{"title":"Signal Processing","description":null,"products":[{"product_id":"rolls-sx45-2-way-stereo-crossover-with-mono-sub-output","title":"Rolls SX45 - 2-Way Stereo Crossover with Mono Sub Output","description":"\u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cp\u003e The \u003cb\u003eSX45\u003c\/b\u003e from \u003cb\u003eRolls\u003c\/b\u003e is a two-way frequency dividing device for small sound reinforcement applications. It features a 12dB per octave roll-off, a frequency dividing range of 50Hz to 2.5kHz and clip indication for proper level settings. \u003c\/p\u003e \u003cp\u003eThe compact size of the SX45 allows for easy mounting in any universal rack tray or install-cabinet, while the external power supply provides clean DC power to the unit for quiet operation. Controls for the SX45 include input level, variable frequency adjustment and high and low output level controls.\u003c\/p\u003e \u003cp\u003eAll connections are made via RCA phono jacks. The unit is Ideal for small installations such as nightclubs or restaurants, providing clean, high-impedance audio signals in a compact steel chassis.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdl\u003e \u003cdd\u003eTwo-way crossover with mono sub output in highly compact form\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003e12dB\/octave filter rolloff\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003e50Hz to 2.5kHz crossover range\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003eIncludes external power supply for low noise operation\u003c\/dd\u003e \u003c\/dl\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cspan\u003eUPC: 675889004502\u003c\/span\u003e \u003c\/div\u003e \u003c\/div\u003e\u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eFilter Type\u003c\/td\u003e \u003ctd\u003e12dB\/octave rolloff\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eOperating Modes\u003c\/td\u003e \u003ctd\u003eTwo-way with mono sub output\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eCrossover Frequencies\u003c\/td\u003e \u003ctd\u003eVariable 50Hz to 2.5kHz\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eGain Range\u003c\/td\u003e \u003ctd\u003e \u003ci\u003eNot specified by manufacturer\u003c\/i\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eFront Panel Switches\u003c\/td\u003e \u003ctd\u003eNo\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eInputs\u003c\/td\u003e \u003ctd\u003e2 x RCA phono\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eOutputs\u003c\/td\u003e \u003ctd\u003e4 x RCA phono\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMaximum Input Level\u003c\/td\u003e \u003ctd\u003e \u003ci\u003eNot specified by manufacturer\u003c\/i\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMaximum Output Level\u003c\/td\u003e \u003ctd\u003e+10dBV\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eFrequency Response\u003c\/td\u003e \u003ctd\u003e \u003ci\u003eNot specified by manufacturer\u003c\/i\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDynamic Range\u003c\/td\u003e \u003ctd\u003e \u003ci\u003eNot specified by manufacturer\u003c\/i\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eNoise\u003c\/td\u003e \u003ctd\u003e \u003ci\u003eNot specified by manufacturer\u003c\/i\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDimensions (WxDxH)\u003c\/td\u003e \u003ctd\u003e3 5\/8\" x 4 1\/4\" x 1 1\/2\" (92 x 108 x 38 mm)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eWeight\u003c\/td\u003e \u003ctd\u003e1.0 lb (0.45 kg)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eSpecialties\u003c\/td\u003e \u003ctd\u003eCompact and simple to operate\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003cth\u003e \u003ca\u003ePackaging Info\u003c\/a\u003e \u003c\/th\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePackage Weight\u003c\/td\u003e \u003ctd\u003e1.15 lb\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e \u003ctd\u003e6.9 x 4.8 x 2.5\"\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003eIn the Box\u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eRolls SX45 - 2-Way Stereo Crossover with Mono Sub Output\u003c\/div\u003e \u003c\/div\u003e \u003cul\u003e \u003cli\u003eExternal Power Supply\u003c\/li\u003e \u003cli\u003eOne (1) Year Warranty to Original Purchaser\u003c\/li\u003e \u003c\/ul\u003e \u003c\/div\u003e \u003c\/div\u003e All product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Rolls-10","offers":[{"title":"Default Title","offer_id":27473278160,"sku":"ROSX45:ROSX45:bhpv","price":20145.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/Rolls_SX45_SX45_Stereo_Crossover_1463495774000_473021.jpg?v=1575980221"},{"product_id":"art-eq-341-dual-channel-15-band-2-3-octave-graphic-equalizer","title":"ART EQ-341 - Dual Channel 15-Band 2\/3 Octave Graphic Equalizer","description":"\u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cp\u003e The \u003cb\u003e341\u003c\/b\u003e dual channel, 15 band 2\/3 octave graphic equalizer features constant Q circuitry, with a 3% center frequency accuracy. The sliders are 20mm center detent with a selectable boost\/cut range, and the unit provides active balanced and unbalanced input and output connections, variable input level control, clip level indicators, ground lift switch, internal power supply with selectable line voltage switch. \u003c\/p\u003e \u003cp\u003e Each channel of the \u003cb\u003e341\u003c\/b\u003e has its own bypass switch with LED indicator, is housed in a rugged, all-steel constructed chassis which occupies 1U rack space, and is intended for installation in standard 19\" equipment racks. Multiple input and output configurations are provided for ease of use and incorporate paralleled connections. The XLR and 1\/4\" TRS connectors use active balanced, low noise circuitry. Both the XLR and 1\/4\" connectors may be used in an unbalanced configuration. The RCA jacks are unbalanced. The unit is designed to work with a variety of signal levels. The input level control covers a wide range and can easily accommodate -10 and +4 signal levels. A clip LED will light when a signal level of 5dB before clipping occurs. \u003c\/p\u003e \u003cp\u003e The \u003cb\u003e341\u003c\/b\u003e may be used in a variety of applications such as live sound, recording studios, instrument racks, as well as any conventional fixed installation environment. \u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdl\u003e \u003cdd\u003eDual Channel 15 band 2\/3 octave graphic equalizer\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003e20mm center detent sliders\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003eSelectable boost\/cut range of 6dB or 12dB\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003eVariable input level control\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003eClip level indicators\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003eActive balanced and unbalanced input and output connections\u003c\/dd\u003e \u003c\/dl\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cspan\u003eUPC: 840402011484\u003c\/span\u003e \u003c\/div\u003e \u003c\/div\u003e\u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eFilter Type\u003c\/td\u003e \u003ctd\u003eGraphic, constant Q - 3% center accuracy\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eNumber of Channels\u003c\/td\u003e \u003ctd\u003e2\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eInputs\u003c\/td\u003e \u003ctd\u003e2 x XLR, 2 x 1\/4\" TRS phono, 2 x RCA coaxial\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eOutput\u003c\/td\u003e \u003ctd\u003e2 x XLR, 2 x 1\/4\" TRS phono, 2 x RCA coaxial\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMaximum Input Level\u003c\/td\u003e \u003ctd\u003e+22dBm\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eFrequency Bands\u003c\/td\u003e \u003ctd\u003e15 x 2, ISO spacing\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBandwidth\u003c\/td\u003e \u003ctd\u003e2\/3 octave\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eRange (Boost\/Cut)\u003c\/td\u003e \u003ctd\u003e+\/-6dB or +\/-12dB selectable\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMaximum Output Level\u003c\/td\u003e \u003ctd\u003e+18dBm @ +4db\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eFrequency Response\u003c\/td\u003e \u003ctd\u003e20Hz to 20kHz\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDynamic Range\u003c\/td\u003e \u003ctd\u003e \u003ci\u003eNot specified by manufacturer\u003c\/i\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eNoise\u003c\/td\u003e \u003ctd\u003e-94dB\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDimensions\u003c\/td\u003e \u003ctd\u003e1U rack, 8 1\/2\" deep\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eSpecialties\u003c\/td\u003e \u003ctd\u003e Ground lift switch \u003cbr\u003e Selectable line voltage switch \u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003cth\u003e \u003ca\u003ePackaging Info\u003c\/a\u003e \u003c\/th\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePackage Weight\u003c\/td\u003e \u003ctd\u003e6.55 lb\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e \u003ctd\u003e21.5 x 10.5 x 3.5\"\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003eIn the Box\u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eART EQ-341 - Dual Channel 15-Band 2\/3 Octave Graphic Equalizer\u003c\/div\u003e \u003c\/div\u003e \u003cul\u003e \u003cli\u003ePower Cable\u003c\/li\u003e \u003cli\u003e1 Year Warranty\u003c\/li\u003e \u003c\/ul\u003e \u003c\/div\u003e \u003c\/div\u003e All product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"ART-10","offers":[{"title":"Default Title","offer_id":27478255248,"sku":"AREQ341:AREQ341:bhpv","price":30345.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/ART_EQ_341_EQ_341_Dual_Channel_1404493941000_130541.jpg?v=1575980493"},{"product_id":"art-351-single-channel-31-band-1-3-octave-graphic-equalizer","title":"ART 351 - Single Channel 31-Band 1\/3 Octave Graphic Equalizer","description":"\u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cp\u003e The \u003cb\u003e351\u003c\/b\u003e single channel, 31 band 1\/3 octave graphic equalizer features constant Q circuitry, with a 3% center frequency accuracy. The sliders are 20mm center detent with a selectable boost\/cut range, and the unit provides active balanced and unbalanced input and output connections, adjustable high pass and low pass filters, variable input level control, clip level indicators, ground lift switch, internal power supply with selectable line voltage switch. \u003c\/p\u003e \u003cp\u003e The \u003cb\u003e351\u003c\/b\u003e has a bypass switch with LED indicator, is housed in a rugged, all-steel constructed chassis which occupies 1U rack space, and is intended for installation in standard 19\" equipment racks. Multiple input and output configurations are provided for ease of use and incorporate paralleled connections. The XLR and 1\/4\" TRS connectors use active balanced, low noise circuitry. Both the XLR and 1\/4\" connectors may be used in an unbalanced configuration. The RCA jacks are unbalanced. The unit is designed to work with a variety of signal levels. The input level control covers a wide range and can easily accommodate -10 and +4 signal levels. \u003c\/p\u003e \u003cp\u003e The \u003cb\u003e351\u003c\/b\u003e may be used in a variety of applications such as live sound, recording studios, instrument racks, as well as any conventional fixed installation environment. \u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdl\u003e \u003cdd\u003eSingle channel 31 band 1\/3 octave graphic equalizer\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003eConstant-Q filtering\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003e20mm center detent sliders\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003eSelectable boost\/cut range of 6dB or 12dB\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003eVariable high-pass and low-pass filters\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003eVariable input level control\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003eClip level indicators\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003eActive balanced and unbalanced input and output connections\u003c\/dd\u003e \u003c\/dl\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cspan\u003eUPC: 840402011514\u003c\/span\u003e \u003c\/div\u003e \u003c\/div\u003e\u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eFilter Type\u003c\/td\u003e \u003ctd\u003eGraphic, constant Q - 3% center accuracy\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eNumber of Channels\u003c\/td\u003e \u003ctd\u003e1\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eInputs\u003c\/td\u003e \u003ctd\u003e1 x XLR, 1 x 1\/4\" TRS phono, 1 x RCA coaxial\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eOutput\u003c\/td\u003e \u003ctd\u003e1 x XLR, 1 x 1\/4\" TRS phono, 1 x RCA coaxial\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMaximum Input Level\u003c\/td\u003e \u003ctd\u003e+22dBm\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eFrequency Bands\u003c\/td\u003e \u003ctd\u003e31, ISO spacing\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBandwidth\u003c\/td\u003e \u003ctd\u003e1\/3 octave\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eRange (Boost\/Cut)\u003c\/td\u003e \u003ctd\u003e+\/-6dB or +\/-12dB selectable\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMaximum Output Level\u003c\/td\u003e \u003ctd\u003e+18dBm @ +4db\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eFrequency Response\u003c\/td\u003e \u003ctd\u003e20Hz to 20kHz\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDynamic Range\u003c\/td\u003e \u003ctd\u003e \u003ci\u003eNot specified by manufacturer\u003c\/i\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eNoise\u003c\/td\u003e \u003ctd\u003e-94dB\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDimensions\u003c\/td\u003e \u003ctd\u003e1U rack, 8 1\/2\" deep\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eSpecialties\u003c\/td\u003e \u003ctd\u003e Ground lift switch \u003cbr\u003e Selectable line voltage switch \u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003cth\u003e \u003ca\u003ePackaging Info\u003c\/a\u003e \u003c\/th\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePackage Weight\u003c\/td\u003e \u003ctd\u003e6.9 lb\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e \u003ctd\u003e21.2 x 10.5 x 3.6\"\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003eIn the Box\u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eART 351 - Single Channel 31-Band 1\/3 Octave Graphic Equalizer\u003c\/div\u003e \u003c\/div\u003e \u003cul\u003e \u003cli\u003ePower Cable\u003c\/li\u003e \u003cli\u003eOne Year Warranty\u003c\/li\u003e \u003c\/ul\u003e \u003c\/div\u003e \u003c\/div\u003e All product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"ART-10","offers":[{"title":"Default Title","offer_id":27478259856,"sku":"AREQ351:AREQ351:bhpv","price":30345.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/ART_EQ_351_351_Single_Channel_1462915238000_130539.jpg?v=1575980493"},{"product_id":"art-eq-355-dual-channel-31-band-graphic-equalizer-with-constant-q-filtering-xlr-and-1-4-balanced-and-rca-unbalanced-connectors","title":"ART EQ-355 - Dual Channel 31-Band Graphic Equalizer with Constant Q Filtering, XLR and 1\/4\" Balanced and RCA Unbalanced Connectors","description":"\u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cp\u003e The \u003cb\u003e355\u003c\/b\u003e dual channel, 31 band 1\/3 octave graphic equalizer features constant Q circuitry, with a 3% center frequency accuracy. The sliders are 20mm center detent with a selectable boost\/cut range, and the unit provides active balanced and unbalanced input and output connections, adjustable high pass and low pass filters, variable input level control, clip level indicators, ground lift switch, internal power supply with selectable line voltage switch. \u003c\/p\u003e \u003cp\u003e Each channel of the \u003cb\u003e355\u003c\/b\u003e has its own bypass switch with LED indicator, is housed in a rugged, all-steel constructed chassis which occupies 2U rack space, and is intended for installation in standard 19\" equipment racks. Multiple input and output configurations are provided for ease of use and incorporate paralleled connections. The XLR and 1\/4\" TRS connectors use active balanced, low noise circuitry. Both the XLR and 1\/4\" connectors may be used in an unbalanced configuration. The RCA jacks are unbalanced. The unit is designed to work with a variety of signal levels. The input level control covers a wide range and can easily accommodate -10 and +4 signal levels. \u003c\/p\u003e \u003cp\u003e The \u003cb\u003e355\u003c\/b\u003e may be used in a variety of applications such as live sound, recording studios, instrument racks, as well as any conventional fixed installation environment. \u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdl\u003e \u003cdd\u003eDual Channel 31 band 1\/3 octave graphic equalizer\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003eConstant-Q filtering\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003e20mm center detent sliders\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003eSelectable boost\/cut range of 6dB or 12dB\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003eVariable high-pass and low-pass filters\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003eVariable input level control\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003eClip level indicators\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003eActive balanced and unbalanced input and output connections\u003c\/dd\u003e \u003c\/dl\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cspan\u003eUPC: 840402011545\u003c\/span\u003e \u003c\/div\u003e \u003c\/div\u003e\u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eFilter Type\u003c\/td\u003e \u003ctd\u003eGraphic, constant Q - 3% center accuracy\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eNumber of Channels\u003c\/td\u003e \u003ctd\u003e2\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eInputs\u003c\/td\u003e \u003ctd\u003e2 x XLR, 2 x 1\/4\" TRS phono, 2 x RCA coaxial\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eOutput\u003c\/td\u003e \u003ctd\u003e2 x XLR, 2 x 1\/4\" TRS phono, 2 x RCA coaxial\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMaximum Input Level\u003c\/td\u003e \u003ctd\u003e+22dBm\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eFrequency Bands\u003c\/td\u003e \u003ctd\u003e31 x 2, ISO spacing\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBandwidth\u003c\/td\u003e \u003ctd\u003e1\/3 octave\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eRange (Boost\/Cut)\u003c\/td\u003e \u003ctd\u003e+\/-6dB or +\/-12dB selectable\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMaximum Output Level\u003c\/td\u003e \u003ctd\u003e+18dBm @ +4db\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eFrequency Response\u003c\/td\u003e \u003ctd\u003e20Hz to 20kHz\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDynamic Range\u003c\/td\u003e \u003ctd\u003e \u003ci\u003eNot specified by manufacturer\u003c\/i\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eNoise\u003c\/td\u003e \u003ctd\u003e-94dB\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDimensions\u003c\/td\u003e \u003ctd\u003e2U rack, 8 1\/2\" deep\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eSpecialties\u003c\/td\u003e \u003ctd\u003e Ground lift switch \u003cbr\u003e Selectable line voltage switch \u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003cth\u003e \u003ca\u003ePackaging Info\u003c\/a\u003e \u003c\/th\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePackage Weight\u003c\/td\u003e \u003ctd\u003e10.3 lb\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e \u003ctd\u003e20.0 x 10.5 x 6.0\"\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003eIn the Box\u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eART EQ-355 - Dual Channel 31-Band Graphic Equalizer with Constant Q Filtering, XLR and 1\/4\" Balanced and RCA Unbalanced Connectors\u003c\/div\u003e \u003c\/div\u003e \u003cul\u003e \u003cli\u003ePower Cable\u003c\/li\u003e \u003cli\u003eOne Year Warranty\u003c\/li\u003e \u003c\/ul\u003e \u003c\/div\u003e \u003c\/div\u003e All product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"ART-10","offers":[{"title":"Default Title","offer_id":27478260112,"sku":"AREQ355:AREQ355:bhpv","price":46615.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/ART_EQ_355_EQ_355_Dual_Channel_1404493941000_150733.jpg?v=1575980493"},{"product_id":"art-scl2-dual-stereo-compressor-limiter-expander-with-gate","title":"ART SCL2 - Dual Stereo Compressor Limiter Expander With Gate","description":"\u003cul\u003e \u003cli\u003eDual Channel or Linked Stereo Operation\u003c\/li\u003e \u003cli\u003e1\/4\" TRS Side Chain Inserts\u003c\/li\u003e \u003cli\u003e¼-Inch TRS And XLR Balanced Inputs\u003c\/li\u003e \u003cli\u003e¼-Inch TRS And XLR Balanced Outputs\u003c\/li\u003e \u003cli\u003eStereo Mode Balance Control\u003c\/li\u003e \u003cli\u003eLED Gain Reduction Meters\u003c\/li\u003e \u003cli\u003eSelectable Auto\/ Manual Attack\/Release\u003c\/li\u003e \u003cli\u003eSelectable Hard\/Soft Knee\u003c\/li\u003e \u003cli\u003eLED Level Meters\u003c\/li\u003e \u003cli\u003eInternal PSU and All-Steel Chassis\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cp\u003e The \u003cb\u003eART SCL2 - Dual Stereo Compressor Limiter Expander With Gate\u003c\/b\u003e is a dynamic signal processor designed for studio recording and live sound reinforcement applications. The 1RU rackmountable device is housed in a durable steel chassis and features balanced 1\/4\" TRS connectors and balanced XLR connectors for main channel inputs and outputs, as well as a 1\/4\" TRS connector for a sidechain input. \u003cbr\u003e \u003cbr\u003e The device can be used to provide anything from smooth subtle compression to hard limiting, as well as reducing noise with fast gating or through expansion. The knee, the attack, and the release of the compressor can be set by the user or the device can be set to auto mode. A bank of LED meters provide visual feedback of each channel's gain reduction. \u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cspan\u003eUPC: 840402035992\u003c\/span\u003e \u003c\/div\u003e \u003c\/div\u003e\u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eInput\u003c\/td\u003e \u003ctd\u003e 2x balanced XLR-3F (left and right channels) \u003cbr\u003e 2x balanced 1\/4\" TRS (left and right channels) \u003cbr\u003e 1x 1\/4\" TRS sidechain input \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eOutput\u003c\/td\u003e \u003ctd\u003e 2x balanced XLR-3F (left and right channels) \u003cbr\u003e 2x balanced 1\/4\" TRS (left and right channels) \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eInput Impedance\u003c\/td\u003e \u003ctd\u003e10 k?\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eOutput Impedance\u003c\/td\u003e \u003ctd\u003e200 ? balanced, 100 ?\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMaximum Input Level\u003c\/td\u003e \u003ctd\u003e+20 dBu balanced\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMaximum Output Level\u003c\/td\u003e \u003ctd\u003e+20 dBu balanced\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eFrequency Response\u003c\/td\u003e \u003ctd\u003e10 to 40,000 Hz ±0.5 dB\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDynamic Range\u003c\/td\u003e \u003ctd\u003e120 dB\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eAttack Time\u003c\/td\u003e \u003ctd\u003e0.25 ms to 100 ms adjustable\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eRelease Time\u003c\/td\u003e \u003ctd\u003e100 ms to 3 s adjustable\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eTotal Harmonic Distortion (THD)\u003c\/td\u003e \u003ctd\u003e\u0026lt;0.06% (typical)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePower Requirements\u003c\/td\u003e \u003ctd\u003e120 VAC, 50\/60 Hz, 10 W max\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDimensions\u003c\/td\u003e \u003ctd\u003e1.75 x 19.0 x 6\" (4.50 x 48 x 15.2 cm)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eWeight\u003c\/td\u003e \u003ctd\u003e4.2 lb (1.9 kg)\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003cth\u003e \u003ca\u003ePackaging Info\u003c\/a\u003e \u003c\/th\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePackage Weight\u003c\/td\u003e \u003ctd\u003e5.7 lb\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e \u003ctd\u003e21.1 x 10.6 x 3.5\"\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003eIn the Box\u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eART SCL2 - Dual Stereo Compressor Limiter Expander With Gate\u003c\/div\u003e \u003c\/div\u003e \u003cul\u003e \u003cli\u003ePower Cord\u003c\/li\u003e \u003cli\u003eLimited 3-Year Warranty\u003c\/li\u003e \u003c\/ul\u003e \u003c\/div\u003e \u003c\/div\u003e All product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"ART-10","offers":[{"title":"Default Title","offer_id":27480730768,"sku":"ARSCL2:ARSCL2:bhpv","price":35120.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/art_scl2_dual_stereo_1484080672000_1069102.jpg?v=1575980647"},{"product_id":"rolls-rpq160b-parametric-equalizer","title":"Rolls RPQ160b - Parametric Equalizer","description":"\u003cul\u003e \u003cli\u003eSingle Channel\u003c\/li\u003e \u003cli\u003e4-Bands\u003c\/li\u003e \u003cli\u003eHigh and Low Pass Filters\u003c\/li\u003e \u003cli\u003eXLR, 1\/4\" and RCA I\/O\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cp\u003e The \u003cb\u003eRPQ160b\u003c\/b\u003e from \u003cb\u003eRolls\u003c\/b\u003e is a single-channel, 4-band parametric equalizer with high- and low-pass filters. The 4 bands have a combined overlapping frequency range of 70Hz to 20kHz. The single rack space unit features 3 different input and output connectors to accommodate a wide variety of applications. T filters are used for the equalization circuits to avoid the complexity and distortion of state-variable filters. \u003c\/p\u003e \u003cp\u003eThe EQs precise equalization makes it suitable for many applications, including school or church gymnasiums, home or professional recording studios, live sound or the EQing of musical instruments. When coupled with a spectrum analyzer, the RPQ160b can match exactly the properties of typical acoustic resonances and reflections, and make immediate improvements to any installed system's amplitude and phase response.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdl\u003e \u003cdd\u003e4 bands of parametric equalization\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003eGreat for room equalization, sound reinforcement, or home and studio recording applications\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003eAdjustable high and low shelving filters\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003e\"T\" Filers, which avoid the complexity and distortion of state-variable filters\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003eXLR, 1\/4\" and RCA inputs and outputs\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003eAC adapter included\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003eMade in the USA\u003c\/dd\u003e \u003c\/dl\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cspan\u003eUPC: 675889016000\u003c\/span\u003e \u003c\/div\u003e \u003c\/div\u003e\u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eFilter Type\u003c\/td\u003e \u003ctd\u003eParametric\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eNumber of Channels\u003c\/td\u003e \u003ctd\u003eSingle\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eInputs\u003c\/td\u003e \u003ctd\u003e 1 x XLR \u003cbr\u003e 1 x 1\/4\" TRS phone \u003cbr\u003e 1 x RCA \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eOutputs\u003c\/td\u003e \u003ctd\u003e 1 x XLR \u003cbr\u003e 1 x 1\/4\" TRS phone \u003cbr\u003e 1 x RCA \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMaximum Input Level\u003c\/td\u003e \u003ctd\u003e+24dB\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eFrequency Bands\u003c\/td\u003e \u003ctd\u003e 70Hz to 1.5kHz \u003cbr\u003e 150Hz to 3kHz \u003cbr\u003e 300Hz to 10kHz \u003cbr\u003e 600Hz to 20kHz \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBandwidth\u003c\/td\u003e \u003ctd\u003e0.3 to 3 octaves per band\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eRange (Boost\/Cut)\u003c\/td\u003e \u003ctd\u003e-15dB to +15dB per band\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMaximum Output Level\u003c\/td\u003e \u003ctd\u003e+24dB\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eFrequency Response\u003c\/td\u003e \u003ctd\u003e16Hz to 30kHz, +\/-3.0dB\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDynamic Range\u003c\/td\u003e \u003ctd\u003eNot specified by manufacturer\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eNoise\u003c\/td\u003e \u003ctd\u003eSNR: \u0026gt;90dB\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePower Requirements\u003c\/td\u003e \u003ctd\u003e12VAC via supplied adapter\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDimensions (WxDxH)\u003c\/td\u003e \u003ctd\u003e19 x 4 x 1.75\" (483 x 100 x 45mm)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eWeight\u003c\/td\u003e \u003ctd\u003e5 lbs (2.3kg)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eSpecialties\u003c\/td\u003e \u003ctd\u003e High-pass filter: 16Hz to 500Hz, 12dB\/octave slope \u003cbr\u003e Low-pass filter: 1kHz to 30kHz, 12dB\/octave slope \u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003cth\u003e \u003ca\u003ePackaging Info\u003c\/a\u003e \u003c\/th\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePackage Weight\u003c\/td\u003e \u003ctd\u003e5.05 lb\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e \u003ctd\u003e21.6 x 8.0 x 3.8\"\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003eIn the Box\u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eRolls RPQ160b - Parametric Equalizer\u003c\/div\u003e \u003c\/div\u003e \u003cul\u003e \u003cli\u003eExternal Power Supply\u003c\/li\u003e \u003cli\u003eOne (1) Year Warranty to Original Purchaser\u003c\/li\u003e \u003c\/ul\u003e \u003c\/div\u003e \u003c\/div\u003e All product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Rolls-10","offers":[{"title":"Default Title","offer_id":27480744400,"sku":"RORPQ160B:RORPQ160B:bhpv","price":39750.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/Rolls_RPQ160B_RPQ160b_Parametric_Equalizer_1467121824000_643691.jpg?v=1575980648"},{"product_id":"rolls-sl33b-stereo-program-limiter","title":"Rolls SL33b Stereo Program Limiter","description":"\u003cul\u003e \u003cli\u003eStereo Compressor\/Limiter\u003c\/li\u003e \u003cli\u003e1\/8\" Stereo \/ RCA Inputs \u0026amp; Outputs\u003c\/li\u003e \u003cli\u003eAutomatic Program Limiting\u003c\/li\u003e \u003cli\u003eOutput Level Control\u003c\/li\u003e \u003cli\u003eThreshold Control\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cp\u003e The \u003cb\u003eSL33b\u003c\/b\u003e from \u003cb\u003eRolls\u003c\/b\u003e is a stereo program limiter that provides smooth dynamics processing for mainly consumer-level equipment. It features 1\/8\" TRS stereo mini and RCA connectors for both the input and output, and includes makeup gain and threshold level controls for exactly tailoring the response. \u003cbr\u003e \u003cbr\u003e The unit maintains a consistent volume level for a more comfortable listening experience and can be used in restaurants, night clubs, schools, places of worship, or in the home. \u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cspan\u003eUPC: 675889000337\u003c\/span\u003e \u003c\/div\u003e \u003c\/div\u003e\u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eInputs\u003c\/td\u003e \u003ctd\u003e 1 x 3.5 mm TRS stereo mini \u003cbr\u003e 2 x RCA (unbalanced) \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eOutputs\u003c\/td\u003e \u003ctd\u003e 1 x 3.5 mm TRS stereo mini \u003cbr\u003e 2 x RCA (unbalanced) \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eCompression Ratio\u003c\/td\u003e \u003ctd\u003eProgram dependent\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eThreshold\u003c\/td\u003e \u003ctd\u003e-13 to 6 dB, variable\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eInput Impedance\u003c\/td\u003e \u003ctd\u003e10 k? balanced\/unbalanced\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eOutput Impedance\u003c\/td\u003e \u003ctd\u003e50 ? balanced\/unbalanced\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMaximum Input Level\u003c\/td\u003e \u003ctd\u003e+10 dBV\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMaximum Output Level\u003c\/td\u003e \u003ctd\u003e+13 dBV\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePower\u003c\/td\u003e \u003ctd\u003e12 VDC, 50 mA\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDimensions (W x H x D)\u003c\/td\u003e \u003ctd\u003e4 x 3.4 x 1.5\" (102 x 85 x 38 mm)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eWeight\u003c\/td\u003e \u003ctd\u003e1 lb (0.4 kg)\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003cth\u003e \u003ca\u003ePackaging Info\u003c\/a\u003e \u003c\/th\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePackage Weight\u003c\/td\u003e \u003ctd\u003e0.95 lb\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e \u003ctd\u003e7.7 x 4.7 x 2.5\"\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003eIn the Box\u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eRolls SL33b Stereo Program Limiter\u003c\/div\u003e \u003c\/div\u003e \u003cul\u003e \u003cli\u003eExternal Power Supply\u003c\/li\u003e \u003cli\u003eOne (1) Year Limited Warranty\u003c\/li\u003e \u003c\/ul\u003e \u003c\/div\u003e \u003c\/div\u003e All product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Rolls-10","offers":[{"title":"Default Title","offer_id":27495285072,"sku":"ROSL33B:ROSL33B:bhpv","price":16545.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/rolls_sl33b_stereo_program_limiter_1299859335000_759277.jpg?v=1575981488"},{"product_id":"empirical-labs-distressor-el8x-analog-knee-compressor-single-compressor","title":"EMPIRICAL LABS Distressor EL8X Analog Knee Compressor (Single Compressor)","description":"\u003cul\u003e \u003cli\u003eBritish Mod with Image Link\u003c\/li\u003e \u003cli\u003eClassic Knee Sound\u003c\/li\u003e \u003cli\u003eProgrammable Analog Distortion \u0026amp; Warmth\u003c\/li\u003e \u003cli\u003e384 Possible Settings\u003c\/li\u003e \u003cli\u003eEight Compression Curves\u003c\/li\u003e \u003cli\u003eAdvanced Side-Chain EQ\u003c\/li\u003e \u003cli\u003eTrue Bypass\u003c\/li\u003e \u003cli\u003eHand-Wired in the USA\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cp\u003e The \u003cb\u003eDistressor EL8X\u003c\/b\u003e from \u003cb\u003eEmpirical Labs\u003c\/b\u003e is a professional compressor that features a wide range of controls and feature set for studio or live applications. The Distressor offers a warm, vintage sound by using a custom designed gain control circuit. All eight of the Distressor's curves are distinctive, from the 1:1 mode that simply warms up signal with low order harmonics without intentional compression, to the Nuke setting, a brick wall limiting curve that shines on live drum room mics. Some curves have different circuitry, and are effectively different compressors. The 10:1 Opto ratio uses separate detector circuitry to emulate the oldest light controlled devices, such as the LA-2A. \u003cbr\u003e \u003cbr\u003e The Distressor features three modes that color the signal, even without compression. These extended audio modes were designed to allow emulation of some very old vintage compressors and limiters, and let the Distressor deliver a classic knee sound all its own by providing user programmable, warm harmonic distortion. In addition to the basic distortion mode, Distort 2 emphasizes tube-like 2nd order harmonics, while in the Distort 3 setting the distortion becomes dominated by 3rd harmonics more closely resembling tape. Two HP filters, with one in the audio path, one in the detector path, are also available to help with low frequencies that can cause pumping and breathing. \u003cbr\u003e \u003cbr\u003e British Mode delivers a very aggressive sound that has some elements of the unit's 20:1 ratio, but with an unusual knee and new envelope shape. The EL8-X has the advantage of being able to selectively apply this characteristic, not just to the British ratio (1:1), but also to any of the ratios, simply by engaging the dedicated British Mode switch. \u003cbr\u003e \u003cbr\u003e The original Distressor stereo link function used a summing and phase detection method, which allowed slight stereo image shifting. Although frequently desirable for its phase correction, and its thickening on open room mics and other stereo sources, this approach can sometimes be a problem on stereo program material where the producer\/engineers want to maintain absolute left\/right balance at all times. With the Stereo Image Link option, the EL8-X now has three link options including the original phase link, the Image Link, and the combination of the two, phase and image linking. \u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdl\u003e \u003cdt\u003eClassic Knee Sound\u003c\/dt\u003e \u003cdd\u003eImproved noise specs and performance\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdt\u003eProgrammable Analog Distortion\/Warmth\u003c\/dt\u003e \u003cdd\u003eThree audio modes provide user programmable, warm harmonic distortion. Emphasized tubelike, 2nd harmonic in clean and Distort 2 mode. In Distort 3 mode, the distortion becomes dominated by 3rd harmonic, more similar to tape\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdt\u003eDistortion Indicator Lights\u003c\/dt\u003e \u003cdd\u003eA 1% LED and a Redline (3%) LED providing no hard clipping until a few dB past Redline\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdt\u003eAdvanced Built-In Sidechain EQ\u003c\/dt\u003e \u003cdd\u003eHigh mid-band emphasis and low-cut keeps the low sum and difference frequencies from pumping the upper frequencies of source material\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdt\u003eEight Unique Curves\u003c\/dt\u003e \u003cdd\u003eFrom the 1:1 mode that warms up signal with low order harmonics without intentional compression, to the Nuke setting, each curve has its own personality, and release shape. The 10:1 Opto ratio uses separate circuitry to emulate the oldest light controlled devices, such as the LA-2A\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdt\u003eLarge Knobs with High Resolution Numbering\u003c\/dt\u003e \u003cdd\u003eThey're large for easy readability and repeatable settings, and go to 10.5\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdt\u003eLocked, Calibrated, Output Level\u003c\/dt\u003e \u003cdd\u003eAllows speed in setting tape and live mix levels\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdt\u003eSwitchable 115\/230 Volt Operation\u003c\/dt\u003e \u003cdd\u003eExtra fuse provided inside unit\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdt\u003eOver Designed Power Supplies\u003c\/dt\u003e \u003cdd\u003eRuns cool, allowing cabinet to be sealed without heat vents and features long life components\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdt\u003eTrue Bypass\u003c\/dt\u003e \u003cdd\u003eAll contacts doubled up for maximum reliability with no internal audio connectors\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdt\u003eXLR and 1\/4\" Phone Inputs and Outputs\u003c\/dt\u003e \u003cdd\u003eThe XLRs are fully balanced with a transformerless design (pin 2 hot, changeable by user to pin 3 hot)\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003eAll metal film and Roederstein resistors in the audio path\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003eStereo strappable\u003c\/dd\u003e \u003c\/dl\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cspan\u003eUPC: 854682006023\u003c\/span\u003e \u003c\/div\u003e \u003c\/div\u003e\u003cdiv\u003e \u003cdiv\u003eIn the Box\u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eEMPIRICAL LABS Distressor EL8X Analog Knee Compressor (Single Compressor)\u003c\/div\u003e \u003c\/div\u003e \u003cul\u003e \u003cli\u003e 2 x Power Cords \u003c\/li\u003e \u003cli\u003eLimited 1-Year Warranty\u003c\/li\u003e \u003c\/ul\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eFrequency Response\u003c\/td\u003e \u003ctd\u003e2 Hz to 160 kHz in clean audio mode (+0, -3 dB), response is shaped in distortion modes (Dist 2, Dist 3).