mount mirrorless cameras and provides a 105-525mm equivalent focal length range.\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Autofocus, OSS, and Handling\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003e XD Linear Motor system provides quick, quiet, and precise autofocus performance and also contributes to more natural, intuitive manual focus control.\u003c\/li\u003e\n        \u003cli\u003e AF\/MF switch is located on the lens barrel for tactile control over this setting.\u003c\/li\u003e\n        \u003cli\u003e Customizable focus hold buttons allow for intuitive tactile control and rapid access to select settings.\u003c\/li\u003e\n        \u003cli\u003e Optical SteadyShot image stabilization helps to minimize the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds.\u003c\/li\u003e\n        \u003cli\u003e Zoom lock keeps the lens length fixed when not in use.\u003c\/li\u003e\n        \u003cli\u003e Dust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures. \u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     UPC: 027242916128\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Sony GP-VPT2BT Wireless Shooting Grip (Black)\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Helping to improve shooting stability, the \n       \u003cb\u003eSony GP-VPT2BT Wireless Shooting Grip\u003c\/b\u003e is a convenient tool that serves as both a larger grip for handheld shooting as well as a sleek tabletop tripod. Compatible with select Sony cameras featuring Bluetooth connectivity, this grip offers wireless control over select shooting controls, via built-in shutter release and video record buttons, a zoom rocker switch, and a customizable C1 button. Beyond serving as just an accessory grip, the grip itself can be splayed into three legs and function as a tripod for hands-free shooting. The integrated head can tilt upward 80? (40? when setup as a tripod), downward 90?, and rotate 360? for easier positioning. Additionally, the grip is dust and moisture-resistant to suit its use with select weather-sealed cameras.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Camera Compatibility\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cb\u003eMirrorless Cameras\u003c\/b\u003e \n       \u003cli\u003eSony a1 \u003c\/li\u003e\n       \u003cli\u003eSony a1 II \u003c\/li\u003e\n       \u003cli\u003eSony a5000 \u003c\/li\u003e\n       \u003cli\u003eSony a5100 \u003c\/li\u003e\n       \u003cli\u003eSony a6000 \u003c\/li\u003e\n       \u003cli\u003eSony a6100 \u003c\/li\u003e\n       \u003cli\u003eSony a6300 \u003c\/li\u003e\n       \u003cli\u003eSony a6400 \u003c\/li\u003e\n       \u003cli\u003eSony a6500 \u003c\/li\u003e\n       \u003cli\u003eSony a6600 \u003c\/li\u003e\n       \u003cli\u003eSony a6700 \u003c\/li\u003e\n       \u003cli\u003eSony a7 III \u003c\/li\u003e\n       \u003cli\u003eSony a7 IV \u003c\/li\u003e\n       \u003cli\u003eSony a7C \u003c\/li\u003e\n       \u003cli\u003eSony a7C II \u003c\/li\u003e\n       \u003cli\u003eSony a7CR \u003c\/li\u003e\n       \u003cli\u003eSony a7R III \u003c\/li\u003e\n       \u003cli\u003eSony a7R IV \u003c\/li\u003e\n       \u003cli\u003eSony a7R V \u003c\/li\u003e\n       \u003cli\u003eSony a7S III \u003c\/li\u003e\n       \u003cli\u003eSony a9 \u003c\/li\u003e\n       \u003cli\u003eSony a9 II \u003c\/li\u003e\n       \u003cli\u003eSony a9 III \u003c\/li\u003e\n       \u003cli\u003eSony NEX-5T \u003c\/li\u003e\n       \u003cli\u003eSony ZV-E10 \u003c\/li\u003e\n       \u003cli\u003eSony ZV-E10 II \u003c\/li\u003e\n       \u003cli\u003eSony QX1 \u003c\/li\u003e\n       \u003cli\u003eSony ZV-E1\u003cbr\u003e \u003cbr\u003e \u003cb\u003ePoint \u0026amp; Shoot Cameras\u003c\/b\u003e \u003c\/li\u003e\n       \u003cli\u003eSony DSC-RX100 VII \u003c\/li\u003e\n       \u003cli\u003eSony ZV-1 II\u003c\/li\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     UPC: 027242919143\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Sony ECM-G1 Ultracompact Camera-Mount Vlogger