{"product_id":"prism-sound-titan-rack-mountable-usb-audio-interface","title":"Prism Sound Titan Rack-Mountable USB Audio Interface","description":"\u003cul\u003e \u003cli\u003e1RU Class-Compliant USB 2.0 Interface\u003c\/li\u003e \u003cli\u003eUp to 24-Bit \/ 192 kHz Resolution\u003c\/li\u003e \u003cli\u003e4 x XLR-1\/4\" Inputs with Phantom Power\u003c\/li\u003e \u003cli\u003e2 x 1\/4\" Instrument Inputs\u003c\/li\u003e \u003cli\u003e4 x 1\/4\" Line Inputs, 8 x 1\/4\" Line Outs\u003c\/li\u003e \u003cli\u003e2 x 1\/4\" Headphone Jacks, Word Clock I\/O\u003c\/li\u003e \u003cli\u003eADAT Optical  \u0026amp; S\/PDIF Coaxial I\/O\u003c\/li\u003e \u003cli\u003eSelectable Input Pads  \u0026amp; Limiters\u003c\/li\u003e \u003cli\u003eLow-Latency Performance\u003c\/li\u003e \u003cli\u003eMac  \u0026amp; Windows Compatible\u003c\/li\u003e \u003c\/ul\u003e\u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cp\u003e The \u003cb\u003ePrism Sound Titan\u003c\/b\u003e is a 1RU rack-mountable USB audio interface designed to deliver reliable precision and high-resolution, multichannel audio I\/O for musicians, vocalists, songwriters, and audio engineers in home, project, commercial, and mobile studios. Its stable clock allows operation at up to 24-bit \/ 192 kHz resolution with high jitter rejection. With latency as low as 0.08 ms, it is well suited for recording, overdubbing, and even send-and-return routing. \u003c\/p\u003e \u003cp\u003eLine or microphone sources can be connected via the four XLR-1\/4\" combo inputs, while two front-panel 1\/4\" jacks accommodate instruments such as guitars or synthesizers. Phantom power is selectable as are the input pads and built-in limiters. Four rear-panel 1\/4\" jacks are provided for dedicated line inputs. The eight 1\/4\" line outputs are ideal for connection to speakers and power amps while the two front-panel 1\/4\" jacks offer dedicated level and mix controls for independent headphone monitoring. Additionally, digital connectivity includes RCA coaxial for S\/PDIF or AES3, TOSLINK optical for S\/PDIF or ADAT, and BNC for word clock. An RJ45 port is present for future AVB integration.\u003c\/p\u003e \u003cp\u003eThe Titan is compatible with Mac OS X and Windows systems via its class-compliant USB 2.0 connectivity. An IEC power cable, USB cable, rackmount ears, and XLR-to-RCA adapters are included.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdl\u003e \u003cdt\u003e Signal Path \u003c\/dt\u003e \u003cdd\u003e Eight analog input channels and up to ten digital input channels are available as inputs for your audio workstation software through the host computer's audio driver. Similarly, eight analog output channels, up to ten digital output channels, and stereo headphone outputs can play 20 different channels. For low-latency monitoring to headphone or main outputs, each output pair can optionally be driven from the built-in DSP mixer with an individual local mix of any selection of inputs through the controller applet. All analog inputs are electronically balanced with automatic unbalanced operation. Analog outputs are electronically balanced with bootstrapping (level is maintained if one leg is grounded). \u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdt\u003e Verifile Technology \u003c\/dt\u003e \u003cdd\u003e Verifile is a radical new proprietary technology exclusive to Prism Sound, which allows computer audio streams and recorded files to be quickly checked for a wide range of clicks, errors and dropouts, without any compromise in the audio content or any additional metadata. Verifile is a fragile steganographic process, which embeds derivative data within the dither of the ADC, containing a rolling hash code which allows the audio data to be thoroughly and continuously checked. Recovery of this data from the audio stream or file