{"title":"Dynamics Processors","description":null,"products":[{"product_id":"art-scl2-dual-stereo-compressor-limiter-expander-with-gate","title":"ART SCL2 - Dual Stereo Compressor Limiter Expander With Gate","description":"\u003cul\u003e \u003cli\u003eDual Channel or Linked Stereo Operation\u003c\/li\u003e \u003cli\u003e1\/4\" TRS Side Chain Inserts\u003c\/li\u003e \u003cli\u003e¼-Inch TRS And XLR Balanced Inputs\u003c\/li\u003e \u003cli\u003e¼-Inch TRS And XLR Balanced Outputs\u003c\/li\u003e \u003cli\u003eStereo Mode Balance Control\u003c\/li\u003e \u003cli\u003eLED Gain Reduction Meters\u003c\/li\u003e \u003cli\u003eSelectable Auto\/ Manual Attack\/Release\u003c\/li\u003e \u003cli\u003eSelectable Hard\/Soft Knee\u003c\/li\u003e \u003cli\u003eLED Level Meters\u003c\/li\u003e \u003cli\u003eInternal PSU and All-Steel Chassis\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cp\u003e The \u003cb\u003eART SCL2 - Dual Stereo Compressor Limiter Expander With Gate\u003c\/b\u003e is a dynamic signal processor designed for studio recording and live sound reinforcement applications. The 1RU rackmountable device is housed in a durable steel chassis and features balanced 1\/4\" TRS connectors and balanced XLR connectors for main channel inputs and outputs, as well as a 1\/4\" TRS connector for a sidechain input. \u003cbr\u003e \u003cbr\u003e The device can be used to provide anything from smooth subtle compression to hard limiting, as well as reducing noise with fast gating or through expansion. The knee, the attack, and the release of the compressor can be set by the user or the device can be set to auto mode. A bank of LED meters provide visual feedback of each channel's gain reduction. \u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cspan\u003eUPC: 840402035992\u003c\/span\u003e \u003c\/div\u003e \u003c\/div\u003e\u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eInput\u003c\/td\u003e \u003ctd\u003e 2x balanced XLR-3F (left and right channels) \u003cbr\u003e 2x balanced 1\/4\" TRS (left and right channels) \u003cbr\u003e 1x 1\/4\" TRS sidechain input \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eOutput\u003c\/td\u003e \u003ctd\u003e 2x balanced XLR-3F (left and right channels) \u003cbr\u003e 2x balanced 1\/4\" TRS (left and right channels) \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eInput Impedance\u003c\/td\u003e \u003ctd\u003e10 k?\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eOutput Impedance\u003c\/td\u003e \u003ctd\u003e200 ? balanced, 100 ?\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMaximum Input Level\u003c\/td\u003e \u003ctd\u003e+20 dBu balanced\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMaximum Output Level\u003c\/td\u003e \u003ctd\u003e+20 dBu balanced\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eFrequency Response\u003c\/td\u003e \u003ctd\u003e10 to 40,000 Hz ±0.5 dB\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDynamic Range\u003c\/td\u003e \u003ctd\u003e120 dB\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eAttack Time\u003c\/td\u003e \u003ctd\u003e0.25 ms to 100 ms adjustable\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eRelease Time\u003c\/td\u003e \u003ctd\u003e100 ms to 3 s adjustable\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eTotal Harmonic Distortion (THD)\u003c\/td\u003e \u003ctd\u003e\u0026lt;0.06% (typical)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePower Requirements\u003c\/td\u003e \u003ctd\u003e120 VAC, 50\/60 Hz, 10 W max\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDimensions\u003c\/td\u003e \u003ctd\u003e1.75 x 19.0 x 6\" (4.50 x 48 x 15.2 cm)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eWeight\u003c\/td\u003e \u003ctd\u003e4.2 lb (1.9 kg)\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003cth\u003e \u003ca\u003ePackaging Info\u003c\/a\u003e \u003c\/th\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePackage Weight\u003c\/td\u003e \u003ctd\u003e5.7 lb\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e \u003ctd\u003e21.1 x 10.6 x 3.5\"\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003eIn the Box\u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eART SCL2 - Dual Stereo Compressor Limiter Expander With Gate\u003c\/div\u003e \u003c\/div\u003e \u003cul\u003e \u003cli\u003ePower Cord\u003c\/li\u003e \u003cli\u003eLimited 3-Year Warranty\u003c\/li\u003e \u003c\/ul\u003e \u003c\/div\u003e \u003c\/div\u003e All product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"ART-10","offers":[{"title":"Default Title","offer_id":27480730768,"sku":"ARSCL2:ARSCL2:bhpv","price":35120.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/art_scl2_dual_stereo_1484080672000_1069102.jpg?v=1575980647"},{"product_id":"rolls-sl33b-stereo-program-limiter","title":"Rolls SL33b Stereo Program Limiter","description":"\u003cul\u003e \u003cli\u003eStereo Compressor\/Limiter\u003c\/li\u003e \u003cli\u003e1\/8\" Stereo \/ RCA Inputs \u0026amp; Outputs\u003c\/li\u003e \u003cli\u003eAutomatic Program Limiting\u003c\/li\u003e \u003cli\u003eOutput Level Control\u003c\/li\u003e \u003cli\u003eThreshold Control\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cp\u003e The \u003cb\u003eSL33b\u003c\/b\u003e from \u003cb\u003eRolls\u003c\/b\u003e is a stereo program limiter that provides smooth dynamics processing for mainly consumer-level equipment. It features 1\/8\" TRS stereo mini and RCA connectors for both the input and output, and includes makeup gain and threshold level controls for exactly tailoring the response. \u003cbr\u003e \u003cbr\u003e The unit maintains a consistent volume level for a more comfortable listening experience and can be used in restaurants, night clubs, schools, places of worship, or in the home. \u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cspan\u003eUPC: 675889000337\u003c\/span\u003e \u003c\/div\u003e \u003c\/div\u003e\u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eInputs\u003c\/td\u003e \u003ctd\u003e 1 x 3.5 mm TRS stereo mini \u003cbr\u003e 2 x RCA (unbalanced) \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eOutputs\u003c\/td\u003e \u003ctd\u003e 1 x 3.5 mm TRS stereo mini \u003cbr\u003e 2 x RCA (unbalanced) \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eCompression Ratio\u003c\/td\u003e \u003ctd\u003eProgram dependent\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eThreshold\u003c\/td\u003e \u003ctd\u003e-13 to 6 dB, variable\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eInput Impedance\u003c\/td\u003e \u003ctd\u003e10 k? balanced\/unbalanced\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eOutput Impedance\u003c\/td\u003e \u003ctd\u003e50 ? balanced\/unbalanced\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMaximum Input Level\u003c\/td\u003e \u003ctd\u003e+10 dBV\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMaximum Output Level\u003c\/td\u003e \u003ctd\u003e+13 dBV\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePower\u003c\/td\u003e \u003ctd\u003e12 VDC, 50 mA\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDimensions (W x H x D)\u003c\/td\u003e \u003ctd\u003e4 x 3.4 x 1.5\" (102 x 85 x 38 mm)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eWeight\u003c\/td\u003e \u003ctd\u003e1 lb (0.4 kg)\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003cth\u003e \u003ca\u003ePackaging Info\u003c\/a\u003e \u003c\/th\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePackage Weight\u003c\/td\u003e \u003ctd\u003e0.95 lb\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e \u003ctd\u003e7.7 x 4.7 x 2.5\"\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003eIn the Box\u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eRolls SL33b Stereo Program Limiter\u003c\/div\u003e \u003c\/div\u003e \u003cul\u003e \u003cli\u003eExternal Power Supply\u003c\/li\u003e \u003cli\u003eOne (1) Year Limited Warranty\u003c\/li\u003e \u003c\/ul\u003e \u003c\/div\u003e \u003c\/div\u003e All product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Rolls-10","offers":[{"title":"Default Title","offer_id":27495285072,"sku":"ROSL33B:ROSL33B:bhpv","price":16545.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/rolls_sl33b_stereo_program_limiter_1299859335000_759277.jpg?v=1575981488"},{"product_id":"empirical-labs-distressor-el8x-analog-knee-compressor-single-compressor","title":"EMPIRICAL LABS Distressor EL8X Analog Knee Compressor (Single Compressor)","description":"\u003cul\u003e \u003cli\u003eBritish Mod with Image Link\u003c\/li\u003e \u003cli\u003eClassic Knee Sound\u003c\/li\u003e \u003cli\u003eProgrammable Analog Distortion \u0026amp; Warmth\u003c\/li\u003e \u003cli\u003e384 Possible Settings\u003c\/li\u003e \u003cli\u003eEight Compression Curves\u003c\/li\u003e \u003cli\u003eAdvanced Side-Chain EQ\u003c\/li\u003e \u003cli\u003eTrue Bypass\u003c\/li\u003e \u003cli\u003eHand-Wired in the USA\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cp\u003e The \u003cb\u003eDistressor EL8X\u003c\/b\u003e from \u003cb\u003eEmpirical Labs\u003c\/b\u003e is a professional compressor that features a wide range of controls and feature set for studio or live applications. The Distressor offers a warm, vintage sound by using a custom designed gain control circuit. All eight of the Distressor's curves are distinctive, from the 1:1 mode that simply warms up signal with low order harmonics without intentional compression, to the Nuke setting, a brick wall limiting curve that shines on live drum room mics. Some curves have different circuitry, and are effectively different compressors. The 10:1 Opto ratio uses separate detector circuitry to emulate the oldest light controlled devices, such as the LA-2A. \u003cbr\u003e \u003cbr\u003e The Distressor features three modes that color the signal, even without compression. These extended audio modes were designed to allow emulation of some very old vintage compressors and limiters, and let the Distressor deliver a classic knee sound all its own by providing user programmable, warm harmonic distortion. In addition to the basic distortion mode, Distort 2 emphasizes tube-like 2nd order harmonics, while in the Distort 3 setting the distortion becomes dominated by 3rd harmonics more closely resembling tape. Two HP filters, with one in the audio path, one in the detector path, are also available to help with low frequencies that can cause pumping and breathing. \u003cbr\u003e \u003cbr\u003e British Mode delivers a very aggressive sound that has some elements of the unit's 20:1 ratio, but with an unusual knee and new envelope shape. The EL8-X has the advantage of being able to selectively apply this characteristic, not just to the British ratio (1:1), but also to any of the ratios, simply by engaging the dedicated British Mode switch. \u003cbr\u003e \u003cbr\u003e The original Distressor stereo link function used a summing and phase detection method, which allowed slight stereo image shifting. Although frequently desirable for its phase correction, and its thickening on open room mics and other stereo sources, this approach can sometimes be a problem on stereo program material where the producer\/engineers want to maintain absolute left\/right balance at all times. With the Stereo Image Link option, the