\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDynamic Range\u003c\/td\u003e \u003ctd\u003e110 dB from maximum output to minimum output in 1:1 mode\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eSignal to Noise\u003c\/td\u003e \u003ctd\u003e\u0026gt; 100 dB in distortion 3\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDistortion Range\u003c\/td\u003e \u003ctd\u003e0.02 and 20%\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eOutputs\u003c\/td\u003e \u003ctd\u003eDC coupled\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eAttack Time\u003c\/td\u003e \u003ctd\u003e50 uS to 30 mS\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eRelease Time\u003c\/td\u003e \u003ctd\u003e0.05 to 3.5 seconds, release goes up to 20 seconds in 10:1 Opto mode\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePower Consumption\u003c\/td\u003e \u003ctd\u003e Typical: 10 W \u003cbr\u003e Maximum: 14 W \u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e All product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"EMPIRICAL LABS-10","offers":[{"title":"Default Title","offer_id":35161011600,"sku":"EMEL8XDSTRSR:EMEL8XDSTRSR:bhpv","price":297995.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/empirical_labs_el8x_distressor_distressor_el8x_analog_knee_1441207472000_1181546.jpg?v=1575983289"},{"product_id":"empirical-labs-fatso-el7x-analog-tape-simulator-optimizer","title":"EMPIRICAL LABS FATSO EL7x - Analog Tape Simulator\/Optimizer","description":"\u003cul\u003e \u003cli\u003eEleven Ratio Emulates 1176 Compressor\u003c\/li\u003e \u003cli\u003eFour Compression Modes\u003c\/li\u003e \u003cli\u003eSoft Clip\u003c\/li\u003e \u003cli\u003eProgrammable High Frequency Saturation\u003c\/li\u003e \u003cli\u003eSwitchable Transformer Circuits\u003c\/li\u003e \u003cli\u003eBackwards Stepping Front Panel Button\u003c\/li\u003e \u003cli\u003eExtended Stereo Link Functions\u003c\/li\u003e \u003cli\u003eSide-chain Input and Output\u003c\/li\u003e \u003cli\u003eTrue Bypass\u003c\/li\u003e \u003cli\u003eMade in the USA\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cp\u003e The \u003cb\u003eFATSO EL7x\u003c\/b\u003e from \u003cb\u003eEmpirical Labs\u003c\/b\u003e is a digitally controlled analog processor that gives musicians and engineers easy access to many of the desirable characteristics exhibited by older tube and Class A electronics and magnetic tape mediums. This two channel audio processor musically integrates frequencies and transients, increasing the apparent volume while keeping tight control over peak levels. There are several compressor types with fixed attacks and releases. You can enhance and soften the sound of digital mediums such as DAWs, hard disk recorders, CD players, MP3s etc. \u003cbr\u003e \u003cbr\u003e With the FATSO, recording studios and audio production facilities can enhance and soften the sound of digital recordings. Large Distressor-style knobs control the input and output levels. It features four compression modes including the Buss and the Spank settings, which can be selected and combined. Seven high frequency saturation Warmth settings are also present. The FATSO features switchable transformer circuits, which can add the musical artifacts generated by classic devices, such as low order clipping and inter-modular distortion, as well as transient clipping. \u003cbr\u003e \u003cbr\u003e ELEVEN replaces the old GP Ratio and emulates the UREI 1176LN in 20:1 mode with a slow attack and a fast release. With the slower \"1176\" attack, the transients keep the dynamics present, while the high ratio can limit the dynamic range of any source. \u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdl\u003e \u003cdd\u003e \u003cul\u003e \u003cli\u003eSoft clip features modeled after broadband tape saturation, without the noise. Smooth clipping up to 20% THD\u003c\/li\u003e \u003cli\u003eUser programmable high frequency saturation, simulating the \"softening\" for which analog tape and phonographs are known. This is the \"Warmth\" control on FATSO\u003c\/li\u003e \u003cli\u003eSwitchable transformer circuits, which can add the musical artifacts generated by classic devices like Neve, API, etc. These artifacts include frequency \"rounding\", low order clipping and inter-modular distortion, transient clipping, and some other very musical non-linearities\u003c\/li\u003e \u003cli\u003eFour Compression Modes: One for tracking, one general purpose, one \"bus\" compressor, and SPANK!; all linkable. Classic knee compressor sound that really grabs\u003c\/li\u003e \u003cli\u003eSPANK!: An additional limiter that musically smashes the dynamic range, and can be used to stop clipping before digital recorders. There is a subtle knee followed by hard limiting\u003c\/li\u003e \u003cli\u003eHuge \"DISTRESSOR\" knobs with high resolution numbering - For easy readability and repeatable settings. They also go to 10-1\/2\u003c\/li\u003e \u003cli\u003eDistortion indicator lights: A 0 VU LED and a \"Pinned\" (5%) LED. No hard clipping until a few dB past \"Pinned\"\u003c\/li\u003e \u003cli\u003eSide-chain output and input for EQ-ing control signals\u003c\/li\u003e \u003cli\u003eLocked, calibrated, output level: Allows speed in setting tape and live mix levels\u003c\/li\u003e \u003cli\u003eFoolproof operation: It's almost impossible to get a bad sound\u003c\/li\u003e \u003cli\u003eDiscrete and Integrated Combination: The best of speed\/linearity with repeatability. Hand tested \u0026amp; selected components. All metal film and Roederstein resistors in the audio path. Top quality components, most being high temperature military spec parts\u003c\/li\u003e \u003cli\u003eSwitchable 115\/230 volt operation. Extra fuse provided inside unit\u003c\/li\u003e \u003cli\u003eTrue Bypass: Know what it's really doing. All contacts doubled up for maximum reliability. No internal audio connectors\u003c\/li\u003e \u003cli\u003eXLR and 1\/4\" phone ins and outs\u003c\/li\u003e \u003cli\u003eXLR fully balanced, transformer-less design, pin-2 hot. Changeable by user to pin-3 hot\u003c\/li\u003e \u003cli\u003eNo internal connectors, high reliability parts and military grade switches and relays\u003c\/li\u003e \u003cli\u003eThree year limited warranty\u003c\/li\u003e \u003cli\u003eHand wired and calibrated in USA\u003c\/li\u003e \u003c\/ul\u003e \u003c\/dd\u003e \u003c\/dl\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cspan\u003eUPC: 854682006047\u003c\/span\u003e \u003c\/div\u003e \u003c\/div\u003e\u003cdiv\u003e \u003cdiv\u003eIn the Box\u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eEMPIRICAL LABS FATSO EL7x - Analog Tape Simulator\/Optimizer\u003c\/div\u003e \u003c\/div\u003e \u003cul\u003e \u003cli\u003eIEC Power Cord\u003c\/li\u003e \u003cli\u003eLimited 3-Year Warranty\u003c\/li\u003e \u003c\/ul\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eFrequency Response\u003c\/td\u003e \u003ctd\u003e2 Hz to 60 kHz, (+0,-3 dB)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDynamic Range\u003c\/td\u003e \u003ctd\u003e110 dB from maximum output (20% THD soft clipping) to minimum output\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eSignal to Noise\u003c\/td\u003e \u003ctd\u003e\u0026gt; 100 dB\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDistortion\u003c\/td\u003e \u003ctd\u003e0.06 to 20%\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eInputs\/Outputs\u003c\/td\u003e \u003ctd\u003eDC coupled\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eAttack Time\u003c\/td\u003e \u003ctd\u003e1 mS to 60 mS\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eRelease Time\u003c\/td\u003e \u003ctd\u003e0.05 to 3.5 seconds\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePower Consumption\u003c\/td\u003e \u003ctd\u003e25 W Max typically. .3 A @ 115 V\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e All product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"EMPIRICAL LABS-10","offers":[{"title":"Default Title","offer_id":35161021072,"sku":"EMEL7XFATSO:EMEL7XFATSO:bhpv","price":400960.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/empirical_labs_el7_x_fatso_fatso_el7x_analog_tape_1441207472000_1181548.jpg?v=1575983290"},{"product_id":"solid-state-logic-e-series-dynamics-module-for-api-500-series-rack","title":"Solid State Logic E-Series Dynamics Module for API 500 Series Rack","description":"\u003cul\u003e \u003cli\u003eCompressor and Limiter\u003c\/li\u003e \u003cli\u003eExpander and Gate\u003c\/li\u003e \u003cli\u003eFive Segment LED Indicator Meters\u003c\/li\u003e \u003cli\u003eTrue RMS Converter on Sidechain\u003c\/li\u003e \u003cli\u003eLinear or Logarithmic Release Curve\u003c\/li\u003e \u003cli\u003eCircuitry from the SL 4000 E Console\u003c\/li\u003e \u003cli\u003eSound of the SL 611E Channel Strip\u003c\/li\u003e \u003cli\u003eGain Element Replicates Class A VCA Chip\u003c\/li\u003e \u003cli\u003eFits in API 500 Series Lunchbox\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cp\u003e The \u003cb\u003eSolid State Logic E-Series Dynamics Module for API 500 Series Rack\u003c\/b\u003e is a single-unit API 500 Series lunchbox-style compressor\/limiter and expander\/gate module. The device utilizes a similar circuit design and components as the original SSL E-Series channel strip, including a true RMS converter in the sidechain and a gain element that replicates the original Class A VCA chip. \u003cbr\u003e \u003cbr\u003e Half of the module consists of a compressor\/limiter with a ratio control that allows you to select from no compression to full limiting. You can change the curve from over-easy to hard-knee style compression with the push of a button. A threshold knob allows you to set the threshold at which point compression occurs between +4 and -26 dB. A release knob allows you to set the release time between 0.1 and 4 mS. A linear release button allows you to switch between a linear and a logarithmic release curve, and a fast attack button allows you to change the attack time from 3 ms for a 20 dB gain reduction to 30 ms for a 20 dB gain reduction. For metering, the unit has a 5-segment LED meter that shows the Compressor\/Limiter activity in red and yellow and the Expander\/Gate activity in green. \u003cbr\u003e \u003cbr\u003e The Expander\/Gate component of the module features an EXP button for switching between a 20:1 gate and a 2:1 expander. You can set the range of gating or expansion between totally inactive to up to 40 dB. A threshold knob sets the level at which the gate or expander engages between +4 dBu and -26 dBu. The threshold circuitry is designed with variable hysteresis which increases in relation to the threshold being lowered. This allows the sound of a musical instrument to decay below the threshold and before being gated or expanded by the module. The Expander\/Gate section of the unit generally has a linear attack time of 1.5 ms per 40 dB, but this can be changed to a faster attack time of 100?s per 40 dB with the push of the FAST ATT button. A release knob allows you to adjust the time between 0.1 and 4 seconds at which the Expander\/Gate will reduce the signal level after it is under the threshold. There is also a dynamics \"In\" button that allows you to put the entire module in or take it out of the circuit in your API 500 lunchbox-style rack. \u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cspan\u003eUPC: 878076000961\u003c\/span\u003e \u003c\/div\u003e \u003c\/div\u003e\u003cdiv\u003e \u003cdiv\u003eIn the Box\u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eSolid State Logic E-Series Dynamics Module for API 500 Series Rack\u003c\/div\u003e \u003c\/div\u003e \u003cul\u003e \u003cli\u003eLimited 1-Year Warranty\u003c\/li\u003e \u003c\/ul\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eFormat\u003c\/td\u003e \u003ctd\u003e500 Series\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eType\u003c\/td\u003e \u003ctd\u003eDiscrete\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eI\/O\u003c\/td\u003e \u003ctd\u003e 500 Series with: \u003cbr\u003e 1 x balanced XLR input \u003cbr\u003e 1 x balanced XLR output \u003cbr\u003e Power connection from lunchbox rack enclosure \u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003cth\u003e \u003ca\u003eCompressor\u003c\/a\u003e \u003c\/th\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eRatio\u003c\/td\u003e \u003ctd\u003e1 to ?\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eThreshold\u003c\/td\u003e \u003ctd\u003e+4 to -26 dB\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eRelease Time\u003c\/td\u003e \u003ctd\u003e0.1 to 4 ms\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003cth\u003e \u003ca\u003eGate\u003c\/a\u003e \u003c\/th\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eRange\u003c\/td\u003e \u003ctd\u003e0 to 40 dB\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eThreshold\u003c\/td\u003e \u003ctd\u003e-30 to 10 dB\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eRelease Time\u003c\/td\u003e \u003ctd\u003e0.1 to 4 s\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDimensions (HxW)\u003c\/td\u003e \u003ctd\u003e5.25 x 1.5\" (13.34 x 3.8 cm)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eWeight\u003c\/td\u003e \u003ctd\u003e15.3 oz (434 g)\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003cth\u003e \u003ca\u003ePackaging Info\u003c\/a\u003e \u003c\/th\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePackage Weight\u003c\/td\u003e \u003ctd\u003e0.75 lb\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e \u003ctd\u003e10.866 x 7.402 x 2.677\"\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e All product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Solid State Logic-10","offers":[{"title":"Default Title","offer_id":35445735568,"sku":"SO729719X1:SO729719X1:bhpv","price":145090.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/solid_state_logic_729719x1_e_series_dynamics_module_for_1370015569000_966307.jpg?v=1575986013"},{"product_id":"solid-state-logic-ssl-e-series-eq-module-for-api-500-series-rack","title":"Solid State Logic SSL E Series EQ Module for API 500 Series Rack","description":"\u003cul\u003e \u003cli\u003eSSL 4000 E Series Circuitry\u003c\/li\u003e \u003cli\u003eBlack-242 EQ Design\u003c\/li\u003e \u003cli\u003eBrown-02 EQ Design\u003c\/li\u003e \u003cli\u003eVersatile 4-Band Channel EQ\u003c\/li\u003e \u003cli\u003eBell Curve Option on HF and LF\u003c\/li\u003e \u003cli\u003eFully Parametric LMF and HMF with Q\u003c\/li\u003e \u003cli\u003eBased On Classic 611E Channel Strip\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cp\u003e The \u003cb\u003eSolid State Logic SSL E Series EQ Module for API 500 Series Rack\u003c\/b\u003e is an API 500-series \"lunchbox\" style rack module with circuitry from the classic SSL 4000 E Series console channel strip. This sound has been heard on countless recordings throughout the 1980s to the present. \u003cbr\u003e \u003cbr\u003e The module features two different EQs that were found on editions of the console produced between 1981 and 1989, each with a unique response curve and tonal character. The two EQ designs include the \"Black-242\" and the \"Brown-02\". The unit includes a fully parametric LMF and HMF with Q control. Both the HF and LF sections include a bell curve option. As with many modules, the nominal input\/output level is +4 dBu. \u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdl\u003e \u003cdt\u003eBrown Knob EQ\u003c\/dt\u003e \u003cdd\u003eFeatures classic logarithmically symmetric design ensuring that the �3 dB up\/down points retain the same musical interval from the center frequency regardless of frequency and amplitude settings\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdt\u003eBlack Knob EQ\u003c\/dt\u003e \u003cdd\u003eFeatures enhanced cut and boost ranges (�18 dB instead of �15 dB) together with a different control law for tighter control of low frequencies\u003c\/dd\u003e \u003c\/dl\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cspan\u003eUPC: 878076000978\u003c\/span\u003e \u003c\/div\u003e \u003c\/div\u003e\u003cdiv\u003e \u003cdiv\u003eIn the Box\u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eSolid State Logic SSL E Series EQ Module for API 500 Series Rack\u003c\/div\u003e \u003c\/div\u003e \u003cul\u003e \u003cli\u003eLimited 1-Year Warranty\u003c\/li\u003e \u003c\/ul\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003ctable\u003e \u003ctbody\u003e\u003c\/tbody\u003e \u003c\/table\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003cth\u003e \u003ca\u003ePackaging Info\u003c\/a\u003e \u003c\/th\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePackage Weight\u003c\/td\u003e \u003ctd\u003e0.8 lb\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e \u003ctd\u003e11.0 x 7.3 x 2.8\"\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e All product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Solid State Logic-10","offers":[{"title":"Default Title","offer_id":35445735696,"sku":"SO729720X1:SO729720X1:bhpv","price":145090.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/solid_state_logic_729720x1_ssl_e_series_eq_1370015569000_966308.jpg?v=1575986013"},{"product_id":"solid-state-logic-ssl-stereo-bus-compressor-module-for-500-format-rack-1","title":"Solid State Logic SSL Stereo Bus Compressor Module for 500 Format Rack","description":"\u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cp\u003e The \u003cstrong\u003eSSL Stereo Bus Compressor Module\u003c\/strong\u003e from \u003cstrong\u003eSolid State Logic\u003c\/strong\u003e is designed for use with the 500 Format Rack. \u003c\/p\u003e \u003cp\u003eThe centre section compressor of this module is a simple unit with a simple purpose: it makes complete mixes sound bigger, with more power, punch, and drive. It brings cohesion and strength to your mix without compromising clarity. The availability of the Stereo Bus Compressor in a module for the 500 format makes this essential audio production tool available to users of the API 500 format modular rack platform.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdl\u003e \u003cdd\u003eSonic character of SSL Stereo Bus Compression\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003eSix ratio settings ranging from 1.5:1 to 20:1\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003eFive release settings and Auto Release function\u003c\/dd\u003e \u003c\/dl\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cspan\u003eUPC: 878076001005\u003c\/span\u003e \u003c\/div\u003e \u003c\/div\u003e\u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003ctable\u003e \u003ctbody\u003e\u003c\/tbody\u003e \u003c\/table\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003cth\u003e \u003ca\u003ePackaging Info\u003c\/a\u003e \u003c\/th\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePackage Weight\u003c\/td\u003e \u003ctd\u003e1.25 lb\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e \u003ctd\u003e11.2 x 7.3 x 4.3\"\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003eIn the Box\u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eSolid State Logic SSL Stereo Bus Compressor Module for 500 Format Rack\u003c\/div\u003e \u003c\/div\u003e \u003cul\u003e \u003cli\u003eLimited 1-Year Warranty on Parts and Labor\u003c\/li\u003e \u003c\/ul\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Solid State Logic-10","offers":[{"title":"Default Title","offer_id":814438154256,"sku":"SO729726X2:SO729726X2:bhpv","price":262030.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/solid_state_logic_729726x1_ssl_stereo_bus_compressor_1458251142000_966305_58c69387-7be9-4b6b-90d3-c2045b6faac9.jpg?v=1576005610"},{"product_id":"eventide-h9000-expandable-16-channel-effects-processor","title":"Eventide H9000 Expandable 16-Channel Effects Processor","description":"\u003cul\u003e \u003cli\u003e4 x Quad-Core ARM Processors\u003c\/li\u003e \u003cli\u003eRun up to 16 Simultaneous Effects\u003c\/li\u003e \u003cli\u003eUtilize up to 4 Multi-Effect Chains\u003c\/li\u003e \u003cli\u003e50 Effects, Over 9000 Presets\u003c\/li\u003e \u003cli\u003eUp to 96 kHz Sample Rate\u003c\/li\u003e \u003cli\u003eAnalog, Digital, and USB Audio I\/O\u003c\/li\u003e \u003cli\u003eUse Stand-Alone or as a Plug-In\u003c\/li\u003e \u003cli\u003eSupports Local and Network Control\u003c\/li\u003e \u003cli\u003eMac OS X Compatible\u003c\/li\u003e \u003cli\u003eAAX Native, Audio Units, VST\u003c\/li\u003e \u003c\/ul\u003e\u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cp\u003e The \u003cb\u003eEventide H9000\u003c\/b\u003e is an expandable 16-channel effects processor designed to deliver efficient, versatile, and customizable audio processing for recording and mixing engineers in broadcast, film and music production, and live stage applications. Its four quad-core ARM DSP processors provide power for up to 16 simultaneous effects instantiated on individual channels or configured as chains with up to four effects per chain. Route 16 channels of audio I\/O via USB or up to eight channels via analog, AES\/EBU, or ADAT connections. \u003c\/p\u003e \u003cp\u003eRun the H9000 at sample rates up to 96 kHz clocked internally or to external word clock. An array of 50 effect types are used in over 9000 presets. Store presets to the internal memory or external USB drives. Algorithm parameters can be adjusted from the front-panel controls, a networked computer, or a MIDI controller. It allows stand-alone operation or plug-in use thanks to compatibility with Mac OS X and AAX Native, Audio Units, and VST plug-in formats.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdl\u003e \u003cdd\u003e 16 channels of audio I\/O via USB \u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003e Eight channels of audio I\/O via analog, AES\/EBU, and ADAT \u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003e Two channels audio I\/O via S\/PDIF \u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003e Three expansion slots enable simple installation of additional I\/O cards \u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003e Send, process, and return up to 16 separate channels of individual DAW tracks \u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003e Arrange up to four separate FX chains, each containing up to four separate algorithms routed in series, parallel, and more \u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003e Clock internally or lock to an external clock via BNC word clock I\/O \u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003e Versatile preset types allow you to store and recall individual algorithms, FX chains, or entire sessions \u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003e Large color display with convenient controls including a jog wheel, cursor diamond, number pad, multi-function soft keys, and dedicate function keys \u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003e 3-segment LEDs display eight channels of metering information and are always active \u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003e Presets can be loaded from and saved to the internal memory or a USB drive connected to the front- or rear-panel USB ports \u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003e Supports manipulation via MIDI controller connected to a USB or MIDI port \u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003e Includes USB Wi-Fi dongle for easy access and full control via a network-connected computer \u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003e Search for presets by effect, product, instrument, source character, and more \u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003e Custom map parameters and adjust multiple parameters with a single knob \u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003e Tap tempo, set it manually, or lock it to incoming MIDI clock \u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003e Supports control via footswitches and expression pedals \u003c\/dd\u003e \u003c\/dl\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cspan\u003eUPC: 840694001453\u003c\/span\u003e \u003c\/div\u003e \u003c\/div\u003e\u003cdiv\u003e \u003cdiv\u003e In the Box \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e Eventide H9000 Expandable 16-Channel Effects Processor \u003c\/div\u003e \u003c\/div\u003e \u003cli\u003eUSB Wi-Fi Dongle\u003c\/li\u003e \u003cli\u003eIEC Power Cable\u003c\/li\u003e \u003cli\u003eUSB Type-A to Type-B Cable\u003c\/li\u003e \u003cli\u003eBNC Connector\u003c\/li\u003e \u003cli\u003eBNC T Adapter\u003c\/li\u003e \u003cli\u003eRackmount Screws\u003c\/li\u003e \u003cli\u003eLimited 1-Year Warranty\u003c\/li\u003e \u003c\/div\u003e \u003c\/div\u003e\u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003ch2\u003eEventide H9000 specs\u003c\/h2\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eSystem Requirements\u003c\/td\u003e \u003ctd\u003e For Optional Software Control: \u003cbr\u003e Mac OS X 10.9 or later \u003cbr\u003e Mac computer equipped with a USB Type-A port \u003cbr\u003e Core Audio�compatible application \u003cbr\u003e Host software that supports AAX Native, Audio Units, or VST plug-in formats (for plug-in use) \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eRack Height\u003c\/td\u003e \u003ctd\u003e2 RU\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eEffects Type\u003c\/td\u003e \u003ctd\u003eMulti\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eChannels\u003c\/td\u003e \u003ctd\u003e16\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eEffect Variations\u003c\/td\u003e \u003ctd\u003e50 effect types\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePresets\u003c\/td\u003e \u003ctd\u003e Types: Algorithm, FX Chain, and Session \u003cbr\u003e Total: Over 9000 \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eUser Memory\u003c\/td\u003e \u003ctd\u003e Internal memory \u003cbr\u003e External storage via USB flash drive \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eInputs\u003c\/td\u003e \u003ctd\u003e 2 x XLR 3-pin (analog) \u003cbr\u003e 1 x DB25 (8 channels, analog) \u003cbr\u003e 1 x XLR 3-pin (2 channels, AES\/EBU) \u003cbr\u003e 1 x DB25 (8 channels I\/O, AES\/EBU) \u003cbr\u003e 1 x RCA coaxial (2 channels, S\/PDIF) \u003cbr\u003e 1 x TOSLINK optical (2 channels in S\/PDIF mode, 8 channels in ADAT mode) \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eOutput\u003c\/td\u003e \u003ctd\u003e 2 x XLR 3-pin (analog) \u003cbr\u003e 1 x DB25 (8 channels, analog) \u003cbr\u003e 1 x XLR 3-pin (2 channels, AES\/EBU) \u003cbr\u003e 1 x DB25 (8 channels I\/O, AES\/EBU) \u003cbr\u003e 1 x RCA coaxial (2 channels, S\/PDIF) \u003cbr\u003e 1 x TOSLINK optical (2 channels in S\/PDIF mode, 8 channels in ADAT mode) \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eAD\/DA Conversion\u003c\/td\u003e \u003ctd\u003eUp to 96 kHz\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eSample Rates\u003c\/td\u003e \u003ctd\u003e Up to 96 kHz using analog, USB, AES\/EBU, or S\/PDIF via RCA \u003cbr\u003e Up to 48 kHz using ADAT or S\/PDIF via optical \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eUSB\u003c\/td\u003e \u003ctd\u003e 4 x USB 2.0 Type-A for external storage, Wi-Fi dongle, and USB MIDI controller \u003cbr\u003e 1 x USB 2.0 Type-B for 16-channel audio interface functionality \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMIDI\u003c\/td\u003e \u003ctd\u003e 1 x MIDI 5-pin input \u003cbr\u003e 1 x MIDI 5-pin output \u003cbr\u003e 1 x MIDI 5-pin thru \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eWord Clock\u003c\/td\u003e \u003ctd\u003e 1 x BNC input (50 Ohms) \u003cbr\u003e 1 x BNC output (50 Ohms) \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eEthernet\u003c\/td\u003e \u003ctd\u003e1 x RJ45\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePedal Control\u003c\/td\u003e \u003ctd\u003e2 x 1\/4\" TRS inputs\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eRelay Input\u003c\/td\u003e \u003ctd\u003e2 x 1\/4\" TRS\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eExternal Storage\u003c\/td\u003e \u003ctd\u003eUSB hard drives or flash drives\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eExpansion\u003c\/td\u003e \u003ctd\u003e3 x expansion slots\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDisplay\u003c\/td\u003e \u003ctd\u003eFront-panel color screen\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eSignal to Noise Ratio\u003c\/td\u003e \u003ctd\u003e 120 dBA at 44.1 kHz \u003cbr\u003e 114 dBA at 48 kHz and higher sample rates \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eTotal Harmonic Distortion\u003c\/td\u003e \u003ctd\u003e0.002%\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePower Requirement\u003c\/td\u003e \u003ctd\u003e100 to 240 VAC, 50\/60 Hz, 80 W\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDimensions (W x H x D)\u003c\/td\u003e \u003ctd\u003e19.0 x 3.5 x 12.5\" \/ 48.3 x 8.9 x 31.8 cm\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eWeight\u003c\/td\u003e \u003ctd\u003e14 lb \/ 6.4 kg\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Eventide-10","offers":[{"title":"Default Title","offer_id":12545530986581,"sku":"EVH9000:EVH9000:bhpv","price":1285695.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/eventide_1172_000_h9000_network_ready_16_1527265235000_1406180.jpg?v=1576007465"},{"product_id":"rolls-sx95-stereo-subwoofer-crossover-filter","title":"Rolls SX95 Stereo Subwoofer Crossover \/ Filter","description":"\u003cul\u003e \u003cli\u003eMono or Stereo Operation\u003c\/li\u003e \u003cli\u003eStereo RCA Inputs, Outputs, Thru-Puts\u003c\/li\u003e \u003cli\u003eCrossover Frequency Range: 36 to 200 Hz\u003c\/li\u003e \u003cli\u003eIndependent Left\/Right Phase Switches\u003c\/li\u003e \u003cli\u003eLow-Noise External Power Supply Included\u003c\/li\u003e \u003c\/ul\u003e\u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cp\u003e The \u003cb\u003eRolls SX95\u003c\/b\u003e is a true stereo subwoofer crossover, well suited for audio enthusiasts wishing to separate low frequencies from line-level program material in any home, professional, or installed sound system without altering the original signal. \u003cbr\u003e \u003cbr\u003e The SX95 features mono or stereo operation and includes stereo RCA connectors for the inputs, pass-thru, and sub output. The front panel offers a stereo\/mono switch, a sub level knob, a crossover frequency control knob (36 to 200 Hz), and independent left\/right phase switches. The included external power supply ensures low-noise operation. \u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdl\u003e \u003cdd\u003e \u003cul\u003e \u003cli\u003eMono or stereo operation\u003c\/li\u003e \u003cli\u003eStereo RCA inputs, outputs, and thru-puts\u003c\/li\u003e \u003cli\u003eCrossover Frequency Range: 36 to 200 Hz\u003c\/li\u003e \u003cli\u003eIndependent left\/right phase switch\u003c\/li\u003e \u003cli\u003eSub level knob\u003c\/li\u003e \u003cli\u003eExternal power supply included\u003c\/li\u003e \u003cli\u003e Made in USA \u003cbr\u003e   \u003c\/li\u003e \u003c\/ul\u003e \u003c\/dd\u003e \u003c\/dl\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cspan\u003eUPC: 675889000955\u003c\/span\u003e \u003c\/div\u003e \u003c\/div\u003e\u003cdiv\u003e \u003cdiv\u003e In the Box \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e Rolls SX95 Stereo Subwoofer Crossover \/ Filter \u003c\/div\u003e \u003c\/div\u003e \u003cli\u003eExternal Power Supply\u003c\/li\u003e \u003cli\u003eLimited 1-Year Warranty\u003c\/li\u003e \u003cdiv\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e\u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003ch3\u003eRolls SX95 specs\u003c\/h3\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eOperating Modes\u003c\/td\u003e \u003ctd\u003eStereo or Mono\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eCrossover Frequencies\u003c\/td\u003e \u003ctd\u003eVariable 36 to 200 Hz\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eFront Panel Switches\u003c\/td\u003e \u003ctd\u003e Mono\/Stereo \u003cbr\u003e Left Phase \u003cbr\u003e Right Phase \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eControl Knobs\u003c\/td\u003e \u003ctd\u003e Sub Level \u003cbr\u003e Crossover Frequency \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eConnectors\u003c\/td\u003e \u003ctd\u003e Stereo RCA Inputs \u003cbr\u003e Stereo RCA Sub Outputs \u003cbr\u003e Stereo RCA Thru-Puts \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eImpedance\u003c\/td\u003e \u003ctd\u003e Input: 10 kOhms \u003cbr\u003e Output: 1 kOhms \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDimensions (W x D x H)\u003c\/td\u003e \u003ctd\u003e4.0 x 4.5 x 1.5\" \/ 101.6 x 114.3 x 38.1 mm\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eWeight\u003c\/td\u003e \u003ctd\u003e1.0 lb \/ 0.5 kg\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003cth colspan=\"2\"\u003e \u003ca\u003ePackaging Info\u003c\/a\u003e \u003cdiv\u003e \u003ca\u003e\u003c\/a\u003e \u003c\/div\u003e \u003c\/th\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePackage Weight\u003c\/td\u003e \u003ctd\u003e1.305 lb\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e \u003ctd\u003e7.6 x 4.6 x 3.0\"\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Rolls-10","offers":[{"title":"Default Title","offer_id":21277001285717,"sku":"ROSX95:ROSX95:bhpv","price":19460.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/rolls_sx95_sub_woofer_crossover_1543510037000_1446472.jpg?v=1576012834"},{"product_id":"chandler-tg-opto-compressor-500-series","title":"Chandler TG Opto Compressor 500-Series","description":"\u003cul\u003e \u003cli\u003eDual-Space 500-Series Module\u003c\/li\u003e \u003cli\u003eOpto Adaptation of TG1 Limiter\u003c\/li\u003e \u003cli\u003eInspired by EMI TG12413 Limiter\u003c\/li\u003e \u003cli\u003e100% Discrete Transistor Circuit\u003c\/li\u003e \u003cli\u003eContinuous Input and Output\u003c\/li\u003e \u003cli\u003eContinuous Attack and Release\u003c\/li\u003e \u003cli\u003eKnee Switch: Sharp \/ Rounded\u003c\/li\u003e \u003cli\u003eTrue-Bypass\u003c\/li\u003e \u003c\/ul\u003e\u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cp\u003e Designed with the EMI TG12345 mixing and mastering console in mind, the \u003cstrong\u003eChandler Limited TG Opto Compressor\u003c\/strong\u003e is a hand-made, fully discrete, monophonic optical-compressor in a dual-space, 500-Series format. The TG Opto is a relative of the TG1 Opto, found in Chandler Limited's TG Microphone Cassette, TG1 Limiter, and Zener Limiter. \u003cbr\u003e \u003cbr\u003e The TG Opto Compressor features continuous attack, release, input, and output controls, as well as a switchable knee with sharp or rounded selections. The sharp setting is equivalent to the limit mode on the TG1 and Zener Limiters, and is considered hard. When the Knee switch is set to Sharp, the compression will be full ratio. The Rounded setting is a soft knee, which reacts independently from the ratio, and is well suited for scenarios requiring less obvious compression such as vocals and other melodic material. \u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdl\u003e \u003cdt\u003e TG Opto Compressor \u003c\/dt\u003e \u003cdd\u003e \u003cul\u003e \u003cli\u003e Control-Set \u003cul\u003e \u003cli\u003eSelectable sharp and rounded knees\u003c\/li\u003e \u003cli\u003eContinuous input\u003c\/li\u003e \u003cli\u003eContinuous output (makeup gain)\u003c\/li\u003e \u003cli\u003eAttack\u003c\/li\u003e \u003cli\u003eRelease\u003c\/li\u003e \u003cli\u003eTrue bypass\u003c\/li\u003e \u003c\/ul\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003c\/dd\u003e \u003c\/dl\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e\u003cdiv\u003e \u003cdiv\u003e In the Box \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e Chandler TG Opto Compressor 500-Series \u003c\/div\u003e \u003c\/div\u003e \u003cli\u003eLimited 1-Year Warranty on Parts \u0026amp; Labor\u003c\/li\u003e \u003cdiv\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e\u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003ch3\u003eChandler TG OPTO Specs\u003c\/h3\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eChannels\u003c\/td\u003e \u003ctd\u003eMono, Double Space\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eCircuit\u003c\/td\u003e \u003ctd\u003eDiscrete, Transistor\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eConnections\u003c\/td\u003e \u003ctd\u003eI\/O: 500-Series Format (Frame Dependent)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eControls\u003c\/td\u003e \u003ctd\u003e Input: Continuous \u003cbr\u003e Makeup Gain: Continuous \u003cbr\u003e Release: Continuous \u003cbr\u003e Knee: Switchable, Sharp\/Rounded \u003cbr\u003e Bypass: True Bypass \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePower\u003c\/td\u003e \u003ctd\u003e 500 Series Format: ±16 V \u003cbr\u003e Maximum Current Draw: +16 V at +100 mA \/ -16 V at -100 mA \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDimensions\u003c\/td\u003e \u003ctd\u003eNot Specified by Manufacturer\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eWeight\u003c\/td\u003e \u003ctd\u003eNot Specified by Manufacturer\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Chandler Limited-10","offers":[{"title":"Default Title","offer_id":21775023276117,"sku":"CHTGOPTO:CHTGOPTO:bhpv","price":214215.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/chandler_tg_opto_mono_compressor_1549308926000_1456634.jpg?v=1576014492"},{"product_id":"solid-state-logic-fusion-analog-stereo-outboard-processor","title":"Solid State Logic Fusion Analog Stereo Outboard Processor","description":"\u003cdiv\u003e \u003ch3\u003eSolid State Logic Fusion Overview\u003c\/h3\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cul\u003e \u003cli\u003e \u003cspan\u003e1\u003c\/span\u003e \u003cspan\u003e \u003cspan\u003eDescription\u003c\/span\u003e \u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e \u003cspan\u003e2\u003c\/span\u003e \u003cspan\u003e \u003cspan\u003eVintage Drive\u003c\/span\u003e \u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e \u003cspan\u003e3\u003c\/span\u003e \u003cspan\u003e \u003cspan\u003eViolet EQ\u003c\/span\u003e \u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e \u003cspan\u003e4\u003c\/span\u003e \u003cspan\u003e \u003cspan\u003eHF Compressor\u003c\/span\u003e \u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e \u003cspan\u003e5\u003c\/span\u003e \u003cspan\u003e \u003cspan\u003eStereo Image\u003c\/span\u003e \u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e \u003cspan\u003e6\u003c\/span\u003e \u003cspan\u003e \u003cspan\u003eTransformer\u003c\/span\u003e \u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e \u003cspan\u003e7\u003c\/span\u003e \u003cspan\u003e \u003cspan\u003eUtility Functions\u003c\/span\u003e \u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e \u003cspan\u003e8\u003c\/span\u003e \u003cspan\u003e \u003cspan\u003eBalanced I\/O\u003c\/span\u003e \u003c\/span\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cp\u003e The \u003cb\u003eSolid State Logic Fusion\u003c\/b\u003e is an analog stereo outboard processor offering an array of circuits and controls optimized for sweetening stems or full mixes. Well suited for use in traditional or hybrid studios and occupying just 2 RU of rack space, the Fusion features five main analog processors�Vintage Drive (harmonic enhancement), Violet EQ (2-band shelving EQ), HF Compressor (high-frequency compression with a subtle high-frequency roll-off), Stereo Image (Mid-Side spatial adjustment), and Transformer (custom-designed transformer circuit with low-end harmonics and top-end phase shift). \u003c\/p\u003e \u003cp\u003ePatch in additional outboard gear via the stereo XLR insert jacks, which can be configured for true stereo or Mid-Side, and switched to different points in the Fusion's signal flow. The main inputs and outputs are also presented on balanced XLR 3-pin connectors. Separate input and output trims allow up to 12 dB of boost or attenuation for easy management of levels. A dedicated LED indicates input overloading, while the 15-segment stereo master meter can display input or output levels. Quickly tame problematic bass frequencies via the adjustable high-pass filter at 30, 40, or 50 Hz.