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With this new workflow, media is produced for multiple delivery platforms such as: Over the Air, Over the Top, large screen displays, cable, satellite, Web, digital signage, tablets, and smartphones. These changes impact all aspects of creation, production, media management, technical operations, business processes, and distribution to end users. Most importantly, this�hardcover book�provides insight into new media management workflows and business processes to support the entire lifecycle of the IP broadcast facility from an engineering and workflow perspective. \u003cbr\u003e \u003cbr\u003e Author Gary Olson is a recognized industry leader with practical experience in the analysis, selection, and uses of technology and as an innovator in media technologies and broadcast design. Gary is an advisor specializing in the transition of traditional media workflows and business processes. His focus is the adaptation of organizational structure, staffing models, and workflows to implement digital media technology. Gary holds a US patent in Streaming media automation and distribution. \u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdl\u003e \u003cdt\u003eFormat\u003c\/dt\u003e \u003cdd\u003eHarcover\u003c\/dd\u003e \u003c\/dl\u003e \u003cdiv\u003e \u003ch3\u003eKey Features\u003c\/h3\u003e \u003cdl\u003e \u003cdd\u003eThis beginning-to-end perspective gives you the necessary knowledge to implement a cost-effective file-based production and distribution system.\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003eThe cohesive, big-picture viewpoint helps you identify the differences in a tape-based facility, and then overcome the unique challenges of upgrading your plant.\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003eCase studies throughout the book serve as recommendations and examples of use, helping you weigh the pros and cons of various approaches.\u003c\/dd\u003e \u003c\/dl\u003e \u003c\/div\u003e \u003cdiv\u003e \u003ch3\u003eContents\u003c\/h3\u003e \u003cdl\u003e \u003cdd\u003eIntroduction\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003e Chapters \u003cbr\u003e Overview \u003cbr\u003e Ingest\/Acquisition\/Capture \u003cbr\u003e Workflow and Processes \u003cbr\u003e Media Management \u003cbr\u003e Technology Infrastructure and Engineering \u003cbr\u003e Transmission and Delivery \u003cbr\u003e Facility Planning and Design \u003cbr\u003e Review \u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003eGlossary\u003c\/dd\u003e \u003c\/dl\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e\u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eAuthor\u003c\/td\u003e \u003ctd\u003eGary Olson\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eFormat\u003c\/td\u003e \u003ctd\u003eHardcover\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePages\u003c\/td\u003e \u003ctd\u003e154\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePublisher\u003c\/td\u003e \u003ctd\u003eFocal Press\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDate Published\u003c\/td\u003e \u003ctd\u003eSeptember 2014\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eISBN Number\u003c\/td\u003e \u003ctd\u003e9781138798953\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e All product and company names are trademarks™ or registered® trademarks of their respective holders. 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Step-by-step instruction and time-saving tips cover matting and keying basics; lighting and digital camera essentials; setups with fabric, portable background panels and paint; broadcast TV hardware switchers; professional HD and major motion picture compositing; multi-colored screen composites; directing storyboards and talent; working with virtual sets; motion tracking; and much more.\u003c\/p\u003e\n    \u003cp\u003e Author Jeff Foster has been producing traditional and digital images, animation, motion graphics, and visual effects for digital video and film for over 25 years. He has also written and contributed to several After Effects and Photoshop books, conducted training seminars, and been a featured speaker at several national conferences such as Macworld, Photoshop World, AdobeMAX, and NAB.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Format\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Paperback\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       2nd Edition Updates\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eCoverage of the latest digital camera technologies, lighting gear, and compositing and editing software\u003c\/li\u003e\n        \u003cli\u003eAdvice on using apps for portable devices that will help you light and shoot better green screen\u003c\/li\u003e\n        \u003cli\u003eExamples and case studies of real-world green screen and compositing projects in film and television productions\u003c\/li\u003e\n        \u003cli\u003eAn extensive companion website featuring downloadable project files and streaming video tutorials\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cbr\u003e Acknowledgements\n       \u003cbr\u003e About the Author\n       \u003cbr\u003e Foreword\n       \u003cbr\u003e Introduction\n       \u003cbr\u003e Part I: Exploring the Matting Process\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cul\u003e\n        \u003cli\u003eChapter 1 Mattes and Compositing Defined\u003c\/li\u003e\n        \u003cli\u003eChapter 2 Digital Matting Methods and Tools\u003c\/li\u003e\n        \u003cli\u003eChapter 3 Basic Shooting Setups\u003c\/li\u003e\n        \u003cli\u003eChapter 4 Basic Compositing Techniques\u003c\/li\u003e\n        \u003cli\u003eChapter 5 Simple Setups on a Budget\u003c\/li\u003e\n        \u003cli\u003eChapter 6 Green Screens in Live Broadcasts\u003c\/li\u003e\n        \u003cli\u003eChapter 7 How the Pros Do It\u003c\/li\u003e\n       \u003c\/ul\u003e\n       \u003cp\u003ePart II: Setting the Scene\u003c\/p\u003e\n       \u003cul\u003e\n        \u003cli\u003eChapter 8 Choosing the Right Matting Process for Your Project\u003c\/li\u003e\n        \u003cli\u003eChapter 9 Proper Lighting Techniques\u003c\/li\u003e\n        \u003cli\u003eChapter 10 Matching Your Subjects to the Background\u003c\/li\u003e\n        \u003cli\u003eChapter 11 Digital Cameras and Camcorders\u003c\/li\u003e\n        \u003cli\u003eChapter 12 Storyboarding and Directing Your Talent\u003c\/li\u003e\n        \u003cli\u003eChapter 13 Interacting with the Background and Objects\u003c\/li\u003e\n       \u003c\/ul\u003e\n       \u003cp\u003ePart III: Compositing the Footage\u003c\/p\u003e\n       \u003cul\u003e\n        \u003cli\u003eChapter 14 Getting a Great Matte\u003c\/li\u003e\n        \u003cli\u003eChapter 15 Color Balancing the Subject and Background\u003c\/li\u003e\n        \u003cli\u003eChapter 16 Fixing Problem Green Screen Shots\u003c\/li\u003e\n        \u003cli\u003eChapter 17 Working with Virtual Sets\u003c\/li\u003e\n        \u003cli\u003eChapter 18 Motion Tracking and Matchmoving\u003c\/li\u003e\n        \u003cli\u003eChapter 19 Complex Composites\u003c\/li\u003e\n       \u003c\/ul\u003e\n       \u003cp\u003eAppendix A\u003cbr\u003e Appendix B\u003cbr\u003e Index\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Table of Contents\n    \u003c\/div\u003e\n    \u003cul\u003e\n     \u003cli\u003eDescription\u003c\/li\u003e\n     \u003cli\u003eFormat\u003c\/li\u003e\n     \u003cli\u003e2nd Edition Updates\u003c\/li\u003e\n     \u003cli\u003eContents\u003c\/li\u003e\n    \u003c\/ul\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003ch2\u003eFocal Press 9781138780330 Specs\u003c\/h2\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003ctable\u003e\n      \u003ctbody\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eSubject\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eComprehensive how-to manual for using green screen effectively.\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003ePublisher\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eFocal Press\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eAuthor\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eJeff Foster\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eEdition\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e2nd\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eFormat\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003ePaperback\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003ePages\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e418\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eISBN Number\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e9781138780330\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eDate Published\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eNovember 2014\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n      \u003c\/tbody\u003e\n     \u003c\/table\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Packaging Info\n     \u003c\/div\u003e\n     \u003ctable\u003e\n      \u003ctbody\u003e\n       \u003ctr\u003e\n        \u003ctd\u003ePackage Weight\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e1.9 lb\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e9.2 x 7.6 x 1\"\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n      \u003c\/tbody\u003e\n     \u003c\/table\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9781138780330 Reviews\u003c\/h2\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40511025086549,"sku":"FOTGSH2E:FOTGSH2E:bhpv","price":12695.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/1416324048_1097901.jpg?v=1676491080"},{"product_id":"focal-press-changing-direction-2nd-edition-paperback","title":"Focal Press Changing Direction (2nd Edition, Paperback)","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press Changing Direction Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003e\u003cb\u003eChanging Direction \u003c\/b\u003eby \u003cb\u003eLenore DeKoven\u003c\/b\u003e combines underlying dramaturgical theory with dozens of exercises designed to maximize the actor's potential on stage or screen. Distilling difficult concepts to their simplest form, DeKoven explains how to accurately capture and portray human behavior on stage and screen, offering creative solutions to issues she has encountered or anticipated after decades of experience. Excerpts from interviews with acclaimed actors offer insight into their work with directors, what inspires them, and what they really want from the director.This second edition features a foreword by Ang Lee and incorporates the film Moonlight (2016, Barry Jenkins) for analysis of the directing concepts discussed.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Table of Contents\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cul\u003e\n       \u003cli\u003e1. Introduction\u003c\/li\u003e\n       \u003cli\u003e2. The Actor and Training\u003c\/li\u003e\n       \u003cli\u003e3. The Actor's Vocabulary\u003c\/li\u003e\n       \u003cli\u003e4. The Text and the Throughline\u003c\/li\u003e\n       \u003cli\u003e5. Anaylsis of Script\u003c\/li\u003e\n       \u003cli\u003e6. The Character Outline\u003c\/li\u003e\n       \u003cli\u003e7. The Casting Process\u003c\/li\u003e\n       \u003cli\u003e8. The Rehearsal Process\u003c\/li\u003e\n       \u003cli\u003e9. The Actor and the Camera\u003c\/li\u003e\n       \u003cli\u003e10. Film and Theatre: Differences and Similarities\u003c\/li\u003e\n       \u003cli\u003e11. What Do the Actors Say?\u003c\/li\u003e\n       \u003cli\u003e12. Tips to the Director\u003c\/li\u003e\n       \u003cli\u003eAppendix: Additional Exercises for Workshop or Class\u003c\/li\u003e\n       \u003cli\u003eAppendix: Suggested Reading and Viewing\u003c\/li\u003e\n      \u003c\/ul\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003ch2\u003eFocal Press Changing Direction Specs\u003c\/h2\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003ctable\u003e\n      \u003ctbody\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eAuthor\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eLenore Dekoven\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003ePublisher\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eFocal Press\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003ePublication Date\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eSeptember 10, 2018\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eEdition\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e2nd\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eISBN Number\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eISBN 13: 9781351034463\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e212\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eCover Type\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eSoft\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eIllustrations\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e\u003ci\u003eNone\u003c\/i\u003e\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n      \u003c\/tbody\u003e\n     \u003c\/table\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Packaging Info\n     \u003c\/div\u003e\n     \u003ctable\u003e\n      \u003ctbody\u003e\n       \u003ctr\u003e\n        \u003ctd\u003ePackage Weight\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e0.7 lb\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e8.8 x 6.8 x 0.4\"\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n      \u003c\/tbody\u003e\n     \u003c\/table\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003ch2\u003eFocal Press Changing Direction Reviews\u003c\/h2\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40513739948117,"sku":"FOCDIR2NDED:FOCDIR2NDED:bhpv","price":6660.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/1634294791_1590256.jpg?v=1676665183"},{"product_id":"jay-holben-chris-probst-the-cine-lens-manual","title":"Jay Holben \u0026 Chris. Probst The Cine Lens Manual","description":"\u003cdiv\u003e\n \u003ch2\u003eJay Holben \u0026amp; Chris. Probst The Cine Lens Manu... Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cul\u003e\n    \u003cli\u003e\n\u003cspan\u003e1\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e2\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eFormat\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e3\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eAbout the Author\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e4\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eThe Chapters Explore\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eFor anyone with a curiosity about cinema optics, \u003cb\u003eThe Cine Lens Manual\u003c\/b\u003e is the definitive filmmaker's guide to the design, implementation, and history of motion picture optics. Authors \u003cstrong\u003eJay Holben\u003c\/strong\u003e and \u003cstrong\u003eChristopher Probst\u003c\/strong\u003e share more than 60 years experience as cinematographers, educators, and technical journalists, creating a manual for anyone who seeks a deeper understanding of the cinema lens. This hardcover offers a comprehensive examination of the cine lens, with a deep dive into the art and science behind creating a cinema lens. \u003c\/p\u003e\n    \u003cp\u003eCinematographers, directors, VFX artists, camera assistants, animators, historians, students, and rental house technicians will all benefit from the clear, easy to understand concepts, explained in simple language. Extensively illustrated, this manual examines the history and evolution of the cinema lens and motion picture formats.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Format\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Hardcover\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Author\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eJay Holben is an independent director and producer in Los Angeles. A former and �recovering� cinematographer, he is an associate member of the American Society of Cinematographers, the chair of the ASC�s Motion Imaging Technology Council�s Lens Committee, and a technical contributing editor for American Cinematographer magazine. He has authored over 500 articles on the art and science of cinematography and is an international lecturer on the subject as well as serving as a faculty instructor for the Global Cinematography Institute, a school started by the late Academy Award winning cinematographer, Vilmos Zsigmond, ASC. He is the author of two previous books on cinematography, including \"A Shot in the Dark: A Creative DIY Guide to Cinematic Lighting on (Almost) No Budget\" and \"Behind the Lens: Dispatches from the Cinematographic Trenches\". He is the director and producer of \"Before the Dawn\".\u003c\/li\u003e\n        \u003cli\u003eChristopher Probst, ASC is a working cinematographer and an active member of the American Society of Cinematographers. He is also a self-professed lens junkie and an all-things technical geek. He served as the technical editor of American Cinematographer magazine for over 20 years and has taught\/lectured about cinematography for the ASC�s Masterclass, the Camerimage festival and the Global Cinematography Institute. Best known for his ASC Award nominated work on director David Fincher�s Netflix series Mindhunter, his extensive body of work in music videos spans hundreds of clips for artists such as Ariana Grande, Taylor Swift, Eminem, Billie Eilish, Shakira, Lana Del Rey, Kelly Clarkson, Black Eyed Peas, Katy Perry, Pussycat Dolls, Jay-Z, and Muse. In this arena alone, his work has amassed more than 35 billion views on YouTube. He has also shot thousands of commercial ads for clients such as Apple, Samsung, FOX Sports, Turkish Airlines, LG, Johnnie Walker, Adidas, Lexus, Mercedes, Infiniti, BMW, and Ford. Probst is well versed in narrative and has photographed the feature films \"Detention\" for Sony Pictures, \"Fire with Fire\", and the sci-fi actioner, \"Beyond Skyline\".\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The Chapters Explore\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eA primer on cinema lenses\u003c\/li\u003e\n        \u003cli\u003eIntroduction to optical design\u003c\/li\u003e\n        \u003cli\u003eInvestigation of advanced optical design and early photographic lenses\u003c\/li\u003e\n        \u003cli\u003eExamination of optomechanical design\u003c\/li\u003e\n        \u003cli\u003eEvolution of motion picture formats\u003c\/li\u003e\n        \u003cli\u003eHistory and genealogy of 140 years of purpose-built cinema lenses, detailing more than 300 series\u003c\/li\u003e\n        \u003cli\u003eModifying existing lenses for use in cinema or to creatively custom-tune their performance\u003c\/li\u003e\n        \u003cli\u003eTesting and evaluating lenses\u003c\/li\u003e\n        \u003cli\u003eCare and maintenance of cinema lenses\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Table of Contents\n    \u003c\/div\u003e\n    \u003cul\u003e\n     \u003cli\u003eDescription\u003c\/li\u003e\n     \u003cli\u003eFormat\u003c\/li\u003e\n     \u003cli\u003eAbout the Author\u003c\/li\u003e\n     \u003cli\u003eThe Chapters Explore\u003c\/li\u003e\n    \u003c\/ul\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003ch2\u003eJay Holben \u0026amp; Chris. Probst The Cine Lens Manu... Specs\u003c\/h2\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003ctable\u003e\n      \u003ctbody\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eAuthor\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eJay Holben\u003cbr\u003eChristopher Probst, ASC\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003ePublisher\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eAdakin Press\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003ePublication Date\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eMarch 22, 2022\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eEdition\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e1st\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eISBN Number\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e9781667834177\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e836\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eCover Type\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eHard\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eIllustrations\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e\u003cspan\u003eYes\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eDimensions\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e8.5 x 11.0\" \/ 21.6 x 27.9 cm\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n      \u003c\/tbody\u003e\n     \u003c\/table\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Packaging Info\n     \u003c\/div\u003e\n     \u003ctable\u003e\n      \u003ctbody\u003e\n       \u003ctr\u003e\n        \u003ctd\u003ePackage Weight\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e7.16 lb\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e11.1 x 8.7 x 1.8\"\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n      \u003c\/tbody\u003e\n     \u003c\/table\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003ch2\u003eJay Holben \u0026amp; Chris. Probst The Cine Lens Manu... Reviews\u003c\/h2\u003e\n \u003cdiv\u003e\n  \u003ch4\u003eLens Bible\u003c\/h4\u003e\n  \u003cdiv\u003e\n   By Yuki\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   Rated 5 out of 5\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   Date: 2022-08-31\n  \u003c\/div\u003e\n  \u003cp\u003eThis book covers so many aspects of the lenses and manufacturing process. It's very long and I wish there was a digital version (so you can search the book)\u003c\/p\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003ch4\u003eLens Bible\u003c\/h4\u003e\n  \u003cdiv\u003e\n   By Yuki\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   Rated 5 out of 5\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   Date: 2022-08-31\n  \u003c\/div\u003e\n  \u003cp\u003eThis book covers so many aspects of the lenses and manufacturing process. It's very long and I wish there was a digital version (so you can search the book)\u003c\/p\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003ch4\u003eComprehensive, For Still Photographers also, Well Written\u003c\/h4\u003e\n  \u003cdiv\u003e\n   By Daryl\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   Rated 5 out of 5\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   Date: 2022-06-04\n  \u003c\/div\u003e\n  \u003cp\u003eFirstly, this is extremely well written, if you want to learn the nuances of lenses get this book, extremely well written, clear concise, organized. Let me reiterate, that this book is extremely well written, the language of lenses is filled with jargon, often-times used incorrectly it is easy to be confused by terms and misinformation on the web. With over 50 years of lens learning I am happy to see this information in one comprehensive place. My only criticism is that the book is heavy, it is physically unwieldy, my preference is it be republished in volume 1 and 2.\u003c\/p\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Jay Holben \u0026 Chris. Probst-10","offers":[{"title":"Default Title","offer_id":40513740243029,"sku":"JACLMJYHLBN:JACLMJYHLBN:bhpv","price":32710.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/1651224019_1701791.jpg?v=1676665200"},{"product_id":"focal-press-book-directing-film-techniques-and-aesthetics-6th-edition-paperback","title":"Focal Press Book: Directing: Film Techniques and Aesthetics (6th Edition, Paperback)","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780815394310 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cul\u003e\n    \u003cli\u003e\n\u003cspan\u003e1\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e2\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eFormat\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e3\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eTable of Contents\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e4\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eRevised 6th Edition\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e5\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eCompanion Website\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eFilled with practical advice, essential technical information, and inspiring case studies for every stage of production, \u003cb\u003eDirecting: Film Techniques and Aesthetics\u003c\/b\u003e by Michael Rabiger and Mick Hurbis-Cherrier is a comprehensive exploration into the art and craft of directing for film and television. Now in its sixth edition, this book introduces you to the methods, thought processes, and judgment calls that a director faces throughout pre-production, production, and post production.\u003c\/p\u003e\n    \u003cp\u003eThe authors concentrate on developing and working on the characters so the audience can connect with them. The book also covers casting, rehearsing, and working with a production crew.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Format\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Paperback\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cb\u003eIntroduction\u003c\/b\u003e\n       \u003cbr\u003e \n       \u003cb\u003ePART 1: THE DIRECTOR AND ARTISTIC IDENTITY\u003c\/b\u003e\n       \u003cbr\u003e \n       \u003cli\u003eTHE WORLD OF THE FILM DIRECTOR \u003c\/li\u003e\n       \u003cli\u003eDEVELOPING AS A DIRECTOR\u003c\/li\u003e\n       \u003cbr\u003e \n       \u003cb\u003ePART 2: THE STORY AND ITS DEVELOPMENT\u003c\/b\u003e \n       \u003cli\u003eESSENTIAL ELEMENTS OF DRAMA \u003c\/li\u003e\n       \u003cli\u003eSHAPING THE STORY INTO DRAMA \u003c\/li\u003e\n       \u003cli\u003ePLOT, TIME, AND STRUCTURE\u003c\/li\u003e \n       \u003cbr\u003e \n       \u003cb\u003ePART 3: THE DIRECTOR AND THE SCRIPT\u003c\/b\u003e \n       \u003cli\u003eSCREENPLAY GROUND RULES \u003c\/li\u003e\n       \u003cli\u003eRECOGNIZING THE SUPERIOR SCREENPLAY \u003c\/li\u003e\n       \u003cli\u003eSCRIPT ANALYSIS AND DEVELOPMENT\u003c\/li\u003e \n       \u003cbr\u003e \n       \u003cb\u003ePART 4: AUTHORSHIP AND AESTHETICS\u003c\/b\u003e \n       \u003cli\u003eCINEMATIC POINT OF VIEW \u003c\/li\u003e\n       \u003cli\u003eFORM AND STYLE \u003c\/li\u003e\n       \u003cli\u003eTONE, STYLE AND GENRE\u003c\/li\u003e \n       \u003cbr\u003e\n       \u003cb\u003ePART 5: A DIRECTOR'S SCREEN GRAMMAR\u003c\/b\u003e \n       \u003cli\u003eFILM LANGUAGE \u003c\/li\u003e\n       \u003cli\u003eTHE FRAME AND THE SHOT \u003c\/li\u003e\n       \u003cli\u003eTHE MOVING CAMERA \u003c\/li\u003e\n       \u003cli\u003eLANGUAGE OF THE EDIT \u003c\/li\u003e\n       \u003cli\u003eTHE HUMAN VANTAGE OF CINEMATIC LANGUAGE\u003c\/li\u003e \n       \u003cbr\u003e \n       \u003cb\u003ePART 6: PREPRODUCTION\u003c\/b\u003e \n       \u003cli\u003eEXPLORING THE SCRIPT \u003c\/li\u003e\n       \u003cli\u003eCASTING \u003c\/li\u003e\n       \u003cli\u003eACTING FUNDAMENTALS 227 \u003c\/li\u003e\n       \u003cli\u003eDIRECTING ACTORS \u003c\/li\u003e\n       \u003cli\u003eREHEARSALS \u003c\/li\u003e\n       \u003cli\u003eACTING EXERCISE \u003c\/li\u003e\n       \u003cli\u003ePLANNING THE VISUAL DESIGN \u003c\/li\u003e\n       \u003cli\u003eDEVELOPING THE SHOOTING SCRIPT \u003c\/li\u003e\n       \u003cli\u003eLINE PRODUCING AND LOGISTICS\u003c\/li\u003e \n       \u003cbr\u003e \n       \u003cb\u003ePART 7: PRODUCTION\u003c\/b\u003e \n       \u003cli\u003eDEVELOPING A PRODUCTION CREW \u003c\/li\u003e\n       \u003cli\u003eTHE DIRECTOR AND PRODUCTION TECH \u003c\/li\u003e\n       \u003cli\u003eON SET: PRODUCTION BEGINS \u003c\/li\u003e\n       \u003cli\u003eDIRECTING ON THE SET \u003c\/li\u003e\n       \u003cli\u003eMONITORING CONTINUITY AND PROGRESS\u003c\/li\u003e \n       \u003cbr\u003e \n       \u003cb\u003ePART 8: POSTPRODUCTION\u003c\/b\u003e \n       \u003cli\u003ePOSTPRODUCTION OVERVIEW \u003c\/li\u003e\n       \u003cli\u003eEDITING BEGINS: GETTING TO KNOW THE FOOTAGE \u003c\/li\u003e\n       \u003cli\u003eTHE ROUGH CUT \u003c\/li\u003e\n       \u003cli\u003eGETTING TO FINE CUT AND PICTURE LOCK \u003c\/li\u003e\n       \u003cli\u003e WORKING WITH MUSIC \u003c\/li\u003e\n       \u003cli\u003eTHE FINISHING TOUCHES \u003c\/li\u003e\n       \u003cli\u003eGETTING IT OUT THERE\u003c\/li\u003e \n       \u003cbr\u003e \n       \u003cli\u003eFilmography \u003c\/li\u003e\n       \u003cli\u003ePhotograph and Illustration Acknowledgements \u003c\/li\u003e\n       \u003cli\u003eIndex\u003c\/li\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Revised 6th Edition\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The fully revised and updated 6th edition features new sections on using improvisation, the development of characters for long form television series, visual design, the role of the digital imaging technician, film promotion and distribution, alongside expanded information on contemporary color grading tools, stylistic approaches and genre, workflows, blocking scenes for the camera and more. The book emphasizes independent and short form cinema which allows cutting-edge creativity and professionalism on shoestring budgets. Recognizing that you learn best by doing, it includes dozens of practical hands-on projects and activities to help you master technical and conceptual skills.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Companion Website\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The accompanying companion website includes film analysis exercises, shooting projects, checklists and assignment forms, analytical questionnaires, updated production forms and logs for all phases of a project with links to additional resources and set safety advice.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Book: Directing: Film Techniques and Aesthetics (6th Edition, Paperback)\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Table of Contents\n    \u003c\/div\u003e\n    \u003cul\u003e\n     \u003cli\u003eDescription\u003c\/li\u003e\n     \u003cli\u003eFormat\u003c\/li\u003e\n     \u003cli\u003eTable of Contents\u003c\/li\u003e\n     \u003cli\u003eRevised 6th Edition\u003c\/li\u003e\n     \u003cli\u003eCompanion Website\u003c\/li\u003e\n    \u003c\/ul\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9780815394310 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eMichael Rabiger\u003cbr\u003eMick Hurbis-Cherrier\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eFocal Press\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eFebruary 26, 2020\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e6th\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780815394310\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e604\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e252 Black \u0026amp; White Illustrations\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Packaging Info\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePackage Weight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e2.68 lb\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9.9 x 7.5 x 1\"\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40730445054037,"sku":"FODFTA6E:FODFTA6E:bhpv","price":11110.