Shotgun Microphone\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cp\u003eVloggers and content creators can elevate their camera's audio with the \u003cb\u003eSony ECM-G1\u003c\/b\u003e, an ultracompact, camera-mount shotgun microphone optimized for capturing clear and intelligible speech for video. Whether you're shooting interviews, outdoor street scenes, or just quick updates for social media, the ECM-G1's highly directional supercardioid pickup pattern focuses audio capture narrowly on the subject directly in front of the camera, helping to reject unwanted background sound from the sides and rear. The large 14.6mm mic capsule delivers a full-range sound, rivaling that of a dedicated professional audio recorder like the Sony PCM-D100. \u003c\/p\u003e\n     \u003cp\u003e The ECM-G1 offers a 3.5mm output jack for use with a wide variety of DSLR and mirrorless cameras (3.5mm audio cable included). And, of course, the mic is compatible with Sony's Multi-Interface (MI) shoe, which provides Sony shooters with a cable-free connection for powering and in-camera audio recording. A furry windscreen is included for outdoor shoots.\u003c\/p\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Small Enough to Stay Out of Your Way, Even on Gimbals\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eWith a weight of only 1.2 ounces and a length of only 1.9\", you can leave the ultracompact ECM-G1 attached to your camera all the time, so you don't have to sacrifice audio quality on a spur-of-the-moment take.\u003c\/li\u003e\n        \u003cli\u003eThe unobtrusive design ensures the mic stays out of the way of both the viewfinder and your framed shot, even with wide-angle lenses, making it ideal for tight vlogging shots.\u003c\/li\u003e\n        \u003cli\u003eThe back of the microphone won't touch your forehead when you're looking through the viewfinder and setup is easy, even with gimbals and grips.\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       MI Shoe Connectivity for Sony Cameras\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Cable-free connection:\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cul\u003e\n        \u003cli\u003eNo cables are required for connection to a wide range of Sony cameras equipped with an MI shoe. The absence of connecting cables means that no noise can be transmitted to the microphone mechanically via cables and connectors, and that no cable gets in the way of your shoot.\u003c\/li\u003e\n       \u003c\/ul\u003e\n       \u003cp\u003eBattery-free operation:\u003c\/p\u003e\n       \u003cul\u003e\n        \u003cli\u003ePower is supplied via the MI shoe in compatible cameras, so you don't have to worry about microphone batteries running out during a shoot.\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       3.5mm Jack Connectivity for DSLR\/Mirrorless Cameras\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eThe ECM-G1 also comes with a 3.5mm audio-output jack and cable for use on compatible DSLR\/mirrorless cameras and recording devices equipped with a 3.5mm audio-input jack.\u003c\/li\u003e\n        \u003cli\u003eIn this configuration, the mic runs on the camera's plug-in power.\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Designed to Minimize Shock and Vibration Noise\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eThe ECM-G1 features a vibration-suppressing design to effectively minimize reduce minor bumps and mechanical noise?such as when focusing or zooming?which can degrade audio qu\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Sony-10","offers":[{"title":"Default Title","offer_id":41978509492309,"sku":"SOA67001635C:SOA67001635C:bhpv","price":696775.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1745589240_1853135_13987bc1-c912-4ba0-a6a6-31b12ef3a53d.jpg?v=1766004581","url":"https:\/\/www.tanotis.com\/products\/sony-a6700-mirrorless-camera-with-16-55mm-and-70-350mm-lenses-and-content-creation-kit-2","provider":"Tanotis","version":"1.0","type":"link"}