enables verification that the stream or file contains exactly the audio data that was produced by the ADC at the time of recording. Any incorrect samples, missing or repeated audio segments, or any other audio errors in the resulting files can be reliably detected, providing complete confidence that the recorded file is error-free. Processing such as EQ, level changes, additional redithering, or sample-rate conversion done to a Verifile recording will result in a failure to decode the rolling hash code in the dither and hence indicate that the recording is not an original. \u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdt\u003e Reliable Quality \u003c\/dt\u003e \u003cdd\u003e Prism Sound uses precise software calibration techniques in its converters to avoid the unreliability of pots and tweaks. Minimizing noise, interference, and hum was a priority in the design. All the analog circuits have galvanic isolation, while the unit's electronically balanced I\/O allows it to handle common mode interference sources and trouble-free connection to unbalanced equipment. \u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdt\u003e USB 2.0 Compatibility \u003c\/dt\u003e \u003cdd\u003e The Titan is easy to connect to your computer and to your outboard gear. For both Mac and Windows platforms, there is a controller application to configure the unit and control its built-in mixer and various functions. Aside from the monitor and headphone level controls, everything else is operated solely from the Titan controller application. The controller software opens on-screen as a separate panel alongside your existing editing software. Since the Titan is UAC2 compliant, it will also work in recent Linux and Android builds, although no control panel is provided. \u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdt\u003e Flexible I\/O \u003c\/dt\u003e \u003cdd\u003e The Titan offers four high-grade mic preamps with software-controlled gain in 1 dB steps, individually switchable phantom power, 20 dB pads, and low noise and distortion. Four 1\/4\" TRS jacks accommodate line-level signals, while the four XLR-1\/4\" combo jacks support both mic and line inputs, with digitally-controlled mic gain in excess of 60 dB. Two front-panel 1\/4\" inputs also support direct-injection (DI) instrument connections. RIAA equalization can be selected in the controller applet on channels one and two so that turntables can be connected for archiving or sampling applications. By selecting the input type (Mic or DI), low- or high-impedance cartridges can be loaded with suitable termination impedances. All analog inputs have individually-selectable Prism Sound Overkiller peak limiters built in�just as on the ADA-8XR and Orpheus�to catch those fast transients. The Overkiller threshold automatically follows the operating line-level selection (+4 dBu or -10 dBV). Overkillers are ideal for percussive sounds, particularly drums, where headroom can be a problem. \u003cbr\u003e \u003cbr\u003e The coaxial digital I\/O can be switched in the Titan controller applet between S\/PDIF and AES3 formats. This control changes the operating voltage and the channel status format, and is complemented by two supplied adapters that provide external XLR connections for AES3 devices. The optical digital I\/O ports on Titan can also be configured as ADAT I\/O. Other connections include word clock sync I\/O on BNC connectors. \u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdt\u003e Low-Latency Digital Mixer \u003c\/dt\u003e \u003cdd\u003e A built-in digital mixer can be configured from the host computer to provide foldback feeds to performers, each with their own stereo mix of workstation playback and any of the inputs. This provides console quality local mixing�each output has its own independent mixer, with channel strips