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003ch3\u003eVintage Drive\u003c\/h3\u003e \u003cdiv\u003e \u003cdiv\u003e The Vintage Drive is a non-linear harmonic enhancement circuit designed to bring cohesion and strength to your mix. Drive and Density controls interact to produce harmonic saturation and soft compression derived from overloading an analog circuit. It can be used lightly for subtle thickening saturation or driven hard for more extreme distortion. \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003ch3\u003eViolet EQ\u003c\/h3\u003e \u003cdiv\u003e \u003cdiv\u003e The Violet EQ is a minimum phase-shift, two-band shelving EQ. It draws on the SSL legacy of carefully selected frequencies and response curves to create a musical and intuitive EQ designed to quickly dial in low-end weight and high-end sheen. High- and low-frequency circuits each offer four switched frequency points and ±9 dB gain. \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003ch3\u003eHF Compressor\u003c\/h3\u003e \u003cdiv\u003e \u003cdiv\u003e The High-Frequency Compressor delivers the distinctive sound of high-frequency rounding in the analog domain and also affects high frequencies only, optimized for smooth and transparent harshness reduction and a tape-like attenuation of high frequencies. \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003ch3\u003eStereo Image\u003c\/h3\u003e \u003cdiv\u003e \u003cdiv\u003e The Stereo Image enhancer provides a true analog Mid-Side circuit that manipulates the Side signal, allowing for widening and spatial manipulation of the stereo field. \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003ch3\u003eTransformer\u003c\/h3\u003e \u003cdiv\u003e \u003cdiv\u003e A switched, custom-designed SSL Transformer circuit introduces subtle low-frequency saturation, alongside a high-frequency phase-shift. The result is a simultaneous thickening of the bass frequencies and an added sparkle to the highs. \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003ch3\u003eUtility Functions\u003c\/h3\u003e \u003cdiv\u003e \u003cdiv\u003e Workflow-enhancing features include ±12 dB input\/output trim controls, an input overload LED, large peak-hold meters, a 3rd order high-pass filter with three selectable cut-off frequencies, and tri-color status indicators for the Vintage Drive and HF Compressor sections. \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003ch3\u003eBalanced I\/O\u003c\/h3\u003e \u003cdiv\u003e \u003cdiv\u003e The main stereo inputs and outputs are accessible via rear-panel XLR 3-pin connectors. A set of XLR insert connections can be used either as a Stereo Insert for stereo mix bus processing or switched to function as a Mid-Side circuit enabling separate compressors or EQ to be applied to the middle (center) and sides of a stereo signal. In Stereo Insert mode, the insert point can be positioned before the EQ. In Mid-Side mode, the insert can be switched to occur before the Stereo Image controls. \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cimg\u003e \u003cdiv\u003e UPC: 878076001333 \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003ch4\u003eIn the Box\u003c\/h4\u003e \u003cul\u003e \u003cdiv\u003e \u003cli\u003eSolid State Logic Fusion Analog Stereo Outboard Processor\u003c\/li\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cli\u003eIEC Power Cable\u003c\/li\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cli\u003eLimited 1-Year Warranty\u003c\/li\u003e \u003c\/div\u003e \u003c\/ul\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e\u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e Table of Contents \u003c\/div\u003e \u003cul\u003e \u003cli\u003eDescription\u003c\/li\u003e \u003cli\u003eVintage Drive\u003c\/li\u003e \u003cli\u003eViolet EQ\u003c\/li\u003e \u003cli\u003eHF Compressor\u003c\/li\u003e \u003cli\u003eStereo Image\u003c\/li\u003e \u003cli\u003eTransformer\u003c\/li\u003e \u003cli\u003eUtility Functions\u003c\/li\u003e \u003cli\u003eBalanced I\/O\u003c\/li\u003e \u003c\/ul\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003ch3\u003eSolid State Logic Fusion Specs\u003c\/h3\u003e \u003cdiv\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eFunction\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003eAnalog stereo bus processor (harmonic enhancer, equalizer, high-frequency compressor, stereo image enhancer, and switchable transformer)\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eNumber of Channels\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e2\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eInputs\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e2 x XLR 3-pin female\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eOutputs\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e2 x XLR 3-pin male\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eInserts\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e 2 x XLR 3-pin male sends \u003cbr\u003e 2 x XLR 3-pin female returns \u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eInput Impedance\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e10 kOhms\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMaximum Input Level\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e27.5 dBu at 1% THD\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eCompression Threshold\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e-10 to +10 dB\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eCompression Ratio\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003eNot specified by manufacturer\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eAttack Time\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003eNot specified by manufacturer\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eRelease Time\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003eNot specified by manufacturer\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eOutput Impedance\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e75 Ohms\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMaximum Output Level\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e27.5 dBu at 1% THD\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMake-up Gain\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e±12 dB\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eFrequency Response\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e 20 Hz to 20 kHz (±0.05 dB, all circuits off) \u003cbr\u003e -3 dB roll-off below 5 Hz \u003cbr\u003e -3 dB roll-off above 180 kHz \u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eTHD + Noise\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e All Circuits Off: \u0026lt; 0.005%, 0.0025% typical (+20 dBu, 1 kHz, filter 22 Hz to 22 kHz) \u003cbr\u003e Bypass: 0.0005% typical (+20 dBu, 1 kHz, filter 22 Hz to 22 kHz) \u003cbr\u003e Vintage Drive Indicator Off: \u0026lt; 0.2% typical \u003cbr\u003e Vintage Drive Indicator Green: 0.2% to 0.5% typical \u003cbr\u003e Vintage Drive Indicator Orange: 0.5% to 2% typical \u003cbr\u003e Vintage Drive Indicator Red: \u0026gt; 2% typical \u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eCMRR\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e At 20 Hz: \u0026gt; 78 dB, 85 dB typical \u003cbr\u003e At 1 kHz: \u0026gt; 78 dB, 88 dB typical \u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eNoise\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e All Circuits Off: \u0026lt; -86 dBu, -91 dBu typical \u003cbr\u003e Bypass: -94 dBu typical \u003cbr\u003e Vintage Drive, Mid Drive, Mid Density: -75 dBu typical \u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eCrosstalk\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e At 20 Hz: -110 dB typical (all circuits off \/ bypass) \u003cbr\u003e At 1 kHz: \u0026lt; -110 dB, -115 dB typical (all circuits off \/ bypass) \u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMatching Tolerance\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e All Circuits Off \/ Bypass: \u0026lt; 0.01 dB \u003cbr\u003e Vintage Drive On: \u0026lt; 0.25 dB typical \u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eOperating Temperature\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e34 to 86°F \/ 1 to 30°C\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eStorage Temperature\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e-4 to 122°F \/ -20 to 50°C\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePower Requirement\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e115 VAC, 60 Hz or 230 VAC, 50 Hz (switchable)\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eRack Height\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e2 RU\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDimensions (W x H x D)\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e 19 x 3.5 x 11.9\" \/ 48.0 x 8.9 x 30.3 cm (chassis only) \u003cbr\u003e 19 x 3.5 x 12.9\" \/ 48.0 x 8.9 x 32.8 cm (including front-panel controls) \u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eWeight\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e12.9 lb \/ 5.9 kg\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eSpecialties\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e High-pass filter \u003cbr\u003e Mid-Side mode \u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eCertifications and Compliance\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003eCE, FCC, RoHS\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e Packaging Info \u003c\/div\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003ePackage Weight\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e20.84 lb\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e21.2 x 18.1 x 8.6\"\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Solid State Logic-10","offers":[{"title":"Default Title","offer_id":31796911964245,"sku":"SOFUSION:SOFUSION:bhpv","price":446135.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/1539256961_1437114.jpg?v=1582437960"},{"product_id":"eventide-h9000r-multi-effects-processor-blank-panel-version","title":"Eventide H9000R Multi-Effects Processor (Blank-Panel Version)","description":"\u003cdiv\u003e \u003ch3\u003eEventide H9000R Overview\u003c\/h3\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e Introducing the Eventide H9000 Harmonizer Eventide Artist Profile: Drummer Philipp Danzeisen and H9000 \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e\u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Eventide-10","offers":[{"title":"Default Title","offer_id":31796912554069,"sku":"EVH9000R:EVH9000R:bhpv","price":967515.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/Tanotis_no_image_bb6a0d5f-2c7f-41e9-b062-e35facc99482.png?v=1582535414"},{"product_id":"zoom-v3-vocal-processor","title":"Zoom V3 Vocal Processor","description":"\u003cli\u003e16 Voice Effects\u003c\/li\u003e\u003cli\u003eCompression, Reverb, Delay, and Enhance\u003c\/li\u003e\u003cli\u003eAdds up to 2 Voices for 3-Part Harmonies\u003c\/li\u003e\u003cli\u003eXLR Mic Input with 48V Phantom Power\u003c\/li\u003e\u003cp\u003e Make your vocal sound shine for your next livestream, home recording, or onstage performance with the \u003cb\u003eZoom V3\u003c\/b\u003e , a vocal processor teeming with exciting effects and easy-to-use controls. You'll never have to enter a menu to access the V3's powerful functions thanks to the large, clearly-labeled knobs and illuminated buttons, letting your focus remain on being creative and entertaining. \u003c\/p\u003e \u003cp\u003eDedicated buttons provide instant switching of the 16 onboard effects, which range from chromatic or key-based pitch correction to a talk box, vocoder, beat box, and more. You can even add up to two voices to produce thick 3-part harmonies. Plus, compression, reverb, and delay are provided with their own separate controls for further refinement of your sound.\u003c\/p\u003e \u003cp\u003eThe V3 features a high-quality mic preamp with an XLR input, switchable 48V phantom power for condenser mics, and a special Enhance function that elevates vocal clarity. A 3.5mm stereo aux input ensures that you can easily play along with music from your smartphone or backing tracks from a computer. Stereo line and headphone outputs allow simultaneous hookup to a PA system and headphones, and the headphones' volume can be independently adjusted.\u003c\/p\u003e \u003cp\u003eAdditionally, the V3 offers USB audio interface functionality, should you want to record directly to your computer for creating podcasts, song demos, YouTube videos, or more. Run the V3 for up to 3.5 hours with the supplied AA batteries, power it via USB, or connect the separately available Zoom AD-16 AC adapter for long-running projects.\u003c\/p\u003e Loaded with Effects \u003cul\u003e \u003cli\u003eReverb, delay, and compression with dedicated control knobs\u003c\/li\u003e \u003cli\u003eEnhance function automatically optimizes the performance of any mic for increased clarity\u003c\/li\u003e \u003cli\u003eHarmony function adds up to two voices to create 3-part harmonies in major and minor keys\u003c\/li\u003e \u003cli\u003eFormant Character button alters your vocal characteristics without changing the pitch\u003c\/li\u003e \u003cli\u003eChromatic and key-based pitch correction\u003c\/li\u003e \u003cli\u003ePitch-based effects including octave, unison, deep, robot, child, and chorus\u003c\/li\u003e \u003cli\u003eSpecial effects such as talk box, vocoder, beat box, whistle, distortion, and telephone\u003c\/li\u003e \u003c\/ul\u003e Flexible I\/O \u003cul\u003e \u003cli\u003eXLR mic input with switchable 48V phantom power for condenser mics\u003c\/li\u003e \u003cli\u003e3.5mm stereo aux input allows direct connection of a mobile device or computer for music playback\u003c\/li\u003e \u003cli\u003e1\/4\" stereo line outputs for hookup to a PA system or mixer\u003c\/li\u003e \u003cli\u003e3.5mm stereo headphone output with a dedicated volume control\u003c\/li\u003e \u003cli\u003e1\/4\" control input supports separately available foot controllers such as the Zoom FS01 footswitch (for toggling effects on beat) or the Zoom FS02M expression pedal (for freely modulating effect parameters)\u003c\/li\u003e \u003c\/ul\u003e Compatible with Zoom SGV-6 Mic \u003cul\u003e \u003cli\u003eWorks with the optional Zoom SGV-6 microphone\u003c\/li\u003e \u003cli\u003eSGV-6 aids in isolating your voice by suppressing ambient noise\u003c\/li\u003e \u003c\/ul\u003e USB Audio Interface \u003cul\u003e \u003cli\u003eMicro-USB port enables simple connectivity to your computer or mobile device for recording or streaming\u003c\/li\u003e \u003cli\u003e2-input \/ 2-output USB 2.0 audio interface functionality\u003c\/li\u003e \u003cli\u003eSupports 44.1 kHz sample rate at 16-, 24-, or 32-bit\u003c\/li\u003e \u003c\/ul\u003e Versatile Placement \u003cul\u003e \u003cli\u003eCompact tabletop-friendly enclosure\u003c\/li\u003e \u003cli\u003e1\/4\"-20 thread on rear panel for attachment to a mic stand using the separately available Zoom HRM-7 or HRM-11 mounts\u003c\/li\u003e \u003c\/ul\u003e UPC: 884354023386\u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eEffects\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e16 (up to Five Concurrent Effects)\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eSample Rate\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e44.1 kHz\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBit Depth\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e Signal Processing: 32-Bit \u003cbr\u003e AD\/DA Conversion: 24-Bit, 128x Oversampling \u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eInputs\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e 1 x XLR 3-Pin Female Balanced Mic Input \u003cbr\u003e 1 x 1\/8\" \/ 3.5 mm TRS Female Unbalanced Stereo Aux Input \u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eOutputs\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e 2 x 1\/4\" TS Female Unbalanced Line Outputs \u003cbr\u003e 1 x 1\/8\" \/ 3.5 mm TRS Female Unbalanced Stereo Headphone Output \u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eControl Input\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e1 x 1\/4\" TS (Compatible with Zoom FS01 and FP02M )\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eUSB Port\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e1 x Micro-USB 2.0\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eAudio Interface\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e2-Input \/ 2-Output USB 2.0 Full Speed at 44.1 kHz \/ 16-, 24-, or 32-Bit\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eFrequency Response\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e20 Hz to 20 kHz (+1 dB \/ ?3 dB, 10-Kilohm Load)\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eInput Gain\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003eMic Input: +3 to +40 dB\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eInput Level\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e Mic Input: +4 dBu (Maximum) \u003cbr\u003e Aux Input: -10 dBu (Rated) \u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eOutput Level\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003eLine Outputs: +6 dBu (Maximum)\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eHeadphone Output Power\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e20 mW + 20 mW into 32-Ohm Load (Maximum)\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eInput Impedance\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e Mic Input: 3 Kilohms or Greater (1 kHz) \u003cbr\u003e Aux Input: 22 Kilohms \u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eOutput Impedance\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003eLine Outputs: 100 Ohms\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eEquivalent Input Noise\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003eMic Input: -125 dBu or Less (Phantom Power Off, A-Weighted, 150-Ohm Input, +40 dB Input Gain)\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eNoise Floor\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e-75 dBu\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePhantom Power\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e+48 VDC\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePower Requirements\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e4 x AA Batteries (Included), 5 VDC via USB Bus Power, or 9 VDC via AC Power Adapter (Available Separately)\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePower Adapter\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e9 VDC, 500 mA (Center-Positive) via Zoom AD-16 AC Adapter (Available Separately)\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBattery Life\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003eUp to 3.5 Hours\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eSecurity\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003eKensington Lock Slot\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMounting\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e1 x 1\/4\"-20 Female Thread\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDimensions (D x W x H)\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e5.9 x 7.5 x 2\" \/ 15 x 19 x 5 cm\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eWeight\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e1.3 lb \/ 0.6 kg (Excluding Batteries)\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e\u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003ePackage Weight\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e2.135 lb\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e9.2 x 7 x 2.7\"\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e\u003cdiv\u003e \u003ch4\u003eIn the Box\u003c\/h4\u003e \u003cul\u003e \u003cli\u003eZoom V3 Vocal Processor\u003c\/li\u003e \u003cli\u003e4 x AA Batteries\u003c\/li\u003e \u003cli\u003eLimited 1-Year Warranty\u003c\/li\u003e \u003c\/ul\u003e \u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Zoom-10","offers":[{"title":"Default Title","offer_id":32910494466133,"sku":"ZOV3VP:ZOV3VP:bhpv","price":47840.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/zoom_v3_vocal_processor_1594889195_1576996.jpg?v=1606582742"},{"product_id":"rupert-neve-designs-portico-ii-mbc-master-buss-converter-dual-path-a-d-converter-and-limiter","title":"Rupert Neve Designs Portico II MBC Master Buss Converter Dual-Path A-D Converter and Limiter","description":"\u003ch2\u003eRupert Neve Designs MBC Overview\u003c\/h2\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cul\u003e\n    \u003cli\u003e\n\u003cspan\u003e1\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e2\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eDual-Path Analog Design\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e3\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eCompound Active Release Analog Limiter\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e4\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eMastering-Grade Conversion\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e5\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eProfessional Connectivity\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e6\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003ePrecise Metering\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ca\u003e\u003cimg\u003e\u003cp\u003eMaster Your Mix with 3 New Items from Rupert Neve Designs\u003c\/p\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003c\/a\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eTap into premium A-D conversion and limiting for tracking, mixing, and mastering in any genre with the \u003cb\u003eRupert Neve Designs Portico II MBC Master Buss Converter\u003c\/b\u003e, a dual-path 24-bit \/ 192 kHz converter with a host of high-end configurable features ranging from adjustable harmonics to selectable calibration levels.\u003cbr\u003e \u003cbr\u003e Capable of operating in dual mono or linked stereo, the MBC provides the flexibility and customization needed to handle critical stereo mixes, vocal session with A-list artists, and anything in between. Select the Class-A tranformerless path for transparency or switch to the custom transformer-coupled path to access the Silk\/Texture circuit for adjustable harmonic content and saturation.\u003cbr\u003e \u003cbr\u003e The onboard limiter utilizes enhanced topology to deliver a balance of exactitude and vibe, and its threshold, gain, and release controls offer efficient manipulation of crucial settings. A 20 to 250 Hz sweepable high-pass filter can be inserted into the sidechain, allowing effective management of how your signal's bass levels trigger the limiter.\u003cbr\u003e \u003cbr\u003e With XLR-1\/4\" combo inputs, three simultaneously active digital outputs, and BNC word clock I\/O, the MBC is easily integrated into any setup, be it a live sound rig or a permanent studio installation.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003ch2\u003eDual-Path Analog Design\u003c\/h2\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       From the ground up, the MBC was designed for reference performance regardless of genre or desired sonic character, and the key to this lies in the quality and adaptability of the analog drive circuitry. For a bolder, more powerful imprint, a custom-designed interstage transformer with Rupert's acclaimed Silk circuitry can be inserted to recreate the classic tonality of his vintage designs.\n       \u003cbr\u003e \n       \u003cbr\u003e Unlike Rupert Neve's audio transformers intended for line-level output, this new transformer is designed to achieve output transformer harmonic content characteristics at a level appropriate for input to the converter itself. With the addition of variable Silk, the engineer is able to precisely dial in the desired amount of harmonic content; the Red mode highlights harmonics in the mid and high frequencies, while the Blue mode accentuates harmonics in the lows.\n       \u003cbr\u003e \n       \u003cbr\u003e From a subtle transformer tonality without Silk, to significantly more color than vintage modules with the Silk\/Texture circuit fully pushed, the selectable transformer path fills your tracks with enhanced dimensionality and power. When maximum transparency and fidelity is desired, the transformerless path provides extraordinary detail and clarity.\n       \u003cbr\u003e \n       \u003cbr\u003e While many transformerless circuits suffer from thin tonal balance and a lack of punch, the MBC's Class-A circuitry was painstakingly designed to deliver a beautiful sense of clarity, with vibrant detail at both high and low frequencies. As an additional tonal palette to capture your tracks, the transformerless path is an essential complement to the weighty, classic sound of the transformer path. No matter what sonic character you're seeking, the MBC can provide it at the push of a button.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003ch2\u003eCompound Active Release Analog Limiter\u003c\/h2\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Designed to act as a musical sculpting tool exceeding the quality of available plug-in limiters or as a transparent safety limiter for tracking or live performance and broadcast, the MBC's limiter features refined compound active release topology, which enhances both the accuracy and musicality of the limiter response. The resulting limiter achieves transparency and the capability of pushing the level of tracks or mixes without damage to the integrity of the source.\n       \u003cbr\u003e \n       \u003cbr\u003e To further adapt the sound of the limiter, several controls are available for each channel. The built-in S\/C HPF (sidechain high-pass filter), sweepable from 20 to 250 Hz, minimizes the limiter's reaction to low frequencies, which tend to be more sustained in nature than high frequencies. The threshold control sets the maximum levels for your digital signal, and the variable release time constant alters the response characteristic to better fit different source material.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003ch2\u003eMastering-Grade Conversion\u003c\/h2\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The MBC's 24-bit \/ 192 kHz converters were developed after years of careful listening, and represent a further advancement of the design within the RMP-D8. The precision-controlled internal clock's minimal jitter and phase noise allow the converters to capture the complete performance of your music with a great degree of accuracy.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003ch2\u003eProfessional Connectivity\u003c\/h2\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       To connect into your interface or digital console, the MBC is equipped with three digital outputsâ��AES3 via XLR, S\/PDIF via RCA coaxial, and S\/PDIF via TOSLINK opticalâ��capable of simultaneous output to multiple destinations. The word clock output allows the MBC to act as high-end master clock for your entire setup, and the word clock input enables external sync to a separate master clock if desired.\n       \u003cbr\u003e \n       \u003cbr\u003e The MBC can be seamlessly integrated into a multichannel conversion environment, thanks to its four selectable standard levels from -14 to -20 dBFS. These reference level calibration standards are implemented with a superb degree of accuracy via high-precision resistors and relay-controlled stepped attenuation.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003ch2\u003ePrecise Metering\u003c\/h2\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       A pair of 22-segment meters provide extremely precise level metering of the input to the converter stage, utilizing a new design that represents the highest resolution LED metering in a Rupert Neve Designs product to date. For monitoring of the limiter's gain reduction, there are 8-segment gain reduction meters designed to display transient reductions with extreme accuracy. The level meters can be further customized with a 1-second or 3-second peak hold option.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cimg\u003e\n   \u003cdiv\u003e\n    UPC: 763854076767\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eRupert Neve Designs Portico II MBC Master Buss Converter Dual-Path A-D Converter and Limiter\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003ePower Cable\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eLimited 1-Year Warranty\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Table of Contents\n    \u003c\/div\u003e\n    \u003cul\u003e\n     \u003cli\u003eDescription\u003c\/li\u003e\n     \u003cli\u003eDual-Path Analog Design\u003c\/li\u003e\n     \u003cli\u003eCompound Active Release Analog Limiter\u003c\/li\u003e\n     \u003cli\u003eMastering-Grade Conversion\u003c\/li\u003e\n     \u003cli\u003eProfessional Connectivity\u003c\/li\u003e\n     \u003cli\u003ePrecise Metering\u003c\/li\u003e\n    \u003c\/ul\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003ch2\u003eRupert Neve Designs MBC Specs\u003c\/h2\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003ctable\u003e\n      \u003ctbody\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eFunction\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eAnalog-to-Digital Converter\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eNumber of Channels\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e2\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eAnalog Inputs\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e2 x XLR-1\/4\" Combo Inputs\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eDigital Outputs\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e1 x XLR 3-Pin Male (AES3)\u003cbr\u003e 1 x TOSLINK Optical Female (S\/PDIF)\u003cbr\u003e 1 x RCA Coaxial Female (S\/PDIF)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eWord Clock I\/O\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e1 x BNC Input (75-Ohm Terminated)\u003cbr\u003e 1 x BNC Output\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eInput Impedance\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e9.9 Kilohms\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eFrequency Response\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eTransformerless Path: 20 Hz to 70 kHz ±0.025 dB Typical\u003cbr\u003e Transformer Path: 20 Hz to 70 kHz ±0.1 dB Typical\u003cbr\u003e Limiter: 20 Hz to 70 kHz ±0.1 dB Typical (Transformerless Path Selected, 40-Ohm Balanced Source)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eTHD + N\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eTransformerless Path: 0.0009% Typical (Measured at 1 kHz at -2 dBFS (10 Hz to 22 kHz Bandwidth)\u003cbr\u003e Transformer Path: 0.002% Typical (Measured at 1 kHz at -2 dBFS (10 Hz to 22 kHz Bandwidth)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eNoise\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eTransformerless Path: -108 dBFS Typical (10 Hz to 22 kHz Bandwidth)\u003cbr\u003e Transformer Path: -114 dBFS Typical (10 Hz to 22 kHz Bandwidth)\u003cbr\u003e Limiter at 0 dB Make-Up Gain: -107 dBFS Typical (10 Hz to 22 kHz Bandwidth)\u003cbr\u003e Limiter at +20 dB Make-Up Gain: -97 dBFS Typical (10 Hz to 22 kHz Bandwidth)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eCommon Mode Rejection\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e105 dB Typical at 1 kHz\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eRelease Time\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e50 ms to 1 sec\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eMake-up Gain\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e0 to +20 dB\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eHigh-Pass Filter\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e20 to 250 Hz (Sidechain HPF)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eCalibration\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e+4 dBu = -14, -16, -18, or -20 dBFS (Selectable)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eBit Depth\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e24-Bit\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eSample Rates\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eUp to 192 kHz\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003ePower Requirements\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e100 to 240 VAC, 50\/60 Hz\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003ePower Consumption\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e45 W\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eDimensions (W x H x D)\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e19 x 1.7 x 9\" \/ 48.3 x 4.2 x 22.9 cm\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eWeight\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eNot Specified by Manufacturer\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n      \u003c\/tbody\u003e\n     \u003c\/table\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Packaging Info\n     \u003c\/div\u003e\n     \u003ctable\u003e\n      \u003ctbody\u003e\n       \u003ctr\u003e\n        \u003ctd\u003ePackage Weight\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e10.425 lb\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e22.6 x 14.4 x 6.7\"\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n      \u003c\/tbody\u003e\n     \u003c\/table\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Rupert Neve Designs-10","offers":[{"title":"Default Title","offer_id":39497395241045,"sku":"RUMBC:RUMBC:bhpv","price":645630.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/1601941633_1597243.jpg?v=1628772847"},{"product_id":"rupert-neve-designs-portico-542-tape-emulator","title":"Rupert Neve Designs Portico 542 Tape Emulator","description":"\u003ch2\u003eRupert Neve Designs 542 Overview\u003c\/h2\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eThe \u003cb\u003ePortico 542 Tape Emulator\u003c\/b\u003e from \u003cb\u003eRupert Neve Designs\u003c\/b\u003e is a single-channel 500 series rack module that simulates the sound of analog tape, and adds texture to your audio with its dedicated Silk circuitry. The emulation of tape is achieved with analog hardware, as opposed to digital processing. The 542 features a \"True Tape\" circuit, which utilizes an authentic magnetic record head and a replay amplifier, giving the applied audio the warmth of tape compression. Texture can be added by pushing the Silk button, selecting Red or Blue mode, and adjusting a knob. This adds harmonic content that's reminiscent of vintage Neve equipment.\u003cbr\u003e \u003cbr\u003e Tape Effects can be added in by pressing an illuminated button. A Saturation knob enables you to dial in the amount of effects, and a Blend knob lets you mix the pre and post signals. A 15 \/ 30 IPS button lets you select between the emulations of those two tape-based characteristics. Two eight-segment LED meters are on the face of the 542, one dedicated to Drive, the other to Level. When your signal hits the yellow LED in the Drive meter, a Soft Clip functionality kicks in, protecting your signal from peaking. A 500-Series power supply\/rack is required for operation.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cimg\u003e\n   \u003cdiv\u003e\n    UPC: 752423656967\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eRupert Neve Designs Portico 542 Tape Emulator\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eLimited 1-Year Warranty\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003ch2\u003eRupert Neve Designs 542 Specs\u003c\/h2\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003ctable\u003e\n      \u003ctbody\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eFunction\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eTape Emulator\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eNumber of Channels\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eSingle\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eInputs\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e1x XLR\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eOutputs\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e1x XLR\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eControls\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e1x Trim knob, +\/- 12 dB\u003cbr\u003e 1x Saturation knob\u003cbr\u003e 1x Blend knob\u003cbr\u003e 1x Texture knob\u003cbr\u003e 1x Tape Effect In button\u003cbr\u003e 1x 15\/30 IPS button\u003cbr\u003e 1x Silk button\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eMaximum Output Level\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e23.25dBu\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eFrequency Response\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eLine amp specifications, with tape circuit disengaged:\u003cbr\u003e Measured at +10dBu, trim at unity\u003cbr\u003e \u003cbr\u003e Main Output +\/- 0.25 dB from 5 Hz to 60 Khz -2 dB @ 120 kHz\u003cbr\u003e \u003cbr\u003e Tape FX specifications:\u003cbr\u003e 15 IPS, Input @ -0 dBu -3dBu @ 28 kHz Saturation @ minimum 0dBu @ 10 Hz +5dBu Peak @ 60 Hz\u003cbr\u003e Saturation @ maximum -3dBu @ 20 kHz -3dBu @ 12.5 Hz +2.4dBu Peak @ 60 Hz\u003cbr\u003e 30 IPS, Input @ -0 dBu -3dBu @ 120 kHz Saturation @ minimum -3dBu @ 10 Hz +3.15dBu Peak @ 125 Hz\u003cbr\u003e Saturation @ maximum -3dBu @ 100 kHz -3dBu @ 12.5 Hz\u003cbr\u003e +1.3dBu Peak @ 110 Hz\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eNoise\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eLine amp specifications, with tape circuit disengaged:\u003cbr\u003e Measured at Main Output, un-weighted, 20 Hz - 22 kHz, Input Terminated 40 Ohms\u003cbr\u003e Unity Gain: better than -100dBu\u003cbr\u003e \u003cbr\u003e Tape FX specifications:\u003cbr\u003e Measured at Main Output, un-weighted, 20 Hz - 22 kHz, Input Terminated 40 Ohms\u003cbr\u003e Saturation @ minimum: better than -100dBu Saturation @ maximum: better than -100dBu\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eTotal Harmonic Distortion\/Noise\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eLine amp specifications, with tape circuit disengaged:\u003cbr\u003e @ 1 kHz, +20dBu output level: better than 0.0025% @ 20 Hz, +20dBu output level 0.07% Typical (2nd and 3rd harmonic)\u003cbr\u003e \u003cbr\u003e Tape FX specifications:\u003cbr\u003e 15 IPS, Input @ -0 dBu 0.4% @ 3 kHz to 1% @ 175Hz typical\u003cbr\u003e Saturation @ minimum greater than 1% below 175 Hz typical\u003cbr\u003e Saturation @ maximum 1% at 6 kHz typical 0.3% @ 1 kHz to 3% @ 50 Hz typical\u003cbr\u003e 30 IPS, Input @ -0 dBu 1% at 1 kHz typical\u003cbr\u003e Saturation @ minimum 0.6% @ 400 Hz 5% @ 20 Hz typical\u003cbr\u003e Saturation @ maximum 1.5% @ 20 kHz to 0.4% @ 1 kHz typical 0.4% @ 1 kHz to 2 %@ 50 Hz typical\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eMeters\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e1x 8-segment Level meter\u003cbr\u003e 1x 8-segment Drive meter\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003ePower Requirements\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eSupplied by 500 series rack with 110-125 mA @ +\/- 16V DC\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eDimensions\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eNot specified by manufacturer\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eWeight\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eNot specified by manufacturer\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n      \u003c\/tbody\u003e\n     \u003c\/table\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Packaging Info\n     \u003c\/div\u003e\n     \u003ctable\u003e\n      \u003ctbody\u003e\n       \u003ctr\u003e\n        \u003ctd\u003ePackage Weight\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e2.175 lb\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e10.1 x 7.8 x 3\"\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n      \u003c\/tbody\u003e\n     \u003c\/table\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Rupert Neve Designs-10","offers":[{"title":"Default Title","offer_id":39501335232597,"sku":"RU542:RU542:bhpv","price":161660.