EL8-X now has three link options including the original phase link, the Image Link, and the combination of the two, phase and image linking. \u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdl\u003e \u003cdt\u003eClassic Knee Sound\u003c\/dt\u003e \u003cdd\u003eImproved noise specs and performance\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdt\u003eProgrammable Analog Distortion\/Warmth\u003c\/dt\u003e \u003cdd\u003eThree audio modes provide user programmable, warm harmonic distortion. Emphasized tubelike, 2nd harmonic in clean and Distort 2 mode. In Distort 3 mode, the distortion becomes dominated by 3rd harmonic, more similar to tape\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdt\u003eDistortion Indicator Lights\u003c\/dt\u003e \u003cdd\u003eA 1% LED and a Redline (3%) LED providing no hard clipping until a few dB past Redline\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdt\u003eAdvanced Built-In Sidechain EQ\u003c\/dt\u003e \u003cdd\u003eHigh mid-band emphasis and low-cut keeps the low sum and difference frequencies from pumping the upper frequencies of source material\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdt\u003eEight Unique Curves\u003c\/dt\u003e \u003cdd\u003eFrom the 1:1 mode that warms up signal with low order harmonics without intentional compression, to the Nuke setting, each curve has its own personality, and release shape. The 10:1 Opto ratio uses separate circuitry to emulate the oldest light controlled devices, such as the LA-2A\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdt\u003eLarge Knobs with High Resolution Numbering\u003c\/dt\u003e \u003cdd\u003eThey're large for easy readability and repeatable settings, and go to 10.5\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdt\u003eLocked, Calibrated, Output Level\u003c\/dt\u003e \u003cdd\u003eAllows speed in setting tape and live mix levels\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdt\u003eSwitchable 115\/230 Volt Operation\u003c\/dt\u003e \u003cdd\u003eExtra fuse provided inside unit\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdt\u003eOver Designed Power Supplies\u003c\/dt\u003e \u003cdd\u003eRuns cool, allowing cabinet to be sealed without heat vents and features long life components\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdt\u003eTrue Bypass\u003c\/dt\u003e \u003cdd\u003eAll contacts doubled up for maximum reliability with no internal audio connectors\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdt\u003eXLR and 1\/4\" Phone Inputs and Outputs\u003c\/dt\u003e \u003cdd\u003eThe XLRs are fully balanced with a transformerless design (pin 2 hot, changeable by user to pin 3 hot)\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003eAll metal film and Roederstein resistors in the audio path\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003eStereo strappable\u003c\/dd\u003e \u003c\/dl\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cspan\u003eUPC: 854682006023\u003c\/span\u003e \u003c\/div\u003e \u003c\/div\u003e\u003cdiv\u003e \u003cdiv\u003eIn the Box\u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eEMPIRICAL LABS Distressor EL8X Analog Knee Compressor (Single Compressor)\u003c\/div\u003e \u003c\/div\u003e \u003cul\u003e \u003cli\u003e 2 x Power Cords \u003c\/li\u003e \u003cli\u003eLimited 1-Year Warranty\u003c\/li\u003e \u003c\/ul\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eFrequency Response\u003c\/td\u003e \u003ctd\u003e2 Hz to 160 kHz in clean audio mode (+0, -3 dB), response is shaped in distortion modes (Dist 2, Dist 3).\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDynamic Range\u003c\/td\u003e \u003ctd\u003e110 dB from maximum output to minimum output in 1:1 mode\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eSignal to Noise\u003c\/td\u003e \u003ctd\u003e\u0026gt; 100 dB in distortion 3\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDistortion Range\u003c\/td\u003e \u003ctd\u003e0.02 and 20%\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eOutputs\u003c\/td\u003e \u003ctd\u003eDC coupled\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eAttack Time\u003c\/td\u003e \u003ctd\u003e50 uS to 30 mS\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eRelease Time\u003c\/td\u003e \u003ctd\u003e0.05 to 3.5 seconds, release goes up to 20 seconds in 10:1 Opto mode\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePower Consumption\u003c\/td\u003e \u003ctd\u003e Typical: 10 W \u003cbr\u003e Maximum: 14 W \u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e All product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"EMPIRICAL LABS-10","offers":[{"title":"Default Title","offer_id":35161011600,"sku":"EMEL8XDSTRSR:EMEL8XDSTRSR:bhpv","price":297995.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/empirical_labs_el8x_distressor_distressor_el8x_analog_knee_1441207472000_1181546.jpg?v=1575983289"},{"product_id":"empirical-labs-fatso-el7x-analog-tape-simulator-optimizer","title":"EMPIRICAL LABS FATSO EL7x - Analog Tape Simulator\/Optimizer","description":"\u003cul\u003e \u003cli\u003eEleven Ratio Emulates 1176 Compressor\u003c\/li\u003e \u003cli\u003eFour Compression Modes\u003c\/li\u003e \u003cli\u003eSoft Clip\u003c\/li\u003e \u003cli\u003eProgrammable High Frequency Saturation\u003c\/li\u003e \u003cli\u003eSwitchable Transformer Circuits\u003c\/li\u003e \u003cli\u003eBackwards Stepping Front Panel Button\u003c\/li\u003e \u003cli\u003eExtended Stereo Link Functions\u003c\/li\u003e \u003cli\u003eSide-chain Input and Output\u003c\/li\u003e \u003cli\u003eTrue Bypass\u003c\/li\u003e \u003cli\u003eMade in the USA\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cp\u003e The \u003cb\u003eFATSO EL7x\u003c\/b\u003e from \u003cb\u003eEmpirical Labs\u003c\/b\u003e is a digitally controlled analog processor that gives musicians and engineers easy access to many of the desirable characteristics exhibited by older tube and Class A electronics and magnetic tape mediums. This two channel audio processor musically integrates frequencies and transients, increasing the apparent volume while keeping tight control over peak levels. There are several compressor types with fixed attacks and releases. You can enhance and soften the sound of digital mediums such as DAWs, hard disk recorders, CD players, MP3s etc. \u003cbr\u003e \u003cbr\u003e With the FATSO, recording studios and audio production facilities can enhance and soften the sound of digital recordings. Large Distressor-style knobs control the input and output levels. It features four compression modes including the Buss and the Spank settings, which can be selected and combined. Seven high frequency saturation Warmth settings are also present. The FATSO features switchable transformer circuits, which can add the musical artifacts generated by classic devices, such as low order clipping and inter-modular distortion, as well as transient clipping. \u003cbr\u003e \u003cbr\u003e ELEVEN replaces the old GP Ratio and emulates the UREI 1176LN in 20:1 mode with a slow attack and a fast release. With the slower \"1176\" attack, the transients keep the dynamics present, while the high ratio can limit the dynamic range of any source. \u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdl\u003e \u003cdd\u003e \u003cul\u003e \u003cli\u003eSoft clip features modeled after broadband tape saturation, without the noise. Smooth clipping up to 20% THD\u003c\/li\u003e \u003cli\u003eUser programmable high frequency saturation, simulating the \"softening\" for which analog tape and phonographs are known. This is the \"Warmth\" control on FATSO\u003c\/li\u003e \u003cli\u003eSwitchable transformer circuits, which can add the musical artifacts generated by classic devices like Neve, API, etc. These artifacts include frequency \"rounding\", low order clipping and inter-modular distortion, transient clipping, and some other very musical non-linearities\u003c\/li\u003e \u003cli\u003eFour Compression Modes: One for tracking, one general purpose, one \"bus\" compressor, and SPANK!; all linkable. Classic knee compressor sound that really grabs\u003c\/li\u003e \u003cli\u003eSPANK!: An additional limiter that musically smashes the dynamic range, and can be used to stop clipping before digital recorders. There is a subtle knee followed by hard limiting\u003c\/li\u003e \u003cli\u003eHuge \"DISTRESSOR\" knobs with high resolution numbering - For easy readability and repeatable settings. They also go to 10-1\/2\u003c\/li\u003e \u003cli\u003eDistortion indicator lights: A 0 VU LED and a \"Pinned\" (5%) LED. No hard clipping until a few dB past \"Pinned\"\u003c\/li\u003e \u003cli\u003eSide-chain output and input for EQ-ing control signals\u003c\/li\u003e \u003cli\u003eLocked, calibrated, output level: Allows speed in setting tape and live mix levels\u003c\/li\u003e \u003cli\u003eFoolproof operation: It's almost impossible to get a bad sound\u003c\/li\u003e \u003cli\u003eDiscrete and Integrated Combination: The best of speed\/linearity with repeatability. Hand tested \u0026amp; selected components. All metal film and Roederstein resistors in the audio path. Top quality components, most being high temperature military spec parts\u003c\/li\u003e \u003cli\u003eSwitchable 115\/230 volt operation. Extra fuse provided inside unit\u003c\/li\u003e \u003cli\u003eTrue Bypass: Know what it's really doing. All contacts doubled up for maximum reliability. No internal audio connectors\u003c\/li\u003e \u003cli\u003eXLR and 1\/4\" phone ins and outs\u003c\/li\u003e \u003cli\u003eXLR fully balanced, transformer-less design, pin-2 hot. Changeable by user to pin-3 hot\u003c\/li\u003e \u003cli\u003eNo internal connectors, high reliability parts and military grade switches and relays\u003c\/li\u003e \u003cli\u003eThree year limited warranty\u003c\/li\u003e \u003cli\u003eHand wired and calibrated in USA\u003c\/li\u003e \u003c\/ul\u003e \u003c\/dd\u003e \u003c\/dl\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cspan\u003eUPC: 854682006047\u003c\/span\u003e \u003c\/div\u003e \u003c\/div\u003e\u003cdiv\u003e \u003cdiv\u003eIn the Box\u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eEMPIRICAL LABS FATSO EL7x - Analog Tape Simulator\/Optimizer\u003c\/div\u003e \u003c\/div\u003e \u003cul\u003e \u003cli\u003eIEC Power Cord\u003c\/li\u003e \u003cli\u003eLimited 3-Year Warranty\u003c\/li\u003e \u003c\/ul\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eFrequency Response\u003c\/td\u003e \u003ctd\u003e2 Hz to 60 kHz, (+0,-3 dB)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDynamic Range\u003c\/td\u003e \u003ctd\u003e110 dB from maximum output (20% THD soft clipping) to minimum output\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eSignal to Noise\u003c\/td\u003e \u003ctd\u003e\u0026gt; 100 dB\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDistortion\u003c\/td\u003e \u003ctd\u003e0.06 to 20%\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eInputs\/Outputs\u003c\/td\u003e \u003ctd\u003eDC coupled\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eAttack Time\u003c\/td\u003e \u003ctd\u003e1 mS to 60 mS\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eRelease Time\u003c\/td\u003e \u003ctd\u003e0.05 to 3.5 seconds\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePower Consumption\u003c\/td\u003e \u003ctd\u003e25 W Max typically. .3 A @ 115 V\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e All product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"EMPIRICAL LABS-10","offers":[{"title":"Default Title","offer_id":35161021072,"sku":"EMEL7XFATSO:EMEL7XFATSO:bhpv","price":400960.