{"product_id":"avid-pro-tools-mtrx-ii-with-avid-mtrx-thunderbolt-3-module-kit","title":"Avid Pro Tools | MTRX II with Avid MTRX Thunderbolt 3 Module Kit","description":"\u003cdiv\u003e  \n \u003cdiv\u003e \n  \u003cdiv\u003e \n   \u003cdiv\u003e\n     Kit Contains: \n   \u003c\/div\u003e \n  \u003c\/div\u003e \n  \u003cdiv\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e \n       \u003cdiv\u003e \n        \u003cdiv\u003e \n         \u003cdiv\u003e \n          \u003cspan\u003e \n           \u003cdiv\u003e \n            \u003cimg alt=\"Avid Pro Tools | MTRX II Audio interface (Base Unit)\"\u003e \n           \u003c\/div\u003e \n           \u003cdiv\u003e\u003c\/div\u003e\u003c\/span\u003e \n         \u003c\/div\u003e \n        \u003c\/div\u003e \n       \u003c\/div\u003e \n       \u003cdiv\u003e \n        \u003cdiv\u003e \n         \u003cdiv\u003e \n          \u003cspan\u003e \n           \u003cdiv\u003e \n            \u003cimg alt=\"Avid Pro Tools | MTRX Thunderbolt 3 module (MTRX II \u0026amp; MTRX Studio Only)\"\u003e \n           \u003c\/div\u003e\u003c\/span\u003e \n         \u003c\/div\u003e \n        \u003c\/div\u003e \n       \u003c\/div\u003e \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n  \u003c\/div\u003e \n \u003c\/div\u003e \n \u003cdiv\u003e \n  \u003cdiv\u003e\u003c\/div\u003e \n \u003c\/div\u003e \n \u003cdiv\u003e \n  \u003cdiv\u003e\u003c\/div\u003e \n \u003c\/div\u003e \n \u003cdiv\u003e \n  \u003cdiv\u003e \n   \u003cp\u003eThe \u003cstrong\u003eAvid Pro Tools | MTRX II with Avid MTRX Thunderbolt 3 Module Kit\u003c\/strong\u003e from \u003cstrong\u003e\u003c\/strong\u003e delivers a fully modular, high-performance studio centerpiece for Pro Tools | HDX and other DAWs. Featuring 64 channels of DigiLink I\/O, 256 channels of Dante, 64 channels of MADI, wordclock I\/O, 128 channels of SPQ speaker processing, and a massive 4096 x 4096 routing matrix, MTRX II offers exceptional flexibility, monitoring control, and sound quality in a 2 RU rackmount design. With the Thunderbolt 3 module installed, the system adds 256 channels of native, low-latency I\/O for Pro Tools Ultimate and other Core Audio DAWs?enabling advanced routing, Dolby Atmos workflows, and seamless integration between DigiLink and Thunderbolt environments.\u003c\/p\u003e \n  \u003c\/div\u003e \n \u003c\/div\u003e \n \u003cdiv\u003e \n  \u003cdiv\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e\n      Avid Pro Tools | MTRX II Audio interface (Base Unit) \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e \n     \u003cp\u003eProducers, engineers, and mixers can take on the largest music or audio-post productions with the \u003cb\u003eAvid Pro Tools | MTRX II Audio interface (Base Unit)\u003c\/b\u003e, a powerful studio centerpiece that offers exceptional sound quality, I\/O customizability, and extensive routing and monitoring control in one interface. Used as a standalone or with Pro Tools | HDX, other DAWs, and Avid control surfaces, Pro Tools | MTRX II builds on the versatility of its predecessor, providing 64-channels of DigiLink I\/O, 256 channels of Dante I\/O, 64 channels of MADI I\/O, Word Clock I\/O, and 128 Channels of SPQ speaker processing to calibrate your room for optimal monitoring. The interface is fully modular, enabling you to customize it with up to eight analog and\/or digital audio I\/O option cards (available separately) to accommodate recording, mixing, ADR, Foley, or sound-design sessions of any size.\u003c\/p\u003e \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Get Extensive Audio Routing Flexibility \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e \n       \u003cul\u003e \n        \u003cli\u003eStreamline your studio by replacing multiple single-format and monitoring interfaces with a single, 2 RU rackmountable Pro Tools | MTRX II.\u003c\/li\u003e \n        \u003cli\u003eRoute, split, and patch any input to any output from any connected device in your studio with the massive matrix mixer?offering up to 4096 x 4096 crosspoints.\u003c\/li\u003e \n        \u003cli\u003eSum your mix stems and subgroups, or monitor full Dolby Atmos theatrical configurations with the expanded 512 x 64 summing mixer.\u003c\/li\u003e \n        \u003cli\u003eAdd the Thunderbolt 3 optional card to connect the MTRX II to a Mac\/Windows computer, enabling 256 channels of native, low-latency I\/O for Pro Tools Ultimate and other Core Audio DAWs.\u003c\/li\u003e \n        \u003cli\u003eConnect multiple HDX systems with a single MTRX II interface by installing up to eight DigiLink I\/O Cards, supporting 576 maximum DigiLink channels.