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/1362584200_925761.jpg?v=1628925385"},{"product_id":"on-stage-single-slot-500-series-blank-rack-panel-black","title":"On-Stage Single-Slot 500 Series Blank Rack Panel (Black)","description":"\u003cdiv\u003e\n \u003ch2\u003eOn-Stage RPB1500 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eThe black \u003cb\u003eOn-Stage RPB1500\u003c\/b\u003e is a blank panel used to fill one open space between mounted components in a standard 500 Series rack. It not only provides a more sleek appearance, but also helps protect against dust and debris getting inside your rack and damaging your sensitive equipment. The panel is made of rugged 3mm steel with a durable black powder-coat finish and is easy to install using two screws (available separately).\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cimg\u003e\n   \u003cdiv\u003e\n    UPC: 659814142699\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eOn-Stage Single-Slot 500 Series Blank Rack Panel (Black)\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eLimited 3-Year Warranty\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003ch2\u003eOn-Stage RPB1500 Specs\u003c\/h2\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003ctable\u003e\n      \u003ctbody\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eSize\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eSingle Slot, Fits Standard 500 Series Rack\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eMaterial of Construction\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eSteel\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eThickness\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e0.1\" \/ 3 mm\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eFinish\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eBlack Powder-Coat Finish\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n      \u003c\/tbody\u003e\n     \u003c\/table\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Packaging Info\n     \u003c\/div\u003e\n     \u003ctable\u003e\n      \u003ctbody\u003e\n       \u003ctr\u003e\n        \u003ctd\u003ePackage Weight\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e0.275 lb\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e5.85 x 1.6 x 0.2\"\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n      \u003c\/tbody\u003e\n     \u003c\/table\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003ch2\u003eOn-Stage RPB1500 Reviews\u003c\/h2\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"On-Stage-10","offers":[{"title":"Default Title","offer_id":40041925836885,"sku":"ONRPB1500:ONRPB1500:bhpv","price":2540.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/1599662192_1591401.jpg?v=1650610933"},{"product_id":"rupert-neve-designs-portico-ii-master-buss-processor-black","title":"Rupert Neve Designs Portico II Master Buss Processor (Black)","description":"\u003cdiv\u003e\n \u003ch2\u003eRupert Neve Designs PORTICO II Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cul\u003e\n    \u003cli\u003e\n\u003cspan\u003e1\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e2\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eHigh-Quality Signal Path\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e3\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eGain Controls\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e4\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eLimiter\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e5\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eHardwire Bypass\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e6\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eTexture\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e7\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eFF\/FB\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e8\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003ePeak\/RMS Switch\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e9\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eSelectable Sidechaining\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e10\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eLED Meters\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e11\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eStereo Field Editor Controls\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e12\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eSelectable, Useful M\/S Compression\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ca\u003e\n    \u003cdiv\u003e\u003c\/div\u003e\n\u003cp\u003eMaster Your Mix with 3 New Items from Rupert Neve Designs\u003c\/p\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003c\/a\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eOffered here with a black faceplate, the \u003cb\u003eRupert Neve Designs Portico II Master Buss Processor\u003c\/b\u003e is more than a stereo VCA compressor: it's a multifaceted machine that can add weight, density, glue, transparent gain, subtle harmonics, grit, width, low-end emphasis, limiting, and more to your program material. As such, it is an ideal unit for mastering engineers, or high-end mixers looking for something to take their stereo-buss work to the next level.\u003c\/p\u003e\n    \u003cp\u003e At the core of the Master Buss Processor is an exceedingly versatile VCA compressor with standard attack, release, threshold, and ratio controls. Use it in feedback mode for a more relaxed sound, or clamp down harder and faster with feedforward circuitry. This feature, combined with a selectable high-pass filter and a PEAK\/RMS switch for the detector circuit, allows you to tailor the compressor to your exact needs.\u003c\/p\u003e\n    \u003cp\u003e After compression, drive the signal hard with makeup gain and feed the one-knob limiter, which can help you achieve desired loudness out of the box without clipping your A\/D as hard. You can also use a lighter touch: because of a mix knob, you can dial the effect back into the dry signal, using parallel compression to transparently reign in levels. The choice is yours.\u003c\/p\u003e\n    \u003cp\u003e Apart from the compressor, you'll find Rupert Neve Design's customary silk circuit, a useful tool for adding harmonic distortion. Switch between red and blue modes for different flavors. Blue is more dense, and red is more crisp, favoring the high-end. You can dial in the amount of distortion with a dedicated knob.\u003c\/p\u003e\n    \u003cp\u003e One must pay attention to the Stereo Field Editor, which is an incredibly euphonic way of shaping the stereo spread of program material. A click or two of the width knob can add the width you're often looking for in mastering without deleterious results. Use the effect in broadband, or focus it on the lows, low mids, high mids, or highs for a targeted response. The depth knob affects the center, and it too has frequency controls. Often you can bring out a kick, bass, or vocal part with a touch of this control. If you choose, the Stereo Field Editor section can be fed into the compressor itself, giving you truly useful mid-side compression.\u003c\/p\u003e\n    \u003cp\u003e This is a stereo compressor with independent controls. A handy link switch lets you manipulate a stereo signal with ease, or you can work in dual-mono if you choose, which can be useful for recording as well as mixing or mastering. Side chain inputs as well as the customary XLR I\/O are located on the rear of the unit.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eHigh-Quality Signal Path\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Based around the high voltage, discrete, and class-A signal paths made famous in the 5088 Mixer and the Portico II Channel, the Portico II Master Buss Processor has a fancy signal path indeed. With input and output transformers designed and implemented by Rupert Neve, the high-voltage 72V topology found in the Master Buss Processor integrates well with virtually any system.  Additionally, the unit incorporates mastering-grade detented pots throughout to fine-tune each control.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eGain Controls\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Gain range provided is from 0 to +20 dB. When compression has taken place, the gain control is necessary to increase the overall gain to restore the program level. The gain control is placed before the limiter in the signal path.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eLimiter\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Musically transparent brick-wall limiting activated when the signal reaches the limiter threshold. Attack time is .03 ms in order to reduce the first half of a 20 kHz waveform over the threshold, with Serial Adaptive Release.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eHardwire Bypass\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       A hardwire bypass means just what it says, defeating the signal path entirely, including the input and output transformers.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eTexture\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Continuously variable control for the Silk modes allows the engineer to fine tune the harmonic ratio and tonality of each channel.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFF\/FB\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Changes the VCA Detection from a forward-feed design (fast, more accurate attack and release) to a feedback design (smoother, more musical response)\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003ePeak\/RMS Switch\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       When engaged, the MBP compressor uses a combination of peak and RMS (average) detection to trigger the VCA set below 1 ms. When disengaged, it follows RMS alone.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eSelectable Sidechaining\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Introduce a HPF at 125 Hz to the VCA side chain signal, or input your own over the rear connections.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eLED Meters\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Four Peak LED meters are provided that show stereo output levels and gain reduction. Output level meter covers the range from -10 to +22 dBu and above, which is regarded as overload. The reduction is calibrated in dB covering the range 1 to 22 dBu, reading from top to bottom.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eStereo Field Editor Controls\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The stereo field editor on the MBP takes traditional M-S techniques to new heights using width, depth, and corresponding band-pass filters in concert to manipulate spacial elements. The width control enables the user to increase or decrease the perceived width of the stereo image (Wide\/Mono), while adjusting the amount of ambience heard in the recording. The depth control of the MBP adjusts the spatial positioning of elements in the sound stage. Center-panned elements like solo instruments or vocals can be brought forward in a mix in relation to the supporting instruments. In many cases, these same elements may be virtually eliminated without adversely affecting any sonic information.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eSelectable, Useful M\/S Compression\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       With the SFE to Comp button, users can route the Mid and Side signals to the Channel A and Channel B compressors, respectively. The Depth and Width changes are routed through the compressors, allowing the user to utilize the compressor features while manipulating the Mid and Side information. With these controls, it is possible to not only increase the side information, but to utilize the compressor to bring up some of the low-level side information, or allow the user to tame an overly expressive lead singer in the mids. With the addition of using the EQ section on the Depth and Width, a wide range of tools is available to the engineer.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cimg\u003e\n   \u003cdiv\u003e\n    UPC: 752423657001\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eRupert Neve Designs Portico II Master Buss Processor (Black)\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eIEC Power Cord\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eLimited 1-Year Warranty\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ca\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cp\u003eUser Manual\u003c\/p\u003e\n      \u003cp\u003e1.0 MB\u003c\/p\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\u003c\/a\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Table of Contents\n    \u003c\/div\u003e\n    \u003cul\u003e\n     \u003cli\u003eDescription\u003c\/li\u003e\n     \u003cli\u003eHigh-Quality Signal Path\u003c\/li\u003e\n     \u003cli\u003eGain Controls\u003c\/li\u003e\n     \u003cli\u003eLimiter\u003c\/li\u003e\n     \u003cli\u003eHardwire Bypass\u003c\/li\u003e\n     \u003cli\u003eTexture\u003c\/li\u003e\n     \u003cli\u003eFF\/FB\u003c\/li\u003e\n     \u003cli\u003ePeak\/RMS Switch\u003c\/li\u003e\n     \u003cli\u003eSelectable Sidechaining\u003c\/li\u003e\n     \u003cli\u003eLED Meters\u003c\/li\u003e\n     \u003cli\u003eStereo Field Editor Controls\u003c\/li\u003e\n     \u003cli\u003eSelectable, Useful M\/S Compression\u003c\/li\u003e\n    \u003c\/ul\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003ch2\u003eRupert Neve Designs PORTICO II Specs\u003c\/h2\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003ctable\u003e\n      \u003ctbody\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eFrequency Response\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e-3 dB @ 4 Hz, -3 dB @ 120 kHz (Main Output, No Load)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eTHD \u0026amp; Noise\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e+20 dBu Output @ 1 kHz: \u0026lt; 0.006%\u003cbr\u003e +20 dBu Output @ 20 Hz: \u0026lt; 0.20%\u003cbr\u003e Silk Blue Engaged, Max Texture: \u0026lt; 2.5%\u003cbr\u003e Silk Red Engaged, Max Texture: \u0026lt; 3.5%\u003cbr\u003e +20 dBu Output @ 20 kHz: \u0026lt; 0.020%\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eSlew Rate\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eBetter than 4 V\/uS\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eCompressor\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eThreshold: Variable from -30 to +20 dBu\u003cbr\u003e Ratio: Variable from 1.1:1 to 20:1 (LIMIT)\u003cbr\u003e Blend: Variable from 0 to 100% Compressor\u003cbr\u003e Gain: Variable from -6 to +20 dB\u003cbr\u003e Attack: Variable from 20 to 75 ms (0.1 ms with �FAST�)\u003cbr\u003e Release: Variable from 100 ms to 2.2 Seconds\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003ePower Requirements\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e100 to 240 VAC, 50\/60 Hz\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003ePower Consumption\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e0.65 A @ 117 VAC\u003cbr\u003e 0.35 A @ 220 VAC\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eFuse\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e0.2 x 0.8\" \/ 5 x 20 mm, 2.5 A, Fast-Acting Ceramic Body: Bussman Type GDA 2.5 A or Equivalent\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eRack Size\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e2 RU\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eDimensions\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e3.5 x 19 x 12\" \/ 8.8 x 48.2 x 30.4 cm\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eWeight\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e20 lb \/ 9.1 kg\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n      \u003c\/tbody\u003e\n     \u003c\/table\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Packaging Info\n     \u003c\/div\u003e\n     \u003ctable\u003e\n      \u003ctbody\u003e\n       \u003ctr\u003e\n        \u003ctd\u003ePackage Weight\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e18.245 lb\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e21.4 x 17.2 x 7.9\"\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n      \u003c\/tbody\u003e\n     \u003c\/table\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003ch2\u003eRupert Neve Designs PORTICO II Reviews\u003c\/h2\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Rupert Neve Designs-10","offers":[{"title":"Default Title","offer_id":40041927213141,"sku":"RUPORTICOII:RUPORTICOII:bhpv","price":857410.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/1603151168_1597241.jpg?v=1650611029"},{"product_id":"rupert-neve-designs-5045-primary-source-enhancer","title":"Rupert Neve Designs 5045 Primary Source Enhancer","description":"\u003cdiv\u003e\n \u003ch2\u003eRupert Neve Designs PRIMARY SOURCE ENHANCER Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eKeep on-stage feedback out of your audio with the \u003cb\u003eRupert Neve Designs 5045 Primary Source Enhancer\u003c\/b\u003e. This is a two-channel device that tames acoustic feedback in a manner similar too, but not exactly like, a gate. As such, you can use it to help boost the level of microphones in a live performance setting before feedback occurs, all without adding obvious tonal coloration.\u003cbr\u003e \u003cbr\u003e The device sports easy-to-use controls. A Threshold control dictates the level at which the processor starts working, while the Depth parameter sets how much attenuation is applied below the threshold. The Time Constant knob gives you access to six different attack and release speeds�twelve, actually, when you consider that the RMS\/Peak switch changes the behavior of this parameter. With these minimal controls, you can easily set the processor to suppress anything below the signal's optimal range.\u003cbr\u003e \u003cbr\u003e The 5045 takes line-level from mic preamp outputs or insert sends of consoles and delivers a line-level signal that can easily feed a console or PA. Because of transformer coupling on the I\/O path, the unit can interface with a wide variety of gear. It offers XLR connections on the input and output paths.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cimg\u003e\n   \u003cdiv\u003e\n    UPC: 752423657094\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eRupert Neve Designs 5045 Primary Source Enhancer\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eIEC Power Cord\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eLimited 1-Year Warranty\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ca\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cp\u003eUser Manual\u003c\/p\u003e\n      \u003cp\u003e1.0 MB\u003c\/p\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\u003c\/a\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003ch2\u003eRupert Neve Designs PRIMARY SOURCE ENHANCER Specs\u003c\/h2\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003ctable\u003e\n      \u003ctbody\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eThreshold\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eContinuously Variable from -20 to 10 dBu\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eDepth\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eContinuously Variable from 0 to 20 dBu\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eTime Constants\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e\u003cb\u003eRMS Mode:\u003c\/b\u003e\u003cbr\u003e \u003ci\u003eRMS Mode Time Constant Data Collected Using 10 dB Bursts\u003c\/i\u003e\u003cbr\u003e A: 50 ms\u003cbr\u003e B: 100 ms\u003cbr\u003e C: 200 ms\u003cbr\u003e D: 750 ms\u003cbr\u003e E: 1.5 Seconds\u003cbr\u003e F: 3 Seconds\u003cbr\u003e \u003cbr\u003e \u003cb\u003ePeak Mode:\u003c\/b\u003e\u003cbr\u003e Attack: 20 ms, Fixed\u003cbr\u003e Release:\u003cbr\u003e A: 20 ms\u003cbr\u003e B: 200 ms\u003cbr\u003e C: 1 Second\u003cbr\u003e D: 2 Second\u003cbr\u003e E: 5 Second\u003cbr\u003e F: 30 Seconds\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eMaximum Output Level\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e+25 dBu\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eTHD \u0026amp; Noise\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eMain Output, Feedback Suppressor Bypassed: \u0026lt; 0.002% @ 1 kHz, +20 dBu Output Level, No Load\u003cbr\u003e Main Output, feedback Suppressor Engaged: \u0026lt; 0.002% @ 1 kHz, +20 dBu Output Level, No Load\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eNoise\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eFeedback Suppressor Bypassed: \u0026lt; -100 dBu @ Main Output, Unweighted, 22 Hz to 22 kHz, 50-Ohm Terminated Input\u003cbr\u003e Feedback Suppressor Engaged: \u0026lt; -95 dBu @ Main Output, Unweighted, 22 Hz to 22 kHz, 50-Ohm Terminated Input\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eFrequency Response\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eMain Output @ 20 Hz: -3 dB\u003cbr\u003e Main Output @ 150 kHz: -3 dB\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eCrosstalk\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eMeasured Channel to Channel: \u0026lt; - 80 dB @ 16 kHz\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003ePower Requirements\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e12 VDC Input, 1 A\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eDimensions\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eNot Specified by Manufacturer\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eWeight\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eNot Specified by Manufacturer\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n      \u003c\/tbody\u003e\n     \u003c\/table\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003ch2\u003eRupert Neve Designs PRIMARY SOURCE ENHANCER Reviews\u003c\/h2\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Rupert Neve Designs-10","offers":[{"title":"Default Title","offer_id":40041927245909,"sku":"RU5045:RU5045:bhpv","price":375690.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/1602857142_1597242.jpg?v=1650611036"},{"product_id":"wesaudio-_dione-500-series-stereo-bus-compressor-with-digital-recall","title":"WesAudio _DIONE 500 Series Stereo Bus Compressor with Digital Recall","description":"\u003cdiv\u003e\n \u003ch2\u003eWesAudio DIONE Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cul\u003e\n    \u003cli\u003e\n\u003cspan\u003e1\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e2\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eNew Implementation of a Legend\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e3\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eTHAT 2181 VCAs\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e4\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eMix Knob for Parallel Compression\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e5\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eTHD\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e6\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eSidechain Filters\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e7\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eFour Ratio Settings\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e8\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e500 Series Compatible\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e9\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eng500 Series\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e10\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eHardware A\/B\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e11\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eTotal Recall and Plug-In Control\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e12\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eAnalog Automation\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e13\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eAdditional Features\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eMerging the best of analog and digital worlds, the \u003cb\u003eWesAudio _DIONE\u003c\/b\u003e 500 series stereo bus compressor offers legendary mix bus glue and the powerful luxury of digital total recall. On the analog side, it provides high headroom of +24 dBu, THAT 2181 VCAs, variable parallel compression, and selectable THD coloration intensity for big tone that'll help you get pro impact in your mixes. Plus, there's true bypass and hardware A\/B switching, so you can easily compare dry versus compressed or two different configurations of settings.\u003cbr\u003e \u003cbr\u003e When it comes to the digital integration, _DIONE is high-tech with USB connectivity and plug-in control. It has three touch-sensitive encoders that not only adjust the settings of the analog circuitry, but also allow you to write real-time automation from _DIONE to your DAW. Alternatively, you can draw automation in the DAW and _DIONE will react accordingly. You can even send a DAW track to the sidechain of _DIONE over the USB connection; analog compression digitally sidechained from your DAW. The sidechain also has five different filter settings for full control over the trigger signal.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eNew Implementation of a Legend\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The legendary sound of \"the\" stereo bus compressor has been a true companion on countless recordings for 40 years. Often recognized as \"mix bus glue,\" this particular compression sound has become industry standard in the analog and DAW worlds. WesAudio's _DIONE implements legendary VCA compression into a 500 Series module and brings with it one of the most demanded features in the audio industry�digital recall.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eTHAT 2181 VCAs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       _DIONE is a 100% analog device with +24 dBu headroom. Regardless of its digital control nature, the fully analog signal path provides top-tier VCA compression. It contains two THAT 2181 VCAs in the signal chain and two more in the sidechain detector.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eMix Knob for Parallel Compression\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The inclusion of a dedicated mix knob allows _DIONE to perform parallel compression at the twist of a dial.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eTHD\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       THD stands for \"total harmonic distortion\" and it allows you to saturate your signal with beautiful analog color with two different intensity levels. Choose \"Mid\" for 1% THD or \"High\" for 3% THD.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eSidechain Filters\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       _DIONE's sidechain filter functionality allows you to modify signal going into the compressor's detector. It includes three high-pass filters at 60, 90, and 150 Hz, and two tilt filters, which are special \"curve\" filters.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFour Ratio Settings\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       _DIONE provides selectable ratios of 1.5:1 and 2:1 for gentle mix bus processing, and 4:1 and 10:1 for more aggressive compression.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003e500 Series Compatible\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Regardless its extensions, _DIONE is fully compatible with the 500 series standard. Digital features can be enabled through the mini-USB socket on the front panel.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eng500 Series\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Each WesAudio device in ng500 (Next Generation 500 series) product line is equipped with a special connector. This connector is an extension to the 500 series, and allows your device to be managed\/recalled through specialized GCon protocol (e.g. _TITAN 500 series 10-slot frame). This extension is compatible with the 500 series standardized plug type; however, some manufacturers apply enormous screws to the plug itself, which prevent the device from fitting in. Based on official research, more than 90% of available 500 series racks will fit just fine. Currently known exceptions include:\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cul\u003e\n        \u003cli\u003eRupert Neve Designs 500 series Racks (R6 \u0026amp; R10)\u003c\/li\u003e\n        \u003cli\u003eAphex 500 series rack\u003c\/li\u003e\n        \u003cli\u003eSome older BAE racks (not produced anymore)\u003c\/li\u003e\n        \u003cli\u003eMidas L6 (module won�t fit to the very end on slots 3 and 6)\u003c\/li\u003e\n        \u003cli\u003eMidas L10 (module won�t fit to the very end on slots 4 and 8)\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eHardware A\/B\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Even using _DIONE as a pure analog signal processor, you can easily switch between two parallel settings with the magic of simple A\/B buttons.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eTotal Recall and Plug-In Control\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Along with classic analog compression, you receive one of the most demanded features in the audio industry�total recall. Plus, full plug-in control (VST2, VST3, AU, AAX, and AAX DSP) makes _DIONE compatible with most, if not all, major DAWs. This total integration with your beloved DAW will change your workflow forever.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eAnalog Automation\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       It's very common to want different device settings based on song sections. Now it is possible; just draw automation lines in your DAW and the _DIONE analog device will follow. And remember, you can use four touch-sensitive encoders to record automation to your DAW.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eAdditional Features\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eFully digitally controlled analog circuit\u003c\/li\u003e\n        \u003cli\u003e+24 dBu of headroom\u003c\/li\u003e\n        \u003cli\u003eDigital recall can be achieved by connecting directly through the mini-USB socket on the front panel, or using it inside a _TITAN chassis\u003c\/li\u003e\n        \u003cli\u003eDedicated stereo plug-in\u003c\/li\u003e\n        \u003cli\u003eDigital sidechain makes it possible to send any track from your DAW as a sidechain signal to the compressor\u003c\/li\u003e\n        \u003cli\u003eThree touch-sensitive encoders, perfect for recording automation of all parameters to your DAW in real time\u003c\/li\u003e\n        \u003cli\u003eTrue bypass\u003c\/li\u003e\n        \u003cli\u003eAccurate analog gain reduction meter and its precise simulation implemented in the plug-in\u003c\/li\u003e\n        \u003cli\u003eFree software and firmware upgrades\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eWesAudio _DIONE 500 Series Stereo Bus Compressor with Digital Recall\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eLimited 2-Year Warranty\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003ch4\u003eNot in the Box\u003c\/h4\u003e\n  \u003cul\u003e\n   \u003cli\u003e\n\u003cspan\u003eEssential\u003c\/span\u003e \u003ca\u003eAdditional Hardware \u003cspan\u003e(Not Included)\u003c\/span\u003e\u003c\/a\u003e\n\u003c\/li\u003e\n  \u003c\/ul\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Table of Contents\n    \u003c\/div\u003e\n    \u003cul\u003e\n     \u003cli\u003eDescription\u003c\/li\u003e\n     \u003cli\u003eNew Implementation of a Legend\u003c\/li\u003e\n     \u003cli\u003eTHAT 2181 VCAs\u003c\/li\u003e\n     \u003cli\u003eMix Knob for Parallel Compression\u003c\/li\u003e\n     \u003cli\u003eTHD\u003c\/li\u003e\n     \u003cli\u003eSidechain Filters\u003c\/li\u003e\n     \u003cli\u003eFour Ratio Settings\u003c\/li\u003e\n     \u003cli\u003e500 Series Compatible\u003c\/li\u003e\n     \u003cli\u003eng500 Series\u003c\/li\u003e\n     \u003cli\u003eHardware A\/B\u003c\/li\u003e\n     \u003cli\u003eTotal Recall and Plug-In Control\u003c\/li\u003e\n     \u003cli\u003eAnalog Automation\u003c\/li\u003e\n     \u003cli\u003eAdditional Features\u003c\/li\u003e\n    \u003c\/ul\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003ch2\u003eWesAudio DIONE Specs\u003c\/h2\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003ctable\u003e\n      \u003ctbody\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eFunction\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eCompressor\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eNumber of Channels\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e2\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eInputs\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e2 x Balanced Line Input via 500 Series Multipin Connector\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eOutputs\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e2 x Balanced Line Output via 500 Series Multipin Connector\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eUSB\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e1 x Mini-USB Port (Front Panel)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003ePlug-In Formats\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eVST2, VST3, AU, AAX, and AAX DSP\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eInput Impedance\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e10 Kilohms\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eOutput Impedance\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e\u0026lt;100 Ohms\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eMaximum Gain\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e21 dB\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eCompression Ratio\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e1.5:1, 2:1, 4:1, or 10:1\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eAttack Time\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e0.1, 0.3, 1, 3, 10, or 30 ms\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eRelease Time\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e0.1, 0.3, 0.6, 0.9, or 1.2 Seconds, or Auto Mode\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eSidechain Filter\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e60, 90, or 150 Hz, or T1 \/ T2\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eFrequency Response\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e20 Hz to 20 kHz (0.1 dB)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eHeadroom\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e+24 dBu\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eTHD\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eMid Switch: 1%\u003cbr\u003e High Switch: 3%\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eTHD + N\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eWet: 0.008% (1 kHz, 0 dBu)\u003cbr\u003e Dry: 0.004% (1 kHz, 0 dBu)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eCrosstalk\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e\u0026lt; -90 dB\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003ePower Consumption\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e70 mA \/ +16 V and 50 mA \/ -16 V (per Slot)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eDimensions\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e3.0 x 5.2 x 6.2\" \/ 7.6 x 13.3 x 15.8 cm\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eWeight\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eNot Specified by Manufacturer\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n      \u003c\/tbody\u003e\n     \u003c\/table\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Packaging Info\n     \u003c\/div\u003e\n     \u003ctable\u003e\n      \u003ctbody\u003e\n       \u003ctr\u003e\n        \u003ctd\u003ePackage Weight\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e1.66 lb\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e8.2 x 6.3 x 4.4\"\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n      \u003c\/tbody\u003e\n     \u003c\/table\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003ch2\u003eWesAudio DIONE Reviews\u003c\/h2\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"WesAudio-10","offers":[{"title":"Default Title","offer_id":40041927311445,"sku":"WEDIONE:WEDIONE:bhpv","price":214290.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/1623242173_1642548.jpg?v=1650611048"},{"product_id":"wesaudio-ngbuscomp-analog-stereo-bus-compressor-with-digital-recall","title":"WesAudio ngBusComp Analog Stereo Bus Compressor with Digital Recall","description":"\u003cdiv\u003e\n \u003ch2\u003eWesAudio NGBUSCOMP Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cul\u003e\n    \u003cli\u003e\n\u003cspan\u003e1\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e2\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eNew Implementation of a Legend\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e3\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eTHAT 2181 VCAs\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e4\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eStereo or Dual Mono\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e5\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eMid-Side Operation\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e6\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eRelative Channel Linking\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e7\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eSelectable Output Circuit\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e8\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eDrive Carnhill Transformers\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e9\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eMix Knob for Parallel Compression\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e10\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eSidechain Filters\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e11\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eTHD\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e12\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eFive Ratio Settings\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e13\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eExternal Sidechain\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e14\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eHardware A\/B\/C\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e15\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eUSB or Ethernet Connectivity\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e16\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eDetailed Metering\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e17\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eTotal Recall and Plug-In Control\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e18\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eAnalog Automation\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e19\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eAdditional Features\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eMerging the best of analog and digital worlds, the \u003cb\u003eWesAudio ngBusComp\u003c\/b\u003e rackmount stereo bus compressor offers legendary mix bus glue, three operating modes (stereo, dual mono, and mid-side), and the powerful luxury of digital total recall. On the analog side, it provides high headroom of +26 dBu, THAT 2181 VCAs, Carnhill transformers, variable parallel compression, and adjustable THD coloration intensity for big tone that'll help you get pro impact in your mixes and masters. Plus, there's true bypass and hardware A\/B\/C switching, so you can easily compare dry versus compressed or three different configurations of settings.