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/empirical_labs_el7_x_fatso_fatso_el7x_analog_tape_1441207472000_1181548.jpg?v=1575983290"},{"product_id":"solid-state-logic-e-series-dynamics-module-for-api-500-series-rack","title":"Solid State Logic E-Series Dynamics Module for API 500 Series Rack","description":"\u003cul\u003e \u003cli\u003eCompressor and Limiter\u003c\/li\u003e \u003cli\u003eExpander and Gate\u003c\/li\u003e \u003cli\u003eFive Segment LED Indicator Meters\u003c\/li\u003e \u003cli\u003eTrue RMS Converter on Sidechain\u003c\/li\u003e \u003cli\u003eLinear or Logarithmic Release Curve\u003c\/li\u003e \u003cli\u003eCircuitry from the SL 4000 E Console\u003c\/li\u003e \u003cli\u003eSound of the SL 611E Channel Strip\u003c\/li\u003e \u003cli\u003eGain Element Replicates Class A VCA Chip\u003c\/li\u003e \u003cli\u003eFits in API 500 Series Lunchbox\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cp\u003e The \u003cb\u003eSolid State Logic E-Series Dynamics Module for API 500 Series Rack\u003c\/b\u003e is a single-unit API 500 Series lunchbox-style compressor\/limiter and expander\/gate module. The device utilizes a similar circuit design and components as the original SSL E-Series channel strip, including a true RMS converter in the sidechain and a gain element that replicates the original Class A VCA chip. \u003cbr\u003e \u003cbr\u003e Half of the module consists of a compressor\/limiter with a ratio control that allows you to select from no compression to full limiting. You can change the curve from over-easy to hard-knee style compression with the push of a button. A threshold knob allows you to set the threshold at which point compression occurs between +4 and -26 dB. A release knob allows you to set the release time between 0.1 and 4 mS. A linear release button allows you to switch between a linear and a logarithmic release curve, and a fast attack button allows you to change the attack time from 3 ms for a 20 dB gain reduction to 30 ms for a 20 dB gain reduction. For metering, the unit has a 5-segment LED meter that shows the Compressor\/Limiter activity in red and yellow and the Expander\/Gate activity in green. \u003cbr\u003e \u003cbr\u003e The Expander\/Gate component of the module features an EXP button for switching between a 20:1 gate and a 2:1 expander. You can set the range of gating or expansion between totally inactive to up to 40 dB. A threshold knob sets the level at which the gate or expander engages between +4 dBu and -26 dBu. The threshold circuitry is designed with variable hysteresis which increases in relation to the threshold being lowered. This allows the sound of a musical instrument to decay below the threshold and before being gated or expanded by the module. The Expander\/Gate section of the unit generally has a linear attack time of 1.5 ms per 40 dB, but this can be changed to a faster attack time of 100?s per 40 dB with the push of the FAST ATT button. A release knob allows you to adjust the time between 0.1 and 4 seconds at which the Expander\/Gate will reduce the signal level after it is under the threshold. There is also a dynamics \"In\" button that allows you to put the entire module in or take it out of the circuit in your API 500 lunchbox-style rack. \u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cspan\u003eUPC: 878076000961\u003c\/span\u003e \u003c\/div\u003e \u003c\/div\u003e\u003cdiv\u003e \u003cdiv\u003eIn the Box\u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eSolid State Logic E-Series Dynamics Module for API 500 Series Rack\u003c\/div\u003e \u003c\/div\u003e \u003cul\u003e \u003cli\u003eLimited 1-Year Warranty\u003c\/li\u003e \u003c\/ul\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eFormat\u003c\/td\u003e \u003ctd\u003e500 Series\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eType\u003c\/td\u003e \u003ctd\u003eDiscrete\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eI\/O\u003c\/td\u003e \u003ctd\u003e 500 Series with: \u003cbr\u003e 1 x balanced XLR input \u003cbr\u003e 1 x balanced XLR output \u003cbr\u003e Power connection from lunchbox rack enclosure \u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003cth\u003e \u003ca\u003eCompressor\u003c\/a\u003e \u003c\/th\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eRatio\u003c\/td\u003e \u003ctd\u003e1 to ?\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eThreshold\u003c\/td\u003e \u003ctd\u003e+4 to -26 dB\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eRelease Time\u003c\/td\u003e \u003ctd\u003e0.1 to 4 ms\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003cth\u003e \u003ca\u003eGate\u003c\/a\u003e \u003c\/th\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eRange\u003c\/td\u003e \u003ctd\u003e0 to 40 dB\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eThreshold\u003c\/td\u003e \u003ctd\u003e-30 to 10 dB\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eRelease Time\u003c\/td\u003e \u003ctd\u003e0.1 to 4 s\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDimensions (HxW)\u003c\/td\u003e \u003ctd\u003e5.25 x 1.5\" (13.34 x 3.8 cm)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eWeight\u003c\/td\u003e \u003ctd\u003e15.3 oz (434 g)\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003cth\u003e \u003ca\u003ePackaging Info\u003c\/a\u003e \u003c\/th\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePackage Weight\u003c\/td\u003e \u003ctd\u003e0.75 lb\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e \u003ctd\u003e10.866 x 7.402 x 2.677\"\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e All product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Solid State Logic-10","offers":[{"title":"Default Title","offer_id":35445735568,"sku":"SO729719X1:SO729719X1:bhpv","price":145090.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/solid_state_logic_729719x1_e_series_dynamics_module_for_1370015569000_966307.jpg?v=1575986013"},{"product_id":"solid-state-logic-ssl-stereo-bus-compressor-module-for-500-format-rack-1","title":"Solid State Logic SSL Stereo Bus Compressor Module for 500 Format Rack","description":"\u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cp\u003e The \u003cstrong\u003eSSL Stereo Bus Compressor Module\u003c\/strong\u003e from \u003cstrong\u003eSolid State Logic\u003c\/strong\u003e is designed for use with the 500 Format Rack. \u003c\/p\u003e \u003cp\u003eThe centre section compressor of this module is a simple unit with a simple purpose: it makes complete mixes sound bigger, with more power, punch, and drive. It brings cohesion and strength to your mix without compromising clarity. The availability of the Stereo Bus Compressor in a module for the 500 format makes this essential audio production tool available to users of the API 500 format modular rack platform.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdl\u003e \u003cdd\u003eSonic character of SSL Stereo Bus Compression\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003eSix ratio settings ranging from 1.5:1 to 20:1\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003eFive release settings and Auto Release function\u003c\/dd\u003e \u003c\/dl\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cspan\u003eUPC: 878076001005\u003c\/span\u003e \u003c\/div\u003e \u003c\/div\u003e\u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003ctable\u003e \u003ctbody\u003e\u003c\/tbody\u003e \u003c\/table\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003cth\u003e \u003ca\u003ePackaging Info\u003c\/a\u003e \u003c\/th\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePackage Weight\u003c\/td\u003e \u003ctd\u003e1.25 lb\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e \u003ctd\u003e11.2 x 7.3 x 4.3\"\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003eIn the Box\u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eSolid State Logic SSL Stereo Bus Compressor Module for 500 Format Rack\u003c\/div\u003e \u003c\/div\u003e \u003cul\u003e \u003cli\u003eLimited 1-Year Warranty on Parts and Labor\u003c\/li\u003e \u003c\/ul\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Solid State Logic-10","offers":[{"title":"Default Title","offer_id":814438154256,"sku":"SO729726X2:SO729726X2:bhpv","price":262030.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/solid_state_logic_729726x1_ssl_stereo_bus_compressor_1458251142000_966305_58c69387-7be9-4b6b-90d3-c2045b6faac9.jpg?v=1576005610"},{"product_id":"chandler-tg-opto-compressor-500-series","title":"Chandler TG Opto Compressor 500-Series","description":"\u003cul\u003e \u003cli\u003eDual-Space 500-Series Module\u003c\/li\u003e \u003cli\u003eOpto Adaptation of TG1 Limiter\u003c\/li\u003e \u003cli\u003eInspired by EMI TG12413 Limiter\u003c\/li\u003e \u003cli\u003e100% Discrete Transistor Circuit\u003c\/li\u003e \u003cli\u003eContinuous Input and Output\u003c\/li\u003e \u003cli\u003eContinuous Attack and Release\u003c\/li\u003e \u003cli\u003eKnee Switch: Sharp \/ Rounded\u003c\/li\u003e \u003cli\u003eTrue-Bypass\u003c\/li\u003e \u003c\/ul\u003e\u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cp\u003e Designed with the EMI TG12345 mixing and mastering console in mind, the \u003cstrong\u003eChandler Limited TG Opto Compressor\u003c\/strong\u003e is a hand-made, fully discrete, monophonic optical-compressor in a dual-space, 500-Series format. The TG Opto is a relative of the TG1 Opto, found in Chandler Limited's TG Microphone Cassette, TG1 Limiter, and Zener Limiter. \u003cbr\u003e \u003cbr\u003e The TG Opto Compressor features continuous attack, release, input, and output controls, as well as a switchable knee with sharp or rounded selections. The sharp setting is equivalent to the limit mode on the TG1 and Zener Limiters, and is considered hard. When the Knee switch is set to Sharp, the compression will be full ratio. The Rounded setting is a soft knee, which reacts independently from the ratio, and is well suited for scenarios requiring less obvious compression such as vocals and other melodic material. \u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdl\u003e \u003cdt\u003e TG Opto Compressor \u003c\/dt\u003e \u003cdd\u003e \u003cul\u003e \u003cli\u003e Control-Set \u003cul\u003e \u003cli\u003eSelectable sharp and rounded knees\u003c\/li\u003e \u003cli\u003eContinuous input\u003c\/li\u003e \u003cli\u003eContinuous output (makeup gain)\u003c\/li\u003e \u003cli\u003eAttack\u003c\/li\u003e \u003cli\u003eRelease\u003c\/li\u003e \u003cli\u003eTrue bypass\u003c\/li\u003e \u003c\/ul\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003c\/dd\u003e \u003c\/dl\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e\u003cdiv\u003e \u003cdiv\u003e In the Box \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e Chandler TG Opto Compressor 500-Series \u003c\/div\u003e \u003c\/div\u003e \u003cli\u003eLimited 1-Year Warranty on Parts \u0026amp; Labor\u003c\/li\u003e \u003cdiv\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e\u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003ch3\u003eChandler TG OPTO Specs\u003c\/h3\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eChannels\u003c\/td\u003e \u003ctd\u003eMono, Double Space\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eCircuit\u003c\/td\u003e \u003ctd\u003eDiscrete, Transistor\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eConnections\u003c\/td\u003e \u003ctd\u003eI\/O: 500-Series Format (Frame Dependent)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eControls\u003c\/td\u003e \u003ctd\u003e Input: Continuous \u003cbr\u003e Makeup Gain: Continuous \u003cbr\u003e Release: Continuous \u003cbr\u003e Knee: Switchable, Sharp\/Rounded \u003cbr\u003e Bypass: True Bypass \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePower\u003c\/td\u003e \u003ctd\u003e 500 Series Format: ±16 V \u003cbr\u003e Maximum Current Draw: +16 V at +100 mA \/ -16 V at -100 mA \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDimensions\u003c\/td\u003e \u003ctd\u003eNot Specified by Manufacturer\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eWeight\u003c\/td\u003e \u003ctd\u003eNot Specified by Manufacturer\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Chandler Limited-10","offers":[{"title":"Default Title","offer_id":21775023276117,"sku":"CHTGOPTO:CHTGOPTO:bhpv","price":214215.