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1623252054_1613172.jpg?v=1700638207"},{"product_id":"asc-press-book-asc-video-manual-3rd-edition-by-michael-grotticelli","title":"ASC Press Book: ASC Video Manual, 3rd Edition by Michael Grotticelli","description":"\u003cdiv\u003e\n \u003ch2\u003eASC Press 0-935578-14-5 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003e\u003cb\u003eASC Video Manual, 3rd Edition\u003c\/b\u003e - This updated version of this classic guide not only includes information from previous editions but also the latest data on digital technology. The Field Guide includes information on how to create better video work. Topics such as time coding and equipment selection are covered. There's something in this book for everyone - pro and amateur alike. \u003c\/p\u003e\n    \u003cp\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e: Michael Grotticelli has been covering the professional video industry for more than 12 years. His credits include: Technology\/New Media Editor at Broadcasting \u0026amp; Cable, Editor of Television Broadcast, News\/Technology Editor of TV Technology and Managing Editor of Videography.\u003c\/p\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cspan\u003eNote:\u003c\/span\u003e\n    \u003cdiv\u003e\n     Manual includes instructive photographs, charts, diagrams, schematics and a comprehensive glossary\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Topics\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The Video Camera\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Digital Video Formats\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Camera Filters\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Digital Test \u0026amp; Measurement\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Lighting\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Batteries\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Digital Audio for Video\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eASC Press Book: ASC Video Manual, 3rd Edition by Michael Grotticelli\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eASC Press 0-935578-14-5 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eMichael Grotticelli\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eASC\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e3rd\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e0935578145\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e458\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Packaging Info\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePackage Weight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e0.95 lb\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e8 x 5.1 x 1.1\"\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"ASC Press-10","offers":[{"title":"Default Title","offer_id":40730521665621,"sku":"ASVM3E:ASVM3E:bhpv","price":11885.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1262941509_571697.jpg?v=1700646044"},{"product_id":"asc-press-book-image-control-motion-picture-and-video-camera-filters-and-lab-techniques-2nd-edition-by-gerald-hirschfeld","title":"ASC Press Book: Image Control: Motion Picture and Video Camera Filters and Lab Techniques, 2nd Edition by Gerald Hirschfeld","description":"\u003cdiv\u003e\n \u003ch2\u003eASC Press 0-935578-293 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003e\u003cb\u003eImage Control: Motion Picture and Video Camera Filters and Lab Techniques, 2nd Edition\u003c\/b\u003e - Knowing how to manipulate an image in front of and inside a camera can make the difference between an average shot and an award winning shot. \u003c\/p\u003e\n    \u003cp\u003eThe author, an award winning and recognized expert cameraman, discusses how to achieve certain effects both using creative photographic filters and also during post-shooting time in the  lab. The value of certain filters - what they do, why they are good and when they are bad choices. What the labs can and can't do - when they should do it and when they shouldn't. \u003c\/p\u003e\n    \u003cp\u003eHere's a chance to learn photographic techniques from a seasoned pro. Using real life examples, you'll learn the secrets behind some of the great photographic screen moments.     \u003c\/p\u003e\n    \u003cp\u003e\u003c\/p\u003e\n    \u003cp\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e: Gerald Hirschfeld, ASC is a freelance director of photography for theatrical feature films and commercials. In a career spanning more than 45 years, he has been director of photography on such productions as Diary of a Mad Housewife, Young Frankenstein, Fail-Safe, My Favorite Year and Goodbye Columbus. He has taught at the New Institute of Film in Brooklyn, New York; held seminars at The American Film Institute in Los Angeles; and conducted workshops for the Tahoe Film and Video Workshop in Lake Tahoe, Nevada. \u003c\/p\u003e\n    \u003cp\u003eHe and his wife, Julia Tucker editor of this book, were filmmakers in residence for three years at the International Film \u0026amp; Digital Workshops in Rockport, Maine. Mr. Hirschfeld is a member of the American Society of Cinematographers, the International Cinematographers Guild, the Motion Picture Academy of Arts and Sciences and is a retired member of the Society of Motion Picture and Television Engineers. \u003c\/p\u003e\n    \u003cp\u003eHe has earned Lifetime Achievement Awards from both the Southern Oregon Film and Video Association and the Ashland Film Festival, as well as the Billy Bitzer Award from the International Cinematographers Guild, Local 644. In addition, the first edition of Image Control earned a book award from the Kraszna-Krausz Foundation of London, England. \u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eASC Press Book: Image Control: Motion Picture and Video Camera Filters and Lab Techniques, 2nd Edition by Gerald Hirschfeld\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eASC Press 0-935578-293 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eGerald Hirschfeld\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eASC Press\/American Society of Cinematographers\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eJuly, 2005\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e2nd\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eISBN 10: 0935578293\u003cbr\u003eISBN 13: 9780935578294\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e136\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eDimensions\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e11.3 x 9.7 x 0.8\" \/ 28.7 x 24.6 x 2.0 cm\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Packaging Info\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePackage Weight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e2.75 lb\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e11.3 x 9.8 x 0.9\"\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"ASC Press-10","offers":[{"title":"Default Title","offer_id":40730539294805,"sku":"ASICMPVCFT:ASICMPVCFT:bhpv","price":13205.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1233236899_571670.jpg?v=1700647823"},{"product_id":"pearson-education-book-handheld-hollywoods-filmmaking-with-the-ipad-iphone","title":"Pearson Education Book: Handheld Hollywood's Filmmaking with the iPad \u0026 iPhone","description":"\u003cdiv\u003e\n \u003ch2\u003ePearson Education 9780321862945 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003e\u003cb\u003eHand Held Hollywood's Filmmaking with the iPad \u0026amp; iPhone\u003c\/b\u003e from \u003cb\u003ePearson Education\u003c\/b\u003e and written by Taz Goldstein is a book on filmmaking with iPad and iPhone.\u003c\/p\u003e\n    \u003cp\u003e In this book, director Taz Goldstein exposes how these remarkable devices can aid in nearly every aspect of film and video production.\u003cbr\u003e Written to empower aspiring filmmakers and reenergize working professionals, this book will help transform your iOS devices into revolutionary filmmaking tools, perfect for brainstorming, screenwriting, pitching, scheduling, storyboarding, camera blocking, shooting, editing, color correcting, mixing, distributing, and more. Time-tested techniques and film theory are woven into an entertaining and informative exploration of nearly 200 mind-blowing apps and accessories.\u003c\/p\u003e\n    \u003cp\u003e � Get up to speed quickly with clear, thorough, and friendly descriptions\u003cbr\u003e � Discover apps and accessories that can lower budgets by replacing thousands of dollars worth of traditional filmmaking equipment and software\u003cbr\u003e � Start shooting today with a wide range of video camera apps, including specialty tools for variable speed effects, filtering, stabilization, collaborative shooting, and more\u003cbr\u003e � Whether you're starting a new video or finishing an existing one, this book features the most helpful apps for your iPad and iPhone-including the iPhone 5\u003c\/p\u003e\n    \u003cp\u003e This unique and often humorous guide will benefit any mobile media maker who wants to get the most out of the technology they already own.\u003c\/p\u003e\n    \u003cp\u003e \u003cb\u003eContents:\u003c\/b\u003e\u003cbr\u003e Part I: Development and Pre-production\u003cbr\u003e Chapter 2: Have Script, Will Travel\u003cbr\u003e Chapter 3: Perfecting your Pitch\u003cbr\u003e Chapter 4: Prep the Shoot\u003c\/p\u003e\n    \u003cp\u003e Part II: Production\u003cbr\u003e Chapter 5: The Director's iDevice\u003cbr\u003e Chapter 6: The Most Versatile Tools on Set\u003cbr\u003e Chapter 7: Lights! Camera! Airplane Mode! Shooting Video with Your iDevice\u003cbr\u003e Chapter 8: Mounts, Mics, and Grips\u003c\/p\u003e\n    \u003cp\u003e Part III: Post Production and Beyond\u003cbr\u003e Chapter 9: From Mess to Masterpiece: The Tools of Post Production\u003cbr\u003e Chapter 10: It's Done - Now What? Sharing Your Work\u003c\/p\u003e\n    \u003cp\u003e Appendix A It's the Last Page? But I'm Not Done Learnin'!\u003cbr\u003e Appendix B Downloadable Extras\u003cbr\u003e A.B.1 List of available extras\u003cbr\u003e A.B.2 Installation instructions \u003c\/p\u003e\n    \u003cp\u003e \u003cb\u003eAbout the Author:\u003c\/b\u003e\u003cbr\u003e Taz Goldstein has been directing and producing for well over a decade. His award-winning films, television productions, and corporate projects have been enjoyed by millions of viewers worldwide. His popular website, HandHeldHollywood.com, has inspired and empowered a new generation of storytellers, and helped to launch the mobile film making revolution.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003ePearson Education Book: Handheld Hollywood's Filmmaking with the iPad \u0026amp; iPhone\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003ePearson Education 9780321862945 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eSubject\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003ePhotography\/iPad and iPhone\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eTaz Goldstein\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1st\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eHard\/Soft Cover\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003ePaperback\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e384\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eDimensions\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eNot Provided by Manufacturer\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eYes\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eISBN-10: 0321862945\u003cbr\u003e ISBN-13: 9780321862945\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003ePearson Education\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eDate Published\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eDecember 2012\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Pearson Education-10","offers":[{"title":"Default Title","offer_id":40730543489109,"sku":"PEFTIP:PEFTIP:bhpv","price":13190.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1355418337_906186.jpg?v=1700648330"},{"product_id":"focal-press-exercises-for-embodied-actors-tools-for-physical-actioning","title":"Focal Press Exercises for Embodied Actors: Tools for Physical Actioning","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780367433840 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003e\u003cb\u003eExercises for Embodied Actors: Tools for Physical Actioning\u003c\/b\u003e from \u003cb\u003eFocal Press\u003c\/b\u003e builds on the vocabulary of simple action verbs to generate an entire set of practical tools from first read to performance that harnesses modern knowledge about the integration of the mind and the rest of the body. Including over 50 innovative exercises, the book leads actors through a rigorous examination of their own habits, links those discoveries to creating characters, and offers dozens of exercises to explore in classrooms and with ensembles.\u003c\/p\u003e\n    \u003cp\u003eThe result is a modern toolkit that empowers actors to start from their own unique selves and delivers specific techniques to apply on stage and in front of the camera. This step-by-step guide can be used by actors working individually or by teachers crafting the arc of a course, ensuring that students explore in physically engaged and dynamic ways at every step of their process.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Part 1. Foundations for Physical Actioning\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003e1. Curiosity \u0026amp; Attention\u003c\/p\u003e\n       \u003cp\u003e2. Action\u003c\/p\u003e\n       \u003cp\u003e3. Translating Physical Language\u003c\/p\u003e\n       \u003cp\u003ePart 2. Seeing yourself\u003c\/p\u003e\n       \u003cp\u003e4. The Physical Action Journal\u003c\/p\u003e\n       \u003cp\u003e5. Creating Palettes\u003c\/p\u003e\n       \u003cp\u003e6. Diagraming Identities\u003c\/p\u003e\n       \u003cp\u003e7. The Pasta Maker\u003c\/p\u003e\n       \u003cp\u003ePart 3. Building an Embodied Role\u003c\/p\u003e\n       \u003cp\u003e8. Mapping Their World\u003c\/p\u003e\n       \u003cp\u003e9. Making Text Physical\u003c\/p\u003e\n       \u003cp\u003e10. Building Bridges to You\u003c\/p\u003e\n       \u003cp\u003e11. Special Circumstances\u003c\/p\u003e\n       \u003cp\u003ePart 4. Experiments for the Classroom and Ensembles\u003c\/p\u003e\n       \u003cp\u003e12. With a Partner\u003c\/p\u003e\n       \u003cp\u003e13. With Three or More\u003c\/p\u003e\n       \u003cp\u003e14. Skills Gymnasium\u003c\/p\u003e\n       \u003cp\u003ePart 5. Program Notes\u003c\/p\u003e\n       \u003cp\u003e15. Would Stanislavsky Disapprove?\u003c\/p\u003e\n       \u003cp\u003e16. Will My Brain Get in My Way?\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Author\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Scott Illingworth is a professor in the Graduate Acting Program at New York University's Tisch School of the Arts and a freelance director. He has taught, lectured, and directed at universities and schools across the United States and internationally. He is a member of the Stage Directors and Choreographers Society, a Guild Certified Feldenkrais Practitioner, and a Fulbright grant recipient.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Exercises for Embodied Actors: Tools for Physical Actioning\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9780367433840 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eScott Illingworth\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRoutledge Taylor \u0026amp; Francis\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eMarch 6, 2020\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1st\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780367433840\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e218\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eNo\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731895136341,"sku":"FOEEATP:FOEEATP:bhpv","price":11365.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1678884339_1757142.jpg?v=1700737776"},{"product_id":"focal-press-inclusive-screenwriting-for-film-and-television","title":"Focal Press Inclusive Screenwriting for Film and Television","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780367772185 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003e\u003cb\u003eInclusive Screenwriting for Film and Television\u003c\/b\u003e by Jess King from \u003cb\u003eFocal Press\u003c\/b\u003e breaks down the traditional structures of screenplays in an innovative and progressive way, while also investigating the ways in which screenplays have been traditionally told. This book examines how screenplays can be written to reflect the diverse life experiences of real people. Author Jess King explores how existing paradigms of screenplays often exclude the very people watching films and TV today. Taking aspects such as characterization, screenplay structure, and world-building, King offers ways to ensure your screenplays are inclusive and allow for every person's story to be heard.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Acknowledgements\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003eIntroduction\u003c\/p\u003e\n       \u003cp\u003ePart One: Towards a Critique of Screenwriting\u003c\/p\u003e\n       \u003cp\u003eChapter One: Screenplay Manuals and the Homogenization of the Imagination\u003c\/p\u003e\n       \u003cp\u003eChapter Two: Reimagining Character\u003c\/p\u003e\n       \u003cp\u003eChapter Three: Rethinking the Role of Conflict\u003c\/p\u003e\n       \u003cp\u003eChapter Four: Changing the Narrative (Structure)\u003c\/p\u003e\n       \u003cp\u003eChapter Five: On World-building\u003c\/p\u003e\n       \u003cp\u003ePart Two: Towards an Inclusive and Intersectional Practice of Screenwriting\u003c\/p\u003e\n       \u003cp\u003eChapter Six: From Killing Eve to an Eve Who Kills\u003c\/p\u003e\n       \u003cp\u003eChapter Seven: Queer and Trans World-Building in Sense8\u003c\/p\u003e\n       \u003cp\u003eChapter Eight: The Explicit and Specific Politics of Vida\u003c\/p\u003e\n       \u003cp\u003eChapter Nine: The Generative Power of Paradigm Destruction in I May Destroy You\u003c\/p\u003e\n       \u003cp\u003eConclusion: A Way Forward\u003c\/p\u003e\n       \u003cp\u003eIndex\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Author\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Jess King is an Instructor of Screenwriting and Cinema Production at DePaul University, USA. Jess is an educator, scholar, and interdisciplinary filmmaker, teaching courses in screenwriting, independent television, and ?lm analysis. King's creative scholarship revolves around frameworks for reimagining screenwriting for inclusion and social justice.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Inclusive Screenwriting for Film and Television\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9780367772185 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eJess King\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRoutledge\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eMay 17, 2022\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1st\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780367772185\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e162\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eNo\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731900411989,"sku":"FOISFTV:FOISFTV:bhpv","price":10715.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1679322618_1757322.jpg?v=1700737869"},{"product_id":"focal-press-immersive-sound-production-a-practical-guide","title":"Focal Press Immersive Sound Production: A Practical Guide","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780367512194 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003e\u003cb\u003eImmersive Sound Production: A Practical Guide\u003c\/b\u003e from \u003cb\u003eFocal Press\u003c\/b\u003e is a handbook for the successful implementation of immersive sound for live sports and entertainment. This book presents thorough explanations of production practices and possibilities and takes the reader through the essentials of immersive sound capture and creation with real world examples of microphones, mixing, and mastering practices.\u003c\/p\u003e\n    \u003cp\u003eAdditionally, this book examines the technology that makes immersive sound possible for the audio mixer, sound designer and content producer to craft a compelling soundscape. This book serves as a guide for all audio professionals, from aspiring audio mixers to sound designers and content producers as well as students in the areas of sound engineering, TV, and broadcast and film.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       1. Guide to Future Entertainment Production and Next Generation Audio for Live Sports\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003e2. Enhanced Entertainment Experiences: Sound Design for Sports\u003c\/p\u003e\n       \u003cp\u003e3. Mixing and Spatializing Future Generation Audio Content\u003c\/p\u003e\n       \u003cp\u003e4. Immersive Sound Production Using Ambisonics and Advance Audio Practices\u003c\/p\u003e\n       \u003cp\u003e5. The Art and Science of Microphones and Other Transducers\u003c\/p\u003e\n       \u003cp\u003e6. Metering: The Art and Science of Seeing Sound\u003c\/p\u003e\n       \u003cp\u003e7. Monitoring: The Art and Science of Hearing Sound\u003c\/p\u003e\n       \u003cp\u003e8. Mastering and Distributing Immersive Sound\u003c\/p\u003e\n       \u003cp\u003e9. Convergence the Experiences\u003c\/p\u003e\n       \u003cp\u003e10. Case Studies: Sports\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Author\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Dennis Baxter's over 37 years of progressive sound design includes 11 Olympic Games and hundreds of sporting events and has earned him a reputation as a globally recognized sound designer, netting him six Emmy Awards along the way. He was an early adopter of surround sound for live events and ushered in 5.1 surround at every sport and venue at the 2008 Beijing Olympic Games. He has spent almost a decade preparing for immersive sound production.\n       \u003cbr\u003e \n       \u003cbr\u003e Dennis is the author of A Practical Guide to Television Sound Engineering (Focal Press 2007), published in both English and Chinese. He also authors columns and articles for professional publications, and is a regular speaker to professional television industry groups. As an author and an educator, his mission has been to define and teach the core competencies necessary to be successful in broadcasting.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Immersive Sound Production: A Practical Guide\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9780367512194 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eDennis Baxter\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eFocal Press\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eJune 27, 2022\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1st\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780367512194\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e234\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e85 Black \u0026amp; White Illustrations\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731901231189,"sku":"FOISPAPG:FOISPAPG:bhpv","price":10710.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1678884637_1757163.jpg?v=1700737921"},{"product_id":"focal-press-writing-for-visual-media","title":"Focal Press Writing for Visual Media","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780367236250 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cul\u003e\n    \u003cli\u003e\n\u003cspan\u003e1\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e2\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eThe New Edition Features\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e3\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eTable of Contents\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e4\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eAbout the Author\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003e\u003cb\u003eWriting for Visual Media\u003c\/b\u003e from \u003cb\u003eFocal Press\u003c\/b\u003e provides writers with an understanding of the nature of visual writing behind all visual media. Such writing is vital for directors, actors, and producers to communicate content to audiences. Friedmann provides an extended investigation into dramatic theory and how entertainment narrative works, illustrated by examples and detailed analysis of scenes, scripts, techniques, and storylines.\u003c\/p\u003e\n    \u003cp\u003eThis new edition has a finger on the pulse of the rapidly evolving media ecosystem and explains it in the context of writing and creating content. Friedmann lays out many of the complex professional, creative, and commercial issues that a writer needs to understand in order to tell engaging stories and construct effective and professional screenplays.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The New Edition Features\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eA new chapter on storytelling\u003c\/li\u003e\n        \u003cli\u003eA fresh examination of dramatic theory and how to apply it to constructing screenplays\u003c\/li\u003e\n        \u003cli\u003eUpdated discussion of mobile platforms\u003c\/li\u003e\n        \u003cli\u003eA lengthened discussion of copyright, ethics, and professional development issues\u003c\/li\u003e\n        \u003cli\u003eUpdated companion website with sample scripts and corresponding videos, an interactive glossary, sample storyboards and screenplays, links to industry resources, and materials for instructors such as slides, a syllabus, and a test bank\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Introduction\n       \u003cbr\u003e Chapter 1: Describing One Medium through Another\n       \u003cbr\u003e Chapter 2: Describing Sight and Sound\n       \u003cbr\u003e Chapter 3: A Seven-Step Method for Developing a Creative Concept\n       \u003cbr\u003e Chapter 4: The Stages of Script Development\n       \u003cbr\u003e Chapter 5: Ads and PSAs: Copywriting for Visual Media\n       \u003cbr\u003e Chapter 6: Corporate Communications: Selling, Training, and Promoting\n       \u003cbr\u003e Chapter 7: Documentary and Nonfiction Narrative\n       \u003cbr\u003e Chapter 8: Storytelling\n       \u003cbr\u003e Chapter 9: Visual Storytelling: Dramatic Structure and Form\n       \u003cbr\u003e Chapter 10: Writing Techniques for Long-Form Scripts\n       \u003cbr\u003e Chapter 11: Television Series, Sitcoms, and Soaps\n       \u003cbr\u003e Chapter 12: Writing for Interactive Communications and Interactive Design\n       \u003cbr\u003e Chapter 13: Writing for Video Games\n       \u003cbr\u003e Chapter 14: Writing for Mobile Media Platforms\n       \u003cbr\u003e Chapter 15: You Can Get Paid to Do This\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Author\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Anthony Friedmann has an M.A. in English from Harvard University and a B.A. and Ph.D. in English and Comparative Literature from Columbia University, and trained as a filmmaker at the London School of Film Technique. After twenty-one years of writing, producing, and directing film and video, he has taught video production, interactive multimedia, and scriptwriting at various colleges and universities. He continues to do technical writing, write for corporate clients, and develop independent projects for film and publishing. His work ranges from feature films to corporate video for English, American, and French clients. Bartleby, which he wrote and directed, won Special Jury Prize at the San Sebastián Film Festival in 1971. He is a member of the Writers' Guild of Great Britain.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Writing for Visual Media\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Table of Contents\n    \u003c\/div\u003e\n    \u003cul\u003e\n     \u003cli\u003eDescription\u003c\/li\u003e\n     \u003cli\u003eThe New Edition Features\u003c\/li\u003e\n     \u003cli\u003eTable of Contents\u003c\/li\u003e\n     \u003cli\u003eAbout the Author\u003c\/li\u003e\n    \u003c\/ul\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9780367236250 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eAnthony Friedmann\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRoutledge\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eNovember 29, 2021\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e5th\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780367236250\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e422\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e22 Black \u0026amp; White Illustrations\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731902017621,"sku":"FOWNVG:FOWNVG:bhpv","price":16445.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1678883830_1757067.jpg?v=1700738014"},{"product_id":"focal-press-women-writing-and-directing-in-the-usa-a-stage-of-our-own","title":"Focal Press Women Writing and Directing in the USA: A Stage of Our Own","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780367444068 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003e\u003cb\u003eWomen Writing and Directing in the USA: A Stage of Our Own\u003c\/b\u003e from \u003cb\u003eFocal Press\u003c\/b\u003e features interviews with some of the most successful theatre artists currently working on and off Broadway and beyond. Written for students in directing and playwriting courses, Women Writing and Directing in the USA: A Stage of Our Own features inspirational and informative stories that will help young theatre artists find and pursue their artistic voices. \u003c\/p\u003e\n    \u003cp\u003e The book provides an insight on what it means and what it takes to be a successful female-identifying playwright and director in the USA, where the professional theatrical landscape is still mostly dominated by straight white men. The interviews explore a wide range of themes, including if and how the artists' female perspective influenced their art, the social and cultural significance of their work, and how theatre and women working in theatre can participate in awakening greater social awareness. Readers will learn about some of the most current and relevant American theatre artists, such as Young Jean Lee, Pam MacKinnon, Dominique Morisseau, Rachel Chavkin, and Martyna Majok.