\u003cbr\u003e \u003cbr\u003e When it comes to the digital integration, ngBusComp is high-tech with USB\/Ethernet connectivity and plug-in control. It has five touch-sensitive encoders per channel that not only adjust the settings of the analog circuitry, but also allow you to write real-time automation from ngBusComp to your DAW. Alternatively, you can draw automation in the DAW and ngBusComp will react accordingly. You can route external sources to the sidechains of ngBusComp via dedicated 1\/4\" inputs or use the five different filter settings for full control over the internal sidechain.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eNew Implementation of a Legend\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The legendary sound of \"the\" stereo bus compressor has been a true companion on countless recordings for 40 years. Often recognized as \"mix bus glue,\" this particular compression sound has become the industry standard in the analog and DAW worlds. WesAudio's ngBusComp implements legendary VCA compression into a 3 RU rack unit and brings with it one of the most demanded features in the audio industry�digital recall.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eTHAT 2181 VCAs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       ngBusComp is a 100% analog device with +26 dBu headroom. Regardless of its digital control nature, the fully analog signal path provides top-tier VCA compression. It contains four THAT 2181 VCAs in the signal chain and one more in the sidechain detector of each channel.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eStereo or Dual Mono\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       ngBusComp detectors can be linked and unlinked anytime, allowing true bus compression behavior or dual mono compression when needed.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eMid-Side Operation\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       ngBusComp supports mid-side operation, so you can give your side channel different compression settings than the middle channel. This makes the ngBusComp capable for mastering as well as mixing.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eRelative Channel Linking\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Channels can be linked\/unlinked at anytime to support different settings on both channels and still manage them in a relative way. Work on a mid-side mix separately for each channel, or engage \"parameter link\" and the makeup gain for both channels will be adjusted relatively to keep the same amount of volume difference.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eSelectable Output Circuit\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       With ngBusComp you can select your output stage to be either electronically balanced or transformer-balanced with precise output pad control.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eDrive Carnhill Transformers\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       In \"Iron\" mode, it is possible to use makeup gain to drive the transformers, and the special output pad is there to turn the signal down. The pad is a passive attenuator managed via a relay cascade, up to 15 dB of attenuation is available in 1 dB steps.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eMix Knob for Parallel Compression\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The inclusion of a dedicated mix knob allows ngBusComp to perform parallel compression at the twist of a dial.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eSidechain Filters\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       ngBusComp's sidechain filter functionality allows you to modify signal going into the compressor's detector. It includes three high-pass filters at 60, 90, and 150 Hz, and two tilt filters which are special \"curve\" filters.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eTHD\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       THD stands for \"total harmonic distortion\" and it allows you to saturate your signal with beautiful analog color with variable intensity ranging from 0 to 8% THD.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFive Ratio Settings\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       ngBusComo provides selectable ratios of 1.5:1 and 2:1 for gentle mix bus processing, and 4:1 and 10:1 for more aggressive compression. Select INF mode to crush the signal with extreme limiting.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eExternal Sidechain\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Equipped with XLR main I\/O and 1\/4\" sidechain jacks, ngBusComp lets you create a custom sidechain signal to control each channel of the compressor.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eHardware A\/B\/C\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Even using ngBusComp as a pure analog signal processor, you can easily switch between three memory settings with the magic of simple A\/B\/C buttons.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eUSB or Ethernet Connectivity\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       ngBusComp supports direct USB connection, or you can manage it in your local network after connecting it to your router via Ethernet.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eDetailed Metering\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Each channel shows detail metering for input, output, and gain reduction. Of course, analog metering is forwarded to the plug-in instance.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eTotal Recall and Plug-In Control\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Along with classic analog compression, you receive one of the most demanded features in the audio industry�total recall. Plus, full plug-in control (VST2, VST3, AU, AAX, and AAX DSP) makes ngBusComp compatible with most, if not all, major DAWs. This total integration with your beloved DAW will change your workflow forever.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eAnalog Automation\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       It's very common to want different device settings based on song sections. Now it is possible; just draw automation lines in your DAW and the ngBusComp analog device will follow. And remember, you can use five touch-sensitive encoders per channel to record automation to your DAW.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eAdditional Features\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eFully digitally controlled analog circuit powered by four THAT 2181 VCAs\u003c\/li\u003e\n        \u003cli\u003e+26 dBu of headroom\u003c\/li\u003e\n        \u003cli\u003eDual mono, stereo, and mid-side modes\u003c\/li\u003e\n        \u003cli\u003eNormal (electronically balanced) and Iron (transformer balanced) selectable output stages\u003c\/li\u003e\n        \u003cli\u003ePassive attenuator enabled in Iron mode, allows driving the output transformer for musical saturation\u003c\/li\u003e\n        \u003cli\u003eMix knob for parallel compression\u003c\/li\u003e\n        \u003cli\u003eRelative parameter linking\u003c\/li\u003e\n        \u003cli\u003eTHD coloration with variable control\u003c\/li\u003e\n        \u003cli\u003eSidechain filters and external sidechain via TRS\u003c\/li\u003e\n        \u003cli\u003eDigital recall and management can be achieved by connecting directly through the USB Type-B jack or the Ethernet port\u003c\/li\u003e\n        \u003cli\u003eControllable through standalone WesAudio application\u003c\/li\u003e\n        \u003cli\u003eFive touch-sensitive encoders per channel, perfect for recording automation of all parameters to your DAW in real time\u003c\/li\u003e\n        \u003cli\u003eTrue bypass and hardware A\/B\/C comparing\u003c\/li\u003e\n        \u003cli\u003eAccurate analog gain reduction meter and its precise simulation implemented in the plug-in\u003c\/li\u003e\n        \u003cli\u003eFree software and firmware upgrades\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eWesAudio ngBusComp Analog Stereo Bus Compressor with Digital Recall\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003ePower Cable\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eLimited 2-Year Warranty\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Table of Contents\n    \u003c\/div\u003e\n    \u003cul\u003e\n     \u003cli\u003eDescription\u003c\/li\u003e\n     \u003cli\u003eNew Implementation of a Legend\u003c\/li\u003e\n     \u003cli\u003eTHAT 2181 VCAs\u003c\/li\u003e\n     \u003cli\u003eStereo or Dual Mono\u003c\/li\u003e\n     \u003cli\u003eMid-Side Operation\u003c\/li\u003e\n     \u003cli\u003eRelative Channel Linking\u003c\/li\u003e\n     \u003cli\u003eSelectable Output Circuit\u003c\/li\u003e\n     \u003cli\u003eDrive Carnhill Transformers\u003c\/li\u003e\n     \u003cli\u003eMix Knob for Parallel Compression\u003c\/li\u003e\n     \u003cli\u003eSidechain Filters\u003c\/li\u003e\n     \u003cli\u003eTHD\u003c\/li\u003e\n     \u003cli\u003eFive Ratio Settings\u003c\/li\u003e\n     \u003cli\u003eExternal Sidechain\u003c\/li\u003e\n     \u003cli\u003eHardware A\/B\/C\u003c\/li\u003e\n     \u003cli\u003eUSB or Ethernet Connectivity\u003c\/li\u003e\n     \u003cli\u003eDetailed Metering\u003c\/li\u003e\n     \u003cli\u003eTotal Recall and Plug-In Control\u003c\/li\u003e\n     \u003cli\u003eAnalog Automation\u003c\/li\u003e\n     \u003cli\u003eAdditional Features\u003c\/li\u003e\n    \u003c\/ul\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003ch2\u003eWesAudio NGBUSCOMP Specs\u003c\/h2\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003ctable\u003e\n      \u003ctbody\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eFunction\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eCompressor\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eNumber of Channels\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e2\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eInputs\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e2 x XLR 3-Pin Female Balanced Line Inputs\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eOutputs\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e2 x XLR 3-Pin Male Balanced Line Outputs\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eSidechain\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e2 x 1\/4\" TRS\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eUSB\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e1 x USB Type-B Port\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eEthernet\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e1 x RJ45 Port\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003ePlug-In Formats\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eVST2, VST3, AU, AAX, and AAX DSP\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eInput Impedance\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e10 Kilohms\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eOutput Impedance\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e\u0026lt;50 Ohms\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eMaximum Input Level\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e+26 dBu\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eMaximum Output Level\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e+26 dBu\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eDynamic Range\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e\u0026gt;120 dB\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eCompression Ratio\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e1.5:1, 2:1, 4:1, 10:1, or INF\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eAttack Time\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e0.1, 0.3, 1, 3, 10, or 30 ms\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eRelease Time\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e0.1, 0.3, 0.6, 0.9, or 1.2 Seconds, or Auto Mode\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eSidechain Filter\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e60, 90, or 150 Hz, or T1 \/ T2\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eFrequency Response\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e0 Hz to 300 kHz (-3 dB)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eTHD\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e0 to 8%\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eTHD + N\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e\u0026lt;0.006% (20 Hz to 20 kHz at 0 dBu)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eCrosstalk\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e\u0026lt; -90 dB\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003ePower Requirement\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e115 or 230 VAC, 50\/60 Hz\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eRack Height\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e3 RU\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eDimensions\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eNot Specified by Manufacturer\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eWeight\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eNot Specified by Manufacturer\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n      \u003c\/tbody\u003e\n     \u003c\/table\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003ch2\u003eWesAudio NGBUSCOMP Reviews\u003c\/h2\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"WesAudio-10","offers":[{"title":"Default Title","offer_id":40041927376981,"sku":"WENGBUSCOMP:WENGBUSCOMP:bhpv","price":558505.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/1623242173_1642552.jpg?v=1650611060"},{"product_id":"wesaudio-_hyperion-500-series-parametric-equalizer-with-digital-recall","title":"WesAudio _HYPERION 500 Series Parametric Equalizer with Digital Recall","description":"\u003cdiv\u003e\n \u003ch2\u003eWesAudio HYPERION Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cul\u003e\n    \u003cli\u003e\n\u003cspan\u003e1\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e2\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eVersatile Parametric EQ\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e3\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eFour Bands plus HPF\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e4\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eTwo Channels, Multiple Modes\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e5\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e500 Series Compatible\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e6\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eng500 Series\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e7\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eHardware A\/B\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e8\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eTHD\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e9\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eTotal Recall and Plug-In Control\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e10\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eAnalog Automation\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e11\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eAdditional Features\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eMerging the best of analog and digital worlds, the \u003cb\u003eWesAudio _HYPERION\u003c\/b\u003e 500 series two-channel parametric EQ offers extremely flexible equalization, precise control, and the powerful luxury of digital total recall. On the analog side, it provides high headroom of +24 dBu and two-stage THD coloration for big tone that'll help you get pro impact in your tracks, mixes, and masters. Plus, there's true bypass, per-band bypass, and hardware A\/B switching, so you can easily compare dry versus EQ'd or two different configurations of settings.\u003cbr\u003e \u003cbr\u003e When it comes to the digital integration, _HYPERION is high-tech with USB connectivity and plug-in control. It has 12 touch-sensitive encoders that not only adjust the settings of the analog circuitry, but also allow you to write real-time automation from _HYPERION to your DAW. Alternatively, you can draw automation in the DAW and _HYPERION will react accordingly. Whether you use it in stereo, dual mono, or mid-side, _HYPERION offers bell and shelf modes for the low and high band, fully parametric high-mid and low-mid bands, and a high-pass filter.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eVersatile Parametric EQ\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       WesAudio's _HYPERION implements flexible parametric equalization into a 500 Series module and brings with it one of the most demanded features in the audio industry�digital recall. Its innovative design utilizes 15 VCAs per channel to provide essentially noiseless parameter changes and a very musical nature.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFour Bands plus HPF\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       _HYPERION is a 4-band EQ with switchable gain range for 5 or 15 dB boost\/cut per band. Each band has its own bypass. Additionally, there is a post-EQ output control for level matching and more flexibility.\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cul\u003e\n        \u003cli\u003eHigh Band: 2 to 25 kHz (bell or shelf)\u003c\/li\u003e\n        \u003cli\u003eHigh-Mid Band: 600 Hz to 8 kHz with full Q control\u003c\/li\u003e\n        \u003cli\u003eLow-Mid Band: 200 Hz to 2.5 kHz with full Q control\u003c\/li\u003e\n        \u003cli\u003eLow Band: 30 to 350 Hz (bell or shelf)\u003c\/li\u003e\n        \u003cli\u003eHigh-Pass Filter: up to 350 Hz at 6 or 12 dB\/octave slopes\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eTwo Channels, Multiple Modes\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       _HYPERION can work in three different modes (stereo, dual mono, and mid-side), which makes it the perfect solution for multiple applications from tracking to mixing to mastering.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003e500 Series Compatible\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Regardless its extensions, _HYPERION is fully compatible with the 500 series standard. Digital features can be enabled through the mini-USB socket on the front panel.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eng500 Series\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Each WesAudio device in ng500 (Next Generation 500 series) product line is equipped with a special connector. This connector is an extension to the 500 series, and allows your device to be managed\/recalled through specialized GCon protocol (e.g. _TITAN 500 series 10-slot frame). This extension is compatible with the 500 series standardized plug type; however, some manufacturers apply enormous screws to the plug itself, which prevent the device from fitting in. Based on official research, more than 90% of available 500 series racks will fit just fine. Currently known exceptions include:\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cul\u003e\n        \u003cli\u003eRupert Neve Designs 500 series Racks (R6 \u0026amp; R10)\u003c\/li\u003e\n        \u003cli\u003eAphex 500 series rack\u003c\/li\u003e\n        \u003cli\u003eSome older BAE racks (not produced anymore)\u003c\/li\u003e\n        \u003cli\u003eMidas L6 (module won�t fit to the very end on slots 3 and 6\u003c\/li\u003e\n        \u003cli\u003eMidas L10 (module won�t fit to the very end on slots 4 and 8\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eHardware A\/B\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Even using _HYPERION as a pure analog signal processor, you can easily switch between two parallel settings with the magic of simple A\/B buttons.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eTHD\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       THD stands for \"total harmonic distortion\" and it allows you to saturate your signal with beautiful analog color with two different intensity levels. Choose \"Mid\" for 1% THD or \"High\" for 2.5% THD.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eTotal Recall and Plug-In Control\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Along with classic analog EQ, you receive one of the most demanded features in the audio industry�total recall. Plus, full plug-in control (VST2, VST3, AU, AAX, and AAX DSP) makes _HYPERION compatible with most, if not all, major DAWs. This total integration with your beloved DAW will change your workflow forever. Use the stereo plug-in on one track to manage all three modes of operation for _HYPERION, or use two mono plug-ins on different tracks to manage each channel separately.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eAnalog Automation\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       It's very common to want different device settings based on song sections. Now it is possible; just draw automation lines in your DAW and the _HYPERION analog device will follow. And remember, you can use the 12 touch-sensitive encoders to record automation to your DAW.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eAdditional Features\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eFully digitally controlled analog circuit\u003c\/li\u003e\n        \u003cli\u003eTwo channels, operable in stereo, dual mono, or mid-side\u003c\/li\u003e\n        \u003cli\u003e+24 dBu of headroom\u003c\/li\u003e\n        \u003cli\u003eDigital recall can be achieved by connecting directly through the mini-USB socket on the front panel, or using it inside a _TITAN chassis\u003c\/li\u003e\n        \u003cli\u003eDedicated stereo plug-in to manage all modes of operation\u003c\/li\u003e\n        \u003cli\u003e12 touch-sensitive encoders, perfect for recording automation of all parameters to your DAW in real time\u003c\/li\u003e\n        \u003cli\u003eTrue bypass and per-band bypass\u003c\/li\u003e\n        \u003cli\u003eInput and output metering with clip detection\u003c\/li\u003e\n        \u003cli\u003eFlexible parametric EQ GUI\u003c\/li\u003e\n        \u003cli\u003eFree software and firmware upgrades\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cimg\u003e\n   \u003cdiv\u003e\n    UPC: 590666029908\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eWesAudio _HYPERION 500 Series Parametric Equalizer with Digital Recall\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eLimited 2-Year Warranty\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003ch4\u003eNot in the Box\u003c\/h4\u003e\n  \u003cul\u003e\n   \u003cli\u003e\n\u003cspan\u003eEssential\u003c\/span\u003e \u003ca\u003eMounting \u003cspan\u003e(Not Included)\u003c\/span\u003e\u003c\/a\u003e\n\u003c\/li\u003e\n  \u003c\/ul\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Table of Contents\n    \u003c\/div\u003e\n    \u003cul\u003e\n     \u003cli\u003eDescription\u003c\/li\u003e\n     \u003cli\u003eVersatile Parametric EQ\u003c\/li\u003e\n     \u003cli\u003eFour Bands plus HPF\u003c\/li\u003e\n     \u003cli\u003eTwo Channels, Multiple Modes\u003c\/li\u003e\n     \u003cli\u003e500 Series Compatible\u003c\/li\u003e\n     \u003cli\u003eng500 Series\u003c\/li\u003e\n     \u003cli\u003eHardware A\/B\u003c\/li\u003e\n     \u003cli\u003eTHD\u003c\/li\u003e\n     \u003cli\u003eTotal Recall and Plug-In Control\u003c\/li\u003e\n     \u003cli\u003eAnalog Automation\u003c\/li\u003e\n     \u003cli\u003eAdditional Features\u003c\/li\u003e\n    \u003c\/ul\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003ch2\u003eWesAudio HYPERION Specs\u003c\/h2\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003ctable\u003e\n      \u003ctbody\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eFunction\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eEqualizer\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eNumber of Channels\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e2 (Stereo, Dual Mono, or Mid-Side)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eInputs\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e2 x Balanced Line Inputs via 500 Series Multipin Connector\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eOutputs\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e2 x Balanced Line Outputs via 500 Series Multipin Connector\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eUSB\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e1 x Mini-USB Port (Front Panel)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003ePlug-In Formats\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eVST2, VST3, AU, AAX, and AAX DSP\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eInput Impedance\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e10 Kilohms\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eOutput Impedance\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e\u0026lt;100 Ohms\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eBands\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eHigh: 2 to 25 kHz (Bell or Shelf)\u003cbr\u003e High-Mid: 600 Hz to 8 kHz with Full Q Control\u003cbr\u003e Low-Mid: 200 Hz to 2.5 kHz with Full Q Control\u003cbr\u003e Low: 30 to 350 Hz (Bell or Shelf)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eHigh-Pass Filter\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e6 or 12 dB\/Octave\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eGain Range\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e±5 dB in 0.083 dB Steps\u003cbr\u003e ±15 dB in 0.25 dB Steps\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eControl Steps\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eHF: 256\u003cbr\u003e HMF: 256\u003cbr\u003e LMF: 256\u003cbr\u003e LF: 200\u003cbr\u003e HPF: 128\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eFrequency Response\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e10 Hz to 150 kHz (-2 dB)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eMaximum Signal Level\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e+24 dBu\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eTHD\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eMid Switch: 1%\u003cbr\u003e High Switch: 2.5%\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eTHD + N\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eAll Bands at 0 Gain: \u0026lt;0.003% (1 kHz, 0 dBu)\u003cbr\u003e +15 dB Band Boost: \u0026lt;0.15% (1 kHz, 0 dBu)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eCrosstalk\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e\u0026lt; -100 dB\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003ePower Consumption\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e150 mA per Rail\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eDimensions\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e3 x 5.2 x 6.2\" \/ 7.6 x 13.3 x 15.8 cm\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eWeight\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eNot Specified by Manufacturer\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n      \u003c\/tbody\u003e\n     \u003c\/table\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003ch2\u003eWesAudio HYPERION Reviews\u003c\/h2\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"WesAudio-10","offers":[{"title":"Default Title","offer_id":40041929277525,"sku":"WEHYPERION:WEHYPERION:bhpv","price":245960.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/1623242173_1642549.jpg?v=1650611127"},{"product_id":"solid-state-logic-the-bus-2-channel-bus-compressor-and-dynamic-equalizer","title":"Solid State Logic THE BUS+ 2-Channel Bus Compressor and Dynamic Equalizer","description":"\u003cdiv\u003e\n \u003ch2\u003eSolid State Logic THE BUS+ Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cul\u003e\n    \u003cli\u003e\n\u003cspan\u003e1\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e2\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eGreatness Made Even Better\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e3\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eBus Compressor\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e4\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eDynamic EQ\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eBy combining the infamous SSL Bus Compressor circuit design with 2-band parallel dynamic EQ and recall-friendly stepped controls, \u003cb\u003eTHE BUS+\u003c\/b\u003e from \u003cb\u003eSolid State Logic\u003c\/b\u003e ushers in both classic and innovative dynamics processing for anything from single tracks and stems to mixes and masters. Its top-of-the-line analog sonics and immense headroom scream \"integrity\" while the digitally controlled settings ensure precision, clean switching, and exemption from the unpredictability of traditional analog devices.\u003c\/p\u003e\n    \u003cp\u003e With four operating modes�Dual Mono, Mid-Side, Classic Stereo, and S\/C Stereo, a stereo mode with a summed sidechain�and compression coloration options ranging from the gritty texture of the 4K console's \"Hit Maker\" to the transparency of the X Logic variant, THE BUS+ is an impressively versatile compressor. The addition of internal\/external sidechains with a variable high-pass filter, a hidden transient expander, and a mix knob for variable parallel compression makes THE BUS+ a crown for any studio.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Greatness Made Even Better\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       THE BUS+ is designed to be SSL's supreme version of the SSL Bus Compressor, building on the original circuit with premium components (including 2181 THAT VCAs), sophisticated control, customizable harmonic saturation, advanced sidechaining, flexible routing, and unexpected processing tools such as dynamic EQ.\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cul\u003e\n        \u003cli\u003eAuthentic, 100% analog circuit, controlled digitally using stepped front-panel pots\u003c\/li\u003e\n        \u003cli\u003eFour modes of operation�Classic Stereo, Stereo (with summed sidechain), Dual Mono, or Mid-Side\u003c\/li\u003e\n        \u003cli\u003eHuge +27.5 dBu headroom and selectable operating level (0, +10, or -5 dB)\u003c\/li\u003e\n        \u003cli\u003eExternal sidechain inputs and sends\u003c\/li\u003e\n        \u003cli\u003eConfigurable processing order; put the Bus Compressor before or after the D-EQ\u003c\/li\u003e\n        \u003cli\u003eGlobal bypass, clipping indicators, and manual\/automatic sleep modes\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Bus Compressor\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       This is the heralded SSL Bus Compressor of old, remade for today's production needs.\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cul\u003e\n        \u003cli\u003eLOW THD Mode reduces low-frequency distortion caused by compression\u003c\/li\u003e\n        \u003cli\u003eF\/B Mode alters the compression characteristics for a more \"relaxed\" style of compression\u003c\/li\u003e\n        \u003cli\u003e4K Mode's single-VCA operation with variable harmonic distortion brings grit and grunge\u003c\/li\u003e\n        \u003cli\u003eNegative ratios allow for creative pumping effects and control of particularly loud signals\u003c\/li\u003e\n        \u003cli\u003eNew attack and release time constants including an additional auto setting\u003c\/li\u003e\n        \u003cli\u003ePrecision MDAC-controlled make-up gain in coarse (1 dB) or fine (0.5 dB) steps\u003c\/li\u003e\n        \u003cli\u003eVariable sidechain high-pass filter control up to 300 Hz in 10 Hz steps\u003c\/li\u003e\n        \u003cli\u003eMoving-coil gain reduction meters\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Dynamic EQ\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The D-EQ is SSL's powerful 2-band analog dynamic equalizer that lets you tweak the balance between background material and the main signal.\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cul\u003e\n        \u003cli\u003eCompress\/expand modes with three choices of time constants for each band\u003c\/li\u003e\n        \u003cli\u003e16 selectable frequency points per band\u003c\/li\u003e\n        \u003cli\u003eAdjustable range per band from 0.5 to 15 dB\u003c\/li\u003e\n        \u003cli\u003eHF band can be switched to Bell shape, with selectable frequencies covering high-mids and highs\u003c\/li\u003e\n        \u003cli\u003eFrequency band static make-up gain for LF and HF bands (in Stereo or Summed S\/C Stereo) or LF band (in Dual Mono or Mid-Side)\u003c\/li\u003e\n        \u003cli\u003eG-Series mode changes LF filter to be second order with degree of undershoot\/overshoot\u003c\/li\u003e\n        \u003cli\u003eTricolor activity LEDs to indicate D-EQ activity\u003c\/li\u003e\n        \u003cli\u003ePer-band bypass\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\u003c\/div\u003e\n   \u003cdiv\u003e\n    UPC: 878076001500\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eSolid State Logic THE BUS+ 2-Channel Bus Compressor and Dynamic Equalizer\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eIEC Power Cable\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ca\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cp\u003eUser Manual\u003c\/p\u003e\n      \u003cp\u003e14.5 MB\u003c\/p\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\u003c\/a\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Table of Contents\n    \u003c\/div\u003e\n    \u003cul\u003e\n     \u003cli\u003eDescription\u003c\/li\u003e\n     \u003cli\u003eGreatness Made Even Better\u003c\/li\u003e\n     \u003cli\u003eBus Compressor\u003c\/li\u003e\n     \u003cli\u003eDynamic EQ\u003c\/li\u003e\n    \u003c\/ul\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003ch2\u003eSolid State Logic THE BUS+ Specs\u003c\/h2\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      General\n     \u003c\/div\u003e\n     \u003ctable\u003e\n      \u003ctbody\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eNumber of Channels\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e2\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eInputs\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e2 x XLR 3-Pin Female (Balanced)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eOutputs\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e2 x XLR 3-Pin Male (Balanced)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eSidechain\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e2 x XLR 3-Pin Female Inputs\u003cbr\u003e 2 x XLR 3-Pin Male Sends\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n      \u003c\/tbody\u003e\n     \u003c\/table\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Audio Performance\n     \u003c\/div\u003e\n     \u003ctable\u003e\n      \u003ctbody\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eInput Impedance\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e10 Kilohms\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eOutput Impedance\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e60 Ohms\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eMaximum Input Level\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e27.5 dBu at 1% THD\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eMaximum Output Level\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e27.5 dBu at 1% THD\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eCompression Threshold\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e-20 to +20 dB\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eCompression Ratio\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e1.3:1, 1.5:1, 2:1, 3:1, 4:1, 5:1, 10:1, 20:1, -2.5:1, -1.5:1, -0.5:1\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eAttack Time\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e0.1 to 40 ms\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eRelease Time\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e0.05 to 1.2 Sec, Auto, Auto 2\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eMake-up Gain\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eRange: -10 to +20 dB\u003cbr\u003e Precision: \u0026lt;0.003 dB\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eFrequency Response\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e20 Hz to 20 kHz (±0.025 dB, Bypassed)\u003cbr\u003e \u0026lt;1 Hz to \u0026gt;200 kHz (-3 dB Low and High Cut-Offs, Bypassed)\u003cbr\u003e 20 Hz to 20 kHz (±0.01 dB, Compressor In)\u003cbr\u003e \u0026lt;2 Hz to \u0026gt;180 kHz (-3 dB Low and High Cut-Offs, Compressor In)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eTHD + Noise\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e-95 dB \/ 0.0017% Typical (Bypassed, 1 kHz at 0 dBu)\u003cbr\u003e -106 dB \/ 0.0004% Typical (Bypassed, 1 kHz at +20 dBu)\u003cbr\u003e -88 dB \/ 0.004% Typical (Compressor In, 1 kHz at 0 dBu)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eNoise\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e-95 dBu Typical (Bypassed)\u003cbr\u003e -90 dBu Typical (Compressor In)\u003cbr\u003e -89 dBu Typical (4K Mode In, Any Intensity)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eDynamic Range\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e122.5 dB (Bypassed)\u003cbr\u003e 117.5 dB (Compressor In)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eCrosstalk\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e\u0026lt; -118 dB (Bypassed, 20 Hz at +24 dBu)\u003cbr\u003e \u0026lt; -110 dB (Bypassed, 1 kHz at +24 dBu)\u003cbr\u003e \u0026lt; -90 dB (Bypassed, 10 kHz at +24 dBu)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eMatching Tolerance\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e\u0026lt;0.05 dB (Bypassed)\u003cbr\u003e \u0026lt;0.02 dB (In, 1 kHz at 0 dBu)\u003cbr\u003e \u0026lt;0.1 dB (Dual Mono, Any Setting Gain Reduction \u0026lt;8 dB)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n      \u003c\/tbody\u003e\n     \u003c\/table\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Equalizer\n     \u003c\/div\u003e\n     \u003ctable\u003e\n      \u003ctbody\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eBands\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e2\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eFrequency Response\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e20 Hz to 20 kHz (±0.05 dB, LF In)\u003cbr\u003e \u0026lt;2 Hz to \u0026gt;200 kHz (-3 dB Low and High Cut-Offs, LF In)\u003cbr\u003e 20 Hz to 20 kHz (±0.05 dB, HF In)\u003cbr\u003e \u0026lt;2 Hz to \u0026gt;200 kHz (-3 dB Low and High Cut-Offs, HF In)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eTHD + Noise\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e-88 dB \/ 0.004% Typical (LF In, 40 Hz at 0 dBu)\u003cbr\u003e -81 dB \/ 0.008% Typical (HF In, 10 kHz at 0 dBu, 40 kHz Bandwidth)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eNoise\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e-90 dBu Typical (LF In)\u003cbr\u003e -87 dBu Typical (HF In)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eHeadroom\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e\u0026gt;27 dB (LF and HF In)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eGain Accuracy\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eLF: ±0.05 dB Typical (LF In, 40 Hz at 0 dBu: -10 dB to +10 dB)\u003cbr\u003e HF: ±0.05 dB Typical (HF In, 10 kHz at 0 dBu: -10 dB to +10 dB)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eMatching Tolerance\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e\u0026lt;0.05 dB (LF\/HF In, 20 Hz to 20 kHz at 0 dBu)\u003cbr\u003e \u0026lt;0.1 dB (LF In, 40 Hz, Any Gain Change)\u003cbr\u003e \u0026lt;0.1 dB (HF In, 10 kHz, Any Gain Change)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n      \u003c\/tbody\u003e\n     \u003c\/table\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Power\n     \u003c\/div\u003e\n     \u003ctable\u003e\n      \u003ctbody\u003e\n       \u003ctr\u003e\n        \u003ctd\u003ePower Supply\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e100 to 240 VAC, 50\/60 Hz (Auto-Ranging)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003ePower Consumption\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e38 W (Operating)\u003cbr\u003e \u0026lt;1 W (Sleep)\u003cbr\u003e 10 W (Auto Sleep)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n      \u003c\/tbody\u003e\n     \u003c\/table\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Physical\n     \u003c\/div\u003e\n     \u003ctable\u003e\n      \u003ctbody\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eRack Height\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e2 RU\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eDimensions (W x D x H)\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e19 x 3.5 x 11.9\" \/ 48 x 8.9 x 30.3 cm (Chassis Only)\u003cbr\u003e 19 x 3.5 x 12.9\" \/ 48 x 8.9 x 32.8 cm (Including Front-Panel Controls)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eWeight\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e13.1 lb \/ 5.9 kg\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n      \u003c\/tbody\u003e\n     \u003c\/table\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Packaging Info\n     \u003c\/div\u003e\n     \u003ctable\u003e\n      \u003ctbody\u003e\n       \u003ctr\u003e\n        \u003ctd\u003ePackage Weight\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e19.03 lb\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e21.6 x 18.3 x 8.6\"\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n      \u003c\/tbody\u003e\n     \u003c\/table\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003ch2\u003eSolid State Logic THE BUS+ Reviews\u003c\/h2\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Solid State Logic-10","offers":[{"title":"Default Title","offer_id":40513351712853,"sku":"SOBUSPNGBC:SOBUSPNGBC:bhpv","price":494110.