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/chandler_tg_opto_mono_compressor_1549308926000_1456634.jpg?v=1576014492"},{"product_id":"solid-state-logic-fusion-analog-stereo-outboard-processor","title":"Solid State Logic Fusion Analog Stereo Outboard Processor","description":"\u003cdiv\u003e \u003ch3\u003eSolid State Logic Fusion Overview\u003c\/h3\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cul\u003e \u003cli\u003e \u003cspan\u003e1\u003c\/span\u003e \u003cspan\u003e \u003cspan\u003eDescription\u003c\/span\u003e \u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e \u003cspan\u003e2\u003c\/span\u003e \u003cspan\u003e \u003cspan\u003eVintage Drive\u003c\/span\u003e \u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e \u003cspan\u003e3\u003c\/span\u003e \u003cspan\u003e \u003cspan\u003eViolet EQ\u003c\/span\u003e \u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e \u003cspan\u003e4\u003c\/span\u003e \u003cspan\u003e \u003cspan\u003eHF Compressor\u003c\/span\u003e \u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e \u003cspan\u003e5\u003c\/span\u003e \u003cspan\u003e \u003cspan\u003eStereo Image\u003c\/span\u003e \u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e \u003cspan\u003e6\u003c\/span\u003e \u003cspan\u003e \u003cspan\u003eTransformer\u003c\/span\u003e \u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e \u003cspan\u003e7\u003c\/span\u003e \u003cspan\u003e \u003cspan\u003eUtility Functions\u003c\/span\u003e \u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e \u003cspan\u003e8\u003c\/span\u003e \u003cspan\u003e \u003cspan\u003eBalanced I\/O\u003c\/span\u003e \u003c\/span\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cp\u003e The \u003cb\u003eSolid State Logic Fusion\u003c\/b\u003e is an analog stereo outboard processor offering an array of circuits and controls optimized for sweetening stems or full mixes. Well suited for use in traditional or hybrid studios and occupying just 2 RU of rack space, the Fusion features five main analog processors�Vintage Drive (harmonic enhancement), Violet EQ (2-band shelving EQ), HF Compressor (high-frequency compression with a subtle high-frequency roll-off), Stereo Image (Mid-Side spatial adjustment), and Transformer (custom-designed transformer circuit with low-end harmonics and top-end phase shift). \u003c\/p\u003e \u003cp\u003ePatch in additional outboard gear via the stereo XLR insert jacks, which can be configured for true stereo or Mid-Side, and switched to different points in the Fusion's signal flow. The main inputs and outputs are also presented on balanced XLR 3-pin connectors. Separate input and output trims allow up to 12 dB of boost or attenuation for easy management of levels. A dedicated LED indicates input overloading, while the 15-segment stereo master meter can display input or output levels. Quickly tame problematic bass frequencies via the adjustable high-pass filter at 30, 40, or 50 Hz.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003ch3\u003eVintage Drive\u003c\/h3\u003e \u003cdiv\u003e \u003cdiv\u003e The Vintage Drive is a non-linear harmonic enhancement circuit designed to bring cohesion and strength to your mix. Drive and Density controls interact to produce harmonic saturation and soft compression derived from overloading an analog circuit. It can be used lightly for subtle thickening saturation or driven hard for more extreme distortion. \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003ch3\u003eViolet EQ\u003c\/h3\u003e \u003cdiv\u003e \u003cdiv\u003e The Violet EQ is a minimum phase-shift, two-band shelving EQ. It draws on the SSL legacy of carefully selected frequencies and response curves to create a musical and intuitive EQ designed to quickly dial in low-end weight and high-end sheen. High- and low-frequency circuits each offer four switched frequency points and ±9 dB gain. \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003ch3\u003eHF Compressor\u003c\/h3\u003e \u003cdiv\u003e \u003cdiv\u003e The High-Frequency Compressor delivers the distinctive sound of high-frequency rounding in the analog domain and also affects high frequencies only, optimized for smooth and transparent harshness reduction and a tape-like attenuation of high frequencies. \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003ch3\u003eStereo Image\u003c\/h3\u003e \u003cdiv\u003e \u003cdiv\u003e The Stereo Image enhancer provides a true analog Mid-Side circuit that manipulates the Side signal, allowing for widening and spatial manipulation of the stereo field. \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003ch3\u003eTransformer\u003c\/h3\u003e \u003cdiv\u003e \u003cdiv\u003e A switched, custom-designed SSL Transformer circuit introduces subtle low-frequency saturation, alongside a high-frequency phase-shift. The result is a simultaneous thickening of the bass frequencies and an added sparkle to the highs. \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003ch3\u003eUtility Functions\u003c\/h3\u003e \u003cdiv\u003e \u003cdiv\u003e Workflow-enhancing features include ±12 dB input\/output trim controls, an input overload LED, large peak-hold meters, a 3rd order high-pass filter with three selectable cut-off frequencies, and tri-color status indicators for the Vintage Drive and HF Compressor sections. \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003ch3\u003eBalanced I\/O\u003c\/h3\u003e \u003cdiv\u003e \u003cdiv\u003e The main stereo inputs and outputs are accessible via rear-panel XLR 3-pin connectors. A set of XLR insert connections can be used either as a Stereo Insert for stereo mix bus processing or switched to function as a Mid-Side circuit enabling separate compressors or EQ to be applied to the middle (center) and sides of a stereo signal. In Stereo Insert mode, the insert point can be positioned before the EQ. In Mid-Side mode, the insert can be switched to occur before the Stereo Image controls. \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cimg\u003e \u003cdiv\u003e UPC: 878076001333 \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003ch4\u003eIn the Box\u003c\/h4\u003e \u003cul\u003e \u003cdiv\u003e \u003cli\u003eSolid State Logic Fusion Analog Stereo Outboard Processor\u003c\/li\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cli\u003eIEC Power Cable\u003c\/li\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cli\u003eLimited 1-Year Warranty\u003c\/li\u003e \u003c\/div\u003e \u003c\/ul\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e\u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e Table of Contents \u003c\/div\u003e \u003cul\u003e \u003cli\u003eDescription\u003c\/li\u003e \u003cli\u003eVintage Drive\u003c\/li\u003e \u003cli\u003eViolet EQ\u003c\/li\u003e \u003cli\u003eHF Compressor\u003c\/li\u003e \u003cli\u003eStereo Image\u003c\/li\u003e \u003cli\u003eTransformer\u003c\/li\u003e \u003cli\u003eUtility Functions\u003c\/li\u003e \u003cli\u003eBalanced I\/O\u003c\/li\u003e \u003c\/ul\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003ch3\u003eSolid State Logic Fusion Specs\u003c\/h3\u003e \u003cdiv\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eFunction\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003eAnalog stereo bus processor (harmonic enhancer, equalizer, high-frequency compressor, stereo image enhancer, and switchable transformer)\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eNumber of Channels\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e2\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eInputs\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e2 x XLR 3-pin female\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eOutputs\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e2 x XLR 3-pin male\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eInserts\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e 2 x XLR 3-pin male sends \u003cbr\u003e 2 x XLR 3-pin female returns \u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eInput Impedance\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e10 kOhms\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMaximum Input Level\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e27.5 dBu at 1% THD\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eCompression Threshold\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e-10 to +10 dB\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eCompression Ratio\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003eNot specified by manufacturer\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eAttack Time\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003eNot specified by manufacturer\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eRelease Time\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003eNot specified by manufacturer\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eOutput Impedance\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e75 Ohms\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMaximum Output Level\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e27.5 dBu at 1% THD\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMake-up Gain\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e±12 dB\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eFrequency Response\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e 20 Hz to 20 kHz (±0.05 dB, all circuits off) \u003cbr\u003e -3 dB roll-off below 5 Hz \u003cbr\u003e -3 dB roll-off above 180 kHz \u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eTHD + Noise\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e All Circuits Off: \u0026lt; 0.005%, 0.0025% typical (+20 dBu, 1 kHz, filter 22 Hz to 22 kHz) \u003cbr\u003e Bypass: 0.0005% typical (+20 dBu, 1 kHz, filter 22 Hz to 22 kHz) \u003cbr\u003e