for all inputs and workstation feeds, complete with fader, pan\/balance pot, solo and mute buttons, and full metering. Strips can be stereo or mono, and the mixes are dithered with filtered coefficients, just as in a top-end digital mixer. With the Prism Sound DSP mixer, the latency is as low as 0.08 ms at a 192 kHz sampling rate. \u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdt\u003e Flexible Monitoring \u003c\/dt\u003e \u003cdd\u003e To facilitate surround sound monitoring for HDTV and DVD, the eight analogue outputs allow monitor setups from multi-stereo up to 7.1 surround. The Titan's volume knob can be assigned to any or all of the analogue or digital outputs for use as a control room monitor level. There are two headphone amps, suitable for all types of headphones, each with its own independent volume control. As well as having its own workstation feed and mixer, the headphones can also be quickly switched across the other output pairs, which is handy for setting up. \u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdt\u003e Sample Rate Conversion  \u0026amp; Noise Shaping \u003c\/dt\u003e \u003cdd\u003e Prism Sound's renowned synchronous sample-rate conversion allows outputting to various external devices at other sampling rates. The sample rate converter can be used at the outputs as well as the inputs, so as well as dealing with unsynchronised or wrong-rate digital inputs, the Titan can also generate, say, a live 44.1 kHz output from a 96 kHz session. The digital output is equipped with the four Prism Sound SNS noise-shaping curves, allowing you to reduce to 16 bits for CDs at mastering-house quality. \u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdt\u003e Stable Clocking \u003c\/dt\u003e \u003cdd\u003e State-of-the-art clock generation with proprietary hybrid 2-stage DPLL keeps jitter to a minimum. The sample rate can be sourced from the local clock, BNC word clock, or digital input stream. \u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdt\u003e Standalone Operation \u003c\/dt\u003e \u003cdd\u003e The Titan can also operate in a standalone mode using its ADAT or coaxial digital I\/O connections. Once set up using the Titan controller applet, the unit can be disconnected from the host computer and used independently. The Titan will retain its settings when powered down so even if it is switched off, it can be re-powered and standalone operation can continue with the automatically stored settings. \u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdt\u003e Comprehensive Indicators \u003c\/dt\u003e \u003cdd\u003e With ten multi-segment bargraphs with overload indication (assignable to inputs or outputs), Overkiller LEDs, digital input lock-status indication, sample rate conversion and host\/master sync LEDs, and illuminated volume controls, the Titan makes viewing interface activity easy. \u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdt\u003e Expansion Slot \u003c\/dt\u003e \u003cdd\u003e The expansion slot supports Prism Sound's MDIO expansion cards, which provide alternative host connections. The host is usually a computer, and the Titan interface provides a means of connection between the host and the external analog and digital audio I\/O ports. Without an MDIO expansion card fitted, the host connection would always default to the USB connection. The MDIO expansion slot provides an alternative host connection. It does not necessarily disable the USB port, but in the case of the Pro Tools interface MDIO-PTHDX, the USB port is switched off when the Pro Tools interface is to be used. \u003c\/dd\u003e \u003c\/dl\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cspan\u003eUPC: 669014270948\u003c\/span\u003e \u003c\/div\u003e \u003c\/div\u003e\u003cdiv\u003e \u003cdiv\u003e In the Box \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e