{"product_id":"focal-press-composing-for-the-screen","title":"Focal Press Composing for the Screen","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9781032004426 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003e\u003cb\u003eComposing for the Screen\u003c\/b\u003e edited by Scott W. Hallgren from \u003cb\u003eFocal Press\u003c\/b\u003e is a collection of essays written by and interviews with working composers for film, television, and video games, exploring the business side of composing and addressing the lack of understanding about career development and business responsibilities as they relate to composers.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       CHAPTER 1: GETTING STARTED\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003ePRODUCTIVE NETWORKING\u003c\/p\u003e\n       \u003cp\u003eCultivating Strong And Healthy Professional Relationships\u003c\/p\u003e\n       \u003cp\u003eBy Trinity Velez-Justo\u003c\/p\u003e\n       \u003cp\u003eTHE DAY-TO-DAY LIFE OF A NEW COMPOSER\u003c\/p\u003e\n       \u003cp\u003eDreams, Reality, And Training\u003c\/p\u003e\n       \u003cp\u003eA Q\u0026amp;A with Green Seo\u003c\/p\u003e\n       \u003cp\u003eA LOOK BACK AT AN EARLY CAREER START\u003c\/p\u003e\n       \u003cp\u003eMaking The Most Of Every Opportunity, Then And Now\u003c\/p\u003e\n       \u003cp\u003eA Q\u0026amp;A with Sean Beeson\u003c\/p\u003e\n       \u003cp\u003eWORKFLOW � AND WHY IT MATTERS TO COMPOSERS\u003c\/p\u003e\n       \u003cp\u003eUnderstanding Where You Fit in The Big Picture\u003c\/p\u003e\n       \u003cp\u003eBy Ian Anderson, Tim Fritz, and Scott Hallgren\u003c\/p\u003e\n       \u003cp\u003eHOW TO WORK WITH THE PICTURE EDITOR\u003c\/p\u003e\n       \u003cp\u003eThe Relationship and Process Of Editing\u003c\/p\u003e\n       \u003cp\u003eA Q\u0026amp;A with Tracy Nichole Cring\u003c\/p\u003e\n       \u003cp\u003eCHAPTER 2: STICKING IT OUTYOU CAN WORK FROM ANYWHERE\u003c\/p\u003e\n       \u003cp\u003eDoing Indie Game Music Work - From Chicago\u003c\/p\u003e\n       \u003cp\u003eA Q\u0026amp;A with Megan Carnes\u003c\/p\u003e\n       \u003cp\u003eYOUR FIRST MAJOR PROJECT\u003c\/p\u003e\n       \u003cp\u003eFinishing Your First Feature and Beyond\u003c\/p\u003e\n       \u003cp\u003eA Q\u0026amp;A with Carlos GarciaSELF PROMOTION FOR COMPOSERS\u003c\/p\u003e\n       \u003cp\u003eA PR Professional Tells You How To Put Your Best YOU Forward\u003c\/p\u003e\n       \u003cp\u003eBy Thomas Mikusz\u003c\/p\u003e\n       \u003cp\u003eTHE BUSINESS OF MUSIC (FOR PICTURE)\u003c\/p\u003e\n       \u003cp\u003eEducating Yourself About The Value Of Your Work\u003c\/p\u003e\n       \u003cp\u003eA Q\u0026amp;A with Anna Kelberg-Kim, Msq\u003c\/p\u003e\n       \u003cp\u003eFINDING YOUR HAPPY PLACE\u003c\/p\u003e\n       \u003cp\u003eTelling Musical Stories Through Any Medium\u003c\/p\u003e\n       \u003cp\u003eA Q\u0026amp;A with Claire Batchelor\u003c\/p\u003e\n       \u003cp\u003eCHAPTER 3: FINDING SUCCESSA DIRECTOR�S PERSPECTIVE\u003c\/p\u003e\n       \u003cp\u003eWhy We Love Original Music So Much\u003c\/p\u003e\n       \u003cp\u003eA Q\u0026amp;A with Rick Page\u003c\/p\u003e\n       \u003cp\u003eTHE VALUE OF MENTORSHIPS AND PARTNERSHIPS\u003c\/p\u003e\n       \u003cp\u003eA Busy TV Composer Talks About Her Journey\u003c\/p\u003e\n       \u003cp\u003eA Q\u0026amp;A with Rebecca Kneubuhl\u003c\/p\u003e\n       \u003cp\u003eWHY TO JOIN A PERFORMANCE RIGHTS ORGANIZATION\u003c\/p\u003e\n       \u003cp\u003eAn Important Move For Sustaining Your CareerBy Erin Collins\u003c\/p\u003e\n       \u003cp\u003eOTHER ROLES FOR THE MODERN COMPOSER\u003c\/p\u003e\n       \u003cp\u003eAdvertising Work, Engineering, and Insights on Success\u003c\/p\u003e\n       \u003cp\u003eA Q\u0026amp;A with Jake Fader\u003c\/p\u003e\n       \u003cp\u003eEVERYONE