Vintage Drive Indicator Off: \u0026lt; 0.2% typical \u003cbr\u003e Vintage Drive Indicator Green: 0.2% to 0.5% typical \u003cbr\u003e Vintage Drive Indicator Orange: 0.5% to 2% typical \u003cbr\u003e Vintage Drive Indicator Red: \u0026gt; 2% typical \u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eCMRR\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e At 20 Hz: \u0026gt; 78 dB, 85 dB typical \u003cbr\u003e At 1 kHz: \u0026gt; 78 dB, 88 dB typical \u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eNoise\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e All Circuits Off: \u0026lt; -86 dBu, -91 dBu typical \u003cbr\u003e Bypass: -94 dBu typical \u003cbr\u003e Vintage Drive, Mid Drive, Mid Density: -75 dBu typical \u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eCrosstalk\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e At 20 Hz: -110 dB typical (all circuits off \/ bypass) \u003cbr\u003e At 1 kHz: \u0026lt; -110 dB, -115 dB typical (all circuits off \/ bypass) \u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMatching Tolerance\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e All Circuits Off \/ Bypass: \u0026lt; 0.01 dB \u003cbr\u003e Vintage Drive On: \u0026lt; 0.25 dB typical \u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eOperating Temperature\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e34 to 86°F \/ 1 to 30°C\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eStorage Temperature\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e-4 to 122°F \/ -20 to 50°C\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePower Requirement\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e115 VAC, 60 Hz or 230 VAC, 50 Hz (switchable)\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eRack Height\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e2 RU\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDimensions (W x H x D)\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e 19 x 3.5 x 11.9\" \/ 48.0 x 8.9 x 30.3 cm (chassis only) \u003cbr\u003e 19 x 3.5 x 12.9\" \/ 48.0 x 8.9 x 32.8 cm (including front-panel controls) \u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eWeight\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e12.9 lb \/ 5.9 kg\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eSpecialties\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e High-pass filter \u003cbr\u003e Mid-Side mode \u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eCertifications and Compliance\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003eCE, FCC, RoHS\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e Packaging Info \u003c\/div\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003ePackage Weight\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e20.84 lb\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e \u003ctd\u003e \u003cspan\u003e21.2 x 18.1 x 8.6\"\u003c\/span\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Solid State Logic-10","offers":[{"title":"Default Title","offer_id":31796911964245,"sku":"SOFUSION:SOFUSION:bhpv","price":446135.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/1539256961_1437114.jpg?v=1582437960"},{"product_id":"rupert-neve-designs-portico-ii-mbc-master-buss-converter-dual-path-a-d-converter-and-limiter","title":"Rupert Neve Designs Portico II MBC Master Buss Converter Dual-Path A-D Converter and Limiter","description":"\u003ch2\u003eRupert Neve Designs MBC Overview\u003c\/h2\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cul\u003e\n    \u003cli\u003e\n\u003cspan\u003e1\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e2\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eDual-Path Analog Design\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e3\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eCompound Active Release Analog Limiter\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e4\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eMastering-Grade Conversion\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e5\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eProfessional Connectivity\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e6\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003ePrecise Metering\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ca\u003e\u003cimg\u003e\u003cp\u003eMaster Your Mix with 3 New Items from Rupert Neve Designs\u003c\/p\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003c\/a\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eTap into premium A-D conversion and limiting for tracking, mixing, and mastering in any genre with the \u003cb\u003eRupert Neve Designs Portico II MBC Master Buss Converter\u003c\/b\u003e, a dual-path 24-bit \/ 192 kHz converter with a host of high-end configurable features ranging from adjustable harmonics to selectable calibration levels.\u003cbr\u003e \u003cbr\u003e Capable of operating in dual mono or linked stereo, the MBC provides the flexibility and customization needed to handle critical stereo mixes, vocal session with A-list artists, and anything in between. Select the Class-A tranformerless path for transparency or switch to the custom transformer-coupled path to access the Silk\/Texture circuit for adjustable harmonic content and saturation.\u003cbr\u003e \u003cbr\u003e The onboard limiter utilizes enhanced topology to deliver a balance of exactitude and vibe, and its threshold, gain, and release controls offer efficient manipulation of crucial settings. A 20 to 250 Hz sweepable high-pass filter can be inserted into the sidechain, allowing effective management of how your signal's bass levels trigger the limiter.\u003cbr\u003e \u003cbr\u003e With XLR-1\/4\" combo inputs, three simultaneously active digital outputs, and BNC word clock I\/O, the MBC is easily integrated into any setup, be it a live sound rig or a permanent studio installation.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003ch2\u003eDual-Path Analog Design\u003c\/h2\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       From the ground up, the MBC was designed for reference performance regardless of genre or desired sonic character, and the key to this lies in the quality and adaptability of the analog drive circuitry. For a bolder, more powerful imprint, a custom-designed interstage transformer with Rupert's acclaimed Silk circuitry can be inserted to recreate the classic tonality of his vintage designs.\n       \u003cbr\u003e \n       \u003cbr\u003e Unlike Rupert Neve's audio transformers intended for line-level output, this new transformer is designed to achieve output transformer harmonic content characteristics at a level appropriate for input to the converter itself. With the addition of variable Silk, the engineer is able to precisely dial in the desired amount of harmonic content; the Red mode highlights harmonics in the mid and high frequencies, while the Blue mode accentuates harmonics in the lows.\n       \u003cbr\u003e \n       \u003cbr\u003e From a subtle transformer tonality without Silk, to significantly more color than vintage modules with the Silk\/Texture circuit fully pushed, the selectable transformer path fills your tracks with enhanced dimensionality and power. When maximum transparency and fidelity is desired, the transformerless path provides extraordinary detail and clarity.\n       \u003cbr\u003e \n       \u003cbr\u003e While many transformerless circuits suffer from thin tonal balance and a lack of punch, the MBC's Class-A circuitry was painstakingly designed to deliver a beautiful sense of clarity, with vibrant detail at both high and low frequencies. As an additional tonal palette to capture your tracks, the transformerless path is an essential complement to the weighty, classic sound of the transformer path. No matter what sonic character you're seeking, the MBC can provide it at the push of a button.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003ch2\u003eCompound Active Release Analog Limiter\u003c\/h2\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Designed to act as a musical sculpting tool exceeding the quality of available plug-in limiters or as a transparent safety limiter for tracking or live performance and broadcast, the MBC's limiter features refined compound active release topology, which enhances both the accuracy and musicality of the limiter response. The resulting limiter achieves transparency and the capability of pushing the level of tracks or mixes without damage to the integrity of the source.\n       \u003cbr\u003e \n       \u003cbr\u003e To further adapt the sound of the limiter, several controls are available for each channel. The built-in S\/C HPF (sidechain high-pass filter), sweepable from 20 to 250 Hz, minimizes the limiter's reaction to low frequencies, which tend to be more sustained in nature than high frequencies. The threshold control sets the maximum levels for your digital signal, and the variable release time constant alters the response characteristic to better fit different source material.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003ch2\u003eMastering-Grade Conversion\u003c\/h2\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The MBC's 24-bit \/ 192 kHz converters were developed after years of careful listening, and represent a further advancement of the design within the RMP-D8. The precision-controlled internal clock's minimal jitter and phase noise allow the converters to capture the complete performance of your music with a great degree of accuracy.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003ch2\u003eProfessional Connectivity\u003c\/h2\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       To connect into your interface or digital console, the MBC is equipped with three digital outputsâ��AES3 via XLR, S\/PDIF via RCA coaxial, and S\/PDIF via TOSLINK opticalâ��capable of simultaneous output to multiple destinations. The word clock output allows the MBC to act as high-end master clock for your entire setup, and the word clock input enables external sync to a separate master clock if desired.\n       \u003cbr\u003e \n       \u003cbr\u003e The MBC can be seamlessly integrated into a multichannel conversion environment, thanks to its four selectable standard levels from -14 to -20 dBFS. These reference level calibration standards are implemented with a superb degree of accuracy via high-precision resistors and relay-controlled stepped attenuation.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003ch2\u003ePrecise Metering\u003c\/h2\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       A pair of 22-segment meters provide extremely precise level metering of the input to the converter stage, utilizing a new design that represents the highest resolution LED metering in a Rupert Neve Designs product to date. For monitoring of the limiter's gain reduction, there are 8-segment gain reduction meters designed to display transient reductions with extreme accuracy. The level meters can be further customized with a 1-second or 3-second peak hold option.