\u003c\/li\u003e \n        \u003cli\u003eEasily route and control all playback sources, stems, Dolby Atmos rendering, and monitoring outputs?across multiple workstations?from a single MTRX II interface.\u003c\/li\u003e \n        \u003cli\u003eRoute audio to different devices and destinations and save\/recall routing workflows that can be recalled in seconds as needed.\u003c\/li\u003e \n        \u003cli\u003eSwitch between 5.1, 7.1, Dolby Atmos, and other production formats in seconds to support multiple deliveries.\u003c\/li\u003e \n        \u003cli\u003eSend audio to different mixing rooms and stages across your facility, enabling projects to be completed in parallel.\u003c\/li\u003e \n       \u003c\/ul\u003e \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Get Unparalleled Sound Quality and Clarity \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e \n       \u003cul\u003e \n        \u003cli\u003eAchieve impeccable sound transparency with AD\/DA converters that support sample rates up to 384 kHz PCM and DSD.\u003c\/li\u003e \n        \u003cli\u003eCapture pristine-quality sound through ultralow-noise DAD mic preamps, high-precision clock circuitry, and low jitter.\u003c\/li\u003e \n        \u003cli\u003eHear every sonic nuance of your music with 128 dB of dynamic range and less than -120 dB harmonic distortion.\u003c\/li\u003e \n       \u003c\/ul\u003e \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Connect to Any Dante Network \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e \n       \u003cul\u003e \n        \u003cli\u003eWith 256 integrated Dante channels, you can connect your Pro Tools | HDX system to any Dante network?the industry?s preferred audio-over-IP solution.\u003c\/li\u003e \n        \u003cli\u003eConfigure a single MTRX II with up to 1280 Dante audio channels to distribute audio over IP.\u003c\/li\u003e \n        \u003cli\u003eEasily integrate Dante-enabled devices into your workflow?no matter the manufacturer.\u003c\/li\u003e \n        \u003cli\u003eRoute audio to and from any connected Dante device in your facility with the flexible digital patchbay using the included DADman software.\u003c\/li\u003e \n        \u003cli\u003eEnable multiple audio networks to run on individual clocks and sample rates in a single MTRX with multiple Dante cards.\u003c\/li\u003e \n       \u003c\/ul\u003e \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Monitor and Route Audio in More Ways \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e \n       \u003cul\u003e \n        \u003cli\u003eWith its configurable I\/O, integrated SPQ Speaker Processing, included Pro | Mon 3 monitoring control, and the expanded 512 x 64 summing mixer, MTRX II can satisfy all of your monitoring, talkback, and cue mixing needs.\u003c\/li\u003e \n        \u003cli\u003eGet up to 128 channels of room correction, each with adjustable delay and filters, from stereo to multi-stem Dolby Atmos summing.\u003c\/li\u003e \n       \u003c\/ul\u003e \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Take Control of MTRX II with EUCON \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e \n       \u003cul\u003e \n        \u003cli\u003eWith the included DADman software, you can remotely control all source inputs, talkback, fold-downs, cue mixes, and speaker sets directly from Pro Tools Ultimate, Avid S6, and other EUCON-enabled control surfaces.\u003c\/li\u003e \n        \u003cli\u003eYou can also create multiple monitor profiles, making it easy to switch multichannel audio formats for the project at hand, from stereo and 7.1, up to 64-channel Dolby Atmos.\u003c\/li\u003e \n        \u003cli\u003eControl multiple interfaces and workstations from one to tackle the largest immersive audio mixes.\u003c\/li\u003e \n        \u003cli\u003e Take remote control of sources, monitoring, talkback, summing, and fold-down from Avid S6 and other EUCON-enabled control surfaces.