SHOULD BE HEARD\u003c\/p\u003e\n       \u003cp\u003eAdditional Composing and The Composer Diversity Collective\u003c\/p\u003e\n       \u003cp\u003eA Q\u0026amp;A with Sandro Morales Santoro\u003c\/p\u003e\n       \u003cp\u003eCHAPTER 4: GETTING AHEAD\u003c\/p\u003e\n       \u003cp\u003eFINDING YOUR OWN WAY\u003c\/p\u003e\n       \u003cp\u003eFrom Theme Parks To Theaters\u003c\/p\u003e\n       \u003cp\u003eA Q\u0026amp;A with Rob Pottorf\u003c\/p\u003e\n       \u003cp\u003eA CAREER IN GAME MUSIC\u003c\/p\u003e\n       \u003cp\u003eAn Industry Veteran Becomes A Leader\u003c\/p\u003e\n       \u003cp\u003eA Q\u0026amp;A with Will Roget\u003c\/p\u003e\n       \u003cp\u003eWHAT DOES A MUSIC EDITOR DO?\u003c\/p\u003e\n       \u003cp\u003eThe Music Editor As Composer As Music Editor\u003c\/p\u003e\n       \u003cp\u003eA Q\u0026amp;A with Shie Rozow\u003c\/p\u003e\n       \u003cp\u003eTHE REALITY OF REALITY TV\u003c\/p\u003e\n       \u003cp\u003eThe Challenges And Rewards at the Top\u003c\/p\u003e\n       \u003cp\u003eA Q\u0026amp;A with Mark T. Williams\u003c\/p\u003e\n       \u003cp\u003eWHAT AN AGENT IS LOOKING FOR\u003c\/p\u003e\n       \u003cp\u003eBeating The Composer Catch-22\u003c\/p\u003e\n       \u003cp\u003eA Q\u0026amp;A with Ari Wise\u003c\/p\u003e\n       \u003cp\u003eCHAPTER 5: STARTING AGAIN\u003c\/p\u003e\n       \u003cp\u003eOTHER ROLES ON THE SOUND TRACK\u003c\/p\u003e\n       \u003cp\u003eWays A Composer Can Sonically Expand In The Industry\u003c\/p\u003e\n       \u003cp\u003eA Q\u0026amp;A with Duncan Watt\u003c\/p\u003e\n       \u003cp\u003eTEACHING � A POWERFUL WAY TO BRANCH OUT\u003c\/p\u003e\n       \u003cp\u003eSuccess in Multiple Arenas Helps Students and You\u003c\/p\u003e\n       \u003cp\u003eA Q\u0026amp;A with Hummie Mann\u003c\/p\u003e\n       \u003cp\u003eSTAGES (OF A CAREER)\u003c\/p\u003e\n       \u003cp\u003eSuccess Can Be Many Things Over TimeBy Mark Watters\u003c\/p\u003e\n       \u003cp\u003eEDUCATION, REVOLUTION, AND THE MEANING OF A MODERN MUSICAL FORMATION\u003c\/p\u003e\n       \u003cp\u003eHow Music Traditions, Educational Reality, And The Internet Are Colliding\u003c\/p\u003e\n       \u003cp\u003eBy Mark Nowakowski\u003c\/p\u003e\n       \u003cp\u003eMOVING INTO PRODUCING AND DIRECTING\u003c\/p\u003e\n       \u003cp\u003eHow A Composer in Iran Makes This Work\u003c\/p\u003e\n       \u003cp\u003eA Q\u0026amp;A with H.R. Nikoofar\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Editor\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Scott W. Hallgren has an extensive list of works as a composer and musician for film, television, and games, including multiple Emmy-nominated, Telly, Golden CINE, and film festival award winners. He currently is an Assistant Professor of Digital Media Production at Kent State University.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Composing for the Screen\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9781032004426 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEditor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eScott W. Hallgren\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRoutledge\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eJuly 20, 2022\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1st\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9781032004426\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e228\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e28 Black \u0026amp; White Illustrations\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731929411669,"sku":"FOCFSC:FOCFSC:bhpv","price":11860.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1679485224_1758441.jpg?v=1700740841","url":"https:\/\/www.tanotis.com\/products\/focal-press-composing-for-the-screen","provider":"Tanotis","version":"1.0","type":"link"}