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Section 1. Playwrights\n       \u003cbr\u003e 1. Jaclyn Backhaus\n       \u003cbr\u003e 2. Lauren Gunderson\n       \u003cbr\u003e 3. Young Jean Lee\n       \u003cbr\u003e 4. Lydia Diamond\n       \u003cbr\u003e 5. Anna Ziegler\n       \u003cbr\u003e 6. Martyna Majok\n       \u003cbr\u003e 7. Dominique Morriseau\n       \u003cbr\u003e \n       \u003cbr\u003e Section 2. Directors\n       \u003cbr\u003e 8. Anne Kauffman\n       \u003cbr\u003e 9. Diane Paulus\n       \u003cbr\u003e 10. Daniella Topol\n       \u003cbr\u003e 11. Pam MacKinnon\n       \u003cbr\u003e 12. Liesl Tommy\n       \u003cbr\u003e 13. Rachel Chavkin\n       \u003cbr\u003e 14. Shana Cooper\n       \u003cbr\u003e \n       \u003cbr\u003e Appendix. The perspective of a casting director: Alaine Alldaffer\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Author\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Kiara Pipino is currently serving as an Assistant Professor of Theatre at SUNY Oneonta. Her research focuses on Classic Theatre, including adaptations, and women in theatre. She directs professionally in the USA and internationally.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Women Writing and Directing in the USA: A Stage of Our Own\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9780367444068 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eKiara Pipino\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRoutledge\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eMarch 5, 2020\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1st\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780367444068\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e214\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e15 Black \u0026amp; White Illustrations\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731902672981,"sku":"FOWWDUSA:FOWWDUSA:bhpv","price":11855.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1678884339_1757145.jpg?v=1700738075"},{"product_id":"focal-press-cinematic-storytelling-a-comprehensive-guide-for-directors-and-cinematographers","title":"Focal Press Cinematic Storytelling: A Comprehensive Guide for Directors and Cinematographers","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780367531430 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003e\u003cb\u003eCinematic Storytelling: A Comprehensive Guide for Directors and Cinematographers\u003c\/b\u003e from \u003cb\u003eFocal Press\u003c\/b\u003e presents a new, story-based approach to cinematic coverage and storytelling in film and video. It breaks from the conventional idea that shots are the fundamental unit of filmmaking, instead exploring the specifics of determining coverage. Keyframes in patterns are introduced, delivering scripted material in a context-rich presentation that supports the storytelling. The book is ideal for filmmaking students interested in directing and cinematography as well as aspiring and early-career filmmakers, cinematographers, and directors.\u003c\/p\u003e\n    \u003cp\u003eAll the analysis, interpretation, and creative decision making is done first, with shots derived as the very last step. Scripted material is divided into six categories with associated patterns. Like cinematic building blocks, these can freely stack up and interconnect, supporting creativity, and avoiding rigid formulas. This approach enables filmmakers to tap into the film language that audiences already understand and put it to practical use, helping the audience to feel the storytelling deeply. Dozens of film examples are provided throughout, plus conceptual and camera diagrams to contextualize the methods presented, and exercises are provided to reinforce concepts. Emphasis is placed on supporting performance and story meaning through a cinematic context. With all the concepts and decision-making options described and shown in examples, a scripted scene is analyzed and developed through an eight-step process, illustrated with storyboard, camera diagrams, and ultimately shot list descriptions.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Preface\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003eAcknowledgements\u003c\/p\u003e\n       \u003cp\u003eTable of Contents\u003c\/p\u003e\n       \u003cp\u003eTable of Illustrations\u003c\/p\u003e\n       \u003cp\u003eChapter 1: What is cinematic storytelling?\u003c\/p\u003e\n       \u003cp\u003eChapter 2: Foundations in the script\u003c\/p\u003e\n       \u003cp\u003eChapter 3: Coverage defines attention\u003c\/p\u003e\n       \u003cp\u003eChapter 4: Cinematic thinking\u003c\/p\u003e\n       \u003cp\u003eChapter 5: Patterns for Character Actions\u003c\/p\u003e\n       \u003cp\u003eChapter 6: Patterns for Character Looks\u003c\/p\u003e\n       \u003cp\u003eChapter 7: Patterns for Dialogue � structure\u003c\/p\u003e\n       \u003cp\u003eChapter 8: Patterns for Dialogue � examples\u003c\/p\u003e\n       \u003cp\u003eChapter 9: Patterns for Settings\u003c\/p\u003e\n       \u003cp\u003eChapter 10: Patterns for Objects\u003c\/p\u003e\n       \u003cp\u003eChapter 11: Patterns for Evocative Imagery\u003c\/p\u003e\n       \u003cp\u003eChapter 12: Patterns and movement\u003c\/p\u003e\n       \u003cp\u003eChapter 13: Scene shaping and interconnections\u003c\/p\u003e\n       \u003cp\u003eChapter 14: Developing the coverage plan\u003c\/p\u003e\n       \u003cp\u003eReference Materials\u003c\/p\u003e\n       \u003cp\u003eIndex\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Author\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Thomas Robotham teaches screenwriting, filmmaking, and cinematography. He is currently Affiliated Faculty at Emerson College, and Director of Photography (DP) in the International Cinematographers Guild. He holds a patent in light-emitting diode (LED) lighting for film and video. Thomas has also worked as a Creative Director (advertising) and as a fine artist (sculpture).\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Cinematic Storytelling: A Comprehensive Guide for Directors and Cinematographers\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9780367531430 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eThomas Robotham\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRoutledge Taylor \u0026amp; Francis\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eAugust 26, 2021\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1st\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780367531430\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e252\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e80 Black \u0026amp; White Illustrations\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731904311381,"sku":"FOCSCGD:FOCSCGD:bhpv","price":11700.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1678884637_1757171.jpg?v=1700738097"},{"product_id":"focal-press-directing-actors-a-practical-aesthetics-approach","title":"Focal Press Directing Actors: A Practical Aesthetics Approach","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780367548452 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003e\u003cb\u003eDirecting Actors: A Practical Aesthetics Approach\u003c\/b\u003e from \u003cb\u003eFocal Press\u003c\/b\u003e is the first book to apply the Practical Aesthetics acting technique to the craft of directing. A must-read for students in directing courses and professional directors working with actors who prescribe to the Practical Aesthetics technique, as well as anyone interested in the process of working with actors, Directing Actors will help directors to get the very best their actors are capable of while approaching the work with a joyful, open spirit.\u003c\/p\u003e\n    \u003cp\u003eLee Cohn lays out a step-by-step, no-nonsense methodology for the director that includes a deep dive into the mechanics of storytelling, the rehearsal process, working with writers, and the practical realities of the director's job. Featuring end-of-chapter exercises, this book provides a clear and e﬿ective means of breaking down a script in order to tell a story with clarity, simplicity, and dramatic force and gives directors a clear working vocabulary that will allow e﬿ective communication with actors. The techniques in this book are applicable to any theatrical style and any media platform in which a director might work. Written in an accessible, conversational style, this book strips the process of directing down to its most essential components to explain how to become an actor's direc\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Acknowledgments\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003eAuthor's Note\u003c\/p\u003e\n       \u003cp\u003ePart 1: Preparation\u003c\/p\u003e\n       \u003cp\u003e1. Introduction\u003c\/p\u003e\n       \u003cp\u003e2. The Director and the Text\u003c\/p\u003e\n       \u003cp\u003e3. Actions\u003c\/p\u003e\n       \u003cp\u003e4. Practical Aesthetics Script Analysis\u003c\/p\u003e\n       \u003cp\u003e5. Through-Line Analysis\u003c\/p\u003e\n       \u003cp\u003e6. The Director�s Notebook\u003c\/p\u003e\n       \u003cp\u003ePart 2: The Rehearsal Process\u003c\/p\u003e\n       \u003cp\u003e7. Early Rehearsals\u003c\/p\u003e\n       \u003cp\u003e8. Blocking the Scene\u003c\/p\u003e\n       \u003cp\u003e9. Adjustments and Run Throughs\u003c\/p\u003e\n       \u003cp\u003e10. Comedy: The Serious Business of Humor\u003c\/p\u003e\n       \u003cp\u003e11. Conclusion\u003c\/p\u003e\n       \u003cp\u003eSuggested Reading and Viewing\u003c\/p\u003e\n       \u003cp\u003eIndex\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Author\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Lee Michael Cohn, MFA, is an internationally acclaimed, award-winning educator, writer, director, and filmmaker. He directed Inside Private Lives (IPL), the hit show that was an LA Weekly Pick of the Week, recommended twice by the LA Times, and received a rave review in The New York Times. IPL also placed in the top ten out of over 2,000 shows at the Edinburgh Theatre Festival. Lee is the co-author of A Practical Handbook for the Actor, a best-selling acting textbook (over 330,000 copies sold) that is required reading in hundreds of theatre programs all over the world.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Directing Actors: A Practical Aesthetics Approach\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9780367548452 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eLee Michael Cohn\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRoutledge Taylor \u0026amp; Francis\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eJune 29, 2021\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1st\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780367548452\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e212\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e4 Black \u0026amp; White Illustrations\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731905228885,"sku":"FODAPAA:FODAPAA:bhpv","price":10710.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1678885627_1757175.jpg?v=1700738226"},{"product_id":"focal-press-an-introduction-to-theatre-design","title":"Focal Press An Introduction to Theatre Design","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780415547543 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cul\u003e\n    \u003cli\u003e\n\u003cspan\u003e1\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e2\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eTable of Contents\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e3\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eThe Theater Designer's Job\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e4\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eTraditions of Stage Design\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e5\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eThe Vocabulary of Visual Thinking\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e6\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eThe Artistry of the Set\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e7\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eThe Artistry of the Costume\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e8\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eThe Artistry of Light\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e9\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eThe Artistry of Sound\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e10\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eThe Collaborative Process\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e11\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eGlossary\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e12\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eBibliography\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e13\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eIndex\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eThis soft cover version of \u003cb\u003eAn Introduction to Theatre Design \u003c\/b\u003efrom \u003cb\u003eFocal Press\u003c\/b\u003e explains the theories, strategies, and tools of practical design work for the undergraduate student. Through its numerous illustrated case studies and analysis of key terms, students will build an understanding of the design process.\u003c\/p\u003e\n    \u003cp\u003eDemonstrating the dynamics of good design through the work of influential designers, Stephen Di Benedetto also looks in depth at script analysis, stylistic considerations, and the importance of collaboration to the designer's craft. This is an essential guide for students and teachers of theater design. Readers will form not only a strong ability to explain and understand the process of design, but also the basic skills required to conceive and realize designs of their own.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Table of Contents\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      The Theater Designer's Job\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Traditions of Stage Design\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      The Vocabulary of Visual Thinking\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      The Artistry of the Set\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      The Artistry of the Costume\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      The Artistry of Light\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      The Artistry of Sound\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      The Collaborative Process\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Glossary\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Bibliography\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Index\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Learning Points\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Identify the fundamentals of theater design and scenography\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003eRecognize the role of individual design areas such as scenery, costume, lighting, and sound\u003c\/p\u003e\n       \u003cp\u003eDevelop both conceptual and analytical thinking\u003c\/p\u003e\n       \u003cp\u003eCommunicate their own understanding of complex design work\u003c\/p\u003e\n       \u003cp\u003eTrace the traditions of stage design, from Sebastiano Serlio to Julie Taymor\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press An Introduction to Theatre Design\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Table of Contents\n    \u003c\/div\u003e\n    \u003cul\u003e\n     \u003cli\u003eDescription\u003c\/li\u003e\n     \u003cli\u003eTable of Contents\u003c\/li\u003e\n     \u003cli\u003eThe Theater Designer's Job\u003c\/li\u003e\n     \u003cli\u003eTraditions of Stage Design\u003c\/li\u003e\n     \u003cli\u003eThe Vocabulary of Visual Thinking\u003c\/li\u003e\n     \u003cli\u003eThe Artistry of the Set\u003c\/li\u003e\n     \u003cli\u003eThe Artistry of the Costume\u003c\/li\u003e\n     \u003cli\u003eThe Artistry of Light\u003c\/li\u003e\n     \u003cli\u003eThe Artistry of Sound\u003c\/li\u003e\n     \u003cli\u003eThe Collaborative Process\u003c\/li\u003e\n     \u003cli\u003eGlossary\u003c\/li\u003e\n     \u003cli\u003eBibliography\u003c\/li\u003e\n     \u003cli\u003eIndex\u003c\/li\u003e\n    \u003c\/ul\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9780415547543 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eStephen Di Benedetto\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRoutledge\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eFebruary 1, 2012\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1st\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780415547543\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e232\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u003cspan\u003eYes\u003c\/span\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731905392725,"sku":"FOITTD:FOITTD:bhpv","price":15945.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1679323827_1757341.jpg?v=1700738244"},{"product_id":"focal-press-application-of-the-michael-chekhov-technique-to-shakespears-sonnets-soliloquies-and-monologues","title":"Focal Press Application of the Michael Chekhov Technique to Shakespears Sonnets, Soliloquies and Monologues","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780367349707 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003e\u003cb\u003eApplication of the Michael Chekhov Technique to Shakespeare's Sonnets, Soliloquies, and Monologues\u003c\/b\u003e from \u003cb\u003eFocal Press\u003c\/b\u003e illustrates how to apply the Michael Chekhov Technique, through exercises and rehearsal techniques, to a wide range of Shakespeare's works. The book begins with a comprehensive chapter on the definitions of the various aspects of the Technique, followed by five chapters covering Shakespeare's sonnets, comedies, tragedies, histories, and romances. This volume offers a very specific path, via Michael Chekhov, on how to put theory into practice and bring one's own artistic life into the work of Shakespeare.\u003c\/p\u003e\n    \u003cp\u003eOffering a wide range of pieces that can be used as audition material, Application of the Michael Chekhov Technique to Shakespeare's Sonnets, Soliloquies, and Monologues is an excellent resource for acting teachers, directors, and actors specializing in the work of William Shakespeare. The book also includes access to a video on Psychological Gesture to facilitate the application of this acting tool to Shakespeare's scenes.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       1. Tools of the Michael Chekhov Technique Used in This Book\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003e2. The Sonnets\u003c\/p\u003e\n       \u003cp\u003e3. The Comedies\u003c\/p\u003e\n       \u003cp\u003e4. The Tragedies\u003c\/p\u003e\n       \u003cp\u003e5. The Histories\u003c\/p\u003e\n       \u003cp\u003e6. The Romances and Problem Plays\u003c\/p\u003e\n       \u003cp\u003eAppendix 1. Exercises\u003c\/p\u003e\n       \u003cp\u003eAppendix 2. Practice Monologues for Identifying the Score\u003c\/p\u003e\n       \u003cp\u003eAppendix 3. Compilation of Notes Pertinent to all Speeches\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Author\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Mark Monday is a Founding Director of the Great Lakes Michael Chekhov Consortium and serves as its President and Producing Artistic Director. He is also a professional actor, director, and teacher.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Application of the Michael Chekhov Technique to Shakespears Sonnets, Soliloquies and Monologues\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9780367349707 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eMark Monday\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRoutledge Taylor \u0026amp; Francis\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eDecember 9, 2019\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1st\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780367349707\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e228\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eNo\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731905982549,"sku":"FOAMCTS:FOAMCTS:bhpv","price":11365.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1678884104_1757115.jpg?v=1700738317"},{"product_id":"focal-press-conversations-with-contemporary-cinematographers-the-eye-behind-the-lens","title":"Focal Press Conversations with Contemporary Cinematographers: The Eye Behind the Lens","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780367362638 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003ePacked with gems of wisdom from the current masters of light, \u003cb\u003eConversations with Contemporary Cinematographers: The Eye Behind the Lens\u003c\/b\u003e from \u003cb\u003eFocal Press\u003c\/b\u003e is a collection of conversations with twenty leading contemporary cinematographers provides invaluable insight into the art and craft of cinematography. Jacqueline Frost's interviews provide unprecedented insight into the role as cinematographers discuss selecting projects, the conceptual and creative thinking that goes into devising a visual strategy, working with the script, collaborating with leading directors such as Martin Scorcese, Spike Lee, and Ava DuVernay, the impact of changing technology, and advice for aspiring cinematographers.\u003c\/p\u003e\n    \u003cp\u003eInterviews include Maryse Alberti, John Bailey, Robert Elswit, Kirsten Johnson, Kira Kelly, Ellen Kuras, Edward Lachman, Matthew Libatique, John Lindley, Seamus McGarvey, Reed Morano, Polly Morgan, Rachel Morrison, Rodrigo Prieto, Cynthia Pusheck, Harris Savides, Nancy Schrieber, John Seale, Sandi Sissel, Dante Spinotti, Salvatore Totino, Amy Vincent, and Mandy Walker. Filled with valuable information and advice for aspiring cinematographers, directors, and filmmakers, this is essential reading for anyone interested in the art and craft of cinematography.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        Acknowledgements\n        \u003cp\u003e\u003c\/p\u003e\n        \u003cdiv\u003e\n         Introduction\n         \u003cp\u003e\u003c\/p\u003e\n         \u003cdiv\u003e\n          Chapter 1 � Maryse Alberti, ASC (Collateral Beauty, Creed, The Wrestler)\n          \u003cp\u003e\u003c\/p\u003e\n          \u003cdiv\u003e\n           Chapter 2 � John Bailey, ASC (Ordinary People, In the Line of Fire, The Greatest)\n           \u003cp\u003e\u003c\/p\u003e\n           \u003cdiv\u003e\n            Chapter 3 � Robert Elswit, ASC (There Will Be Blood, The Bourne Legacy, Salt)\n            \u003cp\u003e\u003c\/p\u003e\n            \u003cdiv\u003e\n             Chapter 4 � Kirsten Johnson (Fahrenheit 9\/11, Cameraperson, Trapped)\n             \u003cp\u003e\u003c\/p\u003e\n             \u003cdiv\u003e\n              Chapter 5 � Kira Kelly (Queen Sugar, 13th, Self Made)\n              \u003cp\u003e\u003c\/p\u003e\n              \u003cdiv\u003e\n               Chapter 6 � Ellen Kuras, ASC (Eternal Sunshine of the Spotless Mind, Blow, Bamboozled)\n               \u003cp\u003e\u003c\/p\u003e\n               \u003cdiv\u003e\n                Chapter 7 � Edward Lachman, ASC (Dark Waters, Carol, Erin Brockovich)\n                \u003cp\u003e\u003c\/p\u003e\n                \u003cdiv\u003e\n                 Chapter 8 � Matthew Libatique, ASC (A Star is Born, Black Swan, Venom)\n                 \u003cp\u003e\u003c\/p\u003e\n                 \u003cdiv\u003e\n                  Chapter 9 � John Lindley, ASC (Reservation Road, You�ve Got Mail, Pleasantville)\n                  \u003cp\u003e\u003c\/p\u003e\n                  \u003cdiv\u003e\n                   Chapter 10 � Seamus McGarvey, ASC, BSC (The Greatest Showman, Atonement, The Hours)\n                   \u003cp\u003e\u003c\/p\u003e\n                   \u003cdiv\u003e\n                    Chapter 11 � Reed Morano, ASC (The Handmaid�s Tale, I Think We�re Alone Now, The Godmother)\n                    \u003cp\u003e\u003c\/p\u003e\n                    \u003cdiv\u003e\n                     Chapter 12 � Polly Morgan, ASC, BSC (A Quiet Place II, Lucy in the Sky, Legion)\n                     \u003cp\u003e\u003c\/p\u003e\n                     \u003cdiv\u003e\n                      Chapter 13 � Rachel Morrison, ASC (Mudbound, Black Panther, Seberg)\n                      \u003cp\u003e\u003c\/p\u003e\n                      \u003cdiv\u003e\n                       Chapter 14 � Rodrigo Prieto, ASC, AMC (The Irishman, Brokeback Mountain, Wolf of Wall Street)\n                       \u003cp\u003e\u003c\/p\u003e\n                       \u003cdiv\u003e\n                        Chapter 15 � Cynthia Pusheck, ASC (CSI Miami, Good Girls Revolt, Brother and Sisters)\n                        \u003cp\u003e\u003c\/p\u003e\n                        \u003cdiv\u003e\n                         Chapter 16 � Harris Savides, ASC (Zodiac, American Gangster, Milk)\n                         \u003cp\u003e\u003c\/p\u003e\n                         \u003cdiv\u003e\n                          Chapter 17 � Nancy Schrieber, ASC (Mapplethorpe, Motherhood, The Nines)\n                          \u003cp\u003e\u003c\/p\u003e\n                          \u003cdiv\u003e\n                           Chapter 18 � John Seale, ASC, ACS (The Tourist, The English Patient, City of Angels)\n                           \u003cp\u003e\u003c\/p\u003e\n                           \u003cdiv\u003e\n                            Chapter 19 � Sandi Sissel, ASC, ACS (Salaam Bombay, Mother Teresa, Master and Commander)\n                            \u003cp\u003e\u003c\/p\u003e\n                            \u003cdiv\u003e\n                             Chapter 20 � Dante Spinotti, ASC, AIC (Public Enemies, Red Dragon, Wonder Boys)\n                             \u003cp\u003e\u003c\/p\u003e\n                             \u003cdiv\u003e\n                              Chapter 21 � Salvatore Totino, ASC, AIC (Everest, The Davinchi Code, Frost\/Nixon)\n                              \u003cp\u003e\u003c\/p\u003e\n                              \u003cdiv\u003e\n                               Chapter 22 � Amy Vincent, ASC (Footloose, Eves Bayou, Hustle and Flow)\n                               \u003cp\u003e\u003c\/p\u003e\n                               \u003cdiv\u003e\n                                Chapter 23 � Mandy Walker, ACS, ACS (Australia, Hidden Figures, Mulan)\n                                \u003cp\u003e\u003c\/p\u003e\n                                \u003cdiv\u003e\n                                 Index\n                                 \u003cp\u003e\u003c\/p\u003e\n                                 \u003cp\u003e\u003c\/p\u003e\n                                 \u003cp\u003e \u003c\/p\u003e\n                                \u003c\/div\u003e\n                               \u003c\/div\u003e\n                              \u003c\/div\u003e\n                             \u003c\/div\u003e\n                             \u003cdiv\u003e\n                              \u003cdiv\u003e\n                               \u003cdiv\u003e\n                                \u003cdiv\u003e\n                                 About the Author\n                                \u003c\/div\u003e\n                               \u003c\/div\u003e\n                               \u003cdiv\u003e\n                                \u003cdiv\u003e\n                                 Jacqueline B. Frost has been an educator in film production, cinematography and film history for thirty years. She has continued to produce and photograph films that have screened in film festivals worldwide throughout her academic career. She is currently a Professor at California State University, Fullerton where she teaches Cinematography, Documentary Production, and the Language of Film. Frost is currently cinematographer and co-producer on a feature length documentary and she is the author of Cinematography for Directors.\n                                \u003c\/div\u003e\n                               \u003c\/div\u003e\n                              \u003c\/div\u003e\n                             \u003c\/div\u003e\n                            \u003c\/div\u003e\n                           \u003c\/div\u003e\n                          \u003c\/div\u003e\n                         \u003c\/div\u003e\n                        \u003c\/div\u003e\n                       \u003c\/div\u003e\n                      \u003c\/div\u003e\n                     \u003c\/div\u003e\n                    \u003c\/div\u003e\n                   \u003c\/div\u003e\n                  \u003c\/div\u003e\n                 \u003c\/div\u003e\n                \u003c\/div\u003e\n               \u003c\/div\u003e\n              \u003c\/div\u003e\n             \u003c\/div\u003e\n            \u003c\/div\u003e\n           \u003c\/div\u003e\n          \u003c\/div\u003e\n         \u003c\/div\u003e\n        \u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Author\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Jacqueline B. Frost has been an educator in film production, cinematography and film history for thirty years. She has continued to produce and photograph films that have screened in film festivals worldwide throughout her academic career. She is currently a Professor at California State University, Fullerton where she teaches Cinematography, Documentary Production, and the Language of Film. Frost is currently cinematographer and co-producer on a feature length documentary and she is the author of Cinematography for Directors.