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/1651147599_1702222.jpg?v=1676641902"},{"product_id":"solid-state-logic-uv-eq-500-series-ultraviolet-stereo-equalizer","title":"Solid State Logic UV EQ 500 Series UltraViolet Stereo Equalizer","description":"\u003cdiv\u003e\n \u003ch2\u003eSolid State Logic 729734X1 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cul\u003e\n    \u003cli\u003e\n\u003cspan\u003e1\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e2\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eSculpt Instruments, Enhance Busses, and Fine-Tune Masters\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e3\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eBeyond Violet Is UltraViolet\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e4\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eFocus Mode\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e5\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eHPF and Trim\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e6\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eFeatures at a Glance\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eInfused with technology from SSL's Fusion analog processor, the \u003cb\u003eSolid State Logic UV EQ\u003c\/b\u003e is a double-slot 500 Series UltraViolet stereo equalizer that offers minimum-phase performance, four flexible bands, and a high-pass filter for musicians and engineers at any level. Given its sonic versatility and modular form factor, the UV EQ is a stellar addition to home studio setups, mobile recording rigs, and racks in commercial facilities.\u003cbr\u003e \u003cbr\u003e The high and low bands are shelving filters with up to 9 dB of boost or cut and four different frequency options per band. The midrange bands are fully parametric, with sweepable frequency and Q controls and switchable gain range (±9 dB by default or ±18 dB in Focus mode). You can also keep the low-end power under control by activating the 18 dB\/octave high-pass filter, which features frequency selections at 30, 40, and 50 Hz. There's also a dedicated output trim to allow convenient gain matching or driving converters to clipping.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Sculpt Instruments, Enhance Busses, and Fine-Tune Masters\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       UltraViolet stereo equalizer (UV EQ) takes the acclaimed minimum phase-shift Violet stereo EQ section from the SSl Fusion analog processor and puts it into 500 Series format whilst adding two fully parametric SSL midband EQs featuring precision Focus mode for the ultimate in 500 Series EQ flexibility and tonal control. UV EQ is the perfect partner for the SSL G-COMP Stereo Bus Compressor module, offering advanced SSL processing all from 500 Series modules.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Beyond Violet Is UltraViolet\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Over and above Fusion's Violet EQ, UV EQ takes features further, adding two dedicated midrange bands with precision Focus mode. They're classic SSL parametric midbands capable of the traditional SSL processing techniques but also go far beyond, offering absolute surgical precision all the way to creative notch-style filtering and resonant screaming.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Focus Mode\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Focus mode allows users to hone in on problem frequencies or specific frequencies they want to accentuate or attenuate. Pressing the Focus switch in automatically narrows the chosen Q setting further and increases the range of gain available beyond the normal ±9 dB operation to a huge ±18 dB. In true flexible SSL workflow fashion, it transforms this sweet-sounding, musical SSL EQ into a more surgical tool.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       HPF and Trim\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Remove rumble and tighten up low frequencies; the HPF found on UV EQ brings a world of flexibility when processing low end. The interaction with the LF shelving band offers unique ways to sculpt signals and yes, UV EQ is capable of the sought after boost-and-cut effect. A dedicated Trim control means you can hit convertors with plenty of headroom or smash into them the perfect amount when clipping is desired.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Features at a Glance\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003e4-band stereo EQ\u003c\/li\u003e\n        \u003cli\u003eDouble-slot module width\u003c\/li\u003e\n        \u003cli\u003eHigh and low shelving bands\u003c\/li\u003e\n        \u003cli\u003eMinimum-phase design inherited from Fusion\u003c\/li\u003e\n        \u003cli\u003eDual fully parametric midrange bands\u003c\/li\u003e\n        \u003cli\u003ePrecision Focus mode\u003c\/li\u003e\n        \u003cli\u003eHigh-pass filter at key fixed frequencies\u003c\/li\u003e\n        \u003cli\u003eDedicated output trim\u003c\/li\u003e\n        \u003cli\u003eSurgical precision to creative colour\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\u003c\/div\u003e\n   \u003cdiv\u003e\n    UPC: 878076001579\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ca\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cp\u003eUser Manual\u003c\/p\u003e\n      \u003cp\u003e2.0 MB\u003c\/p\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\u003c\/a\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Table of Contents\n    \u003c\/div\u003e\n    \u003cul\u003e\n     \u003cli\u003eDescription\u003c\/li\u003e\n     \u003cli\u003eSculpt Instruments, Enhance Busses, and Fine-Tune Masters\u003c\/li\u003e\n     \u003cli\u003eBeyond Violet Is UltraViolet\u003c\/li\u003e\n     \u003cli\u003eFocus Mode\u003c\/li\u003e\n     \u003cli\u003eHPF and Trim\u003c\/li\u003e\n     \u003cli\u003eFeatures at a Glance\u003c\/li\u003e\n    \u003c\/ul\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003ch2\u003eSolid State Logic 729734X1 Specs\u003c\/h2\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003ctable\u003e\n      \u003ctbody\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eNumber of Channels\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eStereo\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eInputs\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e2 x Balanced Line Input via 500 Series Multipin Connector\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eOutput\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e2 x Balanced Line Output via 500 Series Multipin Connector\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eGain Trim Range\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e±12 dB\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eHigh-Pass Filter\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e18 dB\/Octave at 30, 40, or 50 Hz\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eEQ High\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eShelf: ±9 dB at 8, 12, 16, or 20 kHz\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eEQ Mid\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eHMF Parametric: ±9 dB (±18 dB in Focus Mode) at 400 Hz to 6 kHz (Sweepable Frequency Control)\u003cbr\u003e LMF Parametric: ±9 dB (±18 dB in Focus Mode) at 100 Hz to 1.1 kHz (Sweepable Frequency Control)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eEQ Low\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eShelf: ±9 dB at 30, 50, 70, or 90 Hz\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eBypass Switch\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eYes\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eDimensions\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eNot Specified by Manufacturer\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eWeight\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eNot Specified by Manufacturer\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n      \u003c\/tbody\u003e\n     \u003c\/table\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Packaging Info\n     \u003c\/div\u003e\n     \u003ctable\u003e\n      \u003ctbody\u003e\n       \u003ctr\u003e\n        \u003ctd\u003ePackage Weight\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e1.205 lb\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e8.2 x 6.2 x 3.6\"\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n      \u003c\/tbody\u003e\n     \u003c\/table\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003ch2\u003eSolid State Logic 729734X1 Reviews\u003c\/h2\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Solid State Logic-10","offers":[{"title":"Default Title","offer_id":40513351843925,"sku":"SO500UVEQ:SO500UVEQ:bhpv","price":113520.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/1618500148_1633898.jpg?v=1676641910"},{"product_id":"wesaudio-_prometheus-500-series-passive-equalizer-with-digital-recall","title":"WesAudio _PROMETHEUS 500 Series Passive Equalizer with Digital Recall","description":"\u003cdiv\u003e\n \u003ch2\u003eWesAudio PROMETHEUS Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cul\u003e\n    \u003cli\u003e\n\u003cspan\u003e1\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e2\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eNew Implementation of a Legend\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e3\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003ePassive EQ\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e4\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eTwo Channels, Multiple Modes\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e5\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e500 Series Compatible\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e6\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eng500 Series\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e7\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eHardware A\/B\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e8\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eTHD\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e9\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eTotal Recall and Plug-In Control\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e10\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eAnalog Automation\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e11\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eAdditional Features\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eMerging the best of analog and digital worlds, the \u003cb\u003eWesAudio _PROMETHEUS\u003c\/b\u003e 500 series two-channel passive EQ offers classic Pultec-style equalization and the powerful luxury of digital total recall. On the analog side, it provides high headroom of +24 dBu and two-stage THD coloration for big tone that'll help you get pro impact in your tracks, mixes, and masters. Plus, there's true bypass and hardware A\/B switching so you can easily compare dry versus EQ'd or two different configurations of settings.\u003c\/p\u003e\n    \u003cp\u003e When it comes to the digital integration, _PROMETHEUS is high-tech with USB connectivity and plug-in control. It has six touch-sensitive encoders that not only adjust the settings of the analog circuitry, but also allow you to write real-time automation from _PROMETHEUS to your DAW. Alternatively, you can draw automation in the DAW and _PROMETHEUS will react accordingly. Whether you use it in stereo, dual mono, or mid-side, _PROMETHEUS offers a low band with separate boost and cut controls, a bandwidth-adjustable high boost, and a high cut with its own frequency selections.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       New Implementation of a Legend\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       WesAudio's _PROMETHEUS implements warm Pultec-style passive equalization into a 500 Series module and brings with it one of the most demanded features in the audio industry�digital recall.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Passive EQ\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       For the low-frequency section, _PROMETHEUS provides frequency selections at 20, 30, 60, 100, 120, and 250 Hz, plus separate boost and cut controls. The high band features bandwidth-adjustable boost at 2, 3, 4, 5, 8, 10, 12, or 16 kHz and adjustable cut at 4, 8, 12, or 20 kHz. Additionally, there is a post-EQ output control for level matching and more flexibility.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Two Channels, Multiple Modes\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       _PROMETHEUS can work in three different modes (stereo, dual mono, and mid-side), which makes it the perfect solution for multiple applications from tracking to mixing to mastering.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       500 Series Compatible\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Regardless its extensions, _PROMETHEUS is fully compatible with the 500 series standard. Digital features can be enabled through the mini-USB socket on the front panel.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       ng500 Series\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Each WesAudio device in ng500 (Next Generation 500 series) product line is equipped with a special connector. This connector is an extension to the 500 series, and allows your device to be managed\/recalled through specialized GCon protocol (e.g. _TITAN 500 series 10-slot frame). This extension is compatible with the 500 series standardized plug type; however, some manufacturers apply enormous screws to the plug itself, which prevent the device from fitting in. Based on official research, more than 90% of available 500 series racks will fit just fine. Currently known exceptions include:\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cul\u003e\n        \u003cli\u003eRupert Neve Designs 500 series Racks (R6 \u0026amp; R10)\u003c\/li\u003e\n        \u003cli\u003eAphex 500 series rack\u003c\/li\u003e\n        \u003cli\u003eSome older BAE racks (not produced anymore)\u003c\/li\u003e\n        \u003cli\u003eMidas L6 (module won�t fit to the very end on slots 3 and 6)\u003c\/li\u003e\n        \u003cli\u003eMidas L10 (module won�t fit to the very end on slots 4 and 8)\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Hardware A\/B\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Even using _PROMETHEUS as a pure analog signal processor, you can easily switch between two parallel settings with the magic of simple A\/B buttons.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       THD\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       THD stands for \"total harmonic distortion\" and it allows you to saturate your signal with beautiful analog color with two different intensity levels. Choose \"Mid\" for 1% THD or \"High\" for 2.5% THD.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Total Recall and Plug-In Control\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Along with classic analog EQ, you receive one of the most demanded features in the audio industry�total recall. Plus, full plug-in control (VST2, VST3, AU, AAX, and AAX DSP) makes _PROMETHEUS compatible with most, if not all, major DAWs. This total integration with your beloved DAW will change your workflow forever. Use the stereo plug-in on one track to manage all three modes of operation for _PROMETHEUS, or use two mono plug-ins on different tracks to manage each channel separately.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Analog Automation\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       It's very common to want different device settings based on song sections. Now it is possible; just draw automation lines in your DAW and the _PROMETHEUS analog device will follow. And remember, you can use the six touch-sensitive encoders to record automation to your DAW.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Additional Features\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eFully digitally controlled analog circuit\u003c\/li\u003e\n        \u003cli\u003eTwo channels, operable in stereo, dual mono, or mid-side\u003c\/li\u003e\n        \u003cli\u003e+24 dBu of headroom\u003c\/li\u003e\n        \u003cli\u003eDigital recall can be achieved by connecting directly through the mini-USB socket on the front panel, or using it inside a _TITAN chassis\u003c\/li\u003e\n        \u003cli\u003eDedicated stereo plug-in to manage all modes of operation\u003c\/li\u003e\n        \u003cli\u003eSix touch-sensitive encoders, perfect for recording automation of all parameters to your DAW in real time\u003c\/li\u003e\n        \u003cli\u003eTrue bypass\u003c\/li\u003e\n        \u003cli\u003eInput and output metering with clip detection\u003c\/li\u003e\n        \u003cli\u003eFree software and firmware upgrades\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003ch4\u003eNot in the Box\u003c\/h4\u003e\n  \u003cul\u003e\n   \u003cli\u003e\n\u003cspan\u003eEssential\u003c\/span\u003e \u003ca\u003eMounting \u003cspan\u003e(Not Included)\u003c\/span\u003e\u003c\/a\u003e\n\u003c\/li\u003e\n  \u003c\/ul\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Table of Contents\n    \u003c\/div\u003e\n    \u003cul\u003e\n     \u003cli\u003eDescription\u003c\/li\u003e\n     \u003cli\u003eNew Implementation of a Legend\u003c\/li\u003e\n     \u003cli\u003ePassive EQ\u003c\/li\u003e\n     \u003cli\u003eTwo Channels, Multiple Modes\u003c\/li\u003e\n     \u003cli\u003e500 Series Compatible\u003c\/li\u003e\n     \u003cli\u003eng500 Series\u003c\/li\u003e\n     \u003cli\u003eHardware A\/B\u003c\/li\u003e\n     \u003cli\u003eTHD\u003c\/li\u003e\n     \u003cli\u003eTotal Recall and Plug-In Control\u003c\/li\u003e\n     \u003cli\u003eAnalog Automation\u003c\/li\u003e\n     \u003cli\u003eAdditional Features\u003c\/li\u003e\n    \u003c\/ul\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003ch2\u003eWesAudio PROMETHEUS Specs\u003c\/h2\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003ctable\u003e\n      \u003ctbody\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eFunction\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eEqualizer\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eNumber of Channels\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e2 (Stereo, Dual Mono, or Mid-Side)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eInputs\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e2 x Balanced Line Inputs via 500 Series Multipin Connector\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eOutputs\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e2 x Balanced Line Outputs via 500 Series Multipin Connector\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eUSB\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e1 x Mini-USB Port (Front Panel)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003ePlug-In Formats\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eVST2, VST3, AU, AAX, and AAX DSP\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eInput Impedance\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e10 Kilohms\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eOutput Impedance\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e\u0026lt;100 Ohms\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eFilters\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eLow-Frequency Boost\/Cut: 20, 30, 60, 100, 120, or 250 Hz\u003cbr\u003e High-Frequency Boost: 2, 3, 4, 5, 8, 10, 12, or 16 kHz\u003cbr\u003e High-Frequency Cut: 4, 8, 12, or 20 kHz\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eOutput Level Adjustment Range\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e±15 dB\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eFrequency Response\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e10 Hz to 150 kHz (-2 dB)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eMaximum Signal Level\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e+24 dBu\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eTHD\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eMid Switch: 1%\u003cbr\u003e High Switch: 2.5%\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eTHD + N\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e\u0026lt;0.01% (1 kHz, 0 dBu)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eCrosstalk\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e\u0026lt; -100 dB\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003ePower Consumption\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e70 mA per Rail\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eDimensions\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e3.0 x 5.2 x 6.2\" \/ 7.6 x 13.3 x 15.8 cm\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eWeight\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eNot Specified by Manufacturer\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n      \u003c\/tbody\u003e\n     \u003c\/table\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003ch2\u003eWesAudio PROMETHEUS Reviews\u003c\/h2\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"WesAudio-10","offers":[{"title":"Default Title","offer_id":40514218852437,"sku":"WEPROMETHEUS:WEPROMETHEUS:bhpv","price":245960.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/1623242173_1642554.jpg?v=1676715167"},{"product_id":"zoom-v6-sp-multi-effects-vocal-processor-pedal","title":"Zoom V6-SP Multi-Effects Vocal Processor Pedal","description":"\u003cdiv\u003e\n \u003ch2\u003eZoom V6-SP Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cul\u003e\n    \u003cli\u003e\n\u003cspan\u003e1\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e2\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eVoice Section: Find Your Voice\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e3\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eHarmony Section: Meet your Backup Singers\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e4\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eEffect Section: Add Dimension to Your Vocals\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e5\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eFormant Pedal: Step to Add Flavor\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e6\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eBuilt-In Looper: Jam with Yourself\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e7\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003ePlenty of Preloaded Patches\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e8\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eProfessional Preamp to Sound your Best\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e9\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eXLR Line Output and USB Audio Interface to Connect to a Computer\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e10\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eOptional SGV-6 Microphone for Enhanced Processing Accuracy\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e11\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eFeatures at a Glance\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Zoom V6 Vocal Processor - Introduction\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Zoom V6: Pepper and EMP3 \"Supernatural\"\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      The Zoom V6 : Aaron Rizzo - Octave \u0026amp; Delay\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      he Zoom V6 : Aaron Rizzo - Harmony\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      The Zoom V6 : Aaron Rizzo - Formant Pedal\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eThe \u003cb\u003eZoom V6-SP Multi-Effects Vocal Processor Pedal\u003c\/b\u003e is designed specifically for bringing studio-quality sound to vocalists performing live. Packed with professional vocal effects and preloaded patches, harmony generator, built-in looper, formant-shift pedal, high-quality preamp, and USB audio interface, it can be used right out of the box to easily change the character of your vocals, on the fly.\u003c\/p\u003e\n    \u003cp\u003eThe V6-SP is divided into three distinct processing sections. Select your options within the Voice, Harmony, and Effect section, and save them as a patch. Each section can be quickly activated or deactivated within that patch anytime using the corresponding footswitch. The Voice section features 12 voice effects including pitch correction. The Harmony section adds up to two backing vocals for up to three-part harmonies, and the Effect section offers 10 popular classic and modern studio effects. The unit operates up to 3.5 hours on four AA batteries and comes with an AC adaptor.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Voice Section: Find Your Voice\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eSelect your desired vocal effect from 12 options ranging from Unison, to Octave Up\/Down, and to Vocoder, Talkbox, Robot, and more. You can also bring studio-quality pitch correction to the stage with the Pitch Correct effect, popular in today's EDM sound.\u003c\/li\u003e\n        \u003cli\u003eKey Pitch Correct: Select the key of your song and the V6-SP will process your voice to the nearest pitch within the key. Using the Adjust knob, you can determine how fast the processing is executed, to apply a softer or harsher correction to your original voice.\u003c\/li\u003e\n        \u003cli\u003eChromatic Pitch Correct: If your song doesn't fit a particular key, the V6-SP will shift your voice to the nearest chromatic pitch.\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Harmony Section: Meet your Backup Singers\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eAdd up to two backing vocals and create your perfect three-part harmony. With five harmony selection options, the V6-SP is designed to intuitively create the appropriate harmonic intervals based on the key you�ve selected.\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Effect Section: Add Dimension to Your Vocals\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Choose from 10 popular studio effects including classics such as Delay, Chorus, and Reverb, as well as modern effects like Telephone and Beatbox.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Formant Pedal: Step to Add Flavor\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eThe V6-SP uses an expression pedal for shifting the formant of your voice, providing radical changes in vocal characteristics without changing the pitch and delivering an unprecedented level of creativity and exploration.\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Built-In Looper: Jam with Yourself\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eThe built-in looper allows up to 3.5 minutes of loop time for your creations. Overdub multiple vocal parts all by yourself. Simply step on the footswitch and off you go.\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Plenty of Preloaded Patches\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eIf getting started right way is your goal, with 40 preloaded patches you can turn-on the V6-SP, make your patch selection, and start singing. Or combine your selections from the Voice, Harmony, and Effect sections to create and store your own patches. The V6-SP has 100 memory locations to store user-created patches.\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Professional Preamp to Sound your Best\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eThe V6-SP has an XLR input for connecting your microphone and a professional-quality preamp, so you sound your best. You can use any mic including condenser mics that require phantom power.\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       XLR Line Output and USB Audio Interface to Connect to a Computer\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eThe XLR output can be used to connect to a PA system or mixing console for live performances, or to a recorder or audio interface for recording.\u003c\/li\u003e\n        \u003cli\u003eYou can connect the V6-SP to a computer via USB to use it as an audio interface for recording directly into your DAW.\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Optional SGV-6 Microphone for Enhanced Processing Accuracy\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eThe optional SGV-6 microphone (available separately) is specifically engineered for vocalists using effects. The mic is designed to isolate your voice by suppressing sounds from other instruments on stage, enabling the V6-SP to process your voice more accurately.\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Features at a Glance\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eSimultaneously use up to three vocal processors from the Voice, Harmony, and Effect sections\u003c\/li\u003e\n        \u003cli\u003e10 studio-grade effects\u003c\/li\u003e\n        \u003cli\u003eBuilt-in compressor for optimizing input signal levels\u003c\/li\u003e\n        \u003cli\u003eBuilt-in Enhancer for optimizing input signal frequencies via equalization and de-essing\u003c\/li\u003e\n        \u003cli\u003eFormant pedal for adjusting your vocal character in real time\u003c\/li\u003e\n        \u003cli\u003eLooper for recording up to 3.5 minutes of sound\u003c\/li\u003e\n        \u003cli\u003e40 preset patches created by professional vocalists and audio engineers\u003c\/li\u003e\n        \u003cli\u003e100 memory locations for storing user-created patches\u003c\/li\u003e\n        \u003cli\u003eUSB 2.0 audio interface capable of recording up to 16-, 24-, or 32-bit at 44.1 kHz\u003c\/li\u003e\n        \u003cli\u003eUSB port for firmware updates, power, and audio recording\u003c\/li\u003e\n        \u003cli\u003eXLR line output for connecting to external mixing consoles\u003c\/li\u003e\n        \u003cli\u003eHeadphone output with dedicated volume control\u003c\/li\u003e\n        \u003cli\u003eRuns for 3.5 hours on four AA batteries\u003c\/li\u003e\n        \u003cli\u003eIncluded AC adapter\u003c\/li\u003e\n        \u003cli\u003eOptional expression pedal offers advanced control over effects parameters\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\u003c\/div\u003e\n   \u003cdiv\u003e\n    UPC: 884354026080\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eZoom V6-SP Multi-Effects Vocal Processor Pedal\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003e\u003cspan\u003eZoom AD-16 9V Power Supply Adapter For Zoom Effects Pedals\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eLimited 1-Year Manufacturer Warranty\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Table of Contents\n    \u003c\/div\u003e\n    \u003cul\u003e\n     \u003cli\u003eDescription\u003c\/li\u003e\n     \u003cli\u003eVoice Section: Find Your Voice\u003c\/li\u003e\n     \u003cli\u003eHarmony Section: Meet your Backup Singers\u003c\/li\u003e\n     \u003cli\u003eEffect Section: Add Dimension to Your Vocals\u003c\/li\u003e\n     \u003cli\u003eFormant Pedal: Step to Add Flavor\u003c\/li\u003e\n     \u003cli\u003eBuilt-In Looper: Jam with Yourself\u003c\/li\u003e\n     \u003cli\u003ePlenty of Preloaded Patches\u003c\/li\u003e\n     \u003cli\u003eProfessional Preamp to Sound your Best\u003c\/li\u003e\n     \u003cli\u003eXLR Line Output and USB Audio Interface to Connect to a Computer\u003c\/li\u003e\n     \u003cli\u003eOptional SGV-6 Microphone for Enhanced Processing Accuracy\u003c\/li\u003e\n     \u003cli\u003eFeatures at a Glance\u003c\/li\u003e\n    \u003c\/ul\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eZoom V6-SP Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eProcessors\u003c\/td\u003e\n         \u003ctd\u003e\u003cspan\u003eVoice Section: 12 Types\u003cbr\u003e Effect Section: 10 Types\u003cbr\u003e Harmony Section: 5 Types\u003c\/span\u003e\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEffect Patches\u003c\/td\u003e\n         \u003ctd\u003e\u003cspan\u003ePreset Patches: 40\u003cbr\u003e User-Created Patches: 100\u003c\/span\u003e\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eSampling Frequency\u003c\/td\u003e\n         \u003ctd\u003e\u003cspan\u003e44.1 kHz\u003c\/span\u003e\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eA\/D Conversion\u003c\/td\u003e\n         \u003ctd\u003e\u003cspan\u003e24-Bit, 128x Oversampling\u003c\/span\u003e\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eD\/A Conversion\u003c\/td\u003e\n         \u003ctd\u003e\u003cspan\u003e24-Bit, 128x Oversampling\u003c\/span\u003e\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eSignal Processing\u003c\/td\u003e\n         \u003ctd\u003e\u003cspan\u003e32-Bit\u003c\/span\u003e\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eFrequency Response\u003c\/td\u003e\n         \u003ctd\u003e\u003cspan\u003e20 Hz to 20 kHz (+1 dB \/ ?3 dB) (200 Kilohms Load)\u003c\/span\u003e\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eDisplay\u003c\/td\u003e\n         \u003ctd\u003e\u003cspan\u003e2-Digit, 7-Segment\u003c\/span\u003e\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMic Input\u003c\/td\u003e\n         \u003ctd\u003e\u003cspan\u003eXLR 3-Pin Female, Balanced\u003cbr\u003e Phantom Power: +48 VDC\u003cbr\u003e Gain: +3 to +40 dB\u003cbr\u003e Maximum Input Level: +4 dB\u003cbr\u003e Input Impedance: 3 Kilohms or Higher (1 kHz)\u003c\/span\u003e\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eControl Pedal Input\u003c\/td\u003e\n         \u003ctd\u003e\u003cspan\u003e1\/4\" \/ 6.3 mm Female (for FP02M Expression Pedal)\u003c\/span\u003e\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eOutput\u003c\/td\u003e\n         \u003ctd\u003e\u003cspan\u003eConnector: XLR 3-Pin Male, Balanced\u003cbr\u003e Impedance: 50 Ohms or Greater (1 kHz)\u003cbr\u003e Ground Lift: Switchable\u003c\/span\u003e\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eHeadphone Output\u003c\/td\u003e\n         \u003ctd\u003e\u003cspan\u003e1\/8\" \/ 6.3 mm TRS Female\u003cbr\u003e Maximum Output Level: 20 mW + 20 mW (into 32 Ohms Load)\u003c\/span\u003e\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEquivalent Input Noise\u003c\/td\u003e\n         \u003ctd\u003e\u003cspan\u003e-125 dBu or Less ( A-Weighted, 150 Ohms Input, +40 dBu Input Gain, Phantom Power Off)\u003c\/span\u003e\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNoise Floor\u003c\/td\u003e\n         \u003ctd\u003e\u003cspan\u003e-75 dBu\u003c\/span\u003e\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eUSB Port\u003c\/td\u003e\n         \u003ctd\u003e\u003cspan\u003e2-In \/ 2-Out Micro-USB 2.0 Full Speed\u003cbr\u003e 44.1 kHz \/ 16-, 24-, 32-Bit\u003c\/span\u003e\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePower\u003c\/td\u003e\n         \u003ctd\u003e\u003cspan\u003eZoom AD-16 AC Adapter, 9 VDC, 500 mA\u003cbr\u003e 4 x AA Battery, 3.5 Hours Continuous Operation (with Alkalines)\u003cbr\u003e Power Can Also Be Supplied via USB Port\u003c\/span\u003e\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eExternal Dimensions (D x W x H)\u003c\/td\u003e\n         \u003ctd\u003e\u003cspan\u003e7.1 x 12.6 x 3\" \/ 18.1 × 32 × 7.7 cm\u003c\/span\u003e\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eWeight\u003c\/td\u003e\n         \u003ctd\u003e\u003cspan\u003e3.4 lb \/ 1.56 kg (Excluding Batteries)\u003c\/span\u003e\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Packaging Info\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePackage Weight\u003c\/td\u003e\n         \u003ctd\u003e\u003cspan\u003e4.825 lb\u003c\/span\u003e\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e\n         \u003ctd\u003e\u003cspan\u003e19 x 8.9 x 3.5\"\u003c\/span\u003e\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Zoom-10","offers":[{"title":"Default Title","offer_id":40669744431189,"sku":"ZOV6SP:ZOV6SP:bhpv","price":62230.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1645782340_1692223.jpg?v=1692436985"},{"product_id":"chandler-power-supply-cable-for-psu-1-or-psu-2","title":"Chandler Power Supply Cable for PSU-1 or PSU-2","description":"\u003cdiv\u003e\n \u003ch2\u003eChandler 4-PIN XLR POWER SUPPLY CABLE Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eThis is a 4-pin XLR \u003cb\u003ePower Supply Cable for PSU-1 or PSU-2\u003c\/b\u003e from \u003cb\u003eChandler\u003c\/b\u003e. Merely connect the cable between your device and your PSU-1 or PSU-2 to power your compatible device.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eChandler Power Supply Cable for PSU-1 or PSU-2\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Chandler Limited-10","offers":[{"title":"Default Title","offer_id":40731583545429,"sku":"CH4PXLRPSCBL:CH4PXLRPSCBL:bhpv","price":12180.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1669647628_1734799.jpg?v=1700714841"},{"product_id":"drawmer-1976-stereo-3-band-saturation-and-width-processor","title":"Drawmer 1976 Stereo 3-Band Saturation and Width Processor","description":"\u003cdiv\u003e\n \u003ch2\u003eDrawmer 1976 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cul\u003e\n    \u003cli\u003e\n\u003cspan\u003e1\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e2\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eAdd Life to Your Recordings\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003e3\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e4\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eWhat Is Saturation?