{"product_id":"cranborne-audio-500adat-8-slot-500-series-rack-adat-expander-kit-with-carnaby-500-eq-camden-500-preamp-mojo-modules-3","title":"Cranborne Audio 500ADAT 8-Slot 500 Series Rack \u0026 ADAT Expander Kit with Carnaby 500 EQ \u0026 Camden 500 Preamp\/Mojo Modules","description":"\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    Kit Contains:\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\n         \u003cdiv\u003e\n          \u003cspan\u003e\n           \u003cdiv\u003e\n            \u003cimg alt=\"Cranborne Audio 500ADAT 8-Slot 500 Series Rack and ADAT Expander\"\u003e \n           \u003c\/div\u003e\n           \u003cdiv\u003e\u003c\/div\u003e\u003c\/span\u003e\n         \u003c\/div\u003e\n        \u003c\/div\u003e\n       \u003c\/div\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\n         \u003cdiv\u003e\n          \u003cspan\u003e\n           \u003cdiv\u003e\n            \u003cimg alt=\"Cranborne Audio Carnaby 500 Harmonic EQ Module\"\u003e \n           \u003c\/div\u003e\u003c\/span\u003e\n         \u003c\/div\u003e\n        \u003c\/div\u003e\n       \u003c\/div\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\n         \u003cdiv\u003e\n          \u003cspan\u003e\n           \u003cdiv\u003e\n            \u003cimg alt=\"Cranborne Audio Camden 500 Microphone Preamp and Mojo Signal Processor\"\u003e \n           \u003c\/div\u003e\u003c\/span\u003e\n         \u003c\/div\u003e\n        \u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Cranborne Audio 500ADAT 8-Slot 500 Series Rack and ADAT Expander\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Expand Your Studio, Expand Your Sound\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Connect the \n       \u003cstrong\u003e500ADAT\u003c\/strong\u003e from \n       \u003cstrong\u003eCranborne Audio\u003c\/strong\u003e to the ADAT expansion ports on your audio interface and incorporate 500 series modules into your studio's tracking and mixing capabilities. The versatile unit functions as an 8-slot 500 series rack, 8-channel ADAT expander, analog summing mixer, and zero-latency artist mixer built into a 4 RU chassis.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      ADAT Simplicity, 500 Series Possibilities\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eTransform your ADAT-equipped audio interface into an analog powerhouse by adding 8 channels of expansion at up to 96 kHz or 4 channels of expansion at 192 kHz.\u003c\/li\u003e\n        \u003cli\u003eThe 500ADAT combines a high-current 8-slot 500 series chassis with digital conversion and ADAT, a powerful and accessible way to get your favorite 500 series modules into your tracking and mixing digital workflow.\u003c\/li\u003e\n        \u003cli\u003eThe unit features essential functions that unite digital and analog production workflows, such as an 8-into-2 analog summing mixer, zero-latency artist mixer with 2 reference-quality headphone outputs, and true ADAT \u0026amp; SMUXII\/IV transmission.\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Beyond ADAT\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Seriously High-Powered Headphone Amps\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Drive your headphones with 500ADAT's reference-quality headphone amplifier with enough power to drive low-impedance headphones with plenty of headroom and a linear frequency response to below 1 Hz. The two headphone outputs feature independent blend and level controls.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Zero-Latency Artist Mixer\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Get your hands back onto the mix by using 500ADAT's two aux busses to create pristine-sounding analog artist mixes that can be blended with DAW playback, and sent to your musicians with zero-latency, physical level\/pan controls per channel, and aux input blend controls.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Discrete Summing Mixer\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Give your mix the final bit of analog character and send instrument groups and stems back-through your 500 series modules and into the discrete analog summing mixer to be sent back into your DAW.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Deep 500 Series Integration\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Configurable Front End\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Mix and match your 500 series modules to find the best combinations during recording, and mixing to help create your own signature analog sound.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Enough I\/O for Any Hardware\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The 500ADAT is designed to integrate with all of your analog and digital hardware. Patch in the 500ADAT with your own converter or integrate your 19\" rack gear with dedicated TRS insert jacks per slot.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Source Select\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Re-patch your 500ADAT at a flick of a switch. Dedicated source select switches for each 500 series slot adjusts the signal routing to send analog, C.A.S.T. or USB sources through each of your modules.