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Conversations with Contemporary Cinematographers: The Eye Behind the Lens\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9780367362638 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eJacqueline B. Frost\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRoutledge Taylor \u0026amp; Francis\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eMarch 18, 2021\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1st\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780367362638\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e456\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e23 Black \u0026amp; White Illustrations\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731906015317,"sku":"FOCWCCE:FOCWCCE:bhpv","price":11700.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1678884104_1757119.jpg?v=1700738319"},{"product_id":"focal-press-inclusivity-and-equality-in-performance-training-teaching-and-learning-for-neuro-and-physical-diversity","title":"Focal Press Inclusivity and Equality in Performance Training: Teaching and Learning for Neuro and Physical Diversity","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780367646806 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cul\u003e\n    \u003cli\u003e\n\u003cspan\u003e1\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e2\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eKey Features\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e3\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eTable of Contents\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e4\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eAbout the Editor\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003e\u003cb\u003eInclusivity and Equality in Performance Training\u003c\/b\u003e focuses on neuro and physical difference and dis\/ability in the teaching of performance and associated studies. It offers 19 practitioners' research-based teaching strategies, aimed to enhance equality of opportunity and individual abilities in performance education.\u003c\/p\u003e\n    \u003cp\u003eChallenging ableist models of teaching, the 16 chapters of this book address the barriers that can undermine those with dis\/ability or difference, highlighting how equality of opportunity can increase innovation and enrich the creative work.\u003c\/p\u003e\n    \u003cp\u003eThe chapter contents originate from practitioners in the UK, USA, and Australia working in actor training conservatoires, drama university courses, youth training groups, and professional performance, encompassing a range of specialist fields, such as voice, movement, acting, Shakespeare, digital technology, contemporary live art, and creative writing. The book is a vital resource for teachers, directors, performers, researchers, and students who have an interest in investigatory practice towards developing emancipatory pedagogies within performance education.\u003c\/p\u003e\n    \u003cp\u003eEditor Petronilla Whitfield is Associate Professor in voice and acting at the Arts University Bournemouth, UK. She has a PhD in arts pedagogy (Warwick University) and an MA in voice studies (Royal Central School of Speech and Drama). Trained originally as an actor at Arts Educational Schools, she was a professional actor for 20 years and has taught at leading British actor training institutions for 21 years. Her book, Teaching Strategies for Neurodiversity and Dyslexia in Actor Training, was published by Routledge in 2020. In 2020, she was awarded the Johnny Saldana Outstanding Professor of Theatre Education Award by the American Alliance for Theatre and Education.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Key Features\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e \n        \u003cli\u003eDescriptions of teaching interventions, research, and exploratory practice to identify and support the needs and abilities of the individual with dis\/ability or difference \u003c\/li\u003e\n        \u003cli\u003eExperiences of practitioners working with professional actors with dis\/ability or difference, with a dissemination of methods to enable the actors \u003c\/li\u003e\n        \u003cli\u003eA critical analysis of pedagogy in performance training environments; how neuro and physical diversity are positioned within the cultural contexts and practices \u003c\/li\u003e\n        \u003cli\u003eEquitable teaching and learning practices for individuals in a variety of areas, such as dyslexia, dyspraxia, visual or hearing impairment, learning and physical dis\/abilities, wheelchair users, aphantasia, attention-deficit\/hyperactivity disorder, and autistic spectrum \u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e \n        \u003cli\u003eIntroduction (Petronilla Whitfield) \u003c\/li\u003e\n        \u003cli\u003eActing Training and Instruction for Wheelchair-Using Artists (Regan Linton) \u003c\/li\u003e\n        \u003cli\u003eActing without Imagery: Aphantasia in the Theatre Classroom (Alexis Black, Cameron Michael Chase, Brian De Vries, Rob Roznowski) \u003c\/li\u003e\n        \u003cli\u003eTwelve Steps towards an Anti-discriminatory Approach to Neurodivergence in Actor Training (Daron Oram) \u003c\/li\u003e\n        \u003cli\u003eDisabling Actions and Enabling Actors: Exploring the Method of Actioning the Text for Actors with Dyslexia (Deborah Leveroy) \u003c\/li\u003e\n        \u003cli\u003eExploring Digital Technology to Enable Acting Students with Dyslexia in Their Reading of Shakespeare (Petronilla Whitfield) \u003c\/li\u003e\n        \u003cli\u003eHow Can Imagery, Sounds, Textures and Other Creative Mediums Help an Actor with Dyslexia Understand and Connect to Shakespeare's Text? (Elizabeth Bartram) \u003c\/li\u003e\n        \u003cli\u003eSomatic and Spatial Approaches to Essay Writing for Drama Students with Dyslexia (Jodie Allinson) \u003c\/li\u003e\n        \u003cli\u003eWhen I Can't 'See You at the Theatre': Creating Inclusive Processes for Vision-Impaired Performers (Heather May) \u003c\/li\u003e\n        \u003cli\u003ePoliticized Identity: Developing a Dialectical Relationship between Disability and Ability (Jo Ronan) \u003c\/li\u003e\n        \u003cli\u003e'Embodied Voice' and Inclusivity: Ableism and Theatre Voice Training (Tara McAllister-Viel) \u003c\/li\u003e\n        \u003cli\u003eExperience as Curriculum: Developing an Intuitive, Affective, Affirmative Approach to Actor Training with (Disabled) Students (Kieran Sheehan) \u003c\/li\u003e\n        \u003cli\u003eDyspraxic Approaches to Teaching Live Art in a 'Neurodivergent'\/ 'Normodivergent' Classroom (Daniel Oliver and Sumita Majumdar) \u003c\/li\u003e\n        \u003cli\u003eThe Inclusive Drama Studio: Adaptive Strategies in University Actor Training (Rea Dennis) \u003c\/li\u003e\n        \u003cli\u003e'See a Sign' - Training for Deaf Actors Who Use British Sign Language as Their Preferred Language (Paula Garfield) \u003c\/li\u003e\n        \u003cli\u003eTowards Equity and Agency in a Word-Dominated World: Working with Actors with Learning Disabilities (Richard Hayhow) \u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Editor\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Petronilla Whitfield is Associate Professor in voice and acting at the Arts University Bournemouth, UK. She has a PhD in arts pedagogy (Warwick University) and an MA in voice studies (Royal Central School of Speech and Drama). Trained originally as an actor at Arts Educational Schools, she was a professional actor for 20 years and has taught at leading British actor training institutions for 21 years. Her book, Teaching Strategies for Neurodiversity and Dyslexia in Actor Training, was published by Routledge in 2020. In 2020, she was awarded the Johnny Saldaña Outstanding Professor of Theatre Education Award by the American Alliance for Theatre and Education.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Inclusivity and Equality in Performance Training: Teaching and Learning for Neuro and Physical Diversity\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Table of Contents\n    \u003c\/div\u003e\n    \u003cul\u003e\n     \u003cli\u003eDescription\u003c\/li\u003e\n     \u003cli\u003eKey Features\u003c\/li\u003e\n     \u003cli\u003eTable of Contents\u003c\/li\u003e\n     \u003cli\u003eAbout the Editor\u003c\/li\u003e\n    \u003c\/ul\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9780367646806 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEditor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003ePetronilla Whitfield\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRoutledge\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eNovember 10, 2021\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1st\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780367646806\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e326\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e22 Black \u0026amp; White Illustrations\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731906310229,"sku":"FOIAT:FOIAT:bhpv","price":10710.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1679322014_1757298.jpg?v=1700738354"},{"product_id":"focal-press-secrets-of-screen-directing-the-tricks-of-the-trade","title":"Focal Press Secrets of Screen Directing: The Tricks of the Trade","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press Secrets of Screen Directing Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003e\u003cb\u003eSecrets of Screen Directing: The Tricks of the Trade\u003c\/b\u003e from \u003cb\u003eFocal Press\u003c\/b\u003e is a practical guide which bridges the gap between classroom learning and the realities of being on a set. Author Patrick Tucker uses insights and techniques gained from over 40 years of directing both screen and stage to open up the craft of effectively telling stories, exploring the reality of a directing career with practical day to day solutions, and problem-solving methods for working directors.\u003c\/p\u003e\n    \u003cp\u003eThis book addresses the fact that most professional directors spend their careers directing other writers' scripts and deals with the practicalities of working on continuing dramas. Following the Director's mantra of 'show, not tell' it contains over 300 illustrations, diagrams, paperwork examples and floor plans, with lists and charts throughout. Covering planning, preparation, and shooting a project, this guide delves beyond just script construction and into the nuts and bolts of screen directing.\u003c\/p\u003e\n    \u003cp\u003eDirectors at any level are always under huge time constraints, and this book provides immediate and simple solutions to working under such restrictions. This is an ideal resource for filmmaking students and early career directors to refer to when encountering a problem as well as all those screen enthusiasts, actors, and writers, who want to know what directors actually do.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Preface\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003eAcknowledgements and Thanks\u003c\/p\u003e\n       \u003cp\u003eIntroduction\u003c\/p\u003e\n       \u003cp\u003eChapter 1: Preparation\u003c\/p\u003e\n       \u003cp\u003eChapter 2: Planning the shoot\u003c\/p\u003e\n       \u003cp\u003eChapter 3: Screen grammar\u003c\/p\u003e\n       \u003cp\u003eChapter 4: Telling stories with pictures\u003c\/p\u003e\n       \u003cp\u003eChapter 5: Planning the shots\u003c\/p\u003e\n       \u003cp\u003eChapter 6: Planning the sequences and staging\u003c\/p\u003e\n       \u003cp\u003eChapter 7: Working with actors\u003c\/p\u003e\n       \u003cp\u003eChapter 8: Working with crew and staff\u003c\/p\u003e\n       \u003cp\u003eChapter 9: On set\u003c\/p\u003e\n       \u003cp\u003eChapter 10: Post production\u003c\/p\u003e\n       \u003cp\u003eChapter 11: That�s a Wrap!\u003c\/p\u003e\n       \u003cp\u003eAppendix: Useful lists\u003c\/p\u003e\n       \u003cp\u003eAppendix: Paperwork Examples\u003c\/p\u003e\n       \u003cp\u003eBibliography\u003c\/p\u003e\n       \u003cp\u003eIndex of Films\u003c\/p\u003e\n       \u003cp\u003eGeneral Index\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Author\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Patrick Tucker is an accomplished director of both screen and stage. He has directed close to 200 television programmes and over 200 plays, with director credits including the BBC, the Royal Shakespeare Company, and a feature film. He has run screen directing masterclasses for over 30 years, lectured and taught worldwide, and is the author of Secrets of Screen Acting and Secrets of Acting Shakespeare.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Secrets of Screen Directing: The Tricks of the Trade\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press Secrets of Screen Directing Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003ePatrick Tucker\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRoutledge\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eMarch 1, 2019\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1st\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780367137441\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e210\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e100 Black \u0026amp; White Illustrations\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731906834517,"sku":"FOSECSDPB:FOSECSDPB:bhpv","price":12190.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1678295428_1755065.jpg?v=1700738423"},{"product_id":"focal-press-mythic-imagination-and-the-actor-exercises-inspiration-and-guidance-for-the-21st-century-actor","title":"Focal Press Mythic Imagination and the Actor: Exercises, Inspiration, and Guidance for the 21st Century Actor","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780367715502 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eIn \u003cb\u003eMythic Imagination and the Actor\u003c\/b\u003e from \u003cb\u003eFocal Press\u003c\/b\u003e, Marissa Chibas draws on over three decades of experience as a Latinx actor, writer, filmmaker, and teacher to offer an approach to acting that embraces collective imagination, archetypal work, and the mythic.\u003c\/p\u003e\n    \u003cp\u003eThe book begins with a comparative analysis between method acting and mythic acting, encouraging actors to push past the limits of singular life experience and move to a realm where imagination and metaphor thrive. In the context of mythic acting, the book explores awareness work, solo performance creation, the power of archetypes, character building exercises, creating a body\/text connection, and how to be the detective of your own process. Through this inclusive guide for a new age of diverse performers traversing gender, ability, culture, and race, readers are able to move beyond their limits to a deep engagement with the infinite possibilities of rich imagination. The final chapter empowers and motivates artists to live healthily within the practice and create a personal artistic vision plan.\u003c\/p\u003e\n    \u003cp\u003eWritten for actors and students of acting, American Drama, and film and theatre studies, Mythic Imagination and the Actor provides practical exercises and prompts to unlock and interpret an actor's deepest creative sources.\u003c\/p\u003e\n    \u003cp\u003eAuthor Marissa Chibas is a Los Angeles-based writer, filmmaker, actor, educator, and recipient of the TCG Fox Fellowship for Distinguished Achievement. She is on the Theater School faculty at the California Institute of the Arts where she is Director of Duende CalArts, an initiative at CalArts Center for New Performance that produces innovative Latinx and Latin American artists. Her work as an actor has been seen on Broadway and on major stages throughout the world, and her solo show, Daughter of a Cuban Revolutionary, has toured the U.S., Europe, and Mexico and was published by Routledge.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Table of Contents\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cul\u003e\n       \u003cli\u003eThe Mythic Sense\u003c\/li\u003e\n       \u003cli\u003eLaying the Ground Work\u003c\/li\u003e\n       \u003cli\u003eArchetypes\u003c\/li\u003e\n       \u003cli\u003eNoir\u003c\/li\u003e\n       \u003cli\u003eThe Body Text Connection\u003c\/li\u003e\n       \u003cli\u003eSpoken Improvs\u003c\/li\u003e\n       \u003cli\u003eWhat Pro-Wrestlers Taught Me About Acting\u003c\/li\u003e\n       \u003cli\u003eSolo Performance\u003c\/li\u003e\n       \u003cli\u003eArtistic Visioning\u003c\/li\u003e\n      \u003c\/ul\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Mythic Imagination and the Actor: Exercises, Inspiration, and Guidance for the 21st Century Actor\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9780367715502 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eMarissa Chibas\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRoutledge\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eAugust 3, 2021\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1st\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780367715502\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e120\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e2 Black \u0026amp; White Illustrations\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731906900053,"sku":"FOG21CACTR:FOG21CACTR:bhpv","price":10710.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1679321713_1757316.jpg?v=1700738427"},{"product_id":"focal-press-disney-theatrical-productions-producing-broadway-musicals-the-disney-way","title":"Focal Press Disney Theatrical Productions: Producing Broadway Musicals the Disney Way","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press Disney Theatrical Productions Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003e\u003cb\u003eDisney Theatrical Productions: Producing Broadway Musicals the Disney Way\u003c\/b\u003e from \u003cb\u003eFocal Press\u003c\/b\u003e is the first work of scholarship to comprehensively examine the history and production practices of Disney Theatrical Productions (DTP), the theatrical producing arm of the studio branch of the Walt Disney Corporation. This book uncovers how DTP has forged a new model for producing large-scale musicals on Broadway by functioning as an independent theatrical producer under the umbrella of a large entertainment corporation.\u003c\/p\u003e\n    \u003cp\u003eCase studies of three productions (The Lion King, Tarzan, and Newsies) demonstrate the flexibility and ingenuity of DTP, and showcase the various production models that the company has employed over the years. Exploring topics such as the history of DTP, its impact on the revitalization of Times Square, and its ability to open up a new audience base for Broadway theatre, this volume examines the impact that DTP has had on American musicals, both domestically and internationally, and how its accomplishments have helped reshape the Broadway landscape. This book is relevant to students in Musical Theatre, History of Musical Theatre, Theatre History, and Arts Management courses, along with general Disney enthusiasts.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003ePart 1: Once Upon A Time: Disney Enters the Great White Way\n         \u003cul\u003e\n          \u003cli\u003e1. Be Our Guest: Disney�s Beauty and the Beast\u003c\/li\u003e\n          \u003cli\u003e2. Disney Comes to Times Square: The New Amsterdam Theatre\u003c\/li\u003e\n          \u003cli\u003e3. The Disney Way\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003ePart 2: Anything Can Happen: Disney Theatrical Production Models\n         \u003cul\u003e\n          \u003cli\u003e4. King of the Broadway Jungle: Disney�s The Lion King\u003c\/li\u003e\n          \u003cli\u003e5. For the First Time: Disney�s Tarzan: The Musical\u003c\/li\u003e\n          \u003cli\u003e6. Watch What Happens: Newsies: The Musical\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003ePart 3: We�re All in this Together: Collaboration and Cooperation\n         \u003cul\u003e\n          \u003cli\u003e7. Never Had a Friend Like Me: Disney In Partnership\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Author\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Amy S. Osatinski is a director, performer, scholar, teacher, and designer. She is an Assistant Professor of Theatre at the University of Northern Iowa, where she teaches courses in Directing, Analysis, and Musical Theatre. Amy holds a PhD in Theatre from the University of Colorado Boulder, an MA in Curriculum and Instruction from the University of Colorado Denver, and a BA in Theatre from the University of Denver.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Disney Theatrical Productions: Producing Broadway Musicals the Disney Way\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press Disney Theatrical Productions Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eAmy S. Osatinski\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRoutledge\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eFebruary 18, 2019\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1st\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780367086121\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e244\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eNo\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731907850325,"sku":"FODISTPPB:FODISTPPB:bhpv","price":11855.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1678295428_1755063.jpg?v=1700738541"},{"product_id":"focal-press-creating-dialogue-for-tv-screenwriters-talk-television","title":"Focal Press Creating Dialogue for TV: Screenwriters Talk Television","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780367139582 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eAs entertaining as it is enlightening, \u003cb\u003eCreating Dialogue for TV: Screenwriters Talk Television\u003c\/b\u003e from \u003cb\u003eFocal Press\u003c\/b\u003e presents interviews with five Hollywood professionals who talk about all things related to dialogue - from naturalistic style to the building of characters to swearing and dialect. Screenwriters\/showrunners David Mandel (Curb Your Enthusiasm, Veep), Jane Espenson (Buffy, Battlestar Galactica, Once Upon a Time), Robert Berens (Supernatural), Sheila Lawrence (Gilmore Girls, Ugly Betty, The Marvelous Mrs Maisel), and Doris Egan (Tru Calling, House, Reign) field a linguist's inquiries about the craft of writing dialogue.\u003c\/p\u003e\n    \u003cp\u003eThis book is for anyone who has ever wondered what creative processes and attitudes lie behind the words they encounter when tuning into their favourite television show. It provides direct insights into Hollywood writers' knowledge and opinions of how language is used in television narratives, and in doing so shows how language awareness, attitudes, and the craft of using words are utilised to create popular TV series. The book will appeal to students and teachers in screenwriting, creative writing, and linguistics as well as lay readers.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Acknowledgments\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003e1. Introduction\u003c\/p\u003e\n       \u003cp\u003e2. The writers\/showrunners\u003c\/p\u003e\n       \u003cp\u003e3. On great dialogue\u003c\/p\u003e\n       \u003cp\u003e4. On naturalism\u003c\/p\u003e\n       \u003cp\u003e5. On the expression of emotion\u003c\/p\u003e\n       \u003cp\u003e6. On building characters through language\u003c\/p\u003e\n       \u003cp\u003e7. On swearing\u003c\/p\u003e\n       \u003cp\u003e8. On dialect\u003c\/p\u003e\n       \u003cp\u003e9. Conclusion\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Author\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Monika Bednarek is Associate Professor in the Department of Linguistics at the University of Sydney, Australia. She has authored six academic books, most recently Language and Television Series: A Linguistic Approach to TV Dialogue (2018). Her research interests include corpus linguistics, discourse analysis, media linguistics, sociolinguistics, and the linguistic expression of emotion and attitude.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Creating Dialogue for TV: Screenwriters Talk Television\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9780367139582 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eMonika Bednarek\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRoutledge Taylor \u0026amp; Francis\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eFebruary 12, 2019\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1st\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780367139582\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e68\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eHard\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e5 Black \u0026amp; White Illustrations\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731908046933,"sku":"FOCDT:FOCDT:bhpv","price":15460.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1678883538_1757051.jpg?v=1700738557"},{"product_id":"focal-press-teaching-acting-with-practical-aesthetics","title":"Focal Press Teaching Acting with Practical Aesthetics","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780367231118 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003e\u003cb\u003eTeaching Acting with Practical Aesthetics\u003c\/b\u003e from \u003cstrong\u003eFocal Press\u003c\/strong\u003e uses constructivist pedagogy to teach acting via Practical Aesthetics, a system of actor training created in the mid-1980s by David Mamet. The book melds the history of Practical Aesthetics, Practical Aesthetics itself, educational theory, and compatible physical work into the educational approach called Praxis to create a comprehensive training guide for the modern actor and theatre instructor. It includes lesson plans, compatible voice and movement exercises, constructivist teaching materials, classroom handouts, and a suggested calendar for Acting courses.\u003c\/p\u003e\n    \u003cp\u003eWritten for Acting instructors at the college and secondary levels, Acting scholars, and professionals looking for a new way to perform, Teaching Acting with Practical Aesthetics offers detailed instructions to help students sharpen their performing skills and excel on stage.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       1. Examining Practical Aesthetics\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003e2. Constructivism\u003c\/p\u003e\n       \u003cp\u003e3. Teaching Acting Using Constructivist Learning Design\u003c\/p\u003e\n       \u003cp\u003e4. Praxis is Theory in Action\u003c\/p\u003e\n       \u003cp\u003e5. Training the Mind to Use Practical Aesthetics\u003c\/p\u003e\n       \u003cp\u003e6. Training the Voice to Use Practical Aesthetics\u003c\/p\u003e\n       \u003cp\u003e7. Training the Body While Using Practical Aesthetics\u003c\/p\u003e\n       \u003cp\u003e8. Closure\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Author\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Troy L. Dobosiewicz is an Assistant Professor of Theatre at Ball State University in Muncie, IN. He teaches courses in Theatre Education, Acting, Theatre History, and Introduction to Theatre.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Teaching Acting with Practical Aesthetics\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9780367231118 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eTroy Dobosiewicz\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRoutledge\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eOctober 8, 2019\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1st\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780367231118\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e158\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eNo\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731908145237,"sku":"FOTAPA:FOTAPA:bhpv","price":11855.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1678883830_1757065.jpg?v=1700738569"},{"product_id":"focal-press-lessons-from-the-maestro-crafting-a-successful-fight-stunt-career-in-theatre-and-film","title":"Focal Press Lessons from The Maestro: Crafting a Successful Fight\/Stunt Career in Theatre and Film","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780367637729 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eIn \u003cb\u003eLessons from The Maestro\u003c\/b\u003e from \u003cb\u003eFocal Press\u003c\/b\u003e, famed Hollywood and theatre stuntman, trainer, and fight director, David L. Boushey, writes about his life, the history of stage, screen combat, and stunt work, and how to enter the entertainment industry.\u003c\/p\u003e\n    \u003cp\u003eCharting his illustrious career that spanned over 45 years, 400 theatre credits, and 45 films, Boushey narrates the events and decisions that lead him to enter the entertainment industry and documents for the first time his founding of multiple national and international associations for fight directors and stuntmen. He provides a roadmap for individuals aspiring to work in the theatre and film industry, providing information on training, auditioning, networking, unions, different paths one might take, and tips on how to be a successful stunt performer in a competitive industry.\u003c\/p\u003e\n    \u003cp\u003ePart autobiography, part how-to guide to the entertainment business from the foremost authority in stage combat and stunt work, this book is a resource for professional and aspiring fight and intimacy directors and stunt performers in theatre and film. David L. Boushey is the founder of The Society of American Fight Directors, The United Stuntmen's Association, and the International Stunt School. He was also inducted into the Hollywood Stuntmen's Hall of Fame.