\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e5\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eThe Importance of Width\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e6\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eIntuitive Layout\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e7\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eWhere to Make the Most of Saturation\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Add Life to Your Recordings\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Inject the familiar warmth and color of 1970's audio gear into your sterile digital signals with the \n       \u003cstrong\u003e1976\u003c\/strong\u003e from \n       \u003cstrong\u003eDrawmer\u003c\/strong\u003e, a 3-band saturation and width processor with genuine stereo or mono operation that produces warmth and fullness that plug-ins can only dream of emulating. With independent saturation, width, and volume controls for each band, it is incredibly easy to fine tune your signals for optimal depth and presence, and variable crossover control lets you dial in different amounts of independent saturation across the full frequency range.\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003eEach band, as well as the final output, has dedicated bypass and mute buttons, and both the input and output have variable level controls. The 1976 sports balanced stereo XLR I\/O as well as a clear, stereo LED VU meter for keeping an eye on your channel levels. This unit includes an AC power cord and a linear, toroidal, internal power supply with user-selectable voltage for global compatibility.\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\u003c\/div\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        What Is Saturation?\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       Saturation in music production is something that can really enrich the sound in your mix by adding a subtle form of distortion through pleasant-sounding harmonics. It originates from the analog days when audio recordings ran through various pieces of hardware, each one adding their own character to the music, giving the audio an appealing quality that was much sought after.\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003eToday in the digital age, these characteristics no longer occur naturally, giving an overly clean, sterile quality to the audio, and requiring saturation plug-ins to be used to emulate those harmonics which are not present. The 1976 allows you to add this character in a completely analog, natural way, and it's use is not only limited to digital recordings, as it'll add presence, warmth, and life to any audio regardless of how it's recorded, whether its drums, vocals, synths, and more, in digital or analog.\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        The Importance of Width\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       Without stereo widening, the mix won't jump out of the speaker and grab your listener, and this is where the 3 bands of the 1976 can be used to add an extra dimension, taking the mix from a flat wall of sound, to a 3D immersive experience. It's likely your mix will have a stereo element already; however, the 1976 makes it super easy to control this, widening and narrowing where necessary to get the desired effect. One major benefit of having independent width control for each of the bands is to allow the high frequencies to be spread across a wider soundstage without affecting the low-frequency end.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        Intuitive Layout\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       The layout of the 1976 has been designed to be as simple, familiar, and intuitive as possible, while still giving complete control over the audio. The front panel consists of an input control that allows you to optimize the input level should it be to low, or hot.\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003eThis is followed by three identical Low, Mid, and High saturation and width bands, flowing left to right, with the variable crossover frequency knobs separating them. To the right, are the Output controls to optimize the output level.\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        Where to Make the Most of Saturation\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       Saturation can be used to add warmth on pretty much any piece of audio; however, it can be applied to some sounds far more effectively than others:\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cul\u003e\n        \u003cli\u003ePercussion: drums are one of the best sounds in which to use saturation. It can be used to glue the whole drum bus together, injecting some punch and excitement, giving them depth and life, and adding harmonics that are pleasing to the ear, while taming rogue transients and high end harshness using natural compression. \u003c\/li\u003e\n        \u003cli\u003eBasslines: if your bassline sounds a little flat and lifeless, it will really benefit from adding some saturation. This will bring out the grit, dirty the sound, and fatten it out.\u003c\/li\u003e\n        \u003cli\u003eSynths: synths tend to sound too digital and clinical. Saturation will bring them to life, making them sound warmer, more natural, and closer to the analog sound that they emulate. It'll inject harmonics and grit, and make the synths stand out more in the mix.\u003c\/li\u003e\n        \u003cli\u003eVocals: saturation is one of the secrets to great sounding vocals. Your vocal recordings may sound good, but saturation will make them sing (pun intended). It will make any vocal sound fuller, especially thin and dull voices, and will warm and tame harsh sounding vocals by subtly softening sibilance.\u003c\/li\u003e\n        \u003cli\u003eMix: for all of it's pros, digital recording has a major drawback, and that's its overly harsh, overly clean natural sound. Saturation can be the key here. It will add harmonic distortion to inject life and warmth into the mix, and help your digital mixes sound more like those from the analog recording era.\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eDrawmer 1976 Stereo 3-Band Saturation and Width Processor\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eLimited 1-Year Manufacturer Warranty\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ca\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cp\u003eUser Manual\u003c\/p\u003e\n      \u003cp\u003e2.7 MB\u003c\/p\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\u003c\/a\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Table of Contents\n    \u003c\/div\u003e\n    \u003cul\u003e\n     \u003cli\u003eDescription\u003c\/li\u003e\n     \u003cli\u003eAdd Life to Your Recordings\u003c\/li\u003e\n     \u003cli\u003e\n     \u003c\/li\u003e\n\u003cli\u003eWhat Is Saturation?\u003c\/li\u003e\n     \u003cli\u003eThe Importance of Width\u003c\/li\u003e\n     \u003cli\u003eIntuitive Layout\u003c\/li\u003e\n     \u003cli\u003eWhere to Make the Most of Saturation\u003c\/li\u003e\n    \u003c\/ul\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eDrawmer 1976 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Inputs \/ Outputs\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAudio I\/O\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u003cb\u003e2 x \u003c\/b\u003eXLR 3-Pin Line Input (1 Stereo Pair)\u003cbr\u003e\u003cb\u003e2 x \u003c\/b\u003eXLR 3-Pin Line Output (1 Stereo Pair)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Power\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePower Source\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eAC Input (Built-In)\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePower Consumption\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e15 VA\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Environmental\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCertifications\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eCE\u003cb\u003e\u003c\/b\u003e, WEEE\u003cb\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Physical\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMounting\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eFront: 4 x Standard Rackmount Screw\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eColor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eBlack\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMaterial of Construction\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSteel, Aluminum\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eDimensions\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e19 x 8 x 1.7\" \/ 48.2 x 20.2 x 4.4 cm\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eWeight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e5.7 lb \/ 2.6 kg\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Drawmer-10","offers":[{"title":"Default Title","offer_id":40731728838741,"sku":"DR1976:DR1976:bhpv","price":231095.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1676554862_1752075.jpg?v=1700731102"},{"product_id":"drawmer-1973-three-band-stereo-fet-compressor","title":"Drawmer 1973 Three-Band Stereo FET Compressor","description":"\u003cdiv\u003e\n \u003ch2\u003eDrawmer 1973 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cul\u003e\n    \u003cli\u003e\n\u003cspan\u003e1\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003e2\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003e3\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e4\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eThree-Band Compression\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e5\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eIntuitive Layout\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e6\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003ePrecision Mix Control\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Providing three bands of transparent, intuitive compression that any engineer will appreciate, the \n       \u003cstrong\u003e1973\u003c\/strong\u003e from \n       \u003cstrong\u003eDrawmer\u003c\/strong\u003e is a stereo FET compressor with a fast-reacting soft-knee design that makes mixing and mastering jobs a breeze. Combining a set of crossover filters that split the audio signal into three frequency bands, each band is compressed and independently adjusted, allowing you to find and process frequencies in each band with great precision without affecting the other bands before the final output.\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003eWith variable wet\/dry mix and output gain, you can engage in parallel compression internally, without the need for external audio gear, and each band sports the features one expects of a studio-grade compressor, including threshold, gain, mute, bypass, and switched attack and release, including program dependent release settings. You can use the Big and Air switches to activate low- and high-frequency boosts respectively, and the two analog VU meters make it easy to keep an eye on your signal levels, including a +10 dB meter rescale mode, and a switchable Peak mode to see fast transients. The 1973 includes an AC power cord, and an internal, toroidal power supply with user-selectable voltage switching for global compatibility.\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\u003c\/div\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        Three-Band Compression\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       The 1973 can pull off impressive feats that a single-band compressor could never accomplish. For example, it can easily prevent an acoustic guitar, cello, or double bass from sounding boomy on low notes without thinning the highs, and it can make shrill-sounding vocal tracks richer, thicker, and less raspy by individually compressing the low, mid, and high bands.\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003eIn a mastering situation, having independent control over each band can resolve a problem mix, pulling out individual instruments, brightening the brilliance\/air, or making the bottom end of a mix sound huge while simultaneously avoiding pumping or breathing artifacts. It can also increase the available headroom.\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        Intuitive Layout\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       Multiband compressors can be intimidating and difficult to use due to the number of controls and the confusing layout typical of such units. With this in mind, the 1973 has been designed to be as simple, familiar, and intuitive as possible whilst still giving complete control over the audio.\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003eThe front panel consists of three nearly identical compressor bands, flowing left to right, with the Variable Crossover Frequency knobs separating them. To the right are the large, illuminated VU Meters, with variable Output controls and the bypass switch underneath.\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        Precision Mix Control\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       Incorporated into the 1973 is the Mix Control. This acts like a parallel compression effect that mixes the Wet (compressed) and Dry (original) signals to provide a simple and exact way of controlling the amount of compression used, all with the turn of a single knob.\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003eOne criticism of multiband compression is that it is possible to take the effect too far and ruin a mix, but this is easily prevented with the 1973 through the use of the Mix control, allowing you mix in less of the wet signal and more dry. By the same token, the mix control can add more compression simply by adding more of the wet signal. It's that simple.\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eDrawmer 1973 Three-Band Stereo FET Compressor\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eAC Power Cord\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eLimited 1-Year Manufacturer Warranty\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ca\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cp\u003eUser Manual\u003c\/p\u003e\n      \u003cp\u003e1.6 MB\u003c\/p\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\u003c\/a\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Table of Contents\n    \u003c\/div\u003e\n    \u003cul\u003e\n     \u003cli\u003eDescription\u003c\/li\u003e\n     \u003cli\u003e\n     \u003c\/li\u003e\n\u003cli\u003e\n     \u003c\/li\u003e\n\u003cli\u003eThree-Band Compression\u003c\/li\u003e\n     \u003cli\u003eIntuitive Layout\u003c\/li\u003e\n     \u003cli\u003ePrecision Mix Control\u003c\/li\u003e\n    \u003c\/ul\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eDrawmer 1973 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Inputs \/ Outputs\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAudio I\/O\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u003cb\u003e2 x \u003c\/b\u003eXLR 3-Pin Line Input (1 Stereo Pair)\u003cbr\u003e\u003cb\u003e2 x \u003c\/b\u003eXLR 3-Pin Line Output (1 Stereo Pair)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Power\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePower Source\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eAC Input (Built-In)\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePower Consumption\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e60 VA\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Environmental\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCertifications\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eCE\u003cb\u003e\u003c\/b\u003e, WEEE\u003cb\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Physical\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMounting\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eFront: 3 x Standard Rackmount Hole\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eColor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eBlack\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMaterial of Construction\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSteel, Aluminum\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eDimensions\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e19 x 10.6 x 3.5\" \/ 48.2 x 27 x 8.8 cm\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eWeight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9.3 lb \/ 4.2 kg\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Packaging Info\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePackage Weight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e11.355 lb\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e22.1 x 16.9 x 6.7\"\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Drawmer-10","offers":[{"title":"Default Title","offer_id":40731738865749,"sku":"DR1973:DR1973:bhpv","price":326515.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1676554862_1752073.jpg?v=1700732346"},{"product_id":"eventide-omnipressor-2830au-compressor-and-expander","title":"Eventide Omnipressor 2830AU Compressor and Expander","description":"\u003cdiv\u003e\n \u003ch2\u003eEventide OMNIPRESSSOR 2830AU Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eUpdating one of the most influential dynamics processors in music history, the \u003cstrong\u003e50th Anniversary Reissue Omnipressor 2830AU\u003c\/strong\u003e from \u003cstrong\u003eEventide\u003c\/strong\u003e provides users with flexible operation in a rackmountable unit, capable of deftly flowing from compression and limiting to expansion and gating, all with the turn of a knob. But the Omnipressor 2830AU isn't just versatile, it's also unique, sporting unconventional dynamics functions like the dynamic reversal, the first of its kind, which reverses transient peaks and troughs to produce a simulated tape reversal sound.\u003c\/p\u003e\n    \u003cp\u003eThe original 1976 Omnipressor was the first processor to introduce the concept of side-chaining, and the reissue is no different, sporting both transformer-balanced XLR and unbalanced 1\/4\" side-chain I\/O, as well as line I\/O and link connections for optional stereo processing. The meter sports a three-way switch for selecting between input, output, or gain monitoring. Mix control lets you engage in parallel compression, and you also get a relay-bypass switch, input and output level control, gain, attenuation, threshold control, and much more. And once linked, you can operate in three modes: Stereo Mode for typical stereo dynamics processing, Master Mode for controlling a chain of units with one master unit, and VCA Mode for transforming your Omnipressor into a high-quality voltage-controlled amplifier.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       A Piece of History\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Originally invented by Eventide�s founder, Richard Factor (and later redesigned for production by Jon Paul), the 1976 Omnipressor made a host of effects possible. It featured variable control of all aspects of dynamic modification.\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003eIt also introduced the notion of the side-chain and foretold techniques that today we take for granted like lookahead processing. One of its first customers was a young Brian May, lead guitarist of Queen. With the Omnipressor in his rig, his sound was never the same.\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Dynamics Reversal\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       One of the novel features of the Omnipressor is its ability to make signals sound backward. This is a consequence of the Dynamic Reversal feature, which enables loud sounds to come out more softly than soft sounds. Speech waveforms, for instance, generally consist of loud peaks followed by trailing-off envelopes.\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003eBy making these envelopes louder than the peaks, the illusion that the sound is coming out backward is generated. Likewise, drum sounds consist of peaks roughly coincident with mechanical impact, followed by a decay envelope. In general. any material with wide dynamic range can be reversed, and by experimenting with forward and reversal playback, you can achieve an incredible array of effects.\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Dynamics Processing Functions\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Fully counterclockwise, the Omnipressor gain varies sharply from full attenuation to maximum gain as a threshold level is exceeded. As the control is turned clockwise from the center divider, the gain begins decreasing with increasing input level.\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cul\u003e\n        \u003cli\u003eDynamic Reversal: An input level of +10 dB results in an output of -10 dB, and vice versa.\u003c\/li\u003e\n        \u003cli\u003eGate: As the signal decreases below +10 dB, the device gain rapidly goes to minimum.\u003c\/li\u003e\n        \u003cli\u003eExpansion: A 40 dB input range results in a 60 dB output range, increasing dynamic range.\u003c\/li\u003e\n        \u003cli\u003eControl Centered: Input level equals output level.\u003c\/li\u003e\n        \u003cli\u003eLimiting: Gain is unity until input is 0 dB. Above 0 dB, a 30 dB change in input produces a 6 dB output change.\u003c\/li\u003e\n        \u003cli\u003eInfinite Compression: Output level remains unchanged regardless of input level.\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       A Unique Metering System\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The analog VU meter is calibrated over a 60 dB range in a linear\/logarithmic scale. When the three-way switch is in the Input position, the meter reads the input signal level. When in the Gain position, the meter reads the relative gain of the device, giving an indication of the gain control function. In the Output position, the meter reads the output level of the Omnipressor.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Controls and Switches\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eLine switch controls the relay-bypass function\u003c\/li\u003e\n        \u003cli\u003eInput and Output level controls\u003c\/li\u003e\n        \u003cli\u003eMix control for wet\/dry adjustment and parallel compression\u003c\/li\u003e\n        \u003cli\u003eSide-chain enables or disabled side-chain audio path\u003c\/li\u003e\n        \u003cli\u003eInput Threshold controls the operating point of the Omnipressor\u003c\/li\u003e\n        \u003cli\u003eBass cut for reducing low-end leakage into your signals\u003c\/li\u003e\n        \u003cli\u003eControl Attack Time and Release Time\u003c\/li\u003e\n        \u003cli\u003eThree-way switch for Meter Function: Input, Gain, or Output monitoring\u003c\/li\u003e\n        \u003cli\u003eMain Function knob scrolls through basic modes of operation (compression, limiting, reversal, etc.)\u003c\/li\u003e\n        \u003cli\u003eAtten Limit adjusts the limits of maximum attenuation, with a max reduction of 30 dB\u003c\/li\u003e\n        \u003cli\u003eGain Limit commands the maximum gain of the Omnipressor\u003c\/li\u003e\n        \u003cli\u003eLink activates or deactivates the unit to unit linking function\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      More Common Applications\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Voltage-Controlled Amplification\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The Omnipressor can be used as a high-quality voltage-controlled amplifier (VCA) for modulation, electronic music, channel gain variation, amplitude scaling, filter generation, or any application in which a fader or pot is used. Characteristics in the VCA control mode include accurate voltage vs amplitude curve, good tracking, low distortion regardless of signal level (below clipping level), and a wide control range.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Predictive Compression\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The unique ability of the Omnipressor to separate the gain control from the level detector enables one to build what is most conveniently termed a predictive compressor. Such a unit should go a long way towards eliminating the unavoidable imperfections standard units have.\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003eConnect an Omnipressor and an Eventide Digital Delay Line, or similar delay device. Enable the side-chain input. What you have just fabricated is a compressor that can read the future, or, in more common parlance, one which has a negative attack time. \u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Noise Reduction Unit\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The Omnipressor makes a good compression\/expansion noise reduction unit for enhancing the transmission capability of some media such as tape, digital equipment, low grade phone lines, etc. If the Omnipressor is set up as a compressor on the input end (feeding the tape machine or phone line) and as an expander on the output end, then the input dynamic range is compressed during transmission and a medium with, say, 40 dB dynamic range can appear to have a much wider range.\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003eSince identical circuitry with identical time constants is used to produce compression and expansion, perfect dynamic tracking is obtained. If compression and expansion ratios are set properly, the system should be transparent to the listener.\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\u003c\/div\u003e\n    \u003cdiv\u003e\n     UPC: 840694002610\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eEventide Omnipressor 2830AU Compressor and Expander\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eLimited 1-Year Manufacturer Warranty\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ca\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cp\u003eUser Manual\u003c\/p\u003e\n      \u003cp\u003e2.6 MB\u003c\/p\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\u003c\/a\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eEventide OMNIPRESSSOR 2830AU Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       General\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMaximum Input Level\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e+20 dB\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMaximum Output Level\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e+18 dB\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eInput Impedance\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e600 Ohms (Transformer Balanced)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eOutput Impedance\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e600 Ohms (Transformer Balanced)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eFrequency Response\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e20 Hz to 16 kHz (-0.5 dB)\u003cbr\u003e 15 Hz to 20 kHz (-1 dB)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eGain\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e-12 to +12 dB (Depending on Output Level)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eDistortion\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eAGC Disabled: 0.02% (At 1 kHz, -20 dB)\u003cbr\u003e AGC: 0.5% (At 1 kHz)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eSNR\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e-90 dB (Unity Gain)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Inputs \/ Outputs\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAudio I\/O\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1x XLR 3-Pin Line Input (Balanced)\u003cbr\u003e1x XLR 3-Pin Line Input (Side-Chain)\u003cbr\u003e1x 1\/4\" TRS Line Input (Unbalanced)\u003cbr\u003e1x 1\/4\" TRS Line Input (Side-Chain)\u003cbr\u003e1x 1\/4\" TRS Input (Link)\u003cbr\u003e1x XLR 3-Pin Line Output (Balanced)\u003cbr\u003e1x XLR 3-Pin Line Output (Side-Chain)\u003cbr\u003e1x 1\/4\" TRS Line Output (Unbalanced)\u003cbr\u003e1x 1\/4\" TRS Line Output (Side-Chain)\u003cbr\u003e1x 1\/4\" TRS Output (Link)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Power\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePower Source\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eAC Input\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAC Input Power\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u003cb\u003e\u003c\/b\u003e115 to 230 VAC, 50 \/ 60 Hz\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePower Consumption\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e10 W (Typical)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Physical\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMounting\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eFront: 4 x Standard Rackmount Hole\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eColor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eBlack\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMaterial of Construction\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eMetal\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eDimensions\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e19 x 9 x 3.5\" \/ 48.3 x 22.9 x 8.9 cm (W x H x D)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eWeight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u003cspan\u003eNot Specified by Manufacturer\u003c\/span\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Packaging Info\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePackage Weight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e13.925 lb\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e22.4 x 13.3 x 8.3\"\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Eventide-10","offers":[{"title":"Default Title","offer_id":40772678156373,"sku":"EVOP2830:EVOP2830:bhpv","price":331145.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1698755723_1792562.jpg?v=1707248477"},{"product_id":"drawmer-1974-four-band-stereo-parametric-equalizer","title":"Drawmer 1974 Four-Band Stereo Parametric Equalizer","description":"\u003cdiv\u003e\n \u003ch2\u003eDrawmer 1974 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cul\u003e\n    \u003cli\u003e\n\u003cspan\u003e1\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e2\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eGenuine Stereo Operation with Accurate Potentiometers\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e3\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eFully Parametric with Variable Q\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e4\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eVariable Low- and High-Cut Filters\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e5\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eSwitchable Slope Settings\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eProduce immersive mixes in vintage style with the \u003cstrong\u003e1974\u003c\/strong\u003e from \u003cstrong\u003eDrawmer\u003c\/strong\u003e, a genuine stereo, four-band, parametric equalizer rack unit packed with all the features you need to sculpt truly professional sounding tracks. Ideal for mixing or mastering applications, the 1974 delivers a delicate touch with easy recall and excels at tuning out undesirable signals at extreme frequencies, adding analog warmth to recordings in a way that is difficult to emulate digitally.\u003c\/p\u003e\n    \u003cp\u003eThis 19\", 1 RU EQ processor sports stepped, indented pot controls for surgical precision and a wide range of vital features for sound sculpting, including variable high- and low-pass filters, adjustable slope selection with peak settings on high- and low-band filters, and highly versatile variable Q selection, which allows you to widen or narrow your boosting or cutting of frequencies for subtle fine tuning or addressing particularly problematic recordings. True hardware bypass makes it easy to perform A\/B comparisons, so you can be sure you find the optimal settings without too much fiddling. The internal toroidal, linear power supply delivers extremely low-noise performance and features switchable voltages for global compatibility, and the unit includes an AC power cord to get you mixing right away.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Genuine Stereo Operation with Accurate Potentiometers\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The genuine stereo linked operation of the 1974 makes adjustment quick and extremely simple using just one set of controls to alter both channels. Gone is the wasted time spent fiddling about on every control trying to match the settings of the left and right channels with each other. The 1974 uses precision potentiometers, each one being matched for left\/right accuracy to within fine tolerances by Drawmer's trained technicians, so that both channels operate identically, and also have indented operation, providing exceptional accuracy for fast and simple recall.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Fully Parametric with Variable Q\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The 1974 is a true parametric equalizer, with the four bands having fully variable frequency controls and offer cut and boost of ±12 dB. However, unlike EQ's with no bandwidth adjustment, or a simple switch, the two mid bands have completely variable filter Q controls, enabling the user to focus in on very narrow sections of the audio spectrum or apply a broad natural sounding filter, or anything in between the two. This makes the 1974 incredibly versatile and capable of everything from subtly fine tuned mixes to tone sculpting problematic recordings.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Variable Low- and High-Cut Filters\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The 1974 also includes fully variable low- and high-cut filters, ideal for tuning out undesirable signals. The high-pass filter has a range of 10 to 225 Hz and the low-pass filter sports a 4 to 32 kHz range. The beauty of being fully variable is that, unlike fixed frequency filters, it is easy to sweep both controls to find the perfect setting and remove sounds with pinpoint accuracy.\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003eThis is especially useful when bracketing individual tracks where it will be necessary to cut the bass to remove rumble or cut the top to remove hiss, as these undesirable signals will just add up as the tracks are layered. For instance, cut every instrument below 100 Hz except those within that spectrum, such as the kick, bass, or synths to provide extra headroom to work, and also tighten up the bass making it sound less muddy.\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Switchable Slope Settings\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Very few analog parametric equalizers have an adjustable slope on the low- and high-band filters. The filter slopes of the 1974 have been chosen for their musicality, allowing you to adjust the focus of the audio at the bottom and top ends of your recording, but not so harsh as to be a very noticeable brick wall filter. At the bottom end slopes of 6, 9, and 12 dB per octave plus a Peak setting are available, and at the high end, 6 and 12 dB per octave.\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003eThe Peak setting is quite a unique feature in that it adds a narrow bell shape to the 12 dB per octave low-band filter at the knee frequency just before it rolls off. Especially useful on kick drums, it magnifies and gives extra weight to the hit while still filtering out any subsonic junk without muddying the lower mid. It'll give your kick an added sense of power and precision.\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eDrawmer 1974 Four-Band Stereo Parametric Equalizer\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eAC Power Cord\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eLimited 1-Year Manufacturer Warranty\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ca\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cp\u003eUser Manual\u003c\/p\u003e\n      \u003cp\u003e1.7 MB\u003c\/p\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\u003c\/a\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Table of Contents\n    \u003c\/div\u003e\n    \u003cul\u003e\n     \u003cli\u003eDescription\u003c\/li\u003e\n     \u003cli\u003eGenuine Stereo Operation with Accurate Potentiometers\u003c\/li\u003e\n     \u003cli\u003eFully Parametric with Variable Q\u003c\/li\u003e\n     \u003cli\u003eVariable Low- and High-Cut Filters\u003c\/li\u003e\n     \u003cli\u003eSwitchable Slope Settings\u003c\/li\u003e\n    \u003c\/ul\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eDrawmer 1974 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       General\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eFrequency Response\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e20 Hz to 20 kHz (±0.2 dB)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eInput Impedance\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e?20 Kilohms\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eOutput Impedance\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u0026lt;100 Ohms\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMaximum Input Level\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e+26 dBu\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMaximum Output Level\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e+26 dBu (Into 10 Kilohm Load)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCrosstalk\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u0026lt;-75 dB (at 1 kHz)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eTHD + N\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e0.007% (at 1 kHz)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Inputs \/ Outputs\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAudio I\/O\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e2x XLR 3-Pin Line Input (1 Stereo Pair)\u003cbr\u003e2x XLR 3-Pin Line Output (1 Stereo Pair)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Power\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePower Source\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eAC Input (Built-In)\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePower Consumption\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e15 VA\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAC Input Power\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e115 \/ 230 VAC, 50\/60 Hz (User Selected)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Physical\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMounting\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eFront: 4 x Standard Rackmount Hole\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eColor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eBlack\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMaterial of Construction\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSteel, Aluminum\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eDimensions\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e19 x 8 x 1.7\" \/ 48.2 x 20.2 x 4.4 cm\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eWeight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e6.2 lb \/ 2.8 kg\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Packaging Info\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePackage Weight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e6.96 lb\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e22.2 x 14.9 x 4.6\"\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Drawmer-10","offers":[{"title":"Default Title","offer_id":40773585993813,"sku":"DR1974:DR1974:bhpv","price":231095.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1676554862_1752074.jpg?v=1707273319"},{"product_id":"spl-deesser-mk2-rackmount-auto-dynamic-dual-de-esser-1-ru","title":"SPL DeEsser Mk2 Rackmount Auto-Dynamic Dual De-Esser (1 RU)","description":"\u003cdiv\u003e\n \u003ch2\u003eSPL DE-ESSER MK2 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cul\u003e\n    \u003cli\u003e\n\u003cspan\u003e1\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e2\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eHow Does the SPL Auto-Dynamic DeEsser Work?