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cimg\u003e\n   \u003cdiv\u003e\n    UPC: 763854076767\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eRupert Neve Designs Portico II MBC Master Buss Converter Dual-Path A-D Converter and Limiter\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003ePower Cable\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eLimited 1-Year Warranty\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Table of Contents\n    \u003c\/div\u003e\n    \u003cul\u003e\n     \u003cli\u003eDescription\u003c\/li\u003e\n     \u003cli\u003eDual-Path Analog Design\u003c\/li\u003e\n     \u003cli\u003eCompound Active Release Analog Limiter\u003c\/li\u003e\n     \u003cli\u003eMastering-Grade Conversion\u003c\/li\u003e\n     \u003cli\u003eProfessional Connectivity\u003c\/li\u003e\n     \u003cli\u003ePrecise Metering\u003c\/li\u003e\n    \u003c\/ul\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003ch2\u003eRupert Neve Designs MBC Specs\u003c\/h2\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003ctable\u003e\n      \u003ctbody\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eFunction\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eAnalog-to-Digital Converter\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eNumber of Channels\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e2\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eAnalog Inputs\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e2 x XLR-1\/4\" Combo Inputs\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eDigital Outputs\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e1 x XLR 3-Pin Male (AES3)\u003cbr\u003e 1 x TOSLINK Optical Female (S\/PDIF)\u003cbr\u003e 1 x RCA Coaxial Female (S\/PDIF)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eWord Clock I\/O\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e1 x BNC Input (75-Ohm Terminated)\u003cbr\u003e 1 x BNC Output\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eInput Impedance\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e9.9 Kilohms\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eFrequency Response\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eTransformerless Path: 20 Hz to 70 kHz ±0.025 dB Typical\u003cbr\u003e Transformer Path: 20 Hz to 70 kHz ±0.1 dB Typical\u003cbr\u003e Limiter: 20 Hz to 70 kHz ±0.1 dB Typical (Transformerless Path Selected, 40-Ohm Balanced Source)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eTHD + N\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eTransformerless Path: 0.0009% Typical (Measured at 1 kHz at -2 dBFS (10 Hz to 22 kHz Bandwidth)\u003cbr\u003e Transformer Path: 0.002% Typical (Measured at 1 kHz at -2 dBFS (10 Hz to 22 kHz Bandwidth)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eNoise\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eTransformerless Path: -108 dBFS Typical (10 Hz to 22 kHz Bandwidth)\u003cbr\u003e Transformer Path: -114 dBFS Typical (10 Hz to 22 kHz Bandwidth)\u003cbr\u003e Limiter at 0 dB Make-Up Gain: -107 dBFS Typical (10 Hz to 22 kHz Bandwidth)\u003cbr\u003e Limiter at +20 dB Make-Up Gain: -97 dBFS Typical (10 Hz to 22 kHz Bandwidth)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eCommon Mode Rejection\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e105 dB Typical at 1 kHz\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eRelease Time\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e50 ms to 1 sec\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eMake-up Gain\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e0 to +20 dB\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eHigh-Pass Filter\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e20 to 250 Hz (Sidechain HPF)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eCalibration\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e+4 dBu = -14, -16, -18, or -20 dBFS (Selectable)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eBit Depth\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e24-Bit\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eSample Rates\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eUp to 192 kHz\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003ePower Requirements\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e100 to 240 VAC, 50\/60 Hz\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003ePower Consumption\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e45 W\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eDimensions (W x H x D)\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e19 x 1.7 x 9\" \/ 48.3 x 4.2 x 22.9 cm\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eWeight\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eNot Specified by Manufacturer\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n      \u003c\/tbody\u003e\n     \u003c\/table\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Packaging Info\n     \u003c\/div\u003e\n     \u003ctable\u003e\n      \u003ctbody\u003e\n       \u003ctr\u003e\n        \u003ctd\u003ePackage Weight\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e10.425 lb\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e22.6 x 14.4 x 6.7\"\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n      \u003c\/tbody\u003e\n     \u003c\/table\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Rupert Neve Designs-10","offers":[{"title":"Default Title","offer_id":39497395241045,"sku":"RUMBC:RUMBC:bhpv","price":645630.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/1601941633_1597243.jpg?v=1628772847"},{"product_id":"rupert-neve-designs-portico-542-tape-emulator","title":"Rupert Neve Designs Portico 542 Tape Emulator","description":"\u003ch2\u003eRupert Neve Designs 542 Overview\u003c\/h2\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eThe \u003cb\u003ePortico 542 Tape Emulator\u003c\/b\u003e from \u003cb\u003eRupert Neve Designs\u003c\/b\u003e is a single-channel 500 series rack module that simulates the sound of analog tape, and adds texture to your audio with its dedicated Silk circuitry. The emulation of tape is achieved with analog hardware, as opposed to digital processing. The 542 features a \"True Tape\" circuit, which utilizes an authentic magnetic record head and a replay amplifier, giving the applied audio the warmth of tape compression. Texture can be added by pushing the Silk button, selecting Red or Blue mode, and adjusting a knob. This adds harmonic content that's reminiscent of vintage Neve equipment.\u003cbr\u003e \u003cbr\u003e Tape Effects can be added in by pressing an illuminated button. A Saturation knob enables you to dial in the amount of effects, and a Blend knob lets you mix the pre and post signals. A 15 \/ 30 IPS button lets you select between the emulations of those two tape-based characteristics. Two eight-segment LED meters are on the face of the 542, one dedicated to Drive, the other to Level. When your signal hits the yellow LED in the Drive meter, a Soft Clip functionality kicks in, protecting your signal from peaking. A 500-Series power supply\/rack is required for operation.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cimg\u003e\n   \u003cdiv\u003e\n    UPC: 752423656967\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eRupert Neve Designs Portico 542 Tape Emulator\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eLimited 1-Year Warranty\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003ch2\u003eRupert Neve Designs 542 Specs\u003c\/h2\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003ctable\u003e\n      \u003ctbody\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eFunction\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eTape Emulator\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eNumber of Channels\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eSingle\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eInputs\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e1x XLR\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eOutputs\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e1x XLR\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eControls\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e1x Trim knob, +\/- 12 dB\u003cbr\u003e 1x Saturation knob\u003cbr\u003e 1x Blend knob\u003cbr\u003e 1x Texture knob\u003cbr\u003e 1x Tape Effect In button\u003cbr\u003e 1x 15\/30 IPS button\u003cbr\u003e 1x Silk button\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eMaximum Output Level\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e23.25dBu\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eFrequency Response\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eLine amp specifications, with tape circuit disengaged:\u003cbr\u003e Measured at +10dBu, trim at unity\u003cbr\u003e \u003cbr\u003e Main Output +\/- 0.25 dB from 5 Hz to 60 Khz -2 dB @ 120 kHz\u003cbr\u003e \u003cbr\u003e Tape FX specifications:\u003cbr\u003e 15 IPS, Input @ -0 dBu -3dBu @ 28 kHz Saturation @ minimum 0dBu @ 10 Hz +5dBu Peak @ 60 Hz\u003cbr\u003e Saturation @ maximum -3dBu @ 20 kHz -3dBu @ 12.5 Hz +2.4dBu Peak @ 60 Hz\u003cbr\u003e 30 IPS, Input @ -0 dBu -3dBu @ 120 kHz Saturation @ minimum -3dBu @ 10 Hz +3.15dBu Peak @ 125 Hz\u003cbr\u003e Saturation @ maximum -3dBu @ 100 kHz -3dBu @ 12.5 Hz\u003cbr\u003e +1.3dBu Peak @ 110 Hz\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eNoise\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eLine amp specifications, with tape circuit disengaged:\u003cbr\u003e Measured at Main Output, un-weighted, 20 Hz - 22 kHz, Input Terminated 40 Ohms\u003cbr\u003e Unity Gain: better than -100dBu\u003cbr\u003e \u003cbr\u003e Tape FX specifications:\u003cbr\u003e Measured at Main Output, un-weighted, 20 Hz - 22 kHz, Input Terminated 40 Ohms\u003cbr\u003e Saturation @ minimum: better than -100dBu Saturation @ maximum: better than -100dBu\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eTotal Harmonic Distortion\/Noise\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eLine amp specifications, with tape circuit disengaged:\u003cbr\u003e @ 1 kHz, +20dBu output level: better than 0.0025% @ 20 Hz, +20dBu output level 0.07% Typical (2nd and 3rd harmonic)\u003cbr\u003e \u003cbr\u003e Tape FX specifications:\u003cbr\u003e 15 IPS, Input @ -0 dBu 0.4% @ 3 kHz to 1% @ 175Hz typical\u003cbr\u003e Saturation @ minimum greater than 1% below 175 Hz typical\u003cbr\u003e Saturation @ maximum 1% at 6 kHz typical 0.3% @ 1 kHz to 3% @ 50 Hz typical\u003cbr\u003e 30 IPS, Input @ -0 dBu 1% at 1 kHz typical\u003cbr\u003e Saturation @ minimum 0.6% @ 400 Hz 5% @ 20 Hz typical\u003cbr\u003e Saturation @ maximum 1.5% @ 20 kHz to 0.4% @ 1 kHz typical 0.4% @ 1 kHz to 2 %@ 50 Hz typical\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eMeters\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e1x 8-segment Level meter\u003cbr\u003e 1x 8-segment Drive meter\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003ePower Requirements\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eSupplied by 500 series rack with 110-125 mA @ +\/- 16V DC\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eDimensions\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eNot specified by manufacturer\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eWeight\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eNot specified by manufacturer\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n      \u003c\/tbody\u003e\n     \u003c\/table\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Packaging Info\n     \u003c\/div\u003e\n     \u003ctable\u003e\n      \u003ctbody\u003e\n       \u003ctr\u003e\n        \u003ctd\u003ePackage Weight\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e2.175 lb\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e10.1 x 7.8 x 3\"\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n      \u003c\/tbody\u003e\n     \u003c\/table\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Rupert Neve Designs-10","offers":[{"title":"Default Title","offer_id":39501335232597,"sku":"RU542:RU542:bhpv","price":161660.