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       No Modules? No Problem\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Bypass unused 500 series slots using 500ADAT's dedicated slot-bypass switch and you can use all of the available analog paths for recording whilst you continue to build your 500 series collection.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Expandable with 500R8\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       More Recording Channels\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eWhen you want more 500 series connectivity, you can use up to two 500ADATs with some interfaces or pair the 500ADAT with the 500R8 (available separately). Connect the 500R8 and 500ADAT together via ADAT, and now you have 16 channels of 500 series modules to work with during recording and mixing. Whilst 500ADAT offers the same performance as 500R8, any third-party ADAT expander is also compatible.\u003c\/li\u003e\n        \u003cli\u003ePlay back instrument groups\/stems into all 16 available 500 series slots for summing using the C.A.S.T. link connector.\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Tech Details\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       8 Channel A\/D-D\/A Converter\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003e8-in\/8-out at 44.1 to 48 kHz\u003c\/li\u003e\n        \u003cli\u003e8-in\/8-out at 88.2 to 96 kHz\u003c\/li\u003e\n        \u003cli\u003e4-in\/4-out at 176.4 to 192 kHz\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       High-Performance A\/D-D\/A Conversion\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eDynamic range: 121 dB A-weighted, AES17 method, 20 Hz to 20 kHz\u003c\/li\u003e\n        \u003cli\u003eFrequency response: -1 dB, 2.2 Hz to \u0026gt;80 kHz\u003c\/li\u003e\n        \u003cli\u003eTHD+N: \u0026lt;0.00032% (-110 dB) at -4 dBFS, 20 Hz to 40 kHz, 1 kHz, A-weighted\u003c\/li\u003e\n        \u003cli\u003eMax I\/O level: +24 dBu\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Master Reference-Quality Internal Clock\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003e\u0026lt;0.5ps of jitter\u003c\/li\u003e\n        \u003cli\u003eDedicated word clock input and output via BNC\u003c\/li\u003e\n        \u003cli\u003eExternal sync options using word clock BNC or ADAT\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Analog Summing Mixer\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003e8-into-2 analog summing mixer with +26.5 dBu of headroom and balanced 1\/4\" jack outputs\u003c\/li\u003e\n        \u003cli\u003eC.A.S.T. link port for increasing summing mixer to 16-into-2 using Cranborne Audio 500ADAT\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       High-Current 8-Slot 500 Series Rack\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003e250mA current per-slot with 2A total for all slots\u003c\/li\u003e\n        \u003cli\u003eXLR inputs, XLR line outputs, and TRS inserts (pre-ADC) per 500 series slot\u003c\/li\u003e\n        \u003cli\u003eModule source switching options to send analog, USB, or external C.A.S.T. signals through your favorite 500 series modules\u003c\/li\u003e\n        \u003cli\u003eModule bypass switches per-slot allowing 500ADAT to be used without 500 series modules inserted.\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       C.A.S.T. Compatible\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       C.A.S.T. ports per channel for relocating analogue I\/O around studio using passive or active C.A.S.T. breakout boxes via standard shielded Cat 5\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       24V, 5A External Locking Power Supply\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       External power supply for improved analog audio performance and heat dissipation\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Designed and Engineered in the UK\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Each and every 500ADAT is extensively tested by a team of dedicated engineers to ensure reliability and consistency.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Cranborne Audio Carnaby 500 Harmonic EQ Module\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cp\u003eProviding versatile 3-band parametric EQ, wonderfully warm saturation, and seamless control for multi-module setups, the \u003cstrong\u003eCarnaby 500\u003c\/strong\u003e from \u003cstrong\u003eCranborne Audio\u003c\/strong\u003e is a 500-series EQ module with a unique Harmonic EQ circuit that uses harmonic saturation to either boost or cut frequencies by ?10 dB. Unlike many other EQ modules, the Carnaby 500 has a highly dynamic and musical response, which increases the amount of harmonics that are boosted or cut as the circuit is driven harder.\u003c\/p\u003e\n     \u003cp\u003eThe input and output controls offer ?20 dB of gain for perfectly dialing in saturation and distortion levels and all front-panel controls are stepped for easy and efficient recall of settings. The Carnaby 500 is extremely well outfitted for multi-module setups in 500-series racks, with auto-calibrated circuitry for perfect stereo matching, innovative OptoSync technology for wireless stereo linking of modules, and a 3.5mm TRS input for linking of non-adjacent modules.