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Table of Contents\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cul\u003e\n       \u003cli\u003eIn the Beginning\u003c\/li\u003e\n       \u003cli\u003eWith a Little Help from My Friends\u003c\/li\u003e\n       \u003cli\u003eJolly Old England\u003c\/li\u003e\n       \u003cli\u003eHomeward Bound\u003c\/li\u003e\n       \u003cli\u003eCreating the Society of American Fight Directors\u003c\/li\u003e\n       \u003cli\u003eA University Collaboration\u003c\/li\u003e\n       \u003cli\u003e\"Paddy\" and the Golden Years of Hollywood\u003c\/li\u003e\n       \u003cli\u003eMeeting a Legend\u003c\/li\u003e\n       \u003cli\u003eFamous Stunt Performers\u003c\/li\u003e\n       \u003cli\u003eReaping the Whirlwind\u003c\/li\u003e\n       \u003cli\u003eSurviving the Game\u003c\/li\u003e\n       \u003cli\u003eThe United Stuntmen's Association\u003c\/li\u003e\n       \u003cli\u003eThe International Stunt School\u003c\/li\u003e\n       \u003cli\u003eDiscovering the IOSP\u003c\/li\u003e\n       \u003cli\u003ePartnering and Auditioning\u003c\/li\u003e\n       \u003cli\u003eStarting and Running Your Business\u003c\/li\u003e\n       \u003cli\u003eContacts and Connections\u003c\/li\u003e\n       \u003cli\u003eJoining the Unions\u003c\/li\u003e\n       \u003cli\u003eLive Stunt Shows\u003c\/li\u003e\n       \u003cli\u003eCareers and Compromises\u003c\/li\u003e\n       \u003cli\u003eCreating Your Own Future\u003c\/li\u003e\n       \u003cli\u003eFulfilling a Dream\u003c\/li\u003e\n       \u003cli\u003eArtistry and Achievements\u003c\/li\u003e\n       \u003cli\u003eTheatre and Film Stories\u003c\/li\u003e\n       \u003cli\u003ePersonal Credentials and Reviews\u003c\/li\u003e\n       \u003cli\u003eClosing Thoughts and Testimonials\u003c\/li\u003e\n      \u003c\/ul\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Lessons from The Maestro: Crafting a Successful Fight\/Stunt Career in Theatre and Film\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9780367637729 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eDavid L. Boushey\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRoutledge\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eMay 31, 2021\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1st\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780367637729\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e230\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e46 Color Illustrations\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731908407381,"sku":"FOLFMCSFS:FOLFMCSFS:bhpv","price":10710.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1679324714_1757294.jpg?v=1700738602"},{"product_id":"focal-press-how-to-write-a-horror-movie","title":"Focal Press How To Write A Horror Movie","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780367151652 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003e\u003cb\u003eHow to Write a Horror Movie\u003c\/b\u003e from \u003cb\u003eFocal Press\u003c\/b\u003e is a close look at an always-popular (but often disrespected) genre. It focuses on the screenplay and acts as a guide to bringing scary ideas to cinematic life using examples from great (and some not-so-great) horror movies. Author Neal Bell examines how the basic tools of the scriptwriter's trade, including structure, dialogue, humor, mood, characters, and pace, can work together to embody personal fears that will resonate strongly on screen. Screenplay examples include classic works such as 1943's I Walked With A Zombie and recent terrifying films that have given the genre renewed attention like writer\/director Jordan Peele's critically acclaimed and financially successful Get Out.\u003c\/p\u003e\n    \u003cp\u003eSince fear is universal, the book considers films from around the world including the found-footage [REC] from Spain (2007), the Swedish vampire movie, Let The Right One In (2008), and the Persian-language film Under The Shadow (2016). The book provides insights into the economics of horror movie making, and the possible future of this versatile genre. It is the ideal text for screenwriting students exploring genre and horror, and aspiring scriptwriters who have an interest in horror screenplays.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Acknowledgments\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003eA note on transctiption of dialogue and screenplay format\u003c\/p\u003e\n       \u003cp\u003eChapter 1: \"Who Goes There?\": A Brief Introduction to Horror\u003c\/p\u003e\n       \u003cp\u003eChapter 2: What Scares You?\u003c\/p\u003e\n       \u003cp\u003eChapter 3: Basic Horror Movie Structure\u003c\/p\u003e\n       \u003cp\u003eChapter 4: Building Act One\u003c\/p\u003e\n       \u003cp\u003eChapter 5: The Changed World of Act Two\u003c\/p\u003e\n       \u003cp\u003eChapter 6: Ending and Beginning\u003c\/p\u003e\n       \u003cp\u003eChapter 7: Dialogue\u003c\/p\u003e\n       \u003cp\u003eChapter 8: Fearful Landscapes\u003c\/p\u003e\n       \u003cp\u003eChapter 9: Humor in Horror\u003c\/p\u003e\n       \u003cp\u003eChapter 10: \"Beyond This Point Are Monsters\" - Digging Up Inspiration\u003c\/p\u003e\n       \u003cp\u003eChapter 11: Politics and Global Horror\u003c\/p\u003e\n       \u003cp\u003eChapter 12: \"Our name is Legion\" - Varieties of Horror\u003c\/p\u003e\n       \u003cp\u003eChapter 13: \"Dead Man's Chest\" - The Economics of Horror\u003c\/p\u003e\n       \u003cp\u003eChapter 14: The Future of Horror\u003c\/p\u003e\n       \u003cp\u003eIndex\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Author\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Neal Bell is a writer and professor of play and screenwriting at Duke University and has received grants from the Rockefeller and Guggenheim Foundations, and the National Endowment for the Arts. Winner of an Obie Award for sustained excellence in playwriting, he's been a script consultant for HBO, and also received an Edgar Award for Best Mystery Play for Spatter Pattern.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press How To Write A Horror Movie\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9780367151652 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eNeal Bell\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRoutledge Taylor \u0026amp; Francis\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eApril 3, 2020\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1st\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780367151652\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e180\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eNo\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731908898901,"sku":"FOHTWHM:FOHTWHM:bhpv","price":10225.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1678883538_1757054.jpg?v=1700738650"},{"product_id":"focal-press-book-a-beginners-guide-to-special-makeup-effects-monsters-maniacs-and-more","title":"Focal Press Book: A Beginner's Guide to Special Makeup Effects: Monsters, Maniacs, and More","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780367554675 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003e\u003cb\u003eA Beginner's Guide to Special Makeup Effects: Monsters, Maniacs, and More\u003c\/b\u003e from \u003cb\u003eFocal Press\u003c\/b\u003e is an introduction to special effects makeup using cost-effective tools and materials that can be found in local stores. The book is divided into three sections: Simple Makeup, Advanced Materials and Techniques, and Advanced Makeup. It features tutorials to create characters such as pirate, vampire, ghost, robot, burn victim, witch, zombie, and goblin; each character is introduced with a full-page photograph of the finished makeup and illustrated with full-color, step-by-step photographs.\u003c\/p\u003e\n    \u003cp\u003eThe book also includes instructions on how to make fake teeth, apply bald caps, create gory wounds and injuries, and make simple prosthetics. Each makeup tutorial is designed to progressively build on the techniques outlined in the preceding tutorial, guiding readers from the basics of foundation, highlight, and shadow to creating advanced creature makeups. This is a beginner makeup book suited for students in Stage Makeup courses as well as for theatre technicians working and training on their own.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Section 1: Simple Makeup\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003e1. Pirate\u003c\/p\u003e\n       \u003cp\u003e2. Highlight and Shadow\u003c\/p\u003e\n       \u003cp\u003e3. Vampire\u003c\/p\u003e\n       \u003cp\u003e4. Ghost\u003c\/p\u003e\n       \u003cp\u003e5. Robot\u003c\/p\u003e\n       \u003cp\u003e6. Basic Burn\u003c\/p\u003e\n       \u003cp\u003e7. Basic Zombie\u003c\/p\u003e\n       \u003cp\u003e8. Plague Victim\u003c\/p\u003e\n       \u003cp\u003e9. Witch\u003c\/p\u003e\n       \u003cp\u003eSection 2: Advanced Techniques \u0026amp; Materials\u003c\/p\u003e\n       \u003cp\u003e10. Fangs and Claws\u003c\/p\u003e\n       \u003cp\u003e11. Fake Teeth\u003c\/p\u003e\n       \u003cp\u003e12. Blood\u003c\/p\u003e\n       \u003cp\u003e13. Bald Caps\u003c\/p\u003e\n       \u003cp\u003e14. Blocking Out Hair\u003c\/p\u003e\n       \u003cp\u003e15. Skin Textures\u003c\/p\u003e\n       \u003cp\u003e16. Cotton and Latex Buildups\u003c\/p\u003e\n       \u003cp\u003e17. Wounds and Injuries\u003c\/p\u003e\n       \u003cp\u003e18. Laying Hair and Stubble\u003c\/p\u003e\n       \u003cp\u003e19. Making Simple Prosthetics\u003c\/p\u003e\n       \u003cp\u003e20. Character Design\u003c\/p\u003e\n       \u003cp\u003eSection 3: Advanced Makeup\u003c\/p\u003e\n       \u003cp\u003e21. The Champ\u003c\/p\u003e\n       \u003cp\u003e22. Skull\u003c\/p\u003e\n       \u003cp\u003e23. Giggles\u003c\/p\u003e\n       \u003cp\u003e24. Severe Burn\u003c\/p\u003e\n       \u003cp\u003e25. Goblin\u003c\/p\u003e\n       \u003cp\u003e26. The Creature\u003c\/p\u003e\n       \u003cp\u003e27. Advanced Zombie\u003c\/p\u003e\n       \u003cp\u003e28. Pirate�again\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Author\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Christopher Payne has been a professional makeup artist for more than 15 years and an enthusiastic amateur for most of his life before that. He has an MFA in Makeup and Wig Design from the University of Cincinnati and has worked on theatrical productions, television shows, and films across the country. He has also taught makeup at a number of schools, trade shows, and theaters. This is Payne's second book project, having previously contributed to Makeup Artistry for Film and Television (Sciortino, 2021).\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Book: A Beginner's Guide to Special Makeup Effects: Monsters, Maniacs, and More\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9780367554675 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eChristopher Payne\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRoutledge Taylor \u0026amp; Francis\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eMarch 26, 2021\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1st\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780367554675\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e192\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e239 Color Illustrations\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731909029973,"sku":"FOBGSMEMMC:FOBGSMEMMC:bhpv","price":8545.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1678885627_1757179.jpg?v=1700738662"},{"product_id":"focal-press-stage-makeup","title":"Focal Press Stage Makeup","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780367183325 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cul\u003e\n    \u003cli\u003e\n\u003cspan\u003e1\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e2\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eNew to This Edition\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e3\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eTable of Contents\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e4\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eAbout the Authors\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eWidely referred to as the bible of stage makeup, the 11th edition of \u003cb\u003eStage Makeup\u003c\/b\u003e from \u003cb\u003eFocal Press\u003c\/b\u003e is a timely revision of classic text that addresses principles and techniques in the use of makeup for the contemporary performer. This extensive exploration of the application and use of stage makeup and makeup for a variety of performance venues covers all aspects in detail and contains over 1000 photographs, drawings, and diagrams demonstrating step-by-step procedures. Thoroughly updated and revised, this classic text remains accurate and comprehensive, providing information from which all readers�whether students new to the field or seasoned, professional makeup artists�will benefit.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       New to This Edition\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eUpdated full-color photography throughout\u003c\/li\u003e\n        \u003cli\u003eExpanded information on makeup design and application\u003c\/li\u003e\n        \u003cli\u003e48 new step-by-step instructions in color\u003c\/li\u003e\n        \u003cli\u003eExpanded chapter on modeling with highlights and shadows\u003c\/li\u003e\n        \u003cli\u003eNew chapter on cross-gender makeup\u003c\/li\u003e\n        \u003cli\u003eNew instruction on making dentures, noses, and face casting\u003c\/li\u003e\n        \u003cli\u003eNew instructions for creating zombies, animals, aging effects, and trauma\u003c\/li\u003e\n        \u003cli\u003eExpanded information on makeup for television and film\u003c\/li\u003e\n        \u003cli\u003eUp-to-date information on Special Effects makeup\u003c\/li\u003e\n        \u003cli\u003eUp-to-date information on prosthetic makeup\u003c\/li\u003e\n        \u003cli\u003eUpdated chapters on facial hair and wigs\u003c\/li\u003e\n        \u003cli\u003eUpdated resources for products, advanced training, and health and safety\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       1. Facial Anatomy\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003e2. Color Theory\u003c\/p\u003e\n       \u003cp\u003e3. The Studio Classroom\u003c\/p\u003e\n       \u003cp\u003e4. Relating the Makeup to Character\u003c\/p\u003e\n       \u003cp\u003e5. Designing the Makeup\u003c\/p\u003e\n       \u003cp\u003e6. Applying Makeup\u003c\/p\u003e\n       \u003cp\u003e7. Corrective Makeup\u003c\/p\u003e\n       \u003cp\u003e8. Modeling with Highlights and Shadows\u003c\/p\u003e\n       \u003cp\u003e9. Natural Makeup for Film \u0026amp; TV\u003c\/p\u003e\n       \u003cp\u003e10. Special Effects Makeup\u003c\/p\u003e\n       \u003cp\u003e11. Prosthetic Makeup\u003c\/p\u003e\n       \u003cp\u003e12. Beards and Mustaches\u003c\/p\u003e\n       \u003cp\u003e13. Wigs\u003c\/p\u003e\n       \u003cp\u003e14. Cross-Gender Makeup\u003c\/p\u003e\n       \u003cp\u003e15. Nonrealistic Makeup\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Authors\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Richard Corson (late) was the author of several fashion and makeup books. He taught courses in theatrical makeup in several colleges across the United States. In 1972 he received the Founders Award (International Thespian Society) in recognition of distinguished contributions to theatre and youth. His name is perhaps the most well-recognized in the industry.\n       \u003cbr\u003e \n       \u003cbr\u003e James Glavan is Professor of Costume Technology and Makeup at the University of Texas at Austin. He has worked at many of the great opera, ballet, and theatre companies in the US, including the Santa Fe Opera, Seattle Opera, Minnesota Opera, Boston Opera, the Gunthrie Theatre, Hartford Stage, and the Hartford Ballet. For many years he worked as a puppet builder at Jim Henson Productions, Inc. in New York. Internationally, he has taught costume, makeup, and animatronics in Taipei, Taiwan; Hong Kong; San Jose, Costa Rica; Shanghai, China; Medellin, Colombia; and Moscow, Russia.\n       \u003cbr\u003e \n       \u003cbr\u003e Beverly Gore Norcross received her MFA in Costume Design from California State University, Fullerton. She freelanced in Los Angeles with IATSE Locals 705 and 768. Her academic posts have included Purdue University, San Joaquin Delta College and California State University, Fullerton. She has won a Daytime Emmy Certificate, American College Theatre Festival Award, and an Elly Award. Beverly is currently at Western Nevada College, IATSE Local 363, and her studio BelleVue Designs.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Stage Makeup\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Table of Contents\n    \u003c\/div\u003e\n    \u003cul\u003e\n     \u003cli\u003eDescription\u003c\/li\u003e\n     \u003cli\u003eNew to This Edition\u003c\/li\u003e\n     \u003cli\u003eTable of Contents\u003c\/li\u003e\n     \u003cli\u003eAbout the Authors\u003c\/li\u003e\n    \u003c\/ul\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9780367183325 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRichard Corson\u003cbr\u003eJames Glavan\u003cbr\u003eBeverly Gore Norcross\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRoutledge\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eMay 31, 2019\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e11th\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780367183325\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e498\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1568 Color Illustrations\u003cbr\u003e109 Black \u0026amp; White Illustrations\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731909062741,"sku":"FOSMK:FOSMK:bhpv","price":16765.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1678883538_1757057.jpg?v=1700738664"},{"product_id":"focal-press-lighting-supervisors-toolkit-collaboration-interrogation-innovation-brilliant-lighting-designs","title":"Focal Press Lighting Supervisor's Toolkit: Collaboration, Interrogation, Innovation, Brilliant Lighting Designs","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780367504656 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eThe \u003cb\u003eLighting Supervisor's Toolkit: Collaboration, Interrogation, Innovation, Brilliant Lighting Designs\u003c\/b\u003e guides readers through the Lighting Supervisor's production process with an emphasis on the importance of the collaborative nature of the role. Lifting the veil on a process regularly learned on the job, this book offers a deeper understanding of the role of Lighting Supervisor and how to take lighting designs from dreams to reality.\u003c\/p\u003e\n    \u003cp\u003eReaders will learn to communicate with designers, analyze drawings, plan installations, document decisions, supervise crews, and innovate out of the box solutions. Providing guidance for technically focused individuals seeking deeper understanding of the profession, The Lighting Supervisor's Toolkit is ideal for students and professional technicians looking to take on important leadership roles in theatrical and entertainment lighting.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Part 1: Collaboration\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003e1. Meet and Greet\u003c\/p\u003e\n       \u003cp\u003e2. The Architect and the Engineer\u003c\/p\u003e\n       \u003cp\u003e3. The Lean, Mean, Lighting Team\u003c\/p\u003e\n       \u003cp\u003e4. Always Learning; Always Teaching\u003c\/p\u003e\n       \u003cp\u003ePart 2: Interrogation\u003c\/p\u003e\n       \u003cp\u003e5. The Pre-Production Process\u003c\/p\u003e\n       \u003cp\u003e6. The Review and The Price Out\u003c\/p\u003e\n       \u003cp\u003e7. Electrical Planning\u003c\/p\u003e\n       \u003cp\u003e8. Documentation and Shop Prep\u003c\/p\u003e\n       \u003cp\u003e9. The Load-In\u003c\/p\u003e\n       \u003cp\u003e10. Focus\u003c\/p\u003e\n       \u003cp\u003e11. Tech, Performance, and Strike\u003c\/p\u003e\n       \u003cp\u003ePart 3: Innovation\u003c\/p\u003e\n       \u003cp\u003e12. Boy, Wouldn�t it be Cool if�?\u003c\/p\u003e\n       \u003cp\u003e13. Asset Management and Season Planning\u003c\/p\u003e\n       \u003cp\u003e14. Your Turn\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Author\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Jason E. Weber is in his sixth season as Lighting Supervisor at Actors Theatre of Louisville. During his 13-year career, he has been the Master Electrician on over 90 professional productions. Prior to Actors Theatre, Jason served as Lighting and Sound Supervisor for seven seasons with the Merrimack Repertory Theatre and Master Electrician for four seasons with the Adirondack Theatre Festival. Jason has an M.A. in Theater Education from Emerson College and a B.F.A. in Theater from Marietta College.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Lighting Supervisor's Toolkit: Collaboration, Interrogation, Innovation, Brilliant Lighting Designs\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9780367504656 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eJason E. Weber\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRoutledge\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eDecember 30, 2020\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1st\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780367504656\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e198\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e77 Black \u0026amp; White Illustrations\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731909619797,"sku":"FOLSTCII:FOLSTCII:bhpv","price":10710.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1678884637_1757157.jpg?v=1700738719"},{"product_id":"focal-press-foundations-for-performance-training-skills-for-the-actor-dancer","title":"Focal Press Foundations for Performance Training: Skills for the Actor-Dancer","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780367711801 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cul\u003e\n    \u003cli\u003e\n\u003cspan\u003e1\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e2\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eChapter 1\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e3\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eChapter 2\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e4\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eChapter 3\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e5\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eChapter 4\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e6\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eChapter 5\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e7\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eChapter 6\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e8\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eChapter 7\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e9\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eChapter 8\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003e\u003cb\u003eFoundations for Performance Training\u003c\/b\u003e from \u003cb\u003eFocal Press\u003c\/b\u003e explores the physical, emotional, theoretical, and practical components of performance training in order to equip readers with the tools needed to successfully advance in their development as artists and entertainers.\u003c\/p\u003e\n    \u003cp\u003eEach chapter provides a fresh perspective on subjects that students of acting and dance courses encounter throughout their training as performing artists. Topics include equity, diversity, and inclusion in performance; mind\/body conditioning for training, rehearsal, and performance; developing stage presence and spatial awareness; cultivating motivation and intention in performance; expanding repertoire and broadening skillset for performance; auditioning for film and stage; and developing theatrical productions.\u003c\/p\u003e\n    \u003cp\u003eThis book also offers experiential exercises, journal writing prompts, and assignments to engage readers, enrich their learning experience, and deepen their exploration of the material described in each chapter. Readers will grow as performing artists as they analyze the principles of both acting and dance and discover how deeply the two art forms are intertwined. A resource for students of acting, musical theatre, and dance courses, Foundations for Performance Training encourages a strong foundation in creative analysis, technique, artistic expression, and self-care to cultivate excellence in performance.\u003c\/p\u003e\n    \u003cp\u003eAuthor Cara Harker is a Professor and Associate Chair of the Department of Theatre and Dance at East Tennessee State University (ETSU), where she teaches musical theatre dance, theatre movement, jazz, tap, ballroom, aerial, improvisation, and composition. She also serves as program coordinator for the dance minor program.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Chapter 1\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Embracing Performance and Communing with the Audience: Acting, Dance, and the Performer's Role in Society\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Chapter 2\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Performer Preparation: Practices from Theatre Movement for Mind\/Body Connection and Free Expression\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Chapter 3\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Performance Building Blocks: Key Concepts in Ballet Dance Technique for Presence and Authenticity on Stage and Screen\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Chapter 4\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Discovering Character Motivation and Intention through Acting Technique and Physical Theatre\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Chapter 5\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Jazz Dance and Musical Theatre: The Quintessential Combination of Acting and Dance in Performance\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Chapter 6\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Auditioning: From a Necessary Evil to a Time to Shine\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Chapter 7\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Performer and Theatre Maker: Creating New Works and Breathing New Life into Established Works\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Chapter 8\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       On Health and Wellness: Self-Care for Longevity as a Performer\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Foundations for Performance Training: Skills for the Actor-Dancer\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Table of Contents\n    \u003c\/div\u003e\n    \u003cul\u003e\n     \u003cli\u003eDescription\u003c\/li\u003e\n     \u003cli\u003eChapter 1\u003c\/li\u003e\n     \u003cli\u003eChapter 2\u003c\/li\u003e\n     \u003cli\u003eChapter 3\u003c\/li\u003e\n     \u003cli\u003eChapter 4\u003c\/li\u003e\n     \u003cli\u003eChapter 5\u003c\/li\u003e\n     \u003cli\u003eChapter 6\u003c\/li\u003e\n     \u003cli\u003eChapter 7\u003c\/li\u003e\n     \u003cli\u003eChapter 8\u003c\/li\u003e\n    \u003c\/ul\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9780367711801 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eCara Harker\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRoutledge\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eApril 28, 2022\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1st\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780367711801\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e234\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e43 Black \u0026amp; White Illustrations\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731911782485,"sku":"FOPTFAD:FOPTFAD:bhpv","price":11365.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1679328923_1757314.jpg?v=1700738957"},{"product_id":"focal-press-sound-inventions-selected-articles-from-experimental-musical-instruments","title":"Focal Press Sound Inventions: Selected Articles from Experimental Musical Instruments","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780367434731 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003e\u003cb\u003eSound Inventions: Selected Articles from Experimental Musical Instruments\u003c\/b\u003e from \u003cb\u003eFocal Press\u003c\/b\u003e is a collection of 34 articles taken from Experimental Musical Instruments, the seminal journal published from 1984 through 1999. In addition to the selected articles, the editors have contributed introductory essays, placing the material in cultural and temporal context, providing an overview of the field both before and after the time of original publication. \u003c\/p\u003e\n    \u003cp\u003e The Experimental Musical Instruments journal contributed extensively to a number of subfields, including sound sculpture and sound art, sound design, tuning theory, musical instrument acoustics, timbre and timbral perception, musical instrument construction and materials, pedagogy, and contemporary performance and composition. This book provides a picture of this important early period, presenting a wealth of material that is as valuable and relevant today as it was when first published, making it essential reading for anyone researching, working with, or studying sound.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Introductory Essays\n       \u003cbr\u003e Perspectives on New Instruments: Ideas and Questions that Shape the Field of Experimental Musical Instrument Making, Bart Hopkin, June 2020.\n       \u003cbr\u003e The Experimental Musical Instruments Journal: A History as Recalled by the Founder and Editor, Bart Hopkin, June 2020.