\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e3\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eS-Reduction Control and LED Display\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e4\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eAuto Switch\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e5\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eFemale and Male Modes\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e6\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eXLR and 1\/4\" Balanced Inputs and Outputs\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eThe \u003cb\u003eSPL DeEsser Mk2\u003c\/b\u003e is a highly specialized auto-dynamic de-esser that automatically removes excess sibilant frequencies in a simple and musical way, cancelling out S-sounds without affecting the natural character or timbre of the voice. This updated version offers the same processing qualities as its predecessor but features a new design with solid aluminum knobs that provide an even better feel, for a high-quality user experience. The DeEsser Mk2 offers two mono DeEssers in a compact 1 RU unit.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       How Does the SPL Auto-Dynamic DeEsser Work?\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eThe DeEsser Mk2 Auto-Dynamic DeEsser has a new circuit technology that automatically adjusts to the S-frequencies and narrows the bandwidth so that only the range of the S-sound is processed, and all neighboring frequencies remain untouched.\u003c\/li\u003e\n        \u003cli\u003eThe frequency band determined in this way is mixed back to the original signal in phase-inverted form, whereby the S-sound is acoustically removed. \u003c\/li\u003e\n        \u003cli\u003eAuto-Dynamic de-essing has very little negative influence on the timbre of the voice; side effects such as twanging or lisping do not occur. In addition, time-consuming readjustment of the frequency settings is no longer necessary.\u003c\/li\u003e\n        \u003cli\u003eThe SPL Auto-Dynamic DeEsser combines efficiency with sound neutrality. Additionally, you can also soften hard cymbal sounds or snares.\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       S-Reduction Control and LED Display\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eThe S?Reduction control adjusts the intensity of the S?sound reduction. In practice, S?Reduction settings between -2 dB and -8 dB achieve the best results for most applications.\u003c\/li\u003e\n        \u003cli\u003eThe S-Reduction LED display visualizes the intensity of the S?sound reduction between 0 and -20 dB in 2 dB steps.\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Auto Switch\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eThe Auto switch activates the Auto Dynamic function. This automatically adjusts the threshold if the input level fluctuates due to varying distance to the microphone, which can lead to fluctuating input levels.\u003c\/li\u003e\n        \u003cli\u003eWith Auto-Threshold engaged, the de-essing intensity remains constant at the value you set using the S?Reduction control. This helpful not only for inexperienced voice-over artists, but also in live situations.\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Female and Male Modes\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eThe Female switch is used to adapt the de-essing to the voice characteristics of female performers. With the Female switch pressed, automatic S-sound detection now reacts more intensively to higher-frequency S-sounds.\u003c\/li\u003e\n        \u003cli\u003eThe un-pressed switch position selects the Male mode to adapt the S-sound detection to male voice characteristics. Lower-frequency S-sounds are processed.\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       XLR and 1\/4\" Balanced Inputs and Outputs\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eThe two channels of the DeEsser Mk2 are equipped with Neutrik XLR connectors with gold-plated contacts. Each de-esser also features 1\/4\" TRS connectors.\u003c\/li\u003e\n        \u003cli\u003eThe signal transmission is electronically balanced at a nominal level of +6 dB.\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eSPL DeEsser Mk2 Rackmount Auto-Dynamic Dual De-Esser (1 RU)\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003ePower Cord\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eLimited 2-Year Manufacturer Warranty\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ca\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cp\u003eUser Manual\u003c\/p\u003e\n      \u003cp\u003e0.4 MB\u003c\/p\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\u003c\/a\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Table of Contents\n    \u003c\/div\u003e\n    \u003cul\u003e\n     \u003cli\u003eDescription\u003c\/li\u003e\n     \u003cli\u003eHow Does the SPL Auto-Dynamic DeEsser Work?\u003c\/li\u003e\n     \u003cli\u003eS-Reduction Control and LED Display\u003c\/li\u003e\n     \u003cli\u003eAuto Switch\u003c\/li\u003e\n     \u003cli\u003eFemale and Male Modes\u003c\/li\u003e\n     \u003cli\u003eXLR and 1\/4\" Balanced Inputs and Outputs\u003c\/li\u003e\n    \u003c\/ul\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eSPL DE-ESSER MK2 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       General\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCompatibility\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u003cspan\u003eNot Specified by Manufacturer\u003c\/span\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Inputs \/ Outputs\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAudio I\/O\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e2x XLR 3-Pin Line Input (Balanced)\u003cbr\u003e2x 1\/4\" TRS Line Input (Balanced)\u003cbr\u003e2x XLR 3-Pin Line Output (Balanced)\u003cbr\u003e2x 1\/4\" TRS Line Output (Balanced)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Power\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePower Source\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eAC Input\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAC Input Power\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u003cb\u003e\u003c\/b\u003e115 to 230 VAC, 50 \/ 60 Hz\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePower Consumption\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e15 W\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Environmental\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEnvironmental Protection\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eNo\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Physical\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMounting\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1 x Rackmount\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eColor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eBlack\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMaterial of Construction\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eAluminum\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCable Length\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u003cspan\u003eNot Specified by Manufacturer\u003c\/span\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eDimensions\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e19 x 9.3 x 1.7\" \/ 482 x 237 x 44 mm\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eWeight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e7.3 lb \/ 3.3 kg\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"SPL-10","offers":[{"title":"Default Title","offer_id":40773734137941,"sku":"SPLDEESMK2:SPLDEESMK2:bhpv","price":185675.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1669891835_1738864.jpg?v=1707291338"},{"product_id":"drawmer-dl441-quad-auto-compressor-and-limiter","title":"Drawmer DL441 Quad Auto Compressor and Limiter","description":"\u003cdiv\u003e\n \u003ch2\u003eDrawmer DL441 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cul\u003e\n    \u003cli\u003e\n\u003cspan\u003e1\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e2\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eAuto Attack and Release\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e3\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003ePeak Limiting\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e4\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eMetering\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e5\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eBypass\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eCapturing four channels of the innovative DL241 Auto Compressor in a compact 1 RU space, the \u003cstrong\u003eDL441\u003c\/strong\u003e from \u003cstrong\u003eDrawmer\u003c\/strong\u003e is a four-channel program adaptive compressor\/limiter, which makes it easy for an engineer to precisely control the dynamic range and peak level of signals in an instant without sacrificing crucial adjustment parameters. Ideal for use in broadcast and live sound reinforcement, each channel sports a fully automatic attack and release compressor with a variable threshold Peak Level limiter on the final output, and each channel can be operated independently in mono, or channel linked for dual-stereo operation.\u003c\/p\u003e\n    \u003cp\u003eThe compressor section can be switched between hard- or soft-knee compression, with each mode implementing a different take on ratio control for various applications, and each section features fully variable manual control for the non-automatic settings. Comprehensive traffic light-style metering, selectable operating level (+4 or -10 dBu), balanced XLR I\/O, and hardwired bypass round out the features of this efficient, yet powerful signal processor. The DL441 includes an AC power cable and a globally compatible internal power supply.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Auto Attack and Release\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The automatic attack and release removes the need for manual adjustment by producing a response, which constantly follows the dynamics of the signal. This enables the DL441 to preserve crisp transients without allowing excessive peaks to occur.\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003eA smooth, yet lively recovery from compression minimizes side effects such as pumping and breathing. This feature is particularly valuable when the program being treated does not have predictable or consistent dynamics, such as complete mixes, vocals, or slapped and popped bass guitar.\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Peak Limiting\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Zero Response Time, Zero Overshoot circuitry provides an absolute limit to the peak level of the output signal, adjustable from 0 to +16 dB above system level. When set to the required level, any excessive peaks will be stopped and the gain will be momentarily decreased if necessary.\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003eThe Zero Response Time is essential to avoid unpleasant distortion when mastering for CD or sending any signal to digital equipment. Zero Response Time means that the DL441 provides complete protection from even the fastest and shortest signal spikes (overloads), making the unit also ideally suited for speaker system protection in sound reinforcement applications.\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Metering\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Comprehensive LED meters give at-a-glance indications of gain reduction, and input\/output signal level gain reduction from 1 to -30 dB is shown simultaneously with signal level from 20 to +15 dB. Other single LEDs indicate function status of gating action, auto mode, bypass, peak limiting, stereo linking, and power on.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Bypass\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       A fully balanced hardwire bypass connects the input directly to the output allowing the signal to pass through the unit with no power applied. In bypass, the VU level meter displays the input signal.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eDrawmer DL441 Quad Auto Compressor and Limiter\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eAC Power Cord\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eLimited 1-Year Manufacturer Warranty\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ca\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cp\u003eUser Manual\u003c\/p\u003e\n      \u003cp\u003e0.4 MB\u003c\/p\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\u003c\/a\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Table of Contents\n    \u003c\/div\u003e\n    \u003cul\u003e\n     \u003cli\u003eDescription\u003c\/li\u003e\n     \u003cli\u003eAuto Attack and Release\u003c\/li\u003e\n     \u003cli\u003ePeak Limiting\u003c\/li\u003e\n     \u003cli\u003eMetering\u003c\/li\u003e\n     \u003cli\u003eBypass\u003c\/li\u003e\n    \u003c\/ul\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eDrawmer DL441 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       General\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eInput Impedance\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e20 Kilohms\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eOutput Impedance\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e50 Ohms\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMaximum Input Level\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e+21 dBu\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMaximum Output Level\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e+20 dBu\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eBandwidth\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u0026lt;12 Hz to 35 kHz (-1 dB)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCrosstalk\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u0026lt;-80 dB (at 10 kHz)\u003cbr\u003e \u0026lt;-75 dB (at 20 kHz)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eInput CMRR\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u0026lt;40 dB (20 Hz to 10 kHz)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNoise\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e-98 dB (Unity Gain, A-Weighted, Typical)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eDistortion\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u0026lt;0.015% (Unity Gain, at 1 kHz)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Inputs \/ Outputs\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAudio I\/O\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e4x XLR 3-Pin Line Input (2 Stereo Pairs)\u003cbr\u003e4x XLR 3-Pin Line Output (2 Stereo Pairs)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Power\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePower Source\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eAC Input (Built-In)\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePower Consumption\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e13 W\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAC Input Power\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e115 \/ 230 VAC, 50\/60 Hz (User Selected)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Physical\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMounting\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eFront: 4 x Standard Rackmount Hole\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eColor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eBlack\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMaterial of Construction\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eMetal\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eDimensions\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e19 x 7.9 x 1.7\" \/ 48.2 x 20 x 4.4 cm\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eWeight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e7.5 lb \/ 3.4 kg\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Packaging Info\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePackage Weight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e7.16 lb\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e22.3 x 14.5 x 4.6\"\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Drawmer-10","offers":[{"title":"Default Title","offer_id":40773768839253,"sku":"DRDL441:DRDL441:bhpv","price":251880.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1676555216_1752087.jpg?v=1707295967"},{"product_id":"wesaudio-ng76-analog-1176-style-compressor-with-full-digital-recall","title":"WesAudio ng76 Analog 1176-Style Compressor with Full Digital Recall","description":"\u003cdiv\u003e\n \u003ch2\u003eWesAudio NG76 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eAudio professionals in search of the ultimate 1176 compressor with full digital recall will be thrilled with the \u003cstrong\u003eWesAudio ng76\u003c\/strong\u003e, a 100% analog 1176-style FET compressor with Carnhill transformers well suited for mixing and mastering. The ng76 features the classic controls you'd come to expect including Input, Output, Attack, and Release as well as a Mix control for onboard parallel compression. There are four ration settings (4:1, 8:1, 12:1, 20:1) with all possible combinations, including the infamous \"ALL\" button mode.\u003c\/p\u003e\n    \u003cp\u003eThe ng76 can also function as a saturation box \/ clipper. When switching to saturation mode, the FET is reconfigured to produce more distortion. When it comes to digital integration, ng76 is high-tech with USB\/Ethernet connectivity and recall and plug-in control. Draw automation in the DAW and ng76 will react accordingly.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      At a Glance\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cul\u003e\n       \u003cli\u003e100% analog FET (1176-style) compressor with 24 dBu of headroom\u003c\/li\u003e\n       \u003cli\u003eClassic lightning speed compression style based on WesAudio Beta76 design\u003c\/li\u003e\n       \u003cli\u003eFull Total Recall and plugin control compatible with most DAWs\u003c\/li\u003e\n       \u003cli\u003eClassic controls known from FET style compressor: INPUT \/ OUTPUT \/ ATTACK \/ RELEASE + additional Mix knob for parallel compression\u003c\/li\u003e\n       \u003cli\u003eCarnhill Transformers (input and output)\u003c\/li\u003e\n       \u003cli\u003eSaturation mode: One knob which sets INPUT and OUTPUT in an opposite way while keeping the compression circuit disabled. It allows to use the unit as a saturation box \/ clipper: in this mode the FET circuit is reconfigured to produce more distortion\u003c\/li\u003e\n       \u003cli\u003eFour ratio settings 4:1 \/ 8:1 \/ 12:1 \/ 20:1�all possible combinations, including \"ALL\" button mode\u003c\/li\u003e\n      \u003c\/ul\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eWesAudio ng76 Analog 1176-Style Compressor with Full Digital Recall\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003ePower Cable\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eLimited 2-Year Manufacturer Warranty\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ca\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cp\u003eUser Manual\u003c\/p\u003e\n      \u003cp\u003e3.3 MB\u003c\/p\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\u003c\/a\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eWesAudio NG76 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Inputs \/ Outputs\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eUSB I\/O\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1 x USB-B Female Input\/Output\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAudio I\/O\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1x XLR 3-Pin Line Input\u003cbr\u003e1x XLR 3-Pin Line Output\u003cbr\u003e2x 1\/4\" TRS Input\/Output (Stereo Link (Send\/Receive))\u003cbr\u003e1x RJ45 Input\/Output (Ethernet Control)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Power\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePower Source\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eAC Input (Included)\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAC Input Power\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u003cb\u003e\u003c\/b\u003e115 to 230 VAC, 50 \/ 60 Hz\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Environmental\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEnvironmental Protection\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eNo\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Physical\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eColor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eBlack\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eDimensions\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e18.9 x 9.4 x 3.5\" \/ 48 x 24 x 9 cm\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eWeight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e13.2 lb \/ 6 kg\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Packaging Info\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePackage Weight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e14.56 lb\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e22.3 x 15 x 12.3\"\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"WesAudio-10","offers":[{"title":"Default Title","offer_id":40773911216213,"sku":"WENG76:WENG76:bhpv","price":229110.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1681256730_1761479.jpg?v=1707308884"},{"product_id":"empirical-labs-h-pump-500-series-vca-compressor","title":"EMPIRICAL LABS H-PUMP 500-Series VCA Compressor","description":"\u003cdiv\u003e\n \u003ch2\u003eEMPIRICAL LABS EL-P-H PUMP Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eSharing DNA with notable processors such as the Distressor, Arousor, and Mike-E, the \u003cstrong\u003eH-PUMP\u003c\/strong\u003e from \u003cstrong\u003eEmpirical Labs\u003c\/strong\u003e is a classic, soft-knee-style VCA compressor designed with a horizontally oriented chassis for use with 500-series racks. Featuring eight ratios to choose from (2:1 to 20:1) and digitally stepped controls for easy recall, the V-PUMP is designed as a go-to compression processor, flexible enough to bend to the will of any creative endeavor.\u003c\/p\u003e\n    \u003cp\u003eThe attack section provides speeds ranging from 200 µs to 40 ms, while the release section allows for 50 to 500 ms release times as well as an opto-coupler-style release. The compressor also includes extra features like a 70 Hz high-pass filter, a saturation soft clipper from the Mike-E, comprehensive gain reduction metering, bypass, and a unique attack modification (AtMod) feature derived from the Arousor plug-in and appearing in hardware for the first time.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Attack Modification\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      One of the most unique features of PUMP is AtMod, short for Attack Modification. First seen in the Arousor plug-in, AtMod is a feature never before found in a hardware compressor.\n      \u003cp\u003e\u003c\/p\u003e\n      \u003cp\u003eAtMod gives users the ability to slow down the initial slope of the attack envelope to add just a little bit more of the transient back into the track. Whether it�s to get a little bit more snap on the snare track or more thump on the electric bass, the AtMod will let the transients through without losing your desired amount of compression.\u003c\/p\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\u003c\/div\u003e\n   \u003cdiv\u003e\n    UPC: 854682006146\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eEMPIRICAL LABS H-PUMP 500-Series VCA Compressor\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eLimited 1-Year Manufacturer Warranty\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eEMPIRICAL LABS EL-P-H PUMP Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eFrequency Response (-3 dB)\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e5 Hz to 175 kHz\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eDynamic Range\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e125 dB (Maximum Output)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eTHD\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e0.5% (Soft Clipping)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eDistortion\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eBetween 0.003% and 15% (at 1 kHz, Depending on Mode and Settings)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMaximum Input Level\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e+22 dBm\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMaximum Output Level\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e+28.5 dBm (Unity Gain)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eImpedance\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eBalanced Line In: 20 Kilohms\u003cbr\u003e Instrument In: 120 Kilohms\u003cbr\u003e Output: \u0026lt;75 Ohms\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eTime Constants\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eAttack: 200 ?s to 40 ms\u003cbr\u003e Release: 50 to 500 ms\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eHigh-Pass Filter\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eFixed at 70 Hz (Switchable)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Packaging Info\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePackage Weight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e0.85 lb\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e10.3 x 7.1 x 3\"\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"EMPIRICAL LABS-10","offers":[{"title":"Default Title","offer_id":40774012403797,"sku":"EMELPHPUMP:EMELPHPUMP:bhpv","price":113365.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1682608547_1763418.jpg?v=1707316146"},{"product_id":"rupert-neve-designs-mbt-master-bus-transformer","title":"Rupert Neve Designs MBT Master Bus Transformer","description":"\u003cdiv\u003e\n \u003ch2\u003eRupert Neve Designs MBT Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cul\u003e\n    \u003cli\u003e\n\u003cspan\u003e1\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003e2\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e3\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eCreate Tonal Magic with the HPF and Shelf EQ\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e4\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eBreathe In New Life with the Color Comp\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e5\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eFind New Dimension with Width\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e6\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eControl Harmonics Like Never Before with Super Silk\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e7\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eDrive and Control Levels with I\/O Amplifiers\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The \n       \u003cstrong\u003eMBT Master Bus Transformer\u003c\/strong\u003e from \n       \u003cstrong\u003eRupert Neve Designs\u003c\/strong\u003e leverages industry legend Rupert Neve's six decades of audio transformer expertise to provide a powerful and flexible audio processor uniquely poised to add an incredible array of flavorful options designed to sweeten, enhance, drive, widen, and utterly transform your source material, making it the ultimate tool for musical coloration. Equally at home on a full mix, groups, stems, or individual sources, the MBT pairs acclaimed tonal quality with an immensely flexible set of controls to shape your sound.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Create Tonal Magic with the HPF and Shelf EQ\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eFirst in line is a smooth high-pass filter with a fully variable frequency selection control. The HPF extends from 100 Hz all the way down to 15 Hz, an especially helpful area to manage on a full mix that needs to be as loud as possible.\u003c\/li\u003e\n        \u003cli\u003eNext up is the all-new 2-band Shelf EQ section�with 3 octave ranges, gentle slopes, and minimal phase shifts, this EQ was created with an emphasis on simplicity and elegance. This smooth and musical EQ is excellent at providing just the right amount of tonal enhancement�especially when it is interacting with the other sections of the MBT.\u003c\/li\u003e\n        \u003cli\u003eEach band has +\/- 9 dB of gain control, with the LF EQ corner frequency variable from 30 to 240 Hz and the HF EQ corner frequency variable from 3 to 24 kHz. The LF band is excellent at either taming or accentuating low-end to give source material an exacting amount of weight and power. The HF band provides a wide range of corner frequencies to choose from, allowing adjustments to be made from the upper midrange all the way up to the very top end, giving tracks extra shine and clarity.\u003c\/li\u003e\n        \u003cli\u003eOne exciting aspect of using the MBT is discovering how the different sections can interact with each other. Sometimes the EQ can be dialed in first, other times it can be left alone until the other sections are dialed in. One thing is certain: the MBT encourages experimentation at every turn.\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Breathe In New Life with the Color Comp\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eWith an all-new optical compressor design, the Color Comp excels at accentuating the nonlinear distortion and colorful characteristics of the Opto cell to bring source material a new sense of life and depth.\u003c\/li\u003e\n        \u003cli\u003eThe compressor ratio can be set to a low (2:1) ratio for subtle and smooth compression or high (5:1) for much more dramatic behavior.\u003c\/li\u003e\n        \u003cli\u003eThe variable high-pass side-chain filter removes the low frequencies from the compressor side-chain circuit, allowing low-end information to pass through the compressor untouched while the compressor focuses on the rest of the signal. With a sweepable range from 20 Hz all the way up to 350 Hz, this is a highly flexible tonal shaping control providing the ability to leave the low end intact while taming or squashing the rest of the source material as needed.\u003c\/li\u003e\n        \u003cli\u003eThe Color Comp also contains a Blend control, making it easy to use the compression circuit in parallel with the uncompressed source material. This can be especially useful when wanting to dial back the harmonic content, dynamic range reduction, and transient squashing from more extreme compressor settings.\u003c\/li\u003e\n        \u003cli\u003eThe threshold is variable from 0 to +24 dBu, with a gain reduction LED illuminating when the signal passes the threshold. However, the Color Comp also introduces audible nonlinear harmonic content even with just a touch of gain reduction�as such, users are advised to listen to the Color Comp engaged even when no gain reduction is visible, in order to discern the amount of tonality that it introduces. The pleasing nature of this harmonic content will become even more apparent as the compressor settings become more extreme.\u003c\/li\u003e\n        \u003cli\u003eThe release is variable from 100 ms to 1.5 seconds. By dialing in higher ratios and faster releases it is possible to get the Color Comp to actively pump with the attacks, whereas with slower release times it will operate in a much smoother manner. Lastly, the Color Comp has 20 dB of Class-A makeup gain. This is not only useful for level-matching the before and after compression signals, but also for driving the interstage transformers found in the SuperSilk section for even greater harmonic enhancements.\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Find New Dimension with Width\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eThe Width section is designed to increase the perceived stereo spread without losing low-end focus. While inspired by the Stereo Field Editor (SFE) WIDTH controls found on RND's award-winning Master Buss Processor, the MBT�s width section has two key differences: First, the width control on the MBT is additive only, with a greater range for more extreme operation.\u003c\/li\u003e\n        \u003cli\u003eSecond, there is a variable HPF from 50 to 800 Hz to adjust the width content, so that low frequencies remain more centered in the mix as the mids and highs are spread out to create more space. Additionally, there is subtle high frequency tapering of the width content to avoid overemphasizing harsher HF tones.\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Control Harmonics Like Never Before with Super Silk\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eIntroduced nearly twenty years ago, the Silk circuit has long been a favorite for Rupert Neve Designs users. First available as a simple on\/off switch, then with selectable Red and Blue modes and the variable Texture control, Silk exists to enhance and control even and odd order harmonic content in any source material.\u003c\/li\u003e\n        \u003cli\u003eSuper Silk is the latest advancement to this beloved technology: featuring independent Red, Blue, Harmonics, and Zener Drive controls, harmonic manipulation is taken to a whole new level with the MBT.\u003c\/li\u003e\n        \u003cli\u003eHistorically, Silk was always applied to a unit�s output transformers. But when designing the MBT, a need was felt to offer even greater control and flexibility�therefore, Super Silk also includes an extra set of transformers to further expand the possibilities of this much-loved circuit. This design provides a way to drive into Super Silk for more dynamic saturation and transient clipping, while also being able to attenuate the signal for proper gain staging after Super Silk by using the Output Trim.\u003c\/li\u003e\n        \u003cli\u003eSilk Red accentuates harmonics in the upper-mid and high frequencies, adding sparkle and sheen. Silk Blue accentuates harmonics in the low and low-mid frequencies, creating more depth and weight. The Harmonics control increases the overall musical harmonic content by saturating the MBT�s custom interstage transformers; this setting will interact with the settings for both Silk Blue and Silk Red, so experimentation is encouraged to find new blends and balances.\u003c\/li\u003e\n        \u003cli\u003eLastly, the switchable Zener Drive is a diode-based asymmetrical soft-clip circuit that introduces mostly odd order harmonic content as the signal approaches the edge of the MBT�s headroom to achieve a more aggressive tonality.\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Drive and Control Levels with I\/O Amplifiers\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eTo maintain optimal gain staging through the MBT, fully drive the interstage transformers, and accurately match the pre\/post signals, the MBT includes Class-A input and output amplifiers to manage all levels.\u003c\/li\u003e\n        \u003cli\u003eThe output amplifiers feed Rupert Neve Designs' custom output transformers for line balancing and isolation.\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eRupert Neve Designs MBT Master Bus Transformer\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eAC Power Cable\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eLimited 3-Year Manufacturer Warranty\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ca\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cp\u003eUser Manual\u003c\/p\u003e\n      \u003cp\u003e0.9 MB\u003c\/p\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\u003c\/a\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Table of Contents\n    \u003c\/div\u003e\n    \u003cul\u003e\n     \u003cli\u003eDescription\u003c\/li\u003e\n     \u003cli\u003e\n     \u003c\/li\u003e\n\u003cli\u003eCreate Tonal Magic with the HPF and Shelf EQ\u003c\/li\u003e\n     \u003cli\u003eBreathe In New Life with the Color Comp\u003c\/li\u003e\n     \u003cli\u003eFind New Dimension with Width\u003c\/li\u003e\n     \u003cli\u003eControl Harmonics Like Never Before with Super Silk\u003c\/li\u003e\n     \u003cli\u003eDrive and Control Levels with I\/O Amplifiers\u003c\/li\u003e\n    \u003c\/ul\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eRupert Neve Designs MBT Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Inputs \/ Outputs\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAudio I\/O\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e2x XLR 3-Pin Line Input\u003cbr\u003e2x XLR 3-Pin Line Output\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eInput Impedance\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e10 kilohms\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNoise\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eNo Features Engaged\u003cbr\u003e Noise (22 Hz to 22 kHz): Better than -95 dBu\u003cbr\u003e THD+N (0 dBu at 1kHz): Better than 0.004%\u003cbr\u003e THD+N (+20 dBu at 1 kHz): Better than 0.002%\u003cbr\u003e HPF Engaged\u003cbr\u003e Noise (22 Hz to 22 kHz): Better than -95 dBu\u003cbr\u003e THD+N (+20 dBu at 1 kHz): Better than 0.002%\u003cbr\u003e Equalizer Engaged\u003cbr\u003e Noise (22 Hz to 22 kHz): Better than -93 dBu\u003cbr\u003e THD+N (+20 dBu at 1 kHz): Better than 0.002%\u003cbr\u003e Compressor Engaged\u003cbr\u003e Noise (22 Hz to 22 kHz): Better than -92 dBu\u003cbr\u003e THD+N (+20 dBu at 1 kHz): Better than 0.002%\u003cbr\u003e Width Engaged\u003cbr\u003e Noise (22 Hz to 22 kHz): Better than -88 dBu\u003cbr\u003e THD+N (+20 dBu at 1 kHz): Better than 0.002%\u003cbr\u003e Silk Engaged\u003cbr\u003e Noise (22 Hz to 22 kHz): Better than -95 dBu\u003cbr\u003e THD+N (+20 dBu at 1 kHz): Better than 0.003%\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMaximum Input Level\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e+25.5 dBu\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMaximum Output Level\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e+26.8 dBu\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCrosstalk\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eBetter than -95 dB at 1 kHz\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eFrequency Response\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u0026lt;5 Hz to 30 kHz, +\/- 0.1 dB\u003cbr\u003e \u0026lt;5 Hz to 60 kHz, +\/- 0.25 dB\u003cbr\u003e \u0026lt;5 Hz to 180 kHz, -3 dB\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Wireless\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMobile App Compatible\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eNo\u003cb\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Power\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePower Source\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eAC Input (Included)\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAC Input Power\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u003cb\u003e\u003c\/b\u003e100 to 240 VAC, 50 \/ 60 Hz\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePower Consumption\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e70 W\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Physical\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eColor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eBlack\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eDimensions\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e19 x 10.1 x 3.5\" \/ 48.3 x 25.7 x 8.9 cm\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Packaging Info\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePackage Weight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e15.59 lb\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e21.4 x 17.2 x 8.1\"\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Rupert Neve Designs-10","offers":[{"title":"Default Title","offer_id":40775069859925,"sku":"RUMBT:RUMBT:bhpv","price":649320.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1695080775_1786557.jpg?v=1707370877"}],"url":"https:\/\/www.tanotis.com\/collections\/signal-processing.oembed?page=2","provider":"Tanotis","version":"1.0","type":"link"}