{"product_id":"aea-ribbon-mics-nuvo-n8-far-field-phantom-powered-ribbon-microphone-kit-with-stand-and-cable-2","title":"AEA Ribbon Mics NUVO N8 Far-Field Phantom-Powered Ribbon Microphone Kit with Stand and Cable","description":"\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    Kit Contains:\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\n         \u003cdiv\u003e\n          \u003cspan\u003e\n           \u003cdiv\u003e\n            \u003cimg alt=\"AEA Ribbon Mics NUVO N8 Far-Field Phantom-Powered Ribbon Microphone\"\u003e \n           \u003c\/div\u003e\n           \u003cdiv\u003e\u003c\/div\u003e\u003c\/span\u003e\n         \u003c\/div\u003e\n        \u003c\/div\u003e\n       \u003c\/div\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\n         \u003cdiv\u003e\n          \u003cspan\u003e\n           \u003cdiv\u003e\n            \u003cimg alt=\"K\u0026amp;M 210\/9 Tripod Microphone Stand with Telescoping Boom (Black)\"\u003e \n           \u003c\/div\u003e\u003c\/span\u003e\n         \u003c\/div\u003e\n        \u003c\/div\u003e\n       \u003c\/div\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\n         \u003cdiv\u003e\n          \u003cspan\u003e\n           \u003cdiv\u003e\n            \u003cimg alt=\"Mogami Gold Studio XLR Female to XLR Male Microphone Cable (25', Black)\"\u003e \n           \u003c\/div\u003e\u003c\/span\u003e\n         \u003c\/div\u003e\n        \u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cp\u003eThis \u003cstrong\u003e Kit\u003c\/strong\u003e includes the \u003cstrong\u003eAEA NUVO N8 Far-Field Phantom-Powered Ribbon Microphone\u003c\/strong\u003e along with an adjustable tripod stand and a black 25' Mogami Gold XLR cable, so you can plug-in, power up the mic, and start recording instruments and vocals with the classic sound of a ribbon element. The phantom-powered JFET electronics and custom transformer provide a +12 dB gain increase, allowing the NUVO N8 to work with a wider variety of preamps than many traditional passive ribbon mics with lower output levels.\u003c\/p\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     AEA Ribbon Mics NUVO N8 Far-Field Phantom-Powered Ribbon Microphone\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cp\u003eOffering the open and natural sound of a traditional side-address, large-ribbon mic in a compact and lightweight form factor designed for far-field use, the \u003cb\u003eAEA Ribbon Mics NUVO N8\u003c\/b\u003e active ribbon microphone is ideal when positioned 1 to 20' away from the source, be it group vocals, acoustic instruments, ensembles, or drums, in the studio or on the stage. The inclusion of a custom transformer helps the NUVO N8 achieve a strong output level while retaining low-noise performance.\u003c\/p\u003e\n     \u003cp\u003eAs a far-field ribbon, the NUVO N8 provides full low- and high-end tone when capturing sources in the context of a room. Plus, it boasts the widest frequency range of any AEA mic. The NUVO N8's figure-8 polar pattern exhibits the classic pickup traits and side-rejection qualities associated with ribbon mics. A standard XLR 3-pin male connector is on the mic for hookup to virtually any microphone preamp; 48V phantom power is required to power the mic's active electronics.\u003c\/p\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Far-Field Ribbon\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The N8 captures a space as it sounds live and in person, with all the present subtlety and nuance. Its expansive frequency response and balanced low-end make it superbly effective when capturing the full breadth of sound from the back of a room, above a drum set, or overhead a string section.\n       \u003cbr\u003e \n       \u003cbr\u003e It is designed to be positioned at an ideal distance of 12 inches or farther from the source of sound. This far-field design allows for a wide range of options when positioning the N8 to best capture an instrument within the context of a room.\n       \u003cbr\u003e \n       \u003cbr\u003e From as far away as 20 feet away, the N8 retains the low-end frequencies of the sources it captures, and its open, natural tonality makes it perfect to record an entire orchestra or the full low-end of a drum kit from overhead.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Works Up Close\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The proximity effect of the N8 is present when recording a source from closer than 12 inches, so this feature can be used to accentuate the low-end of a vocal or string instrument. Potential damage from loud sources is of no concern, even at such a short distance, as the N8 can handle 141+ dB SPL at 1 kHz.\n       \u003cbr\u003e \n       \u003cbr\u003e If less proximity effect is desired when recording at close range, the near-field AEA N22 is an effective ribbon mic to complement the N8's far-field performance.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Active Electronics\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The N8 uses the same custom transformer utilized in the AEA A440 and R84A microphones, enabling an additional 12 dB of output and a stable impedance. Though it still sounds great with any AEA ribbon-optimized preamp, it is not dependent on a high-impedance, high-gain preamp for proper use.\n       \u003cbr\u003e \n       \u003cbr\u003e The extra output is a major advantage when recording quiet sources like vocals and soft acoustic guitars. The active circuitry also prevents noise, interference on long cable runs and when near operating near large lighting rigs.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Ready for the Road\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       With increased durability and a small profile, it's no wonder that a wide range of performers use AEA's NUVO series microphones on the road. The mics are totally rugged and hold up to daily wear and tear.