{"product_id":"focal-press-music-production-recording-a-guide-for-producers-engineers-musicians","title":"Focal Press Music Production: Recording - A Guide for Producers, Engineers \u0026 Musicians","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780240522739 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eImprove the artistry of your productions with this first edition softcover of \u003cstrong\u003eMusic Production: Recording - A Guide for Producers, Engineers \u0026amp; Musicians\u003c\/strong\u003e from \u003cstrong\u003eFocal Press\u003c\/strong\u003e. The technical guide focuses on musicality and how your decisions affect it. Your recordings are the vehicle for your compositions, and author Carlos Lellis Ferreira walks you through the entire process, bringing aesthetic considerations into each discussion. Learn visually with detailed diagrams and clear explanations of best practices.\u003c\/p\u003e\n    \u003cp\u003eUnlike many other recording books, Music Production: Recording is organized around real-world scenarios, including details about roles and responsibilities that help you navigate through key stages of production.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eForeword by Julian Standen\u003c\/li\u003e\n        \u003cli\u003eIntroduction: The Act of Recording\u003c\/li\u003e\n        \u003cli\u003ePart I: Core Concepts\n         \u003cul\u003e\n          \u003cli\u003eChapter 1: Recording Environments\u003c\/li\u003e\n          \u003cli\u003eChapter 2: The Recording Team\u003c\/li\u003e\n          \u003cli\u003eChapter 3: The Tools\n           \u003cul\u003e\n            \u003cli\u003eMicrophones\u003c\/li\u003e\n            \u003cli\u003eDI \/ Direct Injection Boxes\u003c\/li\u003e\n            \u003cli\u003eAnalog Audio Cables\u003c\/li\u003e\n            \u003cli\u003eOther Cables\u003c\/li\u003e\n            \u003cli\u003eMicrophone Preamplifiers\u003c\/li\u003e\n            \u003cli\u003eEqualizers\u003c\/li\u003e\n            \u003cli\u003eDynamic Range Processors\u003c\/li\u003e\n            \u003cli\u003eMixing Consoles\u003c\/li\u003e\n            \u003cli\u003ePatchbays\u003c\/li\u003e\n            \u003cli\u003eEffects Processors\u003c\/li\u003e\n            \u003cli\u003eMultitrack Recorders\u003c\/li\u003e\n            \u003cli\u003eTwo-Track Recorders\u003c\/li\u003e\n            \u003cli\u003eThe Digital Audio Workstation (DAW)\u003c\/li\u003e\n            \u003cli\u003eThe Monitoring System\u003c\/li\u003e\n           \u003c\/ul\u003e\n\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003ePart II: Pre-Production\n         \u003cul\u003e\n          \u003cli\u003eChapter 4. Preparing to Record\n           \u003cul\u003e\n            \u003cli\u003eResearch\u003c\/li\u003e\n            \u003cli\u003eThe Compositions\u003c\/li\u003e\n            \u003cli\u003eThe Instruments\u003c\/li\u003e\n            \u003cli\u003eThe \"Recce\" \/ Visiting the Recording Venue\u003c\/li\u003e\n            \u003cli\u003eEquipment Requirements\u003c\/li\u003e\n            \u003cli\u003eThe Session Plan\u003c\/li\u003e\n           \u003c\/ul\u003e\n\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003ePart III: Production\n         \u003cul\u003e\n          \u003cli\u003eChapter 5: Studio Preparation\n           \u003cul\u003e\n            \u003cli\u003eAcoustics\u003c\/li\u003e\n            \u003cli\u003ePower and Distribution\u003c\/li\u003e\n            \u003cli\u003ePreparing the DAW Session File\u003c\/li\u003e\n           \u003c\/ul\u003e\n\u003c\/li\u003e\n          \u003cli\u003eChapter 6: Live Room Setup\n           \u003cul\u003e\n            \u003cli\u003eInstrument Placement\u003c\/li\u003e\n            \u003cli\u003eMicrophone Placement\u003c\/li\u003e\n            \u003cli\u003eStereo Microphone Techniques\u003c\/li\u003e\n           \u003c\/ul\u003e\n\u003c\/li\u003e\n          \u003cli\u003eChapter 7: The Control Room Setup\n           \u003cul\u003e\n            \u003cli\u003eGain Structure\u003c\/li\u003e\n           \u003c\/ul\u003e\n\u003c\/li\u003e\n          \u003cli\u003eChapter 8: The Sound Check\u003c\/li\u003e\n          \u003cli\u003eChapter 9: The Musician's Cue Mix\u003c\/li\u003e\n          \u003cli\u003eChapter 10: Tracking\u003c\/li\u003e\n          \u003cli\u003eChapter 11: Overdubbing\u003c\/li\u003e\n          \u003cli\u003eChapter 12: A Few Words on Studio Psychology\u003c\/li\u003e\n          \u003cli\u003eChapter 13: The Monitor or Reference Mix\n           \u003cul\u003e\n            \u003cli\u003eFiltering\u003c\/li\u003e\n            \u003cli\u003eLevel Balancing\u003c\/li\u003e\n            \u003cli\u003ePanning\u003c\/li\u003e\n            \u003cli\u003eEqualization\u003c\/li\u003e\n            \u003cli\u003eDynamic Range Processing\u003c\/li\u003e\n            \u003cli\u003eEffects Processing\u003c\/li\u003e\n           \u003c\/ul\u003e\n\u003c\/li\u003e\n          \u003cli\u003eChapter 14: Session Information\n           \u003cul\u003e\n            \u003cli\u003eRecall Sheets\u003c\/li\u003e\n            \u003cli\u003eTrack Sheets and Session Notes\u003c\/li\u003e\n            \u003cli\u003eLyrics Sheets\u003c\/li\u003e\n            \u003cli\u003eThe Production Progress Chart\u003c\/li\u003e\n            \u003cli\u003eSong-Based Progress Charts\u003c\/li\u003e\n            \u003cli\u003eEnd of Recording\u003c\/li\u003e\n           \u003c\/ul\u003e\n\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003eOutro: Is it Worth It?\u003c\/li\u003e\n        \u003cli\u003eAppendices\n         \u003cul\u003e\n          \u003cli\u003e1. Working with References\u003c\/li\u003e\n          \u003cli\u003e2. Bar Charts\u003c\/li\u003e\n          \u003cli\u003e3. Equal Loudness Contours\u003c\/li\u003e\n          \u003cli\u003e4. Instrument Part Names\u003c\/li\u003e\n          \u003cli\u003e5. Setting Gain Structure and Routing Signals\u003c\/li\u003e\n          \u003cli\u003e6. Replacing Drum Heads \/ Drum Tuning and Timbre\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003eIndex\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Author\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Carlos Lellis Ferreira holds an SAE\/Middlesex University MA in Creative Media and a diploma Summa Cum Laude from Berklee College of Music. He has worked as an engineer and producer with artists such as Rosabella Gregory and Joby Talbot, as well as Grammy Award winners Sir John Tavener and Thomas Dybdahl amongst many others. He is currently the head lecturer at the SAE Institute in London, where he oversees the first year of the BA\/BSc program in Sound Production.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Music Production: Recording - A Guide for Producers, Engineers \u0026amp; Musicians\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9780240522739 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eCarlos Lellis Ferreira\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eFocal Press\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eApril 19, 2013\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1st\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780240522739\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e368\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e100 Black \u0026amp; White Illustrations\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731709898837,"sku":"FOMPRPB:FOMPRPB:bhpv","price":10735.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1676886340_1751997.jpg?v=1700728955","url":"https:\/\/www.tanotis.com\/products\/focal-press-music-production-recording-a-guide-for-producers-engineers-musicians","provider":"Tanotis","version":"1.0","type":"link"}