Prism Sound Titan Rack-Mountable USB Audio Interface \u003c\/div\u003e \u003c\/div\u003e \u003cli\u003eIEC Cable\u003c\/li\u003e \u003cli\u003eUSB Type-A to USB Type-B Cable\u003c\/li\u003e \u003cli\u003eXLR Female to RCA Male Adapter\u003c\/li\u003e \u003cli\u003eXLR Male to RCA Male Adapter\u003c\/li\u003e \u003cli\u003e \u003ca\u003eOrpheus\/Titan Replacement Rack Mount Ears - Pair\u003c\/a\u003e \u003c\/li\u003e \u003cli\u003eAllen Key for Rackmount Ears\u003c\/li\u003e \u003cli\u003eSoftware CD\u003c\/li\u003e \u003cli\u003eLimited 3-Year Warranty\u003c\/li\u003e \u003c\/div\u003e \u003c\/div\u003e\u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003ch2\u003ePrism Sound Titan specs\u003c\/h2\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eSystem Requirements\u003c\/td\u003e \u003ctd\u003e Mac OS X 10.4 or later (Intel only) \u003cbr\u003e Host application that supports Core Audio \u003cbr\u003e \u003cbr\u003e Windows Vista, 7, or 8 (32- \/ 64-bit) \u003cbr\u003e Host application that supports ASIO \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eInputs\u003c\/td\u003e \u003ctd\u003e 4 x XLR-1\/4\" combo jacks(balanced or unbalanced) \u003cbr\u003e 4 x 1\/4\" TRS line inputs (balanced or unbalanced) \u003cbr\u003e 2 x 1\/4\" TS instrument inputs (unbalanced) \u003cbr\u003e 1 x TOSLINK optical input (supports S\/PDIF or ADAT) \u003cbr\u003e 1 x coaxial input (supports S\/PDIF or AES3) \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eOutputs\u003c\/td\u003e \u003ctd\u003e 8 x 1\/4\" TRS line outputs (balanced or unbalanced) \u003cbr\u003e 2 x 1\/4\" TRS headphone outputs (unbalanced) \u003cbr\u003e 1 x TOSLINK optical output (supports S\/PDIF or ADAT) \u003cbr\u003e 1 x coaxial output (supports S\/PDIF or AES3) \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eWord Clock\u003c\/td\u003e \u003ctd\u003e 1 x BNC input (75 Ohms) \u003cbr\u003e 1 x BNC output (75 Ohms) \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eUSB\u003c\/td\u003e \u003ctd\u003e1 x USB Type-B\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eEthernet\u003c\/td\u003e \u003ctd\u003e1 x RJ45 (for future AVB expansion)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eExpansion Slot\u003c\/td\u003e \u003ctd\u003eMDIO (for alternative digital multichannel I\/O)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eInput Sensitivity\u003c\/td\u003e \u003ctd\u003eLine Inputs: +4 dBu (0 dBFS = +18 dBu) or -10 dBV (0 dBFS = +6 dBu)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eInput Impedance\u003c\/td\u003e \u003ctd\u003e Line Inputs: 14.5 kOhms \u003cbr\u003e Mic Inputs: 5.5 kOhms \u003cbr\u003e Instrument Inputs: 1 MOhm \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eOutput Level\u003c\/td\u003e \u003ctd\u003eAnalog Outputs: +4 dBu (0 dBFS = +18 dBu) or -10 dBV (0 dBFS = +6 dBu)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eOutput Impedance\u003c\/td\u003e \u003ctd\u003e Balanced: 100 Ohms \u003cbr\u003e Unbalanced: 50 Ohms \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBalance\u003c\/td\u003e \u003ctd\u003eOutput: \u0026gt;50 dB\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eTotal Harmonic Distortion (THD)\u003c\/td\u003e \u003ctd\u003e Line Inputs: -117 dB at -0.1 dBFS (0.00014%) \u003cbr\u003e Mic Inputs at +10 dB Gain: -116 dB at -0.1 dBFS (0.00016%) \u003cbr\u003e Mic Inputs at +40 dB Gain: -110 dB at -0.1 dBFS (0.00032%) \u003cbr\u003e Analog Outputs: -107 dB at -1 dBFS (0.00045%) \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eTHD + N\u003c\/td\u003e \u003ctd\u003e Line Inputs: -111 dB at -0.1 dBFS (0.00028%) \u003cbr\u003e Mic Inputs at +10 dB Gain: -108 dB at -0.1 dBFS (0.00040%) \u003cbr\u003e Analog Outputs: -106 dB at -0.1 dBFS (0.00050%) \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eEIN\u003c\/td\u003e \u003ctd\u003e Mic Inputs at +30 dB Gain: -128.5 dBu (0-Ohm source), -126.3 dBu (150-Ohm source) \u003cbr\u003e Mic Inputs at +40 dB Gain: -130.9 dBu (0-Ohm source), -127.6 dBu (150-Ohm source) \u003cbr\u003e Mic Inputs at +50 dB Gain: -131.2 dBu (0-Ohm source), -127.7 dBu (150-Ohm source) \u003cbr\u003e Mic Inputs at +60 dB Gain: -131.4 dBu (0-Ohm source), -127.8 dBu (150-Ohm source) \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDynamic Range\u003c\/td\u003e \u003ctd\u003e Line Inputs: 116 dB (-60 dBFS) \u003cbr\u003e Analog Outputs: 115 dB (-60 dBFS) \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eGain Range\u003c\/td\u003e \u003ctd\u003e Mic Inputs: 10 to 65 dB in 1 dB steps (0 dBFS = -56 to -1 dBu) \u003cbr\u003e Instrument Inputs: 10 to 65 dB in 1 dB steps (0 dBFS = -38 to +17 dBu) \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePad\u003c\/td\u003e \u003ctd\u003e Mic Inputs: -20 dB (switchable per channel) \u003cbr\u003e Instrument Inputs: -18 dB \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eGain Accuracy\u003c\/td\u003e \u003ctd\u003e±0.05 dB\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eAttenuation\u003c\/td\u003e \u003ctd\u003e LF Roll-Off (Line Inputs): -0.05 dB at 8 Hz, -3 dB at \u0026lt;1 Hz \u003cbr\u003e LF Roll-Off (Mic Inputs): -0.05 dB at 20 Hz, -3 dB at 5 Hz \u003cbr\u003e LF Roll-Off (Analog Outputs): -0.05 dB at 8 Hz, -3 dB at \u0026lt;1 Hz \u003cbr\u003e HF Roll-Off (Line\/Mic Inputs) at 44.1 kHz: -0.05 dB at 21.1 kHz, -3 dB at 22 kHz \u003cbr\u003e HF Roll-Off (Line\/Mic Inputs) at 48 kHz: -0.05 dB at 23 kHz, -3 dB at 23.9 kHz \u003cbr\u003e HF Roll-Off (Line\/Mic Inputs) at 96 kHz: -0.05 dB at 32 kHz, -3 dB at 47.9 kHz \u003cbr\u003e HF Roll-Off (Line\/Mic Inputs) at 192 kHz: -0.05 dB at 32 kHz, -3 dB at 78 kHz \u003cbr\u003e HF Roll-Off (Analog Outputs) at 44.1 kHz: -0.05 dB at 21.4 kHz, -3 dB at 22 kHz \u003cbr\u003e HF Roll-Off (Analog Outputs) at 48 kHz: -0.05 dB at 23.2 kHz, -3 dB at 23.9 kHz \u003cbr\u003e HF Roll-Off (Analog Outputs) at 96 kHz: -0.05 dB at 32 kHz, -3 dB at 47.8 kHz \u003cbr\u003e HF Roll-Off (Analog Outputs) at 192 kHz: -0.05 dB at 32 kHz, -3 dB at 76 kHz \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eCMRR\u003c\/td\u003e \u003ctd\u003e Line Inputs (20 Hz to 20 kHz): \u0026gt;70 dB \u003cbr\u003e Mic Inputs (50\/60 Hz): \u0026gt;110 dB at all gains \u003cbr\u003e Mic Inputs (1 kHz): \u0026gt;100 dB at all gains \u003cbr\u003e Mic Inputs (20 kHz): \u0026gt;90 dB at all gains \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eCrosstalk\u003c\/td\u003e \u003ctd\u003e Line Inputs (1 kHz): \u0026lt; -140 dB \u003cbr\u003e Line Inputs (20 Hz to 20 kHz): \u0026lt; -120 dB \u003cbr\u003e Analog Outputs (1 kHz): \u0026lt; -135 dB \u003cbr\u003e Analog Outputs (20 Hz to 20 kHz): \u0026lt; -120 dB \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eInter-Channel Differential Phase\u003c\/td\u003e \u003ctd\u003e Line Inputs (10 Hz to 5 kHz): ±0.25° \u003cbr\u003e Line Inputs (5 kHz to 20 kHz): ±1.0° \u003cbr\u003e Line Inputs (20 kHz to 50 kHz): ±2.0° \u003cbr\u003e Analog Outputs (10 Hz to 5 kHz): ±0.4° \u003cbr\u003e Analog Outputs (5 kHz to 20 kHz): ±0.25° \u003cbr\u003e Analog Outputs (20 kHz to 50 kHz): ±0.5° \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBuilt-in Limiter\u003c\/td\u003e \u003ctd\u003eLine Inputs: Progressive limiter, auto-aligning, selectable per channel\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eFilter\u003c\/td\u003e \u003ctd\u003eLine Inputs: High-pass filter, -3 dB at 80 Hz, 40 dB\/decade (selectable for channels 1-4)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePhantom Power\u003c\/td\u003e \u003ctd\u003e+48 VDC, switchable per channel\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eSupported Digital Audio Standards\u003c\/td\u003e \u003ctd\u003e S\/PDIF (coaxial or TOSLINK) \u003cbr\u003e ADAT or ADAT S\/MUX (TOSLINK) \u003cbr\u003e AES3 (coaxial) \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eSample Rates\u003c\/td\u003e \u003ctd\u003e S\/PDIF or AES3: Up to 192 kHz \u003cbr\u003e ADAT (8-Channel): Up to 48 kHz \u003cbr\u003e ADAT S\/MUX (4-Channel): 88.2 kHz or 96 kHz \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBit Depth\u003c\/td\u003e \u003ctd\u003e Digital Input: 24-bit \u003cbr\u003e Digital Output: 24-bit, or reduction to 16-bit using flat TPDF dither, or Prism Sound SNS (Super Noise Shaping) \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eAES\/EBU\u003c\/td\u003e \u003ctd\u003eAES3 operation via supplied XLR to RCA adapters\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eChannel Support\u003c\/td\u003e \u003ctd\u003e Digital Input: Channel status ignored \u003cbr\u003e Digital Output: Full implementation, consumer (S\/PDIF) or professional (AES3) \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eSample Rate Converter\u003c\/td\u003e \u003ctd\u003e Input: Selectable at S\/PDIF input (allowing input at any sample rate) \u003cbr\u003e Output: Selectable at S\/PDIF output (output sample rate can be referenced to word clock, digital input, or local clock at any sample rate) \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDigital Performance\u003c\/td\u003e \u003ctd\u003e Input: Bit transparency maintained (allows recording of Dolby or DTS streams) \u003cbr\u003e Output: Bit transparency maintained in 24-bit mode (allows playback of Dolby or DTS streams to external decoder) \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eClocking\u003c\/td\u003e \u003ctd\u003e Master: Local, word clock, S\/PDIF, or ADAT \u003cbr\u003e Slave: Bus master (another interface or host computer) \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eClock Accuracy\u003c\/td\u003e \u003ctd\u003e±50 ppm\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eJitter Rejection Filter\u003c\/td\u003e \u003ctd\u003e\u0026gt;60 dB\/decade above 100 Hz\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eLatency\u003c\/td\u003e \u003ctd\u003e 0.57 ms at 44.1 kHz \u003cbr\u003e 0.52 ms at 48 kHz \u003cbr\u003e 0.2 ms at 88.2 kHz \u003cbr\u003e 0.18 ms at 96 kHz \u003cbr\u003e 0.09 ms at 176.4 kHz \u003cbr\u003e 0.08 ms at 192 kHz \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eAmbient Operating Temperature\u003c\/td\u003e \u003ctd\u003e32 to 95°F \/ 0 to 35°C\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eRelative Humidity\u003c\/td\u003e \u003ctd\u003e85% maximum\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eFuse Rating\u003c\/td\u003e \u003ctd\u003e0.5 A (T), 0.8\" \/ 20 mm, ceramic\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePower Consumption\u003c\/td\u003e \u003ctd\u003e35 W\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePower Requirement\u003c\/td\u003e \u003ctd\u003e90 to 250 VAC, 50\/60 Hz via IEC 6A connector\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDimensions (W x D x H)\u003c\/td\u003e \u003ctd\u003e Desktop: 17.3 x 11.4 x 2.0\" \/ 440 x 290 x 50 mm (including feet) \u003cbr\u003e Rackmount: 19.0 x 11.4 x 1.8\" \/ 483.0 x 290.0 x 44.5 mm (including rackmount ears) \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eWeight\u003c\/td\u003e \u003ctd\u003e8.2 lb \/ 3.7 kg\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Prism Sound-10","offers":[{"title":"Default Title","offer_id":12545517846613,"sku":"PRTITAN:PRTITAN:bhpv","price":718435.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/prismsound_titan_usb2_interface_with_mdio_1531412572000_1419829.jpg?v=1576007443","url":"https:\/\/www.tanotis.com\/products\/prism-sound-titan-rack-mountable-usb-audio-interface","provider":"Tanotis","version":"1.0","type":"link"}