\u003c\/p\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Hi Band\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The Hi band has a frequency range from 5 to 25 kHz and uses smooth saturation to naturally extend high frequencies beyond the audio band for ultimate air and breath on vocals and acoustic instruments.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Lo Band\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The Lo band has a frequency range of 420 down to 20 Hz and uses hard-clipping saturation to extend sub-harmonic frequencies into the audible low-end?perfect for subtle low-end warming or extreme sub-harmonic saturation.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Mid Band\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The Mid band is a peaking filter with a fixed Q and a wide sweepable frequency range from 200 Hz up to 6.2 kHz. It uses saturation to add harmonic emphasis to the source anywhere in the frequency range.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Stereo Linking via OptoSync\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Carnaby 500 not only features a world-first EQ circuit, but it also has an innovative stereo-linking feature called OptoSync, which enables two Carnaby 500 units to work as a perfect stereo pair for mixes and stereo sources. Using OptoSync, all controls are synchronized from the left unit to the right without cables or internal fixings.\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003eSwitch OptoSync for all slave units to ON and their control's all synchronize to the master unit wirelessly using LED and optical communication. You can also use OptoSync to link together multiple units for applying the same sonic footprint across entire summing mixers or multi-channel surround mixes.\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Cranborne Audio Camden 500 Microphone Preamp and Mojo Signal Processor\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cp\u003eRecord a variety of sources with the \u003cstrong\u003eCranborne Audio Camden 500\u003c\/strong\u003e, a 500-series microphone preamp with some serious Mojo, thanks to the two innovative color circuits that inject warmth, character, and that gooey, vintage vibe into any signal. Designed to be the cleanest and most transparent preamplifier available, the Camden 500 exhibits the theoretical limits of EIN, THD, phase shift, and frequency roll-off performance, resulting in audio playback that's open, natural, and intimate. Instruments sound like they're in the room next to you and drums sound tight and punchy.\u003c\/p\u003e\n     \u003cp\u003eThe Mojo circuit features two settings, Thump and Cream. Thump adds harmonics to the signal in the 20 to 100 Hz range resulting in a fuller low-end on smaller speakers. Cream behaves similarly to how valves and tubes impact the sound. It drastically increases harmonics and dynamically smooths-out the low mids for increased HF emphasis. Both circuits are controlled by the Mojo knob, allowing you to dial in the perfect amount of color for just-a-touch or full-on saturation.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cspan\u003eNote:\u003c\/span\u003e\n     \u003cdiv\u003e\n      This microphone preamplifier requires a suitable 500-Series enclosure for housing and power.\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Key Features\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eFully discrete, transformerless design, featuring custom ?Camden? preamp topology\u003c\/li\u003e\n        \u003cli\u003eOptimized for and fully compliant with the 500-series format, Camden 500 is not a 19? unit shoe-horned into a 500-series module, it has been designed from the ground-up to perform under the low-voltage power rails and supply current limitations of the 500-series format, whilst delivering groundbreaking performance\u003c\/li\u003e\n        \u003cli\u003ePerforms at the near-theoretical limits of noise, distortion, and phase\/frequency linearity at all gain settings\u003c\/li\u003e\n        \u003cli\u003eOptimized input impedance and input headroom for Mic, Line, and Hi-Z sources\u003c\/li\u003e\n        \u003cul\u003e\n         \u003cli\u003eMic preamp, instrument DI, and?thanks to Mojo?line-level analog saturator\u003c\/li\u003e\n         \u003cli\u003eCustom ?Mojo? analog saturation circuit with variable control, true bypass, and 2 discrete styles?Thump and Cream\u003c\/li\u003e\n         \u003cli\u003eReamp tracks from your DAW through Mojo to apply analog saturation to your stems, VST, and stereo mixes\u003c\/li\u003e\n         \u003cli\u003eThump excites low-end content by boosting lower odd\/even harmonics from a range of 160 to 20 Hz and below\u003c\/li\u003e\n         \u003cli\u003eCream boosts odd\/even harmonics, whilst also reducing the amplitude of the fundamental frequencies and applying typical transformer-style transient taming\u003c\/li\u003e\n        \u003c\/ul\u003e\n        \u003cli\u003eGold flashing on backplane contacts for increased conductivity and durability\u003c\/li\u003e\n        \u003cli\u003eDesigned and engineered in the United Kingdom\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Precise, Clean, and Natural\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Camden 500 provides the utmost clarity and detail when it is most required. Its custom 'Camden' topology achieves stunning low-noise and low-distortion performance. It also sets a new standard for frequency and phase linearity. The sum result is the most natural sounding preamp you've ever heard.