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/1362584200_925761.jpg?v=1628925385"},{"product_id":"rupert-neve-designs-portico-ii-master-buss-processor-black","title":"Rupert Neve Designs Portico II Master Buss Processor (Black)","description":"\u003cdiv\u003e\n \u003ch2\u003eRupert Neve Designs PORTICO II Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cul\u003e\n    \u003cli\u003e\n\u003cspan\u003e1\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e2\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eHigh-Quality Signal Path\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e3\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eGain Controls\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e4\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eLimiter\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e5\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eHardwire Bypass\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e6\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eTexture\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e7\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eFF\/FB\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e8\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003ePeak\/RMS Switch\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e9\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eSelectable Sidechaining\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e10\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eLED Meters\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e11\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eStereo Field Editor Controls\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e12\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eSelectable, Useful M\/S Compression\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ca\u003e\n    \u003cdiv\u003e\u003c\/div\u003e\n\u003cp\u003eMaster Your Mix with 3 New Items from Rupert Neve Designs\u003c\/p\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003c\/a\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eOffered here with a black faceplate, the \u003cb\u003eRupert Neve Designs Portico II Master Buss Processor\u003c\/b\u003e is more than a stereo VCA compressor: it's a multifaceted machine that can add weight, density, glue, transparent gain, subtle harmonics, grit, width, low-end emphasis, limiting, and more to your program material. As such, it is an ideal unit for mastering engineers, or high-end mixers looking for something to take their stereo-buss work to the next level.\u003c\/p\u003e\n    \u003cp\u003e At the core of the Master Buss Processor is an exceedingly versatile VCA compressor with standard attack, release, threshold, and ratio controls. Use it in feedback mode for a more relaxed sound, or clamp down harder and faster with feedforward circuitry. This feature, combined with a selectable high-pass filter and a PEAK\/RMS switch for the detector circuit, allows you to tailor the compressor to your exact needs.\u003c\/p\u003e\n    \u003cp\u003e After compression, drive the signal hard with makeup gain and feed the one-knob limiter, which can help you achieve desired loudness out of the box without clipping your A\/D as hard. You can also use a lighter touch: because of a mix knob, you can dial the effect back into the dry signal, using parallel compression to transparently reign in levels. The choice is yours.\u003c\/p\u003e\n    \u003cp\u003e Apart from the compressor, you'll find Rupert Neve Design's customary silk circuit, a useful tool for adding harmonic distortion. Switch between red and blue modes for different flavors. Blue is more dense, and red is more crisp, favoring the high-end. You can dial in the amount of distortion with a dedicated knob.\u003c\/p\u003e\n    \u003cp\u003e One must pay attention to the Stereo Field Editor, which is an incredibly euphonic way of shaping the stereo spread of program material. A click or two of the width knob can add the width you're often looking for in mastering without deleterious results. Use the effect in broadband, or focus it on the lows, low mids, high mids, or highs for a targeted response. The depth knob affects the center, and it too has frequency controls. Often you can bring out a kick, bass, or vocal part with a touch of this control. If you choose, the Stereo Field Editor section can be fed into the compressor itself, giving you truly useful mid-side compression.\u003c\/p\u003e\n    \u003cp\u003e This is a stereo compressor with independent controls. A handy link switch lets you manipulate a stereo signal with ease, or you can work in dual-mono if you choose, which can be useful for recording as well as mixing or mastering. Side chain inputs as well as the customary XLR I\/O are located on the rear of the unit.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eHigh-Quality Signal Path\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Based around the high voltage, discrete, and class-A signal paths made famous in the 5088 Mixer and the Portico II Channel, the Portico II Master Buss Processor has a fancy signal path indeed. With input and output transformers designed and implemented by Rupert Neve, the high-voltage 72V topology found in the Master Buss Processor integrates well with virtually any system.  Additionally, the unit incorporates mastering-grade detented pots throughout to fine-tune each control.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eGain Controls\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Gain range provided is from 0 to +20 dB. When compression has taken place, the gain control is necessary to increase the overall gain to restore the program level. The gain control is placed before the limiter in the signal path.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eLimiter\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Musically transparent brick-wall limiting activated when the signal reaches the limiter threshold. Attack time is .03 ms in order to reduce the first half of a 20 kHz waveform over the threshold, with Serial Adaptive Release.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eHardwire Bypass\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       A hardwire bypass means just what it says, defeating the signal path entirely, including the input and output transformers.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eTexture\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Continuously variable control for the Silk modes allows the engineer to fine tune the harmonic ratio and tonality of each channel.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFF\/FB\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Changes the VCA Detection from a forward-feed design (fast, more accurate attack and release) to a feedback design (smoother, more musical response)\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003ePeak\/RMS Switch\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       When engaged, the MBP compressor uses a combination of peak and RMS (average) detection to trigger the VCA set below 1 ms. When disengaged, it follows RMS alone.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eSelectable Sidechaining\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Introduce a HPF at 125 Hz to the VCA side chain signal, or input your own over the rear connections.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eLED Meters\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Four Peak LED meters are provided that show stereo output levels and gain reduction. Output level meter covers the range from -10 to +22 dBu and above, which is regarded as overload. The reduction is calibrated in dB covering the range 1 to 22 dBu, reading from top to bottom.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eStereo Field Editor Controls\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The stereo field editor on the MBP takes traditional M-S techniques to new heights using width, depth, and corresponding band-pass filters in concert to manipulate spacial elements. The width control enables the user to increase or decrease the perceived width of the stereo image (Wide\/Mono), while adjusting the amount of ambience heard in the recording. The depth control of the MBP adjusts the spatial positioning of elements in the sound stage. Center-panned elements like solo instruments or vocals can be brought forward in a mix in relation to the supporting instruments. In many cases, these same elements may be virtually eliminated without adversely affecting any sonic information.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eSelectable, Useful M\/S Compression\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       With the SFE to Comp button, users can route the Mid and Side signals to the Channel A and Channel B compressors, respectively. The Depth and Width changes are routed through the compressors, allowing the user to utilize the compressor features while manipulating the Mid and Side information. With these controls, it is possible to not only increase the side information, but to utilize the compressor to bring up some of the low-level side information, or allow the user to tame an overly expressive lead singer in the mids. With the addition of using the EQ section on the Depth and Width, a wide range of tools is available to the engineer.