\u003c\/li\u003e \n       \u003c\/ul\u003e \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Option Cards \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Analog I\/O \n       \u003cp\u003e\u003c\/p\u003e \n       \u003cul\u003e \n        \u003cli\u003e8 Line Pristine AD card (input): adds eight channels of line-level analog inputs\u003c\/li\u003e \n        \u003cli\u003e2 Mic\/Line Pristine AD card (input): adds two channels of analog inputs and mic preamps with relay-based gain circuit?an ideal low-cost option for talkback and tracking\u003c\/li\u003e \n        \u003cli\u003e8 Mic\/Line Pristine AD card (input): adds eight channels of analog inputs and mic preamps with relay-based gain circuit\u003c\/li\u003e \n        \u003cli\u003e8 Pristine DA card (output): adds eight channels of line-level analog outputs with an output level control\u003c\/li\u003e \n       \u003c\/ul\u003e \n       \u003cp\u003eDigital I\/O\u003c\/p\u003e \n       \u003cul\u003e \n        \u003cli\u003eDigiLink I\/O card: adds 64 channels of DigiLink I\/O through two DigiLink Mini ports\u003c\/li\u003e \n        \u003cli\u003eThunderbolt 3 module: enables 256 channels of native low-latency I\/O connectivity and routing between multiple Core Audio-based DAWs, including Pro Tools\u003c\/li\u003e \n        \u003cli\u003e8 AES3 I\/O card: adds eight line AES3 inputs and outputs (16 channels), with built-in sample rate conversion\u003c\/li\u003e \n        \u003cli\u003eDual SDI\/HD\/3G card: adds 2 x 16 channels of SDI\/HD\/3G connections (embed\/de-embed) with built-in sample rate conversion\u003c\/li\u003e \n        \u003cli\u003e128-Channel IP Audio Dante card: adds up to 128 channels of high-density, low-latency digital audio using Dante (128 channels at 41.1\/48 kHz, 64 channels at 88.2\/96 kHz, or 32 channels at 176.4\/192 kHz)\u003c\/li\u003e \n        \u003cli\u003eDual MADI I\/O card: adds 128 channels of MADI inputs and outputs through two optical SFP ports\u003c\/li\u003e \n        \u003cli\u003eMADI module for base unit: adds an additional one or two 64-channel I\/O coaxial or optical MADI module to the chassis\u003c\/li\u003e \n       \u003c\/ul\u003e \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e\u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e\n      UPC: 724643123062 \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n  \u003c\/div\u003e \n \u003c\/div\u003e \n \u003cdiv\u003e \n  \u003cdiv\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e\n      Avid Pro Tools | MTRX Thunderbolt 3 module (MTRX II \u0026amp; MTRX Studio Only) \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e \n     \u003cp\u003eWith the Thunderbolt 3 option, \u003cstrong\u003eMTRX Studio\u003c\/strong\u003e becomes a cost-effective native Pro Tools or other DAW system, enabling 64 channels of low-latency I\/O to your Mac or PC. Used in conjunction with DigiLink, you can route audio from other DAWs to Pro Tools, opening up new creative possibilities. Or for immersive music and soundtrack projects, you can route audio to the Dolby Atmos Renderer while maintaining full use of your Pro Tools | HDX DSP cores.\u003c\/p\u003e \n     \u003cp\u003eAvid is introducing a new Thunderbolt 3 module for both MTRX II and MTRX Studio, enabling customers to leverage the awesome power of integrated DigiLink connectivity with the added flexibility of low-latency Core Audio over Thunderbolt 3.\u003c\/p\u003e \n     \u003cp\u003eFrom simply being able to route other applications to DADman software to more advanced Dolby Atmos workflows, the Thunderbolt 3 option card gives MTRX II users 256 channels and MTRX Studio users 64 channels of high-speed transfer.\u003c\/p\u003e \n     \u003cp\u003e\u003c\/p\u003e \n     \u003cp\u003e \u003c\/p\u003e \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e\u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e\n      UPC: 724643122164 \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n  \u003c\/div\u003e \n \u003c\/div\u003e     Items Included  \n \u003cul\u003e \n  \u003cli\u003e\u003cspan\u003e\u003cspan\u003eAvid Pro Tools | MTRX II Audio interface (Base Unit)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e \n  \u003cul\u003e \n   \u003cli\u003e\u003cspan\u003ePro | Mon 3 Monitoring Control\u003c\/span\u003e\u003c\/li\u003e \n   \u003cli\u003e\u003cspan\u003eDADman Software\u003c\/span\u003e\u003c\/li\u003e \n   \u003cli\u003e\u003cspan\u003eAC Power Cable\u003c\/span\u003e\u003c\/li\u003e \n   \u003cli\u003e\u003cspan\u003eLimited 1-Year Manufacturer Warranty\u003c\/span\u003e\u003c\/li\u003e \n  \u003c\/ul\u003e \n  \u003cli\u003e\u003cspan\u003e\u003cspan\u003eAvid Pro Tools | MTRX Thunderbolt 3 module (MTRX II \u0026amp; MTRX Studio Only)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e \n \u003c\/ul\u003e    Additional Resources  \n \u003cdiv\u003e \n  \u003ca\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e\u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cp\u003eUser Manual\u003c\/p\u003e \n     \u003cp\u003e13.6 MB\u003c\/p\u003e \n    \u003c\/div\u003e \n   \u003c\/div\u003e\u003c\/a\u003e \n \u003c\/div\u003e \n \u003cul\u003e\u003c\/ul\u003e   \n\u003c\/div\u003e \n\u003cdiv\u003e \n \u003cdiv\u003e \n  \u003cdiv\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003ch2\u003eAvid MTRX II  Specs\u003c\/h2\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Key Specs \n      \u003c\/div\u003e \n      \u003ctable\u003e \n       \u003ctbody\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eChannels of I\/O\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e\u003cb\u003eDigiLink:\u003c\/b\u003e\u003cbr\u003e64 Inputs \/ 64 Outputs at 44.1\/48\/88.2\/96\/176.4\/192 kHz\u003cbr\u003e\u003cb\u003eMADI:\u003c\/b\u003e\u003cbr\u003e64 Inputs \/ 64 Outputs at 44.1\/48\/88.2\/96 kHz\u003cbr\u003e\u003cb\u003eMADI:\u003c\/b\u003e\u003cbr\u003e12 Inputs \/ 12 Outputs at 176.4\/192 kHz\u003cbr\u003e\u003cb\u003eDante:\u003c\/b\u003e\u003cbr\u003e256 Inputs \/ 256 Outputs at 44.1\/48 kHz\u003cbr\u003e\u003cb\u003eDante:\u003c\/b\u003e\u003cbr\u003e128 Inputs \/ 128 Outputs at 88.2\/96 kHz\u003cbr\u003e\u003cb\u003eDante:\u003c\/b\u003e\u003cbr\u003e64 Inputs \/ 64 Outputs at 176.4\/192 kHz\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eMaximum Sampling Rate\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e384 kHz \/ 24-Bit\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eNumber of Microphone Inputs\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003eNo\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eAnalog Audio I\/O\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003eNo\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eDigital Audio I\/O\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003eBNC Coaxial MADI In or Out\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eHost Connection\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e2x DigiLink Mini\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003ePower Requirements\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003eAC Input\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n       \u003c\/tbody\u003e \n      \u003c\/table\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        General \n      \u003c\/div\u003e \n      \u003ctable\u003e \n       \u003ctbody\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eDisplay\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e3x LED\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eChannels of I\/O\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e\u003cb\u003eDigiLink:\u003c\/b\u003e\u003cbr\u003e64 Inputs \/ 64 Outputs at 44.1\/48\/88.2\/96\/176.4\/192 kHz\u003cbr\u003e\u003cb\u003eMADI:\u003c\/b\u003e\u003cbr\u003e64 Inputs \/ 64 Outputs at 44.1\/48\/88.2\/96 kHz\u003cbr\u003e\u003cb\u003eMADI:\u003c\/b\u003e\u003cbr\u003e12 Inputs \/ 12 Outputs at 176.4\/192 kHz\u003cbr\u003e\u003cb\u003eDante:\u003c\/b\u003e\u003cbr\u003e256 Inputs \/ 256 Outputs at 44.1\/48 kHz\u003cbr\u003e\u003cb\u003eDante:\u003c\/b\u003e\u003cbr\u003e128 Inputs \/ 128 Outputs at 88.2\/96 kHz\u003cbr\u003e\u003cb\u003eDante:\u003c\/b\u003e\u003cbr\u003e64 Inputs \/ 64 Outputs at 176.4\/192 kHz\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eBuilt-In DSP\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e\u003cspan\u003eYes\u003c\/span\u003e\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eMaximum Sampling Rate\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e384 kHz \/ 24-Bit\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eNumber of Microphone Inputs\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003eNo\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eBuilt-In Microphone\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003eNo\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n       \u003c\/tbody\u003e \n      \u003c\/table\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Connectivity \n      \u003c\/div\u003e \n      \u003ctable\u003e \n       \u003ctbody\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eAnalog Audio I\/O\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003eNo\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eDigital Audio I\/O\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e2x BNC Coaxial MADI In or Out\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eHost Connection \/ USB\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e2x DigiLink Mini\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eHost Connection Protocol\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003eAvid Proprietary\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eUSB (Non-Host)\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003eNo\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eSync I\/O\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e1x BNC Word Clock Input\u003cbr\u003e1x BNC Word Clock Output\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eNetwork I\/O\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e2x RJ45 Dante\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eMIDI I\/O\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003eNo\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eExpansion Slots\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e8x I\/O Slot\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eWireless\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003eNo\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n       \u003c\/tbody\u003e \n      \u003c\/table\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Digital Audio \n      \u003c\/div\u003e \n      \u003ctable\u003e \n       \u003ctbody\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eSample Rates\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e44.1 to 384 kHz\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eBit Depths\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e24-Bit (PCM)\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eSync Sources\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003eDante, MADI, Word Clock\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n       \u003c\/tbody\u003e \n      \u003c\/table\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Audio Storage \u0026amp; Playback \n      \u003c\/div\u003e \n      \u003ctable\u003e \n       \u003ctbody\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eMedia\/Memory Card Slot\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003eNo\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n       \u003c\/tbody\u003e \n      \u003c\/table\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Compatibility \n      \u003c\/div\u003e \n      \u003ctable\u003e \n       \u003ctbody\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eOS Compatibility\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e\u003cspan\u003e\u003cb\u003e\u003c\/b\u003emacOS\u003cb\u003e\u003c\/b\u003e \/ \u003cb\u003e\u003c\/b\u003eWindows\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n       \u003c\/tbody\u003e \n      \u003c\/table\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Power \n      \u003c\/div\u003e \n      \u003ctable\u003e \n       \u003ctbody\u003e \n        \u003ctr\u003e \n         \u003ctd\u003ePower Requirements\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003eAC Input\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n       \u003c\/tbody\u003e \n      \u003c\/table\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Physical \n      \u003c\/div\u003e \n      \u003ctable\u003e \n       \u003ctbody\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eRackmount Size\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e2 U (with Non-Included Hardware)\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eDimensions\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e19.1 x 14.2 x 3.5\" \/ 485 x 360 x 90 mm\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eWeight\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e8.8 lb \/ 4.0 kg\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n       \u003c\/tbody\u003e \n      \u003c\/table\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Packaging Info \n      \u003c\/div\u003e \n      \u003ctable\u003e \n       \u003ctbody\u003e \n        \u003ctr\u003e \n         \u003ctd\u003ePackage Weight\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e14.05 lb\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e22.5 x 20.8 x 6.6\"\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n       \u003c\/tbody\u003e \n      \u003c\/table\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n  \u003c\/div\u003e \n \u003c\/div\u003e \n\u003c\/div\u003e\n\u003cp\u003eAll product and company names are trademarks or registered trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.\u003c\/p\u003e","brand":"Avid-10","offers":[{"title":"Default Title","offer_id":42618460405845,"sku":"AVPTMTRXIIBK:AVPTMTRXIIBK:bhpv","price":1250165.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1771839372_1954416.jpg?v=1781865453","url":"https:\/\/www.tanotis.com\/products\/avid-pro-tools-mtrx-ii-with-avid-mtrx-thunderbolt-3-module-kit","provider":"Tanotis","version":"1.0","type":"link"}