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Vintage, Warm, and Colored\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Camden 500 features \"Mojo\", a custom analog saturation circuit that transforms Camden 500 into the fattest, warmest, and most colorful mic preamp in your arsenal. Designed to introduce harmonics and saturation effects that our favorite vintage gear produces, Mojo can be subtle, it can be exaggerated, but best of all, it can be bypassed.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Impeccable Modern Clean Performance\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Designed from the ground up by the director of engineering, Edward Holmes, Camden 500 was created to be the ultimate recording front-end for the modern studios and withstand the rigors of modern workflow and production techniques. Designed to excel with any input source, Camden 500 features a completely original, custom-designed preamp topology that achieves stunning low-noise and low-distortion performance and frequency\/phase linearity at any gain setting from unity to 68.5 dB.\n       \u003cul\u003e\n        \u003cli\u003eStepped gain control\n         \u003cul\u003e\n          \u003cli\u003eCamden 500 features a premium, 12-way switch gain control that applies up to 68.5 dB of clean, transparent preamp gain in 5.5 dB steps. This makes it easy to recall gain settings and easy to match the gain of two Camden 500's for stereo applications.\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003eStereo matched\n         \u003cul\u003e\n          \u003cli\u003eWith carefully selected modern components, any two Camden preamps are completely stereo matched to within 0.1 dB. Every Camden preamp also passes through a rigorous frequency response test at the factory that ensures it performs the same as the last.\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003eProgressive-slope high-pass filter\n         \u003cul\u003e\n          \u003cli\u003eCamden's high-pass filter features a progressive slope where low end is rolled off initially at around 6 dB\/octave and then increases to 12 dB for the lowest octave, preserving the low end you want and cutting what you don't.\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003e3-way input type switch\n         \u003cul\u003e\n          \u003cli\u003eTailored input impedance and headroom for Mic, Line, and Hi-Z sources means punchy and full-range line recording with +26.5 dBu of input headroom as well as alive and natural sounding DI'd instruments with its unique BJT design and 1.5-megohm input impedance.\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Vintage Mojo on Tap\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       For moments when you want that gooey, vintage vibe on your recordings, Cranborne developed Mojo, their own custom analog saturation circuit that adds the familiar tone of transformers, valves, and vintage equipment onto your Camden's preamps for recording or mixing. Record through Mojo to add that vibe on the way into your DAW, or add the Mojo during the mix phase. Mojo adds tons of analog saturation to all audio signals.\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003eThump\u003c\/p\u003e\n       \u003cul\u003e\n        \u003cli\u003eExcites low-end content by adding harmonics to the signal in the 20 to 100 Hz range, resulting in fuller low-end on smaller speakers. As Thump is not EQ-based, the additional harmonic content is shaped by the source and its existing low-end frequency content, resulting in a natural addition of extra ?Thump?.\u003c\/li\u003e\n       \u003c\/ul\u003e\n       \u003cp\u003eCream\u003c\/p\u003e\n       \u003cul\u003e\n        \u003cli\u003eIntroduces a vintage smoothness and edge that is similar to how valves and tubes impact the sound of a preamp. Cream drastically increases harmonics and dynamically smooths-out the low mids for increased HF emphasis. Like Thump, Cream is completely dynamic and will vary its effect, based on the input level and source material.\u003c\/li\u003e\n       \u003c\/ul\u003e\n       \u003cp\u003eVariable\u003c\/p\u003e\n       \u003cul\u003e\n        \u003cli\u003eUnlike transformer or valve preamps, Mojo is variable and can be dialed in to taste. Transformers and valves are integral parts of certain preamp designs and so cannot be removed from the signal path or altered for different effects. Mojo on the other hand can be dialed in to taste or crucially bypassed when you need a clean and pristine recording.