\n       \u003cbr\u003e \n       \u003cbr\u003e Articles\/Chapters\n       \u003cp\u003e\u003c\/p\u003e\n       \u003col\u003e\n        \u003cli\u003eSteel Cello and Bow Chimes: Designed and Built by Robert Rutman, Bart Hopkin, Vol. 1 #1, June 1985\u003c\/li\u003e\n        \u003cli\u003eThe Long String Instrument: Designed and Built by Ellen Fullman, Ellen Fullman and Bart Hopkin, Vol. 1 #2, August 1985\u003c\/li\u003e\n        \u003cli\u003eHoly Crustacean, Batman, That Beast Sings!, Tom Nunn, Vol. 1 #4, December 1985\u003c\/li\u003e\n        \u003cli\u003eThe Megalyra Family of Instruments: Designed and Built by Ivor Darreg, Ivor Darreg, Vol. 2 #2, August 1986\u003c\/li\u003e\n        \u003cli\u003eDaniel Schmidt's American Gamelan Instruments, Bart Hopkin, Vol. 2 #2, August 1986\u003c\/li\u003e\n        \u003cli\u003eThe Waterphone: Designed and Built by Richard Waters, Bart Hopkin, Vol. 2 #3, October 1986\u003c\/li\u003e\n        \u003cli\u003eThe Musical-Acoustical Development of the Violin Octet, Carleen Hutchins, Vol. 2 #6, April 1987\u003c\/li\u003e\n        \u003cli\u003eStructures Sonores: Instruments of Bernard and François Baschet, Bart Hopkin, Vol. 3 #3, October 1987\u003c\/li\u003e\n        \u003cli\u003eTata and his Kamakshi Veena, David Courtney, Vol. 3 #4, December 1987\u003c\/li\u003e\n        \u003cli\u003eBamboo is Sound Magic, Darrell DeVore, Vol. 3 #4, December 1987\u003c\/li\u003e\n        \u003cli\u003eDachsophon, Hans Reichel, Vol. 4 #3, October 1988\u003c\/li\u003e\n        \u003cli\u003eThe Pikasso Guitar, Linda Manzer, Vol. 4 #6, April 1989\u003c\/li\u003e\n        \u003cli\u003eThe Piatarbajo: Its History and Development, Hal Rammel, Vol. 5 #2, August 1989\u003c\/li\u003e\n        \u003cli\u003eA Comparative Tunings Chart, David Courtney, Bart Hopkin, Larry Polansky, Erv Wilson, Vol. 6 #2, August 1990\u003c\/li\u003e\n        \u003cli\u003eFamous Color Instruments of the 19th and 20th Centuries, Kenneth Peacock, Vol. 7 #2 \u0026amp; 3, September and November 1991\u003c\/li\u003e\n        \u003cli\u003eMembrane Reeds: Indonesia and Nicasio, Bart Hopkin, Vol. 7 #3, November 1991\u003c\/li\u003e\n        \u003cli\u003eCircuit-Bending and Living Instruments, Qubais Reed Ghazala, Vol. 8 #1, September 1992\u003c\/li\u003e\n        \u003cli\u003eGiant Lamellaphones: A Transatlantic Perspective, Richard Graham, Vol. 9 #1, September 1993\u003c\/li\u003e\n        \u003cli\u003eTumbas, Rumba Boxes, \u0026amp; Bamboo Flutes: Caribbean Instruments by Rupert Lewis, Bart Hopkin, Vol. 9 #1, September 1993\u003c\/li\u003e\n        \u003cli\u003e\"Sugar Belly\" Walker and the Bamboo Saxophone, Bart Hopkin and Brian Wittman, Vol. 9 #2, December 1993\u003c\/li\u003e\n        \u003cli\u003eRelating Timbre and Tuning, Bill Sethares, Vol. 9 #2, December 1993\u003c\/li\u003e\n        \u003cli\u003eFire Music, Norman Anderson, Bart Hopkin, Michel Moglia, and Etiyé Poulson, Vol. 10 #1, September 1994\u003c\/li\u003e\n        \u003cli\u003eA Short Introduction to the Bambuso Sonoro, Hans van Koolwijk, Vol. 10 #1, September 1994\u003c\/li\u003e\n        \u003cli\u003eAugustus Stroh and the Famous Stroh Violin, Cary Clements, Vol. 10 #4, June 1995\u003c\/li\u003e\n        \u003cli\u003eDrums for the 21st Century, Kris Lovelett and Christopher White, Vol. 11 #2, December 1995\u003c\/li\u003e\n        \u003cli\u003eFlutes \u0026amp; Sound Sculptures of Susan Rawcliffe, Susan Rawcliffe, Vol. 11 #2, December 1995\u003c\/li\u003e\n        \u003cli\u003eSome Basics on Shell Trumpets and Some Very Basics on How to Make Them, Mitchell Clark, Vol. 12 #1, September 1996\u003c\/li\u003e\n        \u003cli\u003eA Musical Instrument Workshop in Hanoi, Jason Gibbs, Vol. 12 #1, September 1996\u003c\/li\u003e\n        \u003cli\u003eSirens, Bart Hopkin, Vol. 12 #4 and Vol. 13 #1, June 1997 and September 1997\u003c\/li\u003e\n        \u003cli\u003eSlate, Will Menter, Vol. 13 #1, September 1997\u003c\/li\u003e\n        \u003cli\u003eMechanical Speech Synthesis, Martin Riches, Volume 13 #1 and Volume 13 #2, September and December 1997\u003c\/li\u003e\n        \u003cli\u003eBeyond the Shaker: Experimental Instruments and New Educational Opportunities, John Bertles, Vol. 14 #4, June 1999\u003c\/li\u003e\n        \u003cli\u003eThe Photosonic Disk, Jacques Dudon, Vol. 14 #4, June 1999\u003c\/li\u003e\n        \u003cli\u003eJourney Through Sound and Flame, Brian Ransom, Vol. 14 #4, June 1999\u003c\/li\u003e\n       \u003c\/ol\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Editors\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Bart Hopkin is a maker of acoustic musical instruments and student of instruments worldwide. He earned a B.A. magna cum laude from Harvard University in folklore and mythology specializing in ethnomusicology in 1974, and later received a B.A. in music education and a teaching credential at San Francisco State University. From 1985 to 1999, Bart edited the quarterly journal Experimental Musical Instruments. Since 1994, he has written numerous books on instruments and their construction, including the leading resource, Musical Instrument Design. He has produced CDs featuring the work of innovative instrument makers, including the very successful Gravikords, Whirlies \u0026amp; Pyrophones. \n       \u003cbr\u003e\n       \u003cbr\u003e Sudhu Tewari is an electro-acoustic composer, improvisor, and bricoleur in sound, kinetic, and interactive art. He holds a B.A. in Music from Sonoma State University, an M.F.A. in Electronic Music and Recording Technology from Mills College, and a Ph.D. in Cultural Musicology from UC Santa Cruz. Sudhu builds audio electronics, acoustic instruments, kinetic sculptures, interactive installations, and sound sculptures. Dr. Tewari is Workshop Technician in the instrument building program at Mills College and teaches art, technology, and design at California College of the Arts, the University of San Francisco, and Expression College in Emeryville.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Sound Inventions: Selected Articles from Experimental Musical Instruments\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9780367434731 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEditor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eBart Hopkin\u003cbr\u003eSudhu Tewari\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eFocal Press\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eAugust 5, 2021\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1st\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780367434731\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e452\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e273 Black \u0026amp; White Illustrations\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731912110165,"sku":"FOSISAE:FOSISAE:bhpv","price":13000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1678884339_1757143.jpg?v=1700739012"},{"product_id":"focal-press-how-and-why-we-teach-shakespeare-college-teachers-and-directors-share-how-they-explore-the-playwrights-works-with-their-students","title":"Focal Press How and Why We Teach Shakespeare: College Teachers and Directors Share How They Explore the Playwright's Works with Their Students","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780367245672 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cul\u003e\n    \u003cli\u003e\n\u003cspan\u003e1\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e2\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eKey Topics\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e3\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eTable of Contents\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e4\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eAbout the Author\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eIn \u003cb\u003eHow and Why We Teach Shakespeare: College Teachers and Directors Share How They Explore the Playwright's Works with Their Students\u003c\/b\u003e from \u003cb\u003eFocal Press\u003c\/b\u003e, 19 distinguished college teachers and directors draw from their personal experiences and share their methods and the reasons why they teach Shakespeare. The collection is divided into four sections: studying the text as a script for performance, exploring Shakespeare by performing, implementing specific techniques for getting into the plays, and working in different classrooms and settings.\u003c\/p\u003e\n    \u003cp\u003eFor fellow instructors of Shakespeare, the contributors address their own philosophies of teaching, the relation between scholarship and performance, and � perhaps most of all � why in this age the study of Shakespeare is so important.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Key Topics\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eWorking with cues in Shakespeare, such as line and mid-line endings that lead to questions of interpretation\u003c\/li\u003e\n        \u003cli\u003eSeeing Shakespeare�s stage directions and the Elizabethan playhouse itself as contributing to a play�s meaning\u003c\/li\u003e\n        \u003cli\u003eUsing the \"gamified\" learning model or cue-cards to get into the text\u003c\/li\u003e\n        \u003cli\u003eThinking of the classroom as a rehearsal\u003c\/li\u003e\n        \u003cli\u003ePlaying the Friar to a student�s Juliet in a production of Romeo and Juliet\u003c\/li\u003e\n        \u003cli\u003eTeaching Shakespeare to inner-city students or in a country torn by political and social upheavals.\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Introduction: How and Why\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003eSidney Homan\u003c\/p\u003e\n       \u003cp\u003eSection 1: Encountering Shakespeare�s Verbal and Visual Text with Students\u003c\/p\u003e\n       \u003cp\u003e1. Theatricality and the Resistance of Thesis\u003c\/p\u003e\n       \u003cp\u003eAndrew Hartley\u003c\/p\u003e\n       \u003cp\u003e2. �That�s a question: How shall we try it?� (The Comedy of Errors 5.1)\u003c\/p\u003e\n       \u003cp\u003eNick Hutchison\u003c\/p\u003e\n       \u003cp\u003e3. Re-Entering Macbeth: �Witches Vanish� and Other Stage Directions\u003c\/p\u003e\n       \u003cp\u003eS. P. Cerasano\u003c\/p\u003e\n       \u003cp\u003e4. Seeing the Elizabethan Playhouse in Richard II\u003c\/p\u003e\n       \u003cp\u003eJoseph Candido\u003c\/p\u003e\n       \u003cp\u003eSection 2: Learning through Performance\u003c\/p\u003e\n       \u003cp\u003e5. Acting and Ownership in the Shakespeare Classroom\u003c\/p\u003e\n       \u003cp\u003eJames Bulman and Beth Watkins\u003c\/p\u003e\n       \u003cp\u003e6. Performing Hamlet\u003c\/p\u003e\n       \u003cp\u003eRussell Jackson\u003c\/p\u003e\n       \u003cp\u003e7. �Gladly Would He Learn and Gladly Teach�: Empowering Students with Shakespeare\u003c\/p\u003e\n       \u003cp\u003eSidney Homan\u003c\/p\u003e\n       \u003cp\u003e8. Uncertain Text: Student and Teacher Find Their Way Onstage in Romeo and Juliet\u003c\/p\u003e\n       \u003cp\u003eJerry Harp and Erica Terpening\u003c\/p\u003e\n       \u003cp\u003e9. �In Practice Let Us Put It Presently�: Learning with Much Ado\u003c\/p\u003e\n       \u003cp\u003eFran Teague and Kristin Kundert\u003c\/p\u003e\n       \u003cp\u003eSection 3: Approaching Shakespeare from Some Specific Angles\u003c\/p\u003e\n       \u003cp\u003e10. Shakespeeding into Macbeth and The Tempest: Teaching with the Shakespeare Reloaded Website\u003c\/p\u003e\n       \u003cp\u003eLiam Semler\u003c\/p\u003e\n       \u003cp\u003e11. �And so everyone according to his cue�: Practice-led Teaching and Cue-scripts in the Classroom\u003c\/p\u003e\n       \u003cp\u003eMiranda Fay Thomas\u003c\/p\u003e\n       \u003cp\u003e12. Collaborating with Shakespeare\u003c\/p\u003e\n       \u003cp\u003eFrederick Kiefer\u003c\/p\u003e\n       \u003cp\u003e13. Shakespeare without Print\u003c\/p\u003e\n       \u003cp\u003ePaul Menzer\u003c\/p\u003e\n       \u003cp\u003eSection 4: Shakespeare in Various Classrooms\u003c\/p\u003e\n       \u003cp\u003e14. That Depends: What Do You Want Two Plus Two To Be?\u003c\/p\u003e\n       \u003cp\u003eCary Mazer\u003c\/p\u003e\n       \u003cp\u003e15. �Who's there?� �Nay, answer me. Stand and unfold yourself�: Attending to Students in Diversified Settings\u003c\/p\u003e\n       \u003cp\u003eNaomi Conn Liebler\u003c\/p\u003e\n       \u003cp\u003e16. Unpicking the Turkish Tapestry: Teaching Shakespeare in Anatolia\u003c\/p\u003e\n       \u003cp\u003ePatrick Hart\u003c\/p\u003e\n       \u003cp\u003e17. Teaching Shakespeare to Retirees in the OLLI Program\u003c\/p\u003e\n       \u003cp\u003eAlan Dessen\u003c\/p\u003e\n       \u003cp\u003eAfterword: Cur Non?\u003c\/p\u003e\n       \u003cp\u003eJune Schlueter\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Author\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Sidney Homan is Professor of English at the University of Florida and Visiting Professor at Jilin University in the People's Republic of China. The recipient of many teaching awards, he was recently chosen as the Teacher \/ Scholar of the Year at the University of Florida. He is also a member of the Academy of Distinguished Teaching Scholars. Author of 16 books on Shakespeare and the modern playwrights, he is also an actor and director in professional and university theatres.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press How and Why We Teach Shakespeare: College Teachers and Directors Share How They Explore the Playwright's Works with Their Students\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Table of Contents\n    \u003c\/div\u003e\n    \u003cul\u003e\n     \u003cli\u003eDescription\u003c\/li\u003e\n     \u003cli\u003eKey Topics\u003c\/li\u003e\n     \u003cli\u003eTable of Contents\u003c\/li\u003e\n     \u003cli\u003eAbout the Author\u003c\/li\u003e\n    \u003c\/ul\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9780367245672 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSidney Homan\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRoutledge Taylor \u0026amp; Francis\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eJune 10, 2019\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1st\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780367245672\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e230\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e2 Black \u0026amp; White Illustrations\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731912339541,"sku":"FOHAWHH:FOHAWHH:bhpv","price":11365.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1678883830_1757075.jpg?v=1700739031"},{"product_id":"focal-press-projection-design-for-theatre-and-live-performance-principles-of-media-design","title":"Focal Press Projection Design for Theatre and Live Performance: Principles of Media Design","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780367683689 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003e\u003cb\u003eProjection Design for Theatre and Live Performance: Principles of Media Design\u003c\/b\u003e by Alison C. Dobbins from \u003cb\u003eFocal Press\u003c\/b\u003e covers concepts and tools for designing, techniques to help readers tap into their creativity, and the core skills required of this field such as problem solving, project management, and effective communication. Focusing exclusively on design and creativity, this book encourages individuals to leap into the creative design process before facing any perceived hurdles of learning everything technical about media delivery systems, cueing systems, projectors, cables, computer graphics, animation, and video production.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       1. Discovery\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003e2. Research\u003c\/p\u003e\n       \u003cp\u003e3. Visual Style\u003c\/p\u003e\n       \u003cp\u003e4. Storyboard\u003c\/p\u003e\n       \u003cp\u003e5. Framing\u003c\/p\u003e\n       \u003cp\u003e6. Motion\u003c\/p\u003e\n       \u003cp\u003e7. Animatic\u003c\/p\u003e\n       \u003cp\u003e8. Cueing\u003c\/p\u003e\n       \u003cp\u003e9. Content\u003c\/p\u003e\n       \u003cp\u003e10. Jargon\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Author\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Alison C. Dobbins is an Associate Professor of Integrated Performance Media Design at Michigan State University. She is a media designer focused on integrating elements of dance, media, music, theatre, medicine, and computer science in performance.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Projection Design for Theatre and Live Performance: Principles of Media Design\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9780367683689 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eAlison C. Dobbins\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRoutledge\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eOctober 7, 2021\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1st\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780367683689\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e126\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e60 Color Illustrations\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731912568917,"sku":"FOPDTLP:FOPDTLP:bhpv","price":10710.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1679326820_1757304.jpg?v=1700739058"},{"product_id":"focal-press-answers-from-the-working-actor-two-backstage-columnists-share-ten-years-of-advice","title":"Focal Press Answers from the Working Actor: Two Backstage Columnists Share Ten Years of Advice","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780415394826 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003e\u003cb\u003eAnswers from the Working Actor\u003c\/b\u003e from \u003cb\u003eFocal Press\u003c\/b\u003e guides readers through the ins, outs, ups, and downs of the acting industry. The book is based on a column in the actors' trade paper, \u003ci\u003eBackstage\u003c\/i\u003e, that authors Jackie Apodaca and Michael Kostroff worked on together for nearly a decade. Their highly popular weekly feature, The Working Actor, fielded questions from actors all over the country. Their column was a fact-based, humorous, compassionate take on the questions actors most wanted answered. They used some of their most interesting, entertaining, and informative columns as launch points for this book.\u003c\/p\u003e\n    \u003cp\u003eApodaca and Kostroff share an approach that is decidedly on the ground. They've both labored in the trenches just like their readers-dealing with auditions, classes, photos, resumes, rehearsals, contract negotiations, representatives, jobs, challenging colleagues, and the search for that elusive life\/career balance. There are few absolutes in the acting profession and virtually no proven and reliable steps. Answers from The Working Actor deals honestly with the realities, providing facts, options, strategies, stories, points of view, and the wisdom of experience, while ultimately challenging readers to make their own decisions. This book will give new actors a head start on their journeys and remind experienced professionals that in the acting business there is never only one answer to any question.\u003c\/p\u003e\n    \u003cp\u003eJackie Apodaca is a professor of theatre at Southern Oregon University. She has worked as an actor, director, and producer in theatre, film, and media, with companies such as the Roundabout, Denver Center, National Geographic, filmscience, Modern Media (head of production), Venice Theatre Works (associate artistic director), Shakespeare Santa Barbara (producing director), and Ashland New Plays Festival (associate artistic director). She spent more than a decade at \u003ci\u003eBackstage.\u003c\/i\u003e\u003c\/p\u003e\n    \u003cp\u003eMichael Kostroff is an established actor best known for his five seasons on HBO's \u003ci\u003eThe Wire\u003c\/i\u003e and a long list of other television roles. He has toured nationally in \u003ci\u003eThe Producers\u003c\/i\u003e and \u003ci\u003eLes Miserables\u003c\/i\u003e. From 2006 to 2012, he shared writing duties with Jackie Apodaca on \u003ci\u003eBackstage's\u003c\/i\u003e advice column.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Table of Contents\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cul\u003e \n       \u003cli\u003eAcknowledgments \u003c\/li\u003e\n       \u003cli\u003ePreface \u003c\/li\u003e\n       \u003cli\u003eStarting Out \u003c\/li\u003e\n       \u003cli\u003eTraining and Craft \u003c\/li\u003e\n       \u003cli\u003eWhere to Live \u003c\/li\u003e\n       \u003cli\u003eMarketing: Branding \u003c\/li\u003e\n       \u003cli\u003eMarketing: Materials \u003c\/li\u003e\n       \u003cli\u003eMarketing: Promotion and Networking \u003c\/li\u003e\n       \u003cli\u003eAuditions and the Casting Process \u003c\/li\u003e\n       \u003cli\u003eAgents and Managers \u003c\/li\u003e\n       \u003cli\u003eUnions \u003c\/li\u003e\n       \u003cli\u003eScams, Shams and Ripoffs \u003c\/li\u003e\n       \u003cli\u003eOn the Job \u003c\/li\u003e\n       \u003cli\u003eFinancial Matters \u003c\/li\u003e\n       \u003cli\u003eEthics and Etiquette \u003c\/li\u003e\n       \u003cli\u003eSticky Situations \u003c\/li\u003e\n       \u003cli\u003ePersonal Relationships and Family Matters \u003c\/li\u003e\n       \u003cli\u003eThe Nature of the Career \u003c\/li\u003e\n       \u003cli\u003eClosing Thoughts \u003c\/li\u003e\n       \u003cli\u003eAppendix \u003c\/li\u003e\n       \u003cli\u003eRecommended Reading \u003c\/li\u003e\n       \u003cli\u003eIndex \u003c\/li\u003e\n      \u003c\/ul\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Answers from the Working Actor: Two Backstage Columnists Share Ten Years of Advice\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9780415394826 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eJackie Apodaca\u003cbr\u003eMichael Kostroff\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRoutledge\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eMarch 19, 2018\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1st\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780415394826\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e358\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eNo\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731912994901,"sku":"FOAWA2BC10YA:FOAWA2BC10YA:bhpv","price":9075.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1679317342_1757337.jpg?v=1700739115"},{"product_id":"focal-press-creating-improvised-theatre-tools-techniques-theories-for-short-form-narrative-improvisation","title":"Focal Press Creating Improvised Theatre:Tools,Techniques,Theories for Short Form \/ Narrative Improvisation","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780367707491 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003e\u003cb\u003eCreating Improvised Theatre: Tools, Techniques, Theories for Short Form \/ Narrative Improvisation\u003c\/b\u003e by Mark Jane from \u003cb\u003eFocal Press\u003c\/b\u003e provides a modern view of improvised theater based on the rapid evolution of this art form, shedding new light on classic theories as well as developing lesser known and emerging techniques, such as the Trance Mask. Instead of simply referencing classic theories, the book revisits them and places them in the context of contemporary improvisation techniques. Designed as a practical support, this guide contains over 130 exercises that allow its theories to come alive in workshops, rehearsals, and performance.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       1. Introduction\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003ePart 1: Nuts and Bolts\u003c\/p\u003e\n       \u003cp\u003e2. The basics\u003c\/p\u003e\n       \u003cp\u003e3. Spontaneous creativity\u003c\/p\u003e\n       \u003cp\u003e4. Creating with others\u003c\/p\u003e\n       \u003cp\u003e5. Masks and the art of being in the present\u003c\/p\u003e\n       \u003cp\u003ePart 2: Short Form\u003c\/p\u003e\n       \u003cp\u003e6. Introducing short form\u003c\/p\u003e\n       \u003cp\u003e7. What�s the story?\u003c\/p\u003e\n       \u003cp\u003e8. Playing the platform and detecting tilts\u003c\/p\u003e\n       \u003cp\u003e9. Riding the rollercoaster to the end\u003c\/p\u003e\n       \u003cp\u003e10. The three change tools and Status\u003c\/p\u003e\n       \u003cp\u003e11. Physical change\u003c\/p\u003e\n       \u003cp\u003e12. Emotional change\u003c\/p\u003e\n       \u003cp\u003e13. Mischief and provoking change\u003c\/p\u003e\n       \u003cp\u003ePart 3: Narrative Improvisation\u003c\/p\u003e\n       \u003cp\u003e14. What is narrative improvisation?\u003c\/p\u003e\n       \u003cp\u003e15. Narrative theories\u003c\/p\u003e\n       \u003cp\u003e16. The Initial world � locations and relations\u003c\/p\u003e\n       \u003cp\u003e17. The Initial world � calls and protagonists\u003c\/p\u003e\n       \u003cp\u003e18. Making choices to Get in trouble\u003c\/p\u003e\n       \u003cp\u003e19. The Crisis � ordeal and understanding\u003c\/p\u003e\n       \u003cp\u003e20. The Climax and the End world\u003c\/p\u003e\n       \u003cp\u003e21. Transitions\u003c\/p\u003e\n       \u003cp\u003e22. Narrative archetypes\u003c\/p\u003e\n       \u003cp\u003e23. Final tips for narrative improvisation\u003c\/p\u003e\n       \u003cp\u003ePart 4: The Bits Box\u003c\/p\u003e\n       \u003cp\u003e24. Useful \"bits\"\u003c\/p\u003e\n       \u003cp\u003e25. Warm-ups\u003c\/p\u003e\n       \u003cp\u003e26. Over to you\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Author\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Mark Jane is an English actor, director, and teacher of improvised theatre. Based in Paris, France, he performs and teaches all over Europe. He supervised the French publication of Keith Johnstone�s book Impro: Improvisation and Theatre and, in 2018, published his own book on improvisation, Jeux et Enjeux, in French. He was co-founder of the Improfessionals and currently performs with the Parisian troupe La Compagnie d�improvisation Eux.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Creating Improvised Theatre:Tools,Techniques,Theories for Short Form \/ Narrative Improvisation\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9780367707491 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eMark Jane\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRoutledge\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eAugust 19, 2021\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1st\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780367707491\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e456\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e10 Black \u0026amp; White Illustrations\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731913486421,"sku":"FOCIT:FOCIT:bhpv","price":10710.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1679317342_1757310.jpg?v=1700739158"},{"product_id":"focal-press-mic-it-microphones-microphone-techniques-and-their-impact-on-the-final-mix","title":"Focal Press Mic It!: Microphones, Microphone Techniques, and Their Impact on the Final Mix","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780367470364 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cul\u003e\n    \u003cli\u003e\n\u003cspan\u003e1\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e2\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eTable of Contents\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e3\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eTable of Contents Continued\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e4\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eTable of Contents Continued\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e5\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eTable of Contents Continued\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e6\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eAbout the Author\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eCapture great sound in the first place and spend less time fixing it in the mix with Ian Corbett's \u003cb\u003eMic It!: Microphones, Microphone Techniques, and Their Impact on the Final Mix\u003c\/b\u003e from \u003cb\u003eFocal Press\u003c\/b\u003e. With this updated and expanded second edition, you'll quickly understand essential audio concepts as they relate to microphones and mic techniques and learn how to apply them to your recording situation. Mic It! gives you the background to explore, discover, and design your own solutions, enabling you to record great source tracks that can be developed into anything from ultra-clean mixes to massive, organic soundscapes. Beginning with essential audio theory and a discussion of the desirable characteristics of good sound, Mic It! covers microphones, mono and stereo mic techniques, the effect of the recording space or room, and large classical and jazz ensemble recording.\u003c\/p\u003e\n    \u003cp\u003eThis second edition also features new chapters on immersive audio, immersive recording concepts, drum tuning, and recording techniques for audio for video. Mic It! provides in-depth information on how different mic techniques can be used, modified, and fine-tuned to capture not only the best sound, but the best sound for the mix, as well as how to approach and set up the recording session, prepare for mixing, and avoid common recording and mixing mistakes. Corbett's expert advice ranges from vital knowledge no novice should be without, to advanced techniques that more experienced engineers can explore to benefit and vary the sound of their recordings. Whether you only ever buy one microphone, are equipping a studio on a budget, or have a vast selection of great mics to use, with Mic It! you'll learn how to make the most of the tools you have.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eChapter 1: Audio Basics\n         \u003cul\u003e\n          \u003cli\u003e1.1 It�s Not Always About the Gear!\u003c\/li\u003e\n          \u003cli\u003e1.2 What is Sound?\u003c\/li\u003e\n          \u003cli\u003e1.3 The Decibel (dB)\u003c\/li\u003e\n          \u003cli\u003e1.4 Power Relationships\u003c\/li\u003e\n          \u003cli\u003e1.5 Decibel Scales\u003c\/li\u003e\n          \u003cli\u003e1.6 Dynamic Range\u003c\/li\u003e\n          \u003cli\u003e1.7 Signal-To-Noise Ratio\u003c\/li\u003e\n          \u003cli\u003e1.8 Frequency vs Pitch\u003c\/li\u003e\n          \u003cli\u003e1.9 Frequency Response\u003c\/li\u003e\n          \u003cli\u003e1.10 Waveforms, Fundamentals, and Harmonics\u003c\/li\u003e\n          \u003cli\u003e1.11 Wavelength, Velocity, Phase\u003c\/li\u003e\n          \u003cli\u003e1.12 Amplitude Summation and Comb Filtering\u003c\/li\u003e\n          \u003cli\u003e1.13 Human Hearing\u003c\/li\u003e\n          \u003cli\u003e1.14 Signal Flow and Audio Level Standards\u003c\/li\u003e\n          \u003cli\u003e1.15 Gain Structure and Recording Levels\u003c\/li\u003e\n          \u003cli\u003e1.16 Analog Audio Connectors\u003c\/li\u003e\n          \u003cli\u003e1.17 Digital Audio Connectors\u003c\/li\u003e\n          \u003cli\u003e1.18 Digital Audio Basics\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003eChapter 2: \"Good Sound\"\n         \u003cul\u003e\n          \u003cli\u003e2.1 Recognizing Good Sound\u003c\/li\u003e\n          \u003cli\u003e2.2 Sound Reproduction Formats\u003c\/li\u003e\n          \u003cli\u003e2.3 Monitoring Options � Loudspeakers, Headphones, and Earbuds\u003c\/li\u003e\n          \u003cli\u003e2.4 Mono Compatibility\u003c\/li\u003e\n          \u003cli\u003e2.5 Compressed Audio Formats\u003c\/li\u003e\n          \u003cli\u003e2.6 Dynamic Range\u003c\/li\u003e\n          \u003cli\u003e2.7 What About Distortion?\u003c\/li\u003e\n          \u003cli\u003e2.8 What Is a Good Recording?