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cimg\u003e\n   \u003cdiv\u003e\n    UPC: 752423657001\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eRupert Neve Designs Portico II Master Buss Processor (Black)\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eIEC Power Cord\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eLimited 1-Year Warranty\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ca\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cp\u003eUser Manual\u003c\/p\u003e\n      \u003cp\u003e1.0 MB\u003c\/p\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\u003c\/a\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Table of Contents\n    \u003c\/div\u003e\n    \u003cul\u003e\n     \u003cli\u003eDescription\u003c\/li\u003e\n     \u003cli\u003eHigh-Quality Signal Path\u003c\/li\u003e\n     \u003cli\u003eGain Controls\u003c\/li\u003e\n     \u003cli\u003eLimiter\u003c\/li\u003e\n     \u003cli\u003eHardwire Bypass\u003c\/li\u003e\n     \u003cli\u003eTexture\u003c\/li\u003e\n     \u003cli\u003eFF\/FB\u003c\/li\u003e\n     \u003cli\u003ePeak\/RMS Switch\u003c\/li\u003e\n     \u003cli\u003eSelectable Sidechaining\u003c\/li\u003e\n     \u003cli\u003eLED Meters\u003c\/li\u003e\n     \u003cli\u003eStereo Field Editor Controls\u003c\/li\u003e\n     \u003cli\u003eSelectable, Useful M\/S Compression\u003c\/li\u003e\n    \u003c\/ul\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003ch2\u003eRupert Neve Designs PORTICO II Specs\u003c\/h2\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003ctable\u003e\n      \u003ctbody\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eFrequency Response\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e-3 dB @ 4 Hz, -3 dB @ 120 kHz (Main Output, No Load)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eTHD \u0026amp; Noise\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e+20 dBu Output @ 1 kHz: \u0026lt; 0.006%\u003cbr\u003e +20 dBu Output @ 20 Hz: \u0026lt; 0.20%\u003cbr\u003e Silk Blue Engaged, Max Texture: \u0026lt; 2.5%\u003cbr\u003e Silk Red Engaged, Max Texture: \u0026lt; 3.5%\u003cbr\u003e +20 dBu Output @ 20 kHz: \u0026lt; 0.020%\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eSlew Rate\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eBetter than 4 V\/uS\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eCompressor\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eThreshold: Variable from -30 to +20 dBu\u003cbr\u003e Ratio: Variable from 1.1:1 to 20:1 (LIMIT)\u003cbr\u003e Blend: Variable from 0 to 100% Compressor\u003cbr\u003e Gain: Variable from -6 to +20 dB\u003cbr\u003e Attack: Variable from 20 to 75 ms (0.1 ms with �FAST�)\u003cbr\u003e Release: Variable from 100 ms to 2.2 Seconds\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003ePower Requirements\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e100 to 240 VAC, 50\/60 Hz\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003ePower Consumption\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e0.65 A @ 117 VAC\u003cbr\u003e 0.35 A @ 220 VAC\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eFuse\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e0.2 x 0.8\" \/ 5 x 20 mm, 2.5 A, Fast-Acting Ceramic Body: Bussman Type GDA 2.5 A or Equivalent\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eRack Size\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e2 RU\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eDimensions\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e3.5 x 19 x 12\" \/ 8.8 x 48.2 x 30.4 cm\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eWeight\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e20 lb \/ 9.1 kg\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n      \u003c\/tbody\u003e\n     \u003c\/table\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Packaging Info\n     \u003c\/div\u003e\n     \u003ctable\u003e\n      \u003ctbody\u003e\n       \u003ctr\u003e\n        \u003ctd\u003ePackage Weight\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e18.245 lb\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e21.4 x 17.2 x 7.9\"\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n      \u003c\/tbody\u003e\n     \u003c\/table\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003ch2\u003eRupert Neve Designs PORTICO II Reviews\u003c\/h2\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Rupert Neve Designs-10","offers":[{"title":"Default Title","offer_id":40041927213141,"sku":"RUPORTICOII:RUPORTICOII:bhpv","price":857410.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/1603151168_1597241.jpg?v=1650611029"},{"product_id":"rupert-neve-designs-5045-primary-source-enhancer","title":"Rupert Neve Designs 5045 Primary Source Enhancer","description":"\u003cdiv\u003e\n \u003ch2\u003eRupert Neve Designs PRIMARY SOURCE ENHANCER Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eKeep on-stage feedback out of your audio with the \u003cb\u003eRupert Neve Designs 5045 Primary Source Enhancer\u003c\/b\u003e. This is a two-channel device that tames acoustic feedback in a manner similar too, but not exactly like, a gate. As such, you can use it to help boost the level of microphones in a live performance setting before feedback occurs, all without adding obvious tonal coloration.\u003cbr\u003e \u003cbr\u003e The device sports easy-to-use controls. A Threshold control dictates the level at which the processor starts working, while the Depth parameter sets how much attenuation is applied below the threshold. The Time Constant knob gives you access to six different attack and release speeds�twelve, actually, when you consider that the RMS\/Peak switch changes the behavior of this parameter. With these minimal controls, you can easily set the processor to suppress anything below the signal's optimal range.\u003cbr\u003e \u003cbr\u003e The 5045 takes line-level from mic preamp outputs or insert sends of consoles and delivers a line-level signal that can easily feed a console or PA. Because of transformer coupling on the I\/O path, the unit can interface with a wide variety of gear. It offers XLR connections on the input and output paths.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cimg\u003e\n   \u003cdiv\u003e\n    UPC: 752423657094\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eRupert Neve Designs 5045 Primary Source Enhancer\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eIEC Power Cord\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eLimited 1-Year Warranty\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ca\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cp\u003eUser Manual\u003c\/p\u003e\n      \u003cp\u003e1.0 MB\u003c\/p\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\u003c\/a\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003ch2\u003eRupert Neve Designs PRIMARY SOURCE ENHANCER Specs\u003c\/h2\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003ctable\u003e\n      \u003ctbody\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eThreshold\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eContinuously Variable from -20 to 10 dBu\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eDepth\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eContinuously Variable from 0 to 20 dBu\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eTime Constants\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e\u003cb\u003eRMS Mode:\u003c\/b\u003e\u003cbr\u003e \u003ci\u003eRMS Mode Time Constant Data Collected Using 10 dB Bursts\u003c\/i\u003e\u003cbr\u003e A: 50 ms\u003cbr\u003e B: 100 ms\u003cbr\u003e C: 200 ms\u003cbr\u003e D: 750 ms\u003cbr\u003e E: 1.5 Seconds\u003cbr\u003e F: 3 Seconds\u003cbr\u003e \u003cbr\u003e \u003cb\u003ePeak Mode:\u003c\/b\u003e\u003cbr\u003e Attack: 20 ms, Fixed\u003cbr\u003e Release:\u003cbr\u003e A: 20 ms\u003cbr\u003e B: 200 ms\u003cbr\u003e C: 1 Second\u003cbr\u003e D: 2 Second\u003cbr\u003e E: 5 Second\u003cbr\u003e F: 30 Seconds\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eMaximum Output Level\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e+25 dBu\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eTHD \u0026amp; Noise\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eMain Output, Feedback Suppressor Bypassed: \u0026lt; 0.002% @ 1 kHz, +20 dBu Output Level, No Load\u003cbr\u003e Main Output, feedback Suppressor Engaged: \u0026lt; 0.002% @ 1 kHz, +20 dBu Output Level, No Load\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eNoise\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eFeedback Suppressor Bypassed: \u0026lt; -100 dBu @ Main Output, Unweighted, 22 Hz to 22 kHz, 50-Ohm Terminated Input\u003cbr\u003e Feedback Suppressor Engaged: \u0026lt; -95 dBu @ Main Output, Unweighted, 22 Hz to 22 kHz, 50-Ohm Terminated Input\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eFrequency Response\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eMain Output @ 20 Hz: -3 dB\u003cbr\u003e Main Output @ 150 kHz: -3 dB\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eCrosstalk\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eMeasured Channel to Channel: \u0026lt; - 80 dB @ 16 kHz\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003ePower Requirements\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e12 VDC Input, 1 A\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eDimensions\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eNot Specified by Manufacturer\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eWeight\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eNot Specified by Manufacturer\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n      \u003c\/tbody\u003e\n     \u003c\/table\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003ch2\u003eRupert Neve Designs PRIMARY SOURCE ENHANCER Reviews\u003c\/h2\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Rupert Neve Designs-10","offers":[{"title":"Default Title","offer_id":40041927245909,"sku":"RU5045:RU5045:bhpv","price":375690.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/1602857142_1597242.jpg?v=1650611036"},{"product_id":"wesaudio-_dione-500-series-stereo-bus-compressor-with-digital-recall","title":"WesAudio _DIONE 500 Series Stereo Bus Compressor with Digital Recall","description":"\u003cdiv\u003e\n \u003ch2\u003eWesAudio DIONE Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cul\u003e\n    \u003cli\u003e\n\u003cspan\u003e1\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e2\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eNew Implementation of a Legend\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e3\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eTHAT 2181 VCAs\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e4\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eMix Knob for Parallel Compression\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e5\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eTHD\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e6\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eSidechain Filters\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e7\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eFour Ratio Settings\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e8\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e500 Series Compatible\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e9\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eng500 Series\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e10\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eHardware A\/B\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e11\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eTotal Recall and Plug-In Control\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e12\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eAnalog Automation\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e13\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eAdditional Features\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eMerging the best of analog and digital worlds, the \u003cb\u003eWesAudio _DIONE\u003c\/b\u003e 500 series stereo bus compressor offers legendary mix bus glue and the powerful luxury of digital total recall. On the analog side, it provides high headroom of +24 dBu, THAT 2181 