\u003c\/li\u003e\n       \u003c\/ul\u003e\n       \u003cp\u003eVintage vibe without compromise\u003c\/p\u003e\n       \u003cul\u003e\n        \u003cli\u003eTransformers and valves sound great, but they have a flavor that can't be removed. The phase shift, noise, and THD added by these designs give them their sound, but that sound sometimes isn't always suited to a particular source. Camden gives you 3 discrete tonal flavors that allow it to excel on any source or instrument.\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eItems Included\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003e\u003cspan\u003eCranborne Audio 500ADAT 8-Slot 500 Series Rack and ADAT Expander\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n    \u003cul\u003e\n     \u003cli\u003e\u003cspan\u003eExternal Power Adapter\u003c\/span\u003e\u003c\/li\u003e\n     \u003cli\u003e\u003cspan\u003eIEC Cable\u003c\/span\u003e\u003c\/li\u003e\n     \u003cli\u003e\u003cspan\u003e16 x Module Fixing Screw (Crosshead, 4-40 Thread Size)\u003c\/span\u003e\u003c\/li\u003e\n     \u003cli\u003e\u003cspan\u003eAllen Key (2.5mm)\u003c\/span\u003e\u003c\/li\u003e\n     \u003cli\u003e\u003cspan\u003eLimited 2-Year Manufacturer Warranty\u003c\/span\u003e\u003c\/li\u003e\n    \u003c\/ul\u003e\n    \u003cli\u003e\u003cspan\u003e\u003cspan\u003eCranborne Audio Carnaby 500 Harmonic EQ Module\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n    \u003cul\u003e\n     \u003cli\u003e\u003cspan\u003eLimited 2-Year Manufacturer Warranty\u003c\/span\u003e\u003c\/li\u003e\n    \u003c\/ul\u003e\n    \u003cli\u003e\u003cspan\u003e\u003cspan\u003eCranborne Audio Camden 500 Microphone Preamp and Mojo Signal Processor\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n    \u003cul\u003e\n     \u003cli\u003e\u003cspan\u003eLimited 2-Year Manufacturer Warranty\u003c\/span\u003e\u003c\/li\u003e\n    \u003c\/ul\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003ch4\u003eAdditional Resources \u003c\/h4\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eGuides \u0026amp; Manuals\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Kit Contains:\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\n         \u003cdiv\u003e\n          \u003cdiv\u003e\n           \u003cdiv\u003e\n            \u003cdiv\u003e\n             \u003cdiv\u003e\n              \u003cspan\u003e\n               \u003cdiv\u003e\n                \u003cimg alt=\"Cranborne Audio 500ADAT 8-Slot 500 Series Rack and ADAT Expander\"\u003e \n               \u003c\/div\u003e\n               \u003cdiv\u003e\u003c\/div\u003e\u003c\/span\u003e\n             \u003c\/div\u003e\n            \u003c\/div\u003e\n           \u003c\/div\u003e\n           \u003cdiv\u003e\n            \u003cdiv\u003e\n             \u003cdiv\u003e\n              \u003cspan\u003e\n               \u003cdiv\u003e\n                \u003cimg alt=\"Cranborne Audio Carnaby 500 Harmonic EQ Module\"\u003e \n               \u003c\/div\u003e\u003c\/span\u003e\n             \u003c\/div\u003e\n            \u003c\/div\u003e\n           \u003c\/div\u003e\n          \u003c\/div\u003e\n         \u003c\/div\u003e\n        \u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eCranborne Audio 500ADAT 8-Slot 500 Series Rack and ADAT Expander\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Inputs\/Outputs\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eUSB I\/O\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1 x USB-B Female Input\/Output\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAudio I\/O\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e8x XLR 3-Pin Input\u003cbr\u003e8x XLR 3-Pin Output\u003cbr\u003e8x 1\/4\" TRS Input\/Output\u003cbr\u003e2x 1\/4\" TRS Output (Mix Output)\u003cbr\u003e2x 1\/4\" TRS Output (Aux 1 Output)\u003cbr\u003e2x 1\/4\" TRS Output (Aux 2 Output)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eHeadphone Output\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eTest Signal Path: Aux Input - Headphone Output - APx555 (Line In)\u003cbr\u003e Frequency Response: -1 dB, \u0026lt;1 Hz to \u0026gt;70 kHz\u003cbr\u003e THD: \u0026lt;0.0006% (-104.4 dB) at 20 dBu, 1 kHz, A-Weighted, 300-Ohm Load\u003cbr\u003e THD+N: \u0026lt;0.00085% (-101.4 dB) at 20 dBu, 1 kHz, A-Weighted, 300-Ohm Load\u003cbr\u003e Output Impedance: 0.33 Ohms\u003cbr\u003e Output Wattage: 250 mW x 2 at 600 Ohms, 1 kHz; 650 mW x 2 at 220 Ohms, 1 kHz; 1.21 W x 2 at 100 Ohms, 1 kHz; 1.21 W x 2 at 100 Ohms, 1 kHz\u003cbr\u003e Dynamic Range: 114.5 dB A\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Cranborne Audio-10","offers":[{"title":"Default Title","offer_id":41974377611349,"sku":"CRCA500ADACK:CRCA500ADACK:bhpv","price":390815.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1720204160_1798693_05ad3d1a-efbc-44a9-8dc4-d35762568382.jpg?v=1765931996","url":"https:\/\/www.tanotis.com\/products\/cranborne-audio-500adat-8-slot-500-series-rack-adat-expander-kit-with-carnaby-500-eq-camden-500-preamp-mojo-modules-3","provider":"Tanotis","version":"1.0","type":"link"}