\n       \u003cbr\u003e \n       \u003cbr\u003e From outdoor gigs at music festivals to indoor theaters, NUVO mics are the perfect companion to bring the sound of studio recordings to the live stage. With the optional NUVO windscreen, never worry about the ribbon, even at windy gigs.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Features at a Glance\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eOpen and natural sound\u003c\/li\u003e\n        \u003cli\u003eFar-field ribbon mic that retains lows and highs from a distance\u003c\/li\u003e\n        \u003cli\u003eSame design philosophy as the AEA R88 stereo ribbon mic\u003c\/li\u003e\n        \u003cli\u003eCompact, lightweight, and low-profile design\u003c\/li\u003e\n        \u003cli\u003eFeatures active electronics and custom transformer optimized for all preamps\u003c\/li\u003e\n        \u003cli\u003eMade in the USA\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     UPC: 652401977506\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     K\u0026amp;M 210\/9 Tripod Microphone Stand with Telescoping Boom (Black)\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cp\u003eThe black \u003cb\u003e210\/9 Tripod Microphone Stand with Telescoping Boom\u003c\/b\u003e from \u003cb\u003e K\u0026amp;M\u003c\/b\u003e is a height adjustable stand with a 17.1 to 29.3\" telescoping boom arm. The microphone stand offers sturdy support for live sound, theater, rehearsal, and recording applications. It features a clutch to allow you to raise the stand height from 35.4 to 63.2\" and a 5\/8\" thread for mounting microphones (available separately).\u003c\/p\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     UPC: 784887129824\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Mogami Gold Studio XLR Female to XLR Male Microphone Cable (25', Black)\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cp\u003eThe black, 25' \u003cb\u003eMogami Gold Studio XLR Female to XLR Male Microphone Cable \u003c\/b\u003e is a high-quality, 4-conductor cable engineered for maximum rejection of RFI and EMI, accurate signal transmission with low noise, and durability. It uses the company's Neglex twisted, double-conductor quad cable with a spiral, bare copper shield, which is effective in maintaining signal integrity, even when used with unbalanced equipment, in professional or home studios suffering from wiring and grounding problems.\u003c\/p\u003e\n     \u003cp\u003eThe cable is terminated with black-body, gold-plated XLR connectors, and features a 0.236\" diameter jacket, ideal for applications where a small-diameter quad mic cable is required.\u003c\/p\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Key Features\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Studio and broadcast-quality microphone cable wired with Mogami 2534 Neglex twisted quad-conductor cable\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Ideal for home studios suffering from wiring and grounding problems?maintains signal quality when used with unbalanced equipment\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Served (spiral) bare copper shield for long-lasting protection against RFI and EMI\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       XLPE (Cross-Linked Polyethylene) conductor insulation\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Terminated with black-body, 3-pin XLR connectors (XLR female to XLR male)\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Gold-plated contacts to prevent corrosion\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       0.236\" jacket diameter?for use where a small-diameter quad mic cable is required\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Limited lifetime warranty\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     UPC: 801813075847\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eItems Included\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003e\u003cspan\u003eAEA Ribbon Mics NUVO N8 Far-Field Phantom-Powered Ribbon Microphone\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n    \u003cul\u003e\n     \u003cli\u003e\u003cspan\u003eMic Stand Clip\u003c\/span\u003e\u003c\/li\u003e\n     \u003cli\u003e\u003cspan\u003eCustom Protective Mic Sleeve\u003c\/span\u003e\u003c\/li\u003e\n     \u003cli\u003e\u003cspan\u003eStorage Case\u003c\/span\u003e\u003c\/li\u003e\n     \u003cli\u003e\n\u003cspan\u003eLimited 1-Year Manufacturer Warranty\u003c\/span\u003e\u003ci\u003e\u003cbr\u003eRegistration Extension: 2-Year (US Only)\u003c\/i\u003e\n\u003c\/li\u003e\n    \u003c\/ul\u003e\n    \u003cli\u003e\u003cspan\u003e\u003cspan\u003eK\u0026amp;M 210\/9 Tripod Microphone Stand with Telescoping Boom (Black)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n    \u003cul\u003e\n     \u003cli\u003e\u003cspan\u003eLimited 3-Year Manufacturer Warranty\u003c\/span\u003e\u003c\/li\u003e\n    \u003c\/ul\u003e\n    \u003cli\u003e\u003cspan\u003e\u003cspan\u003eMogami Gold Studio XLR Female to XLR Male Microphone Cable (25', Black)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n    \u003cul\u003e\n     \u003cli\u003e\u003cspan\u003eLimited Lifetime Manufacturer Warranty\u003c\/span\u003e\u003c\/li\u003e\n    \u003c\/ul\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003ch4\u003eAdditional Resources \u003c\/h4\u003e\n \u003cdiv\u003e\n  \u003ca\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cp\u003eUser Manual\u003c\/p\u003e\n     \u003cp\u003e1.0 MB\u003c\/p\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\u003c\/a\u003e\n \u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Kit Contains:\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\n         \u003cdiv\u003e\n          \u003cdiv\u003e\n           \u003cdiv\u003e\n            \u003cdiv\u003e\n             \u003cdiv\u003e\n              \u003cspan\u003e\n               \u003cdiv\u003e\n                \u003cimg alt=\"AEA Ribbon Mics NUVO N8 Far-Field Phantom-Powered Ribbon Microphone\"\u003e \n               \u003c\/div\u003e\n               \u003cdiv\u003e\u003c\/div\u003e\u003c\/span\u003e\n             \u003c\/div\u003e\n            \u003c\/div\u003e\n           \u003c\/div\u003e\n           \u003cdiv\u003e\n            \u003cdiv\u003e\n             \u003cdiv\u003e\n              \u003cspan\u003e\n               \u003cdiv\u003e\n                \u003cimg alt=\"K\u0026amp;M 210\/9 Tripod Microphone Stand with Telescoping Boom (Black)\"\u003e \n               \u003c\/div\u003e\u003c\/span\u003e\n             \u003c\/div\u003e\n            \u003c\/div\u003e\n           \u003c\/div\u003e\n           \u003cdiv\u003e\n            \u003cdiv\u003e\n             \u003cdiv\u003e\n              \u003cspan\u003e\n               \u003cdiv\u003e\n                \u003cimg alt=\"Mogami Gold Studio XLR Female to XLR Male Microphone Cable (25', Black)\"\u003e \n               \u003c\/div\u003e\u003c\/span\u003e\n             \u003c\/div\u003e\n            \u003c\/div\u003e\n           \u003c\/div\u003e\n          \u003c\/div\u003e\n         \u003c\/div\u003e\n        \u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eAEA Ribbon Mics NUVO N8 Far-Field Phantom-Powered Ribbon Microphone\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Key Specs\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMicrophone Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRibbon\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePolar Pattern\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eFigure-8\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eElement Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRibbon\u003cb\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eControls\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eNo\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eFrequency Response\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u003cb\u003e\u003c\/b\u003e20 Hz to 20 kHz \u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMaximum SPL\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u003cb\u003e\u003c\/b\u003e141 dB (1 kHz, 1% THD)\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAnalog Output\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1x XLR 3-Pin Male\u003cb\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePower Sources\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003ePhantom Power\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Microphone\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMicrophone Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRibbon\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePolar Pattern\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eFigure-8\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eElement Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRibbon\u003cb\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eSound Field\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eMono\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eDiaphragm\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e2.35\" \/ 59.69 mm\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eOrientation\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSide Address\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eControls\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eNo\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePad\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eNo\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCircuitry\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSolid-State\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Performance\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eFrequency Response\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u003cb\u003e\u003c\/b\u003e20 Hz to 20 kHz \u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMaximum SPL\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u003cb\u003e\u003c\/b\u003e141 dB (1 kHz, 1% THD)\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eOff-Axis Rejection\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e6 dB at 60?\u003cbr\u003e6 dB at 120?\u003cbr\u003e0 dB at 180?\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Connectivity\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAnalog Output\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1x XLR 3-Pin Male\u003cb\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Power\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePower Sources\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003ePhantom Power\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eOperating Voltage\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e48 V (Phantom Power)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Physical\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eColor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eBlack\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eDimensions\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e?: 1.62 x L: 8.83\" \/ ?: 4.11 x L: 22.43 cm\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eWeight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e12 oz \/ 340 g\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Packaging Info\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePackage Weight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1.785 lb\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e10.45 x 8.3 x 3.05\"\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"AEA Ribbon Mics-10","offers":[{"title":"Default Title","offer_id":41974104817749,"sku":"AEN8SCK:AEN8SCK:bhpv","price":222715.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1720187938_1812696_af684d25-444a-45c8-a3d1-d4a8271e8424.jpg?v=1765915042","url":"https:\/\/www.tanotis.com\/products\/aea-ribbon-mics-nuvo-n8-far-field-phantom-powered-ribbon-microphone-kit-with-stand-and-cable-2","provider":"Tanotis","version":"1.0","type":"link"}