\u003c\/li\u003e\n          \u003cli\u003e2.9 Accuracy\u003c\/li\u003e\n          \u003cli\u003e2.10 Non-Natural Sounds and Balances\u003c\/li\u003e\n          \u003cli\u003e2.11 What Are the Elements of a Good Mix?\u003c\/li\u003e\n          \u003cli\u003e2.12 Frequency Balance\u003c\/li\u003e\n          \u003cli\u003e2.13 Clarity and Intelligibility\u003c\/li\u003e\n          \u003cli\u003e2.14 The Stereo Image\u003c\/li\u003e\n          \u003cli\u003e2.15 Focus and Amplitude Balance\u003c\/li\u003e\n          \u003cli\u003e2.16 Processing and Effects\u003c\/li\u003e\n          \u003cli\u003e2.17 Musical Arrangement and Song Structure\u003c\/li\u003e\n          \u003cli\u003e2.18 Making a Great Record\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003eChapter 3: About Microphones, Part 1�\n         \u003cul\u003e\n          \u003cli\u003e3.1 The Microphone\u003c\/li\u003e\n          \u003cli\u003e3.2 End Address or Side Address?\u003c\/li\u003e\n          \u003cli\u003e3.3 Directionality and Pick-Up Patterns\u003c\/li\u003e\n          \u003cli\u003e3.4 Dynamic Microphones\u003c\/li\u003e\n          \u003cli\u003e3.5 Condenser (Capacitor) Microphones\u003c\/li\u003e\n          \u003cli\u003e3.6 Single vs Dual Diaphragm Microphones\u003c\/li\u003e\n          \u003cli\u003e3.7 Pressure and Pressure Gradient Transducers\u003c\/li\u003e\n          \u003cli\u003e3.8 Ribbon Microphones\u003c\/li\u003e\n          \u003cli\u003e3.9 Tube (Valve) Microphones\u003c\/li\u003e\n          \u003cli\u003e3.10 Stereo Microphones\u003c\/li\u003e\n          \u003cli\u003e3.11 Virtual Microphones\u003c\/li\u003e\n          \u003cli\u003e3.12 Other Microphone Technologies\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003eChapter 4: About Microphones, Part 2�\n         \u003cul\u003e\n          \u003cli\u003e4.1 Phantom Power\u003c\/li\u003e\n          \u003cli\u003e4.2 Proximity Effect\u003c\/li\u003e\n          \u003cli\u003e4.3 Frequency Response\u003c\/li\u003e\n          \u003cli\u003e4.4 Off-Axis Response\u003c\/li\u003e\n          \u003cli\u003e4.5 Flat Microphones vs Vocal Microphones\u003c\/li\u003e\n          \u003cli\u003e4.6 Low Frequency Response\u003c\/li\u003e\n          \u003cli\u003e4.7 Low Cut Filters\u003c\/li\u003e\n          \u003cli\u003e4.8 Low Frequency Instrument Microphones\u003c\/li\u003e\n          \u003cli\u003e4.9 Sensitivity\u003c\/li\u003e\n          \u003cli\u003e4.10 Self-Noise and Equivalent Noise Rating (ENR)\u003c\/li\u003e\n          \u003cli\u003e4.11 Signal-to-Noise Ratio\u003c\/li\u003e\n          \u003cli\u003e4.12 Pads\u003c\/li\u003e\n          \u003cli\u003e4.13 Maximum SPL\u003c\/li\u003e\n          \u003cli\u003e4.14 Dynamic Range\u003c\/li\u003e\n          \u003cli\u003e4.15 Transient Response\u003c\/li\u003e\n          \u003cli\u003e4.16 Pop Filters, Windscreens, and Dead Cats\u003c\/li\u003e\n          \u003cli\u003e4.17 Shock Mounts\u003c\/li\u003e\n          \u003cli\u003e4.18 Mic Preamps\u003c\/li\u003e\n          \u003cli\u003e4.19 What Mic to Use?\u003c\/li\u003e\n          \u003cli\u003e4.20 There�s More to It Than Specifications!\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003eChapter 5: EQ Basics\n         \u003cul\u003e\n          \u003cli\u003e5.1 What Is EQ?\u003c\/li\u003e\n          \u003cli\u003e5.2 Last Resort, and Creative Mix Tool\u003c\/li\u003e\n          \u003cli\u003e5.3 Can You EQ Spill?\u003c\/li\u003e\n          \u003cli\u003e5.4 EQ Filters\u003c\/li\u003e\n          \u003cli\u003e5.5 Analog vs Digital EQ\u003c\/li\u003e\n          \u003cli\u003e5.6 Additive vs Subtractive EQ\u003c\/li\u003e\n          \u003cli\u003e5.7 The Fewer Filters the Better\u003c\/li\u003e\n          \u003cli\u003e5.8 How Much to EQ?\u003c\/li\u003e\n          \u003cli\u003e5.9 When to EQ?\u003c\/li\u003e\n          \u003cli\u003e5.10 Golden Rules of EQ\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003eChapter 6: Stereo Imaging\n         \u003cul\u003e\n          \u003cli\u003e6.1 The Stereo Soundstage\u003c\/li\u003e\n          \u003cli\u003e6.2 How to Listen\u003c\/li\u003e\n          \u003cli\u003e6.3 Phantom and Discrete Images\u003c\/li\u003e\n          \u003cli\u003e6.4 Image Width\u003c\/li\u003e\n          \u003cli\u003e6.5 Beyond the Loudspeakers\u003c\/li\u003e\n          \u003cli\u003e6.6 Depth Concepts\u003c\/li\u003e\n          \u003cli\u003e6.7 The Illusion of Height\u003c\/li\u003e\n          \u003cli\u003e6.8 Static and Dynamic Panning\u003c\/li\u003e\n          \u003cli\u003e6.9 Image Symmetry\u003c\/li\u003e\n          \u003cli\u003e6.10 Use All of the Soundstage!\u003c\/li\u003e\n          \u003cli\u003e6.11 Reality vs Recording\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents Continued\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eChapter 7: Stereo Microphone Arrays\n         \u003cul\u003e\n          \u003cli\u003e7.1 Microphone Arrays\u003c\/li\u003e\n          \u003cli\u003e7.2 XY Coincident Pair Techniques\u003c\/li\u003e\n          \u003cli\u003e7.3 Blumlein Pair Technique\u003c\/li\u003e\n          \u003cli\u003e7.4 Near-Coincident Pair Techniques\u003c\/li\u003e\n          \u003cli\u003e7.5 Spaced Pair (AB) Techniques\u003c\/li\u003e\n          \u003cli\u003e7.6 MS (Middle-Side) Techniques\u003c\/li\u003e\n          \u003cli\u003e7.7 The Decca Tree\u003c\/li\u003e\n          \u003cli\u003e7.8 Binaural and Baffle Techniques\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003eChapter 8: Immersive Audio\n         \u003cul\u003e\n          \u003cli\u003e8.1 Surround and Immersive Audio\u003c\/li\u003e\n          \u003cli\u003e8.2 Channel Panning and Object Based Audio\u003c\/li\u003e\n          \u003cli\u003e8.3 The New Challenges of Immersive Audio\u003c\/li\u003e\n          \u003cli\u003e8.4 Channel Based Microphone Techniques\u003c\/li\u003e\n          \u003cli\u003e8.5 Binaural Techniques8.6 Introducing Ambisonics�\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003eChapter 9: The Effect of Microphone Position\n         \u003cul\u003e\n          \u003cli\u003e9.1 Art and Science\u003c\/li\u003e\n          \u003cli\u003e9.2 Distance and Tonal Qualities\u003c\/li\u003e\n          \u003cli\u003e9.3 \"Zoom Factor\"\u003c\/li\u003e\n          \u003cli\u003e9.4 Off-Axis Response\u003c\/li\u003e\n          \u003cli\u003e9.5 Direct vs Reflected Sound\u003c\/li\u003e\n          \u003cli\u003e9.6 Comb Filtering Problems\u003c\/li\u003e\n          \u003cli\u003e9.7 Floor Reflections � the Good, the Bad, and Boundary Mics\u003c\/li\u003e\n          \u003cli\u003e9.8 Stereo Arrays and Distance\u003c\/li\u003e\n          \u003cli\u003e9.9 Spill � Enemy or Creative Tool?\u003c\/li\u003e\n          \u003cli\u003e9.10 Mic Position Practicalities\u003c\/li\u003e\n          \u003cli\u003e9.11 Multi-Miking\u003c\/li\u003e\n          \u003cli\u003e9.12 Experimentation and Exploration\u003c\/li\u003e\n          \u003cli\u003e9.13 Practical Tips to Help Set Mic Position\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003eChapter 10: The Recording Room\n         \u003cul\u003e\n          \u003cli\u003e10.1 Room Sound\u003c\/li\u003e\n          \u003cli\u003e10.2 Live Rooms\u003c\/li\u003e\n          \u003cli\u003e10.3 Dead Rooms\u003c\/li\u003e\n          \u003cli\u003e10.4 Room Size\u003c\/li\u003e\n          \u003cli\u003e10.5 Cubic Airspace\u003c\/li\u003e\n          \u003cli\u003e10.6 Standing Waves and Resonant Frequencies\u003c\/li\u003e\n          \u003cli\u003e10.7 Flutter Echo\u003c\/li\u003e\n          \u003cli\u003e10.8 Microphone Directionality and Room Considerations\u003c\/li\u003e\n          \u003cli\u003e10.9 Room Shape\u003c\/li\u003e\n          \u003cli\u003e10.10 Absorption\u003c\/li\u003e\n          \u003cli\u003e10.11 Diffusion\u003c\/li\u003e\n          \u003cli\u003e10.12 The Purpose of the Room\u003c\/li\u003e\n          \u003cli\u003e10.13 The Single Room Home Studio\u003c\/li\u003e\n          \u003cli\u003e10.14 Acoustical \"Home Remedies\"\u003c\/li\u003e\n          \u003cli\u003e10.15 Monitor Calibration Software?\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents Continued\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eChapter 11: Recording Vocals\n         \u003cul\u003e\n          \u003cli\u003e11.1 Is it Really About the Mic?\u003c\/li\u003e\n          \u003cli\u003e11.2 Getting \"the\" Performance\u003c\/li\u003e\n          \u003cli\u003e11.3 Vocal Tracking Methods\u003c\/li\u003e\n          \u003cli\u003e11.4 Miking Individuals\u003c\/li\u003e\n          \u003cli\u003e11.5 Voice and Acoustic Guitar\u003c\/li\u003e\n          \u003cli\u003e11.6 Small Vocal Groups\u003c\/li\u003e\n          \u003cli\u003e11.7 Larger Contemporary Vocal Groups\u003c\/li\u003e\n          \u003cli\u003e11.8 Gang Vocals\u003c\/li\u003e\n          \u003cli\u003e11.9 Vocal Recording Tips\u003c\/li\u003e\n          \u003cli\u003e11.10 Vocal EQ Frequencies\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003eChapter 12: Drum Miking\n         \u003cul\u003e\n          \u003cli\u003e12.1 What Kind of Sound Does the Project Call For?\u003c\/li\u003e\n          \u003cli\u003e12.2 How Many Mics Do You Really Need?\u003c\/li\u003e\n          \u003cli\u003e12.3 Kick Drums\u003c\/li\u003e\n          \u003cli\u003e12.4 Snare Drums\u003c\/li\u003e\n          \u003cli\u003e12.5 Hi-Hats\u003c\/li\u003e\n          \u003cli\u003e12.6 Tom Toms\u003c\/li\u003e\n          \u003cli\u003e12.7 Cymbals and Overheads\u003c\/li\u003e\n          \u003cli\u003e12.8 Room Mics\u003c\/li\u003e\n          \u003cli\u003e12.9 Rock Drums vs Acoustic Jazz Drums\u003c\/li\u003e\n          \u003cli\u003e12.10 Drum EQ Frequencies\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003eChapter 13: Drum Tuning\n         \u003cul\u003e\n          \u003cli\u003e13.1 Why Learn to Tune Drums?\u003c\/li\u003e\n          \u003cli\u003e13.2 Fundamental vs Lug Frequencies\u003c\/li\u003e\n          \u003cli\u003e13.3 Drums and Tuning Concepts\u003c\/li\u003e\n          \u003cli\u003e13.4 Kick Drum Tuning\u003c\/li\u003e\n          \u003cli\u003e13.5 Snare Drum Tuning\u003c\/li\u003e\n          \u003cli\u003e13.6 Tom Tom Tuning\u003c\/li\u003e\n          \u003cli\u003e13.7 Fixing Rings and Resonances\u003c\/li\u003e\n          \u003cli\u003e13.8 Tuning Devices and Apps\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003eChapter 14: Guitars, Basses, and Keyboards\n         \u003cul\u003e\n          \u003cli\u003e14.1 The Role of the Rhythm Section\u003c\/li\u003e\n          \u003cli\u003e14.2 Electric Guitar\u003c\/li\u003e\n          \u003cli\u003e14.3 Creative Comb Filtering\u003c\/li\u003e\n          \u003cli\u003e14.4 Direct Boxes\u003c\/li\u003e\n          \u003cli\u003e14.5 Reamping\u003c\/li\u003e\n          \u003cli\u003e14.6 Amp and Pedal Simulation\u003c\/li\u003e\n          \u003cli\u003e14.7 Electric Bass\u003c\/li\u003e\n          \u003cli\u003e14.8 More on Guitar and Bass Cabs\u003c\/li\u003e\n          \u003cli\u003e14.9 Acoustic (Upright) Bass\u003c\/li\u003e\n          \u003cli\u003e14.10 Acoustic Guitar\u003c\/li\u003e\n          \u003cli\u003e14.11 Grand Piano\u003c\/li\u003e\n          \u003cli\u003e14.12 Upright Piano\u003c\/li\u003e\n          \u003cli\u003e14.13 Electric Keyboards and Synthesizers\u003c\/li\u003e\n          \u003cli\u003e14.14 Leslie Speakers and the Hammond Organ\u003c\/li\u003e\n          \u003cli\u003e14.15 Accordions\u003c\/li\u003e\n          \u003cli\u003e14.16 EQ Frequencies\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003eChapter 15: Strings, Winds, Brass, and Percussion\n         \u003cul\u003e\n          \u003cli\u003e15.1 Orchestral String Instruments\u003c\/li\u003e\n          \u003cli\u003e15.2 Horn Section Instruments\u003c\/li\u003e\n          \u003cli\u003e15.3 Other Wind and String Instruments\u003c\/li\u003e\n          \u003cli\u003e15.4 Percussion Instruments\u003c\/li\u003e\n          \u003cli\u003e15.5 EQ Frequencies\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents Continued\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eChapter 16: Setting Up the Studio\n         \u003cul\u003e\n          \u003cli\u003e16.1 The Three or Seven P's\u003c\/li\u003e\n          \u003cli\u003e16.2 Bands - Small Room Recording\u003c\/li\u003e\n          \u003cli\u003e16.3 Bands - Large Room Recording\u003c\/li\u003e\n          \u003cli\u003e16.4 Iso-Rooms and Multi-Room Studios\u003c\/li\u003e\n          \u003cli\u003e16.5 Gobos and Sound Barriers\u003c\/li\u003e\n          \u003cli\u003e16.6 Drum Rooms and Drum Screens\u003c\/li\u003e\n          \u003cli\u003e16.7 String Sections\u003c\/li\u003e\n          \u003cli\u003e16.8 Horn Sections\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003eChapter 17: Miking Large Ensembles\n         \u003cul\u003e\n          \u003cli\u003e17.1 Orchestras and Large Instrumental Ensembles\u003c\/li\u003e\n          \u003cli\u003e17.2 Main Arrays\u003c\/li\u003e\n          \u003cli\u003e17.3 Outriggers\u003c\/li\u003e\n          \u003cli\u003e17.4 Woodwind Mics\u003c\/li\u003e\n          \u003cli\u003e17.5 Natural Reverb and Room Acoustics\u003c\/li\u003e\n          \u003cli\u003e17.6 Audience Mics\u003c\/li\u003e\n          \u003cli\u003e17.7 Spot Mics\u003c\/li\u003e\n          \u003cli\u003e17.8 To Time Align or Not to Time Align?\u003c\/li\u003e\n          \u003cli\u003e17.9 Artificial Reverb\u003c\/li\u003e\n          \u003cli\u003e17.10 The Hollywood Sound\u003c\/li\u003e\n          \u003cli\u003e17.11 Large Choirs\u003c\/li\u003e\n          \u003cli\u003e17.12 Jazz Big Bands - Concert Seating\u003c\/li\u003e\n          \u003cli\u003e17.13 Jazz Big Bands - Studio Isolation Seating\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003eChapter 18: Putting It All Together\n         \u003cul\u003e\n          \u003cli\u003e18.1 Recording for the Mix\u003c\/li\u003e\n          \u003cli\u003e18.2 Ear Candy\u003c\/li\u003e\n          \u003cli\u003e18.3 Pre-Production\u003c\/li\u003e\n          \u003cli\u003e18.4 The Pre-Mix\u003c\/li\u003e\n          \u003cli\u003e18.5 The Headphone Mix\u003c\/li\u003e\n          \u003cli\u003e18.6 Click Tracks\u003c\/li\u003e\n          \u003cli\u003e18.7 Knowing the Song\u003c\/li\u003e\n          \u003cli\u003e18.8 Don't Give Everything Away at Once\u003c\/li\u003e\n          \u003cli\u003e18.9 Correct Problems Early (But Know When to Let Them Go)\u003c\/li\u003e\n          \u003cli\u003e18.10 Fixing Dull or Small Sounding Tracks\u003c\/li\u003e\n          \u003cli\u003e18.11 \"Polishing a Turd\"\u003c\/li\u003e\n          \u003cli\u003e18.12 Exploration and Experimentation\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003eChapter 19: Audio for Video\n         \u003cul\u003e\n          \u003cli\u003e19.1 Why Audio for Video?\u003c\/li\u003e\n          \u003cli\u003e19.2 Types of Audio\u003c\/li\u003e\n          \u003cli\u003e19.3 Recording Systems\u003c\/li\u003e\n          \u003cli\u003e19.4 Synchronization\u003c\/li\u003e\n          \u003cli\u003e19.5 Shotgun Microphones\u003c\/li\u003e\n          \u003cli\u003e19.6 Blimps19.7\u003c\/li\u003e\n          \u003cli\u003eBoompoles and Pistol Grips\u003c\/li\u003e\n          \u003cli\u003e19.8 Lavalier Microphones\u003c\/li\u003e\n          \u003cli\u003e19.9 Voice-Overs and Dialog Replacement\u003c\/li\u003e\n          \u003cli\u003e19.10 Isolation and Restoration Software\u003c\/li\u003e\n          \u003cli\u003e19.11 Sound Effect Recording\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003eChapter 20: Tips From the Professionals�\n         \u003cul\u003e\n          \u003cli\u003e20.1 To Conclude�\u003c\/li\u003e\n          \u003cli\u003e20.2 Lenise Bent\u003c\/li\u003e\n          \u003cli\u003e20.3 David V. R. Bowles\u003c\/li\u003e\n          \u003cli\u003e20.4 Joel Hamilton\u003c\/li\u003e\n          \u003cli\u003e20.5 Kerry-Anne Kubisa\u003c\/li\u003e\n          \u003cli\u003e20.6 Wes \"Wesonator\" Maebe\u003c\/li\u003e\n          \u003cli\u003e20.7 Matt Ross-Spang\u003c\/li\u003e\n          \u003cli\u003e20.8 Mark Rubel\u003c\/li\u003e\n          \u003cli\u003e20.9 Catherine Vericolli\u003c\/li\u003e\n          \u003cli\u003e20.10 Paul \"Willie Green\" Womack\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Author\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Ian Corbett is the Coordinator of Audio Engineering at Kansas City Kansas Community College. He also owns and operates off-beat-open-hats LLC recording and sound reinforcement. He is a frequent presenter at conferences and universities around the world, and currently a regional Vice-President of the Audio Engineering Society. He has experience in a wide variety of audio fields, including location recording, sound reinforcement, studio recording, theatre, television, and radio.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Mic It!: Microphones, Microphone Techniques, and Their Impact on the Final Mix\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Table of Contents\n    \u003c\/div\u003e\n    \u003cul\u003e\n     \u003cli\u003eDescription\u003c\/li\u003e\n     \u003cli\u003eTable of Contents\u003c\/li\u003e\n     \u003cli\u003eTable of Contents Continued\u003c\/li\u003e\n     \u003cli\u003eTable of Contents Continued\u003c\/li\u003e\n     \u003cli\u003eTable of Contents Continued\u003c\/li\u003e\n     \u003cli\u003eAbout the Author\u003c\/li\u003e\n    \u003c\/ul\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9780367470364 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eIan Corbett\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRoutledge\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eDecember 30, 2020\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e2nd\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780367470364\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e440\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e185 Black \u0026amp; White Illustrations\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731915026517,"sku":"FOMIIMMT:FOMIIMMT:bhpv","price":11690.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1678884339_1757148.jpg?v=1700739308"},{"product_id":"focal-press-composing-audiovisually-perspectives-on-audiovisual-practices-and-relationships","title":"Focal Press Composing Audiovisually: Perspectives on Audiovisual Practices and Relationships","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780367346911 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eWhat does the Coen Brothers' Barton Fink have in common with Norman McLaren's Synchromy? Or with audiovisual sculpture? Or contemporary music video? \u003cb\u003eComposing Audiovisually: Perspectives on Audiovisual Practices and Relationships\u003c\/b\u003e from \u003cb\u003eFocal Press\u003c\/b\u003e interrogates how the relationship between the audiovisual media in these works, and our interaction with them, might allow us to develop mechanisms for talking about and understanding our experience of audiovisual media across a broad range of modes.\u003c\/p\u003e\n    \u003cp\u003ePresenting close readings of audiovisual artefacts, conversations with artists, consideration of contemporary pedagogy and a detailed conceptual and theoretical framework that considers the nature of contemporary audiovisual experience, this book attempts to address gaps in our discourse on audiovisual modes, and offer possible starting points for future, genuinely transdisciplinary thinking in the field.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eIntroduction\u003c\/li\u003e\n        \u003cli\u003eSection 1 - Thinking Audiovisually\u003c\/li\u003e\n        \u003cli\u003eThinking Audiovisually\n         \u003cul\u003e\n          \u003cli\u003eChapter One - Discourse on Audiovisual Experience\u003c\/li\u003e\n          \u003cli\u003eChapter Two - Analysis of questionnaire results\u003c\/li\u003e\n          \u003cli\u003eChapter Three - Defining Transperceptual Attention\u003c\/li\u003e\n          \u003cli\u003eCoda - some terminology for Transperceptual Attention\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003eSection 2 - Composing Audiovisually\n         \u003cul\u003e\n          \u003cli\u003eComposing Audiovisually\u003c\/li\u003e\n          \u003cli\u003eChapter Four - the elements of audiovisual composition\u003c\/li\u003e\n          \u003cli\u003eChapter Five - Teaching Audiovisually\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003eSection 3 - Analysing Audiovisually\n         \u003cul\u003e\n          \u003cli\u003eAnalysing Audiovisually\u003c\/li\u003e\n          \u003cli\u003eCase Study 1 - For Tashi\u003c\/li\u003e\n          \u003cli\u003eCase Study 2 - Cinechine\u003c\/li\u003e\n          \u003cli\u003eCase Study 3 - pebbles\u003c\/li\u003e\n          \u003cli\u003eCase Study 4 - Hitchcock Etudes\u003c\/li\u003e\n          \u003cli\u003eCase Study 5 - Close to be close to me\u003c\/li\u003e\n          \u003cli\u003eCase Study 6 - A Love Story\u003c\/li\u003e\n          \u003cli\u003eCase Study 7 - Open Air\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003eReflections\u003c\/li\u003e\n        \u003cli\u003eEpilogue - Final Reflections\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Author\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Louise Harris is an audiovisual composer and Senior Lecturer in Sonic and Audiovisual Practices at The University of Glasgow. In her creative work, she specialises in the creation and exploration of audiovisual relationships utilising electronic music, recorded sound and computer-generated visual environments in fixed media, performance, and large-scale installation contexts.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Composing Audiovisually: Perspectives on Audiovisual Practices and Relationships\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9780367346911 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eLouise Harris\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRoutledge Taylor \u0026amp; Francis\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eJuly 1, 2021\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1st\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780367346911\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e228\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e7 Black \u0026amp; White Illustrations\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731915452501,"sku":"FOCAPA:FOCAPA:bhpv","price":11855.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1678884104_1757112.jpg?v=1700739371"},{"product_id":"focal-press-collaborative-stage-directing-a-guide-to-creating-and-managing-a-positive-theatre-environment","title":"Focal Press Collaborative Stage Directing: A Guide to Creating and Managing a Positive Theatre Environment","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press Collaborative Stage Directing Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003e\u003cb\u003eCollaborative Stage Directing: A Guide to Creating and Managing a Positive Theatre Environment\u003c\/b\u003e from \u003cstrong\u003eF\u003c\/strong\u003e\u003cb\u003eocal Press\u003c\/b\u003e focuses on the director's collaboration with actors and the creative team, and the importance of communication and leadership skills to create and manage a healthy working environment. Speaking directly to the student, this compact resource walks the aspiring director through basic principles of group dynamics, active listening, open-ended questioning, brainstorming, and motivational leadership, supported by examples and case studies offered by current professional and academic directors.\u003c\/p\u003e\n    \u003cp\u003eWith a focus on preparing the student director for resume-building opportunities beyond the studio lab, Collaborative Stage Directing challenges readers with reflective activities, provides a series of guiding questions applying to three short plays, and offers an extensive checklist to assist with independent directing projects. Collaborative Stage Directing is an easy-to-use resource that works as a supplement to a classic directing text or as a standalone guide.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003ePart 1: The Collaborative Theatre Environment\u003c\/li\u003e\n        \u003cli\u003eChapter 1. The Director�s Challenge\u003c\/li\u003e\n        \u003cli\u003eChapter 2. Creating a Positive Environment for Theatre Collaboration\u003c\/li\u003e\n        \u003cli\u003eChapter 3. Managing the Collaborative Theatre Environment\u003c\/li\u003e\n        \u003cli\u003eChapter 4. Synthesizing the Principles: A Case Study\u003c\/li\u003e\n        \u003cli\u003ePart 2: An Application of the Guiding Questions: Three Short Plays\u003c\/li\u003e\n        \u003cli\u003eChapter 5. Goggles\u003c\/li\u003e\n        \u003cli\u003eChapter 6. Application of Guiding Questions to Preparation Phase: Goggles\u003c\/li\u003e\n        \u003cli\u003eChapter 7. Deleted\u003c\/li\u003e\n        \u003cli\u003eChapter 8. Application of Guiding Questions to Pre-Production Phase: Deleted\u003c\/li\u003e\n        \u003cli\u003eChapter 9. Social Media Intermezzo 1.0\u003c\/li\u003e\n        \u003cli\u003eChapter 10. Application of Guiding Questions to Rehearsal Phase: Social Media Intermezzo 1.0\u003c\/li\u003e\n        \u003cli\u003ePart 3: The Independent Project\u003c\/li\u003e\n        \u003cli\u003eChapter 11. The Guiding Questions Checklist\u003c\/li\u003e\n        \u003cli\u003eChapter 12. Concluding Thoughts\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Author\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Jean Burgess, PhD is a theatre educator, director, and playwright who taught college-level theatre for over twenty years and has been directing for over forty years. She received an MA in Theatre from Northwestern University and a PhD in Educational Theatre from New York University.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Collaborative Stage Directing: A Guide to Creating and Managing a Positive Theatre Environment\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press Collaborative Stage Directing Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eJean Burgess\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eFocal Press\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eMay 30, 2019\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1st\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780367086190\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e156\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eNo\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731915747413,"sku":"FOCLBSDPB:FOCLBSDPB:bhpv","price":11855.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1678295428_1755064.jpg?v=1700739392"},{"product_id":"focal-press-doing-research-in-sound-design","title":"Focal Press Doing Research in Sound Design","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780367404895 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003e\u003cb\u003eDoing Research in Sound Design\u003c\/b\u003e from \u003cb\u003eFocal Press\u003c\/b\u003e gathers chapters on the wide range of research methodologies used in sound design. Editor Michael Filimowicz and a diverse group of contributors provide an overview of cross-disciplinary inquiry into sound design that transcends discursive and practical divides. The book covers Qualitative, Quantitative, and Mixed Methods inquiry. For those new to sound design research, each chapter covers specific research methods that can be utilized directly in order to begin to integrate the methodology into their practice.\u003c\/p\u003e\n    \u003cp\u003eMore experienced researchers will find the scope of topics comprehensive and rich in ideas for new lines of inquiry. Students and teachers in sound design graduate programs, industry-based R\u0026amp;D experts, and audio professionals will find the volume to be a useful guide in developing their skills of inquiry into sound design for any particular application area.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eVolume Introduction\n         \u003cul\u003e\n          \u003cli\u003eMichael Filimowicz\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003e1. Sound Design Thinking\n         \u003cul\u003e\n          \u003cli\u003eVincent Meelberg\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003e2. Meaning-making and Embodied Cognition in Sound Design Research\n         \u003cul\u003e\n          \u003cli\u003eStephen Roddy and Brian Bridges\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003e3. Mapping Space and Time in the Soundtrack: Embodied Cognition and the Soundtrack�s Spatiotemporal Contract\n         \u003cul\u003e\n          \u003cli\u003eAdam Melvin and Brian Bridges\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003e4. Measuring People�s Cognitive and Emotional Response: Psychophysiological Methods to Study Sound Design\n         \u003cul\u003e\n          \u003cli\u003eEmma Rodero\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003e5. Watching and Evaluating Simultaneously: an Approach to Measure the Expressive Power of Sound Design in a Moving Picture\n         \u003cul\u003e\n          \u003cli\u003eMaximilian Kock\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003e6. Using a Semiotic Approach to the Practice of Sound Design\n         \u003cul\u003e\n          \u003cli\u003eLeo Murray\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003e7. Audi(o) Branding and Object Sounds in an Audio-visual Setting � the Case of the Car\n         \u003cul\u003e\n          \u003cli\u003eNicolai Jørgensgaard Graakjær\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003e8. Designing and Reporting Research on Sound Design and Music for Health - Methods and Frameworks for Impact\n         \u003cul\u003e\n          \u003cli\u003eKjetil Falkenberg Hansen and Emma Frid\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003e9. Practice-led and Interdisciplinary Research: Investigating Affective Sound Design\n         \u003cul\u003e\n          \u003cli\u003eStuart Cunningham and Jon Weinel\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003e10. Research-creation as a Generative Approach to Sound Design\n         \u003cul\u003e\n          \u003cli\u003eProphecy Sun, Kate Hennessey, Kristin\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003eCarlson11. The Soundscape Approach: New Opportunities in Sound Design Practice\n         \u003cul\u003e\n          \u003cli\u003eIan Thompson\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003e12. Developing a Sound Design Creative A.i. Methodology\n         \u003cul\u003e\n          \u003cli\u003eMiles Thorogood\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003e13. Sonification Research: Overview and Emerging Topics\n         \u003cul\u003e\n          \u003cli\u003eSandra Pauletto, Roberto Bresin\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003e14. Sound Design in the Context of SonificationVisda Goudarzi\u003c\/li\u003e\n        \u003cli\u003e15. Creating and Evaluating Aesthetics in Sonification\n         \u003cul\u003e\n          \u003cli\u003eNuria Bonet\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003e16. Revealing Industry Culture: a Cultural Ethnographic Approach to Post-production Sound\n         \u003cul\u003e\n          \u003cli\u003eVanessa Ament\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003e17. Sound Design as Viewed by Sound Designers: a Questionnaire About People, Practice, and Definitions\n         \u003cul\u003e\n          \u003cli\u003eLaura Zattra, Nicolas Donin, David Fierro, Frank Pecquet, and Nicolis Misdarlis\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003e18. Qualitative, Pragmatic, and Hermeneutic Inquiries in Electroacoustic Compositions: Selected Case Studies\n         \u003cul\u003e\n          \u003cli\u003eMaria Kallionpää\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003e19. The Bold and the Beautiful Methods of Sound Experience Research: An Introduction to Mixing the Qualitative and Quantitative Study of the Subjective Experience of Sound and Music in Video Games\n         \u003cul\u003e\n          \u003cli\u003eHans-Peter Gasselseder\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003eIndex\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Editor\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Michael Filimowicz is Senior Lecturer in the School of Interactive Arts and Technology (SIAT) at Simon Fraser University. He has a background in computer mediated communications, audiovisual production, new media art, and creative writing. His research develops new multimodal display technologies, exploring novel form factors across different application contexts including gaming, immersive exhibitions, telepresence, and simulations.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Doing Research in Sound Design\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9780367404895 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEditor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eMichael Filimowicz\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRoutledge Taylor \u0026amp; Francis\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eNovember 24, 2021\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1st\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780367404895\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e386\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e77 Black \u0026amp; White Illustrations\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731915911253,"sku":"FODRISD:FODRISD:bhpv","price":11855.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1678884104_1757130.jpg?v=1700739418"},{"product_id":"focal-press-the-dos-and-donts-of-successful-filmmaking-common-mistakes-and-how-to-avoid-them","title":"Focal Press The Dos and Don'ts of Successful Filmmaking: Common Mistakes and How to Avoid Them","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780367369743 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eMistakes are easy to make, but often difficult to undo. The greater the knowledge and experience a filmmaker has, the fewer mistakes are made by them. \u003cb\u003eThe Dos and Don'ts of Successful Filmmaking: Common Mistakes and How to Avoid Them\u003c\/b\u003e from \u003cb\u003eFocal Press\u003c\/b\u003e is an introductory-level guide to filmmaking teaches effective preproduction, production, and postproduction with a focus on many of the common mistakes made and how to avoid them. Filled with practical advice and information on the process of successfully making a film, Patrick Winters guides you through the whole process from preproduction to postproduction, teaching how to plan a shoot, accomplish that shoot, and then follow the steps needed to edit and mix your film, highlighting key considerations and potential pitfalls to avoid along the way.\u003c\/p\u003e\n    \u003cp\u003eThe book covers everything from getting your story production ready, securing funding and budgeting appropriately, casting actors, assigning crew members, developing production design, shooting efficiently and effectively, technical and aesthetic camera and lighting choices, sound considerations, picture and sound editing and mixing, to the final stages of distribution and exhibition. Drawing on Winters' years of filmmaking and teaching experience, this book provides you with all the technical and aesthetic knowledge required to make a film, highlights common mistakes to avoid, and explains how to put your time and money into where it shows, resulting in a successfully made film that will stand out from the crowd. A combination of what to do and what not to do, this is ideal for introductory-level filmmaking students, as well as independents just starting out. The online support material includes deal memo templates, walkie-talkie lingo, camera and sound reports, first Assistant Director(AD) roll call, distribution and exhibition, and additional information on booming.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       PREPRODUCTION\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003e1. INTRODUCTION\u003c\/p\u003e\n       \u003cp\u003e2. STORY \u0026amp; SCRIPT\u003c\/p\u003e\n       \u003cp\u003e3. FUNDING \u0026amp; BUDGETING\u003c\/p\u003e\n       \u003cp\u003e4. CAST\u003c\/p\u003e\n       \u003cp\u003e5. CREW\u003c\/p\u003e\n       \u003cp\u003e6. PRODUCTION DESIGN\u003c\/p\u003e\n       \u003cp\u003ePRODUCTION\u003c\/p\u003e\n       \u003cp\u003e7. DIRECTING \u0026amp; PRODUCING\u003c\/p\u003e\n       \u003cp\u003e9. THE SHOOT\u003c\/p\u003e\n       \u003cp\u003e10.CAMERA\u003c\/p\u003e\n       \u003cp\u003e11. LIGHTING\u003c\/p\u003e\n       \u003cp\u003e12. LOCATION SOUND\u003c\/p\u003e\n       \u003cp\u003ePOSTPRODUCTION\u003c\/p\u003e\n       \u003cp\u003e13. PICTURE EDITING\u003c\/p\u003e\n       \u003cp\u003e14. DIALOGUE \u0026amp; ADR\u003c\/p\u003e\n       \u003cp\u003e15. SOUND EFFECTS \u0026amp; DESIGN\u003c\/p\u003e\n       \u003cp\u003e16. MUSICAL SCORE\u003c\/p\u003e\n       \u003cp\u003e17. MIXING\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Author\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Patrick Winters has worked in the film business for 25 years and has taught filmmaking for the last 13 years in New Zealand and the United States. He has experience working on short films, documentaries, and major motion pictures including Good Will Hunting, Psycho (remake), Finding Forrester, To Die For, and Far from Heaven. He especially likes the challenge of stretching film budgets to achieve the highest production value possible. He is currently operating his own postproduction studio and is the author of Sound Design for Low \u0026amp; No Budget Films.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press The Dos and Don'ts of Successful Filmmaking: Common Mistakes and How to Avoid Them\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9780367369743 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003ePatrick Winters\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRoutledge Taylor \u0026amp; Francis\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eNovember 30, 2021\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1st\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780367369743\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e346\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e74 Black \u0026amp; White Illustrations\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731916697685,"sku":"FODDSFM:FODDSFM:bhpv","price":11700.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1678884104_1757125.jpg?v=1700739443"},{"product_id":"focal-press-next-level-screenwriting-insights-ideas-and-inspiration-for-the-intermediate-screenwriter","title":"Focal Press Next Level Screenwriting: Insights, Ideas and Inspiration for the Intermediate Screenwriter","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780367151584 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003e\u003cb\u003eNext Level Screenwriting: Insights, Ideas and Inspiration for the Intermediate Screenwriter\u003c\/b\u003e from \u003cb\u003eFocal Press\u003c\/b\u003e is an intermediate screenwriting book, for those that have already learned the basics of screenwriting, written a screenplay or two and want to bring their writing and stories to the next level. Each chapter of the book examines a specific aspect of screenwriting, such as character, dialogue and theme, and then provides the reader with ideas, tips, and inspiration to apply to their own writing.\u003c\/p\u003e\n    \u003cp\u003eRather than being another how to book, this volume features a variety of case studies and challenging exercises throughout�derived from a broad selection of successful feature films and TV shows from the 1940s to the present day�to help spark the imagination of the writer as they work through different styles and approaches of screenwriting. An absolute must-read for any screenwriter wanting to improve their writing and storytelling skills.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eIntroduction\u003c\/li\u003e\n        \u003cli\u003eChapter 1: Don�t be afraid of Genre � keeping your promise to your viewer\n         \u003cul\u003e\n          \u003cli\u003eEnjoying the Genre\u003c\/li\u003e\n          \u003cli\u003eCrossing Genres\u003c\/li\u003e\n          \u003cli\u003eA Final Note\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003eChapter 2: The Write Approach � Finding how to approach telling your story and thepoint of attach\n         \u003cul\u003e\n          \u003cli\u003eMotivated Style\u003c\/li\u003e\n          \u003cli\u003eThe Internal Approach\u003c\/li\u003e\n          \u003cli\u003eMaintaining an Established Style\u003c\/li\u003e\n          \u003cli\u003eStyle that fits the Genre\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003eChapter 3: Character depth � Thinking about more layered characters and their motivations\n         \u003cul\u003e\n          \u003cli\u003eCharacter Motivationthe Character Mask\u003c\/li\u003e\n          \u003cli\u003eHumor as Characterthe Other Character Change\u003c\/li\u003e\n          \u003cli\u003eTelevision Characters\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003eChapter 4: Dialogue that does more than further the plot\n         \u003cul\u003e\n          \u003cli\u003eA Distinct Voice\u003c\/li\u003e\n          \u003cli\u003eAttitude Dialogue\u003c\/li\u003e\n          \u003cli\u003ePeriod Dialogue\u003c\/li\u003e\n          \u003cli\u003eDialogue that Reveals Character\u003c\/li\u003e\n          \u003cli\u003ePoetic dialog\u003c\/li\u003e\n          \u003cli\u003eContemporary Dialogue\u003c\/li\u003e\n          \u003cli\u003eWhen Talk is Action\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003eChapter 5: Poetic Description � Writing your settings can be as creative as writing your story\n         \u003cul\u003e\n          \u003cli\u003eChoosing Your Words\u003c\/li\u003e\n          \u003cli\u003eDescribing for the Mind�s Eye\u003c\/li\u003e\n          \u003cli\u003eWriting for the Reader\u003c\/li\u003e\n          \u003cli\u003eHumorously Said\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003eChapter 6: Finding the Theme � Discovering what your writing is all about\n         \u003cul\u003e\n          \u003cli\u003ePopular Movies have Themes\u003c\/li\u003e\n          \u003cli\u003eShared Themes of Westerns \u0026amp; Horror\u003c\/li\u003e\n          \u003cli\u003eWe have met the Enemy and they are us\u003c\/li\u003e\n          \u003cli\u003eThe Stronger the Theme the Stronger the Story\u003c\/li\u003e\n          \u003cli\u003eEven Comedy has a Theme\u003c\/li\u003e\n          \u003cli\u003eThe Naked Theme\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003eChapter 7; First Person Narrative Screenwriting � Writing voice over narration and found footage stories\n         \u003cul\u003e\n          \u003cli\u003eNarration that isn�t a Crutch\u003c\/li\u003e\n          \u003cli\u003eHardboiled Wit Narration\u003c\/li\u003e\n          \u003cli\u003eFound Footage as First Person\u003c\/li\u003e\n          \u003cli\u003eMockumentary\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003eChapter 8: Dealing with Multiple Protagonist Syndrome or Navigating the ensemble screenplay\n         \u003cul\u003e\n          \u003cli\u003eEnsemble vs Episodic\u003c\/li\u003e\n          \u003cli\u003eLinking Stories\u003c\/li\u003e\n          \u003cli\u003ePlaying with Time\u003c\/li\u003e\n          \u003cli\u003eEnsemble Characters\u003c\/li\u003e\n          \u003cli\u003eReoccurring Locations\u003c\/li\u003e\n          \u003cli\u003eThe Ensemble Anchor\u003c\/li\u003e\n          \u003cli\u003eEnsemble in the Park\u003c\/li\u003e\n          \u003cli\u003eThe Trouble with Ensemble\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003eChapter 9: Based on True Events \u0026amp; Research � Writing the core of the truth without being boring\n         \u003cul\u003e\n          \u003cli\u003eAdapting History\u003c\/li\u003e\n          \u003cli\u003eFree yourself from the Truth\u003c\/li\u003e\n          \u003cli\u003eFind a Special Event in History\u003c\/li\u003e\n          \u003cli\u003eFind a Special Place in History\u003c\/li\u003e\n          \u003cli\u003eResearch that Works for You\u003c\/li\u003e\n          \u003cli\u003eThis All Applies to Television\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003eChapter 10: Set-up, Pay-off and the Twist � Writing in things that go around and came around\n         \u003cul\u003e\n          \u003cli\u003eTwilight Zone Set-up\/Pay-off\u003c\/li\u003e\n          \u003cli\u003eTwist Ending Set-up\/Pay-off\u003c\/li\u003e\n          \u003cli\u003eCharacter Character Character\u003c\/li\u003e\n          \u003cli\u003eTwists in TVComedy Set-up\/Pay-off\u003c\/li\u003e\n          \u003cli\u003eThe Aristotle Connection\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003eChapter 11: Writing for a Budget � Writing screenplays under budget constraints\n         \u003cul\u003e\n          \u003cli\u003eMicro-budget Feature\u003c\/li\u003e\n          \u003cli\u003eIndependent Low Budget\u003c\/li\u003e\n          \u003cli\u003eHollywood low budget\u003c\/li\u003e\n          \u003cli\u003eLimited budget TV\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003eChapter 12: Rewriting: The Pain and the Gain\n         \u003cul\u003e\n          \u003cli\u003eWorking in backstory\u003c\/li\u003e\n          \u003cli\u003eDevelopment Rewrite\u003c\/li\u003e\n          \u003cli\u003eProduction Rewrite\u003c\/li\u003e\n          \u003cli\u003ePost Production Rewrite\u003c\/li\u003e\n          \u003cli\u003eA Note on Taking Notes\u003c\/li\u003e\n          \u003cli\u003eThree Tricks to Note Taking\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003eChapter 13: Wrote the Script, Now What?\n         \u003cul\u003e\n          \u003cli\u003eCopyright\u003c\/li\u003e\n          \u003cli\u003eFeedback\u003c\/li\u003e\n          \u003cli\u003eContests\u003c\/li\u003e\n          \u003cli\u003eProducers and Agents\u003c\/li\u003e\n          \u003cli\u003eThey Call it Hollywood\u003c\/li\u003e\n          \u003cli\u003eMake it Yourself\u003c\/li\u003e\n          \u003cli\u003eLow Budget Independents\u003c\/li\u003e\n          \u003cli\u003eHow and How Much\u003c\/li\u003e\n          \u003cli\u003eShow Me the Money � in the Movies\u003c\/li\u003e\n          \u003cli\u003eShow Me the Money � in Television\u003c\/li\u003e\n          \u003cli\u003eDon�t Undo Your Sale\u003c\/li\u003e\n          \u003cli\u003eIndex\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Authors\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       David Landau is published and is the author of the books Lighting for Cinematography and Film Noir Production in addition to numerous articles on screenwriting for such magazines as Script, Screenwriter's Monthly, Student Filmmakers Magazine and HD ProGuide. His feature screenwriting credits include Murder at Café Noir and Dark Tarot. David earned his MFA in Screenwriting from Goddard College and is a full Professor at Fairleigh Dickinson University. He is also a member of the Dramatists Guild and the University Film \u0026amp; Video Association.\n       \u003cbr\u003e \n       \u003cbr\u003e David Bennett Carren is an award-winning screenwriter whose work includes numerous episodes for such television shows as Star Trek: The Next Generation, Stargate SG1, Martial Law, Dennis the Menace, and Teenage Mutant Ninja Turtles among others. His feature films include Mr. Hell and Waiting for Sandoval, and he was the writer\/director on the feature film The Red Queen. A member of the Writers Guild of America and the University Film \u0026amp; Video Association, David earned his MFA in Screenwriting from Spalding University and is an Associate Professor at the University of Texas Rio Grande Valley where he is the Interim Chair of the Department of Theatre.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Next Level Screenwriting: Insights, Ideas and Inspiration for the Intermediate Screenwriter\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9780367151584 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eDavid Landau\u003cbr\u003eDavid Carren\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRoutledge\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eMay 9, 2019\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1st\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780367151584\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e164\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eNo\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731917058133,"sku":"FONLSW:FONLSW:bhpv","price":10225.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1678883538_1757053.jpg?v=1700739464"},{"product_id":"focal-press-the-michael-chekhov-handbook-for-the-actor","title":"Focal Press The Michael Chekhov Handbook: For the Actor","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780367150501 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eThe \u003cb\u003eThe Michael Chekhov Handbook: For the Actor\u003c\/b\u003e from \u003cb\u003eFocal Press\u003c\/b\u003e is a practical guide to Chekhov's supportive techniques for actors, fully updated with new exercises that examine the relationship between the sensations of the physical body and the imagination. Lenard Petit draws on 25 years of teaching experience to unlock and illuminate Michael Chekhov's philosophy, and offers guiding principles and effective tools that actors can apply in rehearsal and performance.\u003c\/p\u003e\n    \u003cp\u003eThe second edition focuses on the building blocks of drama and an exploration of the five senses as an expressive springboard, with a new section on the function of the Archetype in the Chekhov method. Theory and practice are treated here with clarity and simplicity. Dedicated to students and teachers of acting, The Michael Chekhov Handbook provides readers with the essential tools they need to put the rewarding principles of this technique into use.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003e1. The Aims of the Chekhov Technique\u003c\/li\u003e\n        \u003cli\u003e2. The Five Guiding Principles\u003c\/li\u003e\n        \u003cli\u003e3. The Dynamic Principles\u003c\/li\u003e\n        \u003cli\u003e4. The Tools\u003c\/li\u003e\n        \u003cli\u003e5. Application\u003c\/li\u003e\n        \u003cli\u003e6. Mastery of the Chekhov Technique\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Author\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Lenard Petit is one of a handful of teachers trained by the original members of Michael Chekhov's Theatre School. He is a founding member of the Michael Chekhov Association, MICHA, and the Director of the Michael Chekhov Acting Studio NYC. Mr. Petit is a an internationally recognized master teacher of this approach. He has worked with the technique for more than 30 years and shares his first-hand and developing knowledge in a clear and manageable form.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press The Michael Chekhov Handbook: For the Actor\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9780367150501 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eLenard Petit\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRoutledge\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eJuly 3, 2019\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e2nd\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780367150501\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e206\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eNo\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731917254741,"sku":"FOMCH:FOMCH:bhpv","price":11365.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1678883538_1757052.jpg?v=1700739483"},{"product_id":"focal-press-book-american-accent-drills-for-british-and-australian-speakers-paperback","title":"Focal Press Book: American Accent Drills for British and Australian Speakers (Paperback)","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780367365653 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003e\u003cb\u003eAmerican Accent Drills for British and Australian Speakers\u003c\/b\u003e from \u003cb\u003eFocal Press\u003c\/b\u003e provides a comprehensive guide to learning a \"General American\" accent, made specifically for native English speakers. Unlike most American accent guides, which are geared toward ESL learners, this handbook covers only the shifts that English speakers need to make, nothing more, nothing less. In addition to vowel and consonant drills, it covers the finer points of American intonation and elision, features that often elude English speakers of other dialects. Finally, it provides exercises for \"owning\" the dialect, finding authenticity, and making it work for each individual actor in their own way.\u003c\/p\u003e\n    \u003cp\u003eThis is an excellent resource for students of speech and dialects, actors from the UK, Australia, and New Zealand, and advanced ESL learners who need to use an American accent on screen or on stage. American Accent Drills for British and Australian Speakers also includes access to downloadable audio files of the practice drills featured in the book, to help students practice and perfect their American accent.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eIntroduction\u003c\/li\u003e\n        \u003cli\u003eVowels and Diphthongs\u003c\/li\u003e\n        \u003cli\u003eT and L\u003c\/li\u003e\n        \u003cli\u003eR\u003c\/li\u003e\n        \u003cli\u003eElision\u003c\/li\u003e\n        \u003cli\u003eChallenging Words\u003c\/li\u003e\n        \u003cli\u003eIntonation and Identity\u003c\/li\u003e\n        \u003cli\u003eAppendix\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Author\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Amanda Quaid has over 15 years of experience teaching speech, dialects, and language skills to actors and other speakers from around the world. In addition to her coaching on plays, films, and television, she maintains a thriving private practice in New York City. She is on faculty at the New School, New York, and HB Studio, New York, and has been featured as a dialect expert on WNYC.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Book: American Accent Drills for British and Australian Speakers (Paperback)\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9780367365653 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eAmanda Quaid\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRoutledge Taylor \u0026amp; Francis\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eFebruary 27, 2020\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780367365653\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e106\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1 Black \u0026amp; White Illustrations\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731917746261,"sku":"FOAADBAS:FOAADBAS:bhpv","price":9075.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1678884104_1757123.jpg?v=1700739538"},{"product_id":"focal-press-video-production-techniques-theory-and-practice-from-concept-to-screen","title":"Focal Press Video Production Techniques: Theory and Practice from Concept to Screen","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9781138484566 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cul\u003e\n    \u003cli\u003e\n\u003cspan\u003e1\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e2\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eAccompanying Website\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e3\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eTable of Contents\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e4\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eAbout the Authors\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003e\u003cb\u003eVideo Production Techniques: Theory and Practice from Concept to Screen\u003c\/b\u003e, second edition, from \u003cb\u003eFocal Press\u003c\/b\u003e is an essential guide to the art and craft of video production. It introduces students to the theoretical foundations as well as the practical skills needed to make a successful video project. Newly updated and revised, the second edition of Video Production Techniques unifies theory and practice for instructors and students. It is a great tool for use in introductory-level video production courses and for the independent learner.\u003c\/p\u003e\n    \u003cp\u003eThe opening chapter introduces the reader to the language of motion pictures and sets the stage for effective visual storytelling. Unit I guides students through the theory, techniques, and processes of writing, shooting, and editing video productions. Unit II expands on these basic principles to explore the crafts of sound recording\/design, lighting, and directing. Unit III surveys the industries, formats, and methods for creating fiction and nonfiction programs. The final unit of the text examines options for distribution and career opportunities in video production.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Accompanying Website\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The accompanying companion website features instructor resources including a sample syllabus, quiz bank, sample assignments, and PowerPoint slides for each chapter, alongside illustrative video demonstrations for students.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003ePreface\u003c\/li\u003e\n        \u003cli\u003eAcknowledgments\u003c\/li\u003e\n        \u003cli\u003eCHAPTER 1 Introduction to video production\u003c\/li\u003e\n        \u003cli\u003eUNIT I\u003c\/li\u003e\n        \u003cli\u003eTHE BASICS\u003c\/li\u003e\n        \u003cli\u003eCHAPTER 2 Writing\u003c\/li\u003e\n        \u003cli\u003eCHAPTER 3 Shooting\u003c\/li\u003e\n        \u003cli\u003eCHAPTER 4 Editing\u003c\/li\u003e\n        \u003cli\u003eUNIT II\u003c\/li\u003e\n        \u003cli\u003eEXPANDING THE BASICS\u003c\/li\u003e\n        \u003cli\u003eCHAPTER 5 Sound\u003c\/li\u003e\n        \u003cli\u003eCHAPTER 6 Light\u003c\/li\u003e\n        \u003cli\u003eCHAPTER 7 Directing\u003c\/li\u003e\n        \u003cli\u003eUNIT III\u003c\/li\u003e\n        \u003cli\u003eFORMS\u003c\/li\u003e\n        \u003cli\u003eCHAPTER 8 Fiction\u003c\/li\u003e\n        \u003cli\u003eCHAPTER 9 Nonfiction\u003c\/li\u003e\n        \u003cli\u003eUNIT IV\u003c\/li\u003e\n        \u003cli\u003eBEYOND PRODUCTION\u003c\/li\u003e\n        \u003cli\u003eCHAPTER 10 Marketing and distribution\u003c\/li\u003e\n        \u003cli\u003eCHAPTER 11 Professional and career opportunities\u003c\/li\u003e\n        \u003cli\u003eGlossary\u003c\/li\u003e\n        \u003cli\u003eIndex\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Authors\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Donald L. Diefenbach is a professor and chair of Mass Communication at the University of North Carolina Asheville. His video production credits include educational, corporate, and nationally broadcast programming. His research focuses on cultivation analysis and media portrayals of mental health issues. He teaches courses in media literacy, video production, and film studies.\n       \u003cbr\u003e \n       \u003cbr\u003e Anne E. Slatton is an award-winning writer and director. She teaches video production and film studies at the University of North Carolina Asheville. Her production work in film and television includes directing, writing, and producing. A frequent panelist on issues of diversity and women in film, her scholarly works include book entries on Sofia Coppola and Lorraine Hansberry.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Video Production Techniques: Theory and Practice from Concept to Screen\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Table of Contents\n    \u003c\/div\u003e\n    \u003cul\u003e\n     \u003cli\u003eDescription\u003c\/li\u003e\n     \u003cli\u003eAccompanying Website\u003c\/li\u003e\n     \u003cli\u003eTable of Contents\u003c\/li\u003e\n     \u003cli\u003eAbout the Authors\u003c\/li\u003e\n    \u003c\/ul\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9781138484566 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eDonald Diefenbach, Anne Slatton\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRoutledge\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eAugust 21, 2019\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e2nd\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9781138484566\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e320\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e178 Black \u0026amp; White Illustrations\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731919122517,"sku":"FOVPTTPFCTS:FOVPTTPFCTS:bhpv","price":14155.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1680604537_1759752.jpg?v=1700739728"}],"url":"https:\/\/www.tanotis.com\/collections\/tutorials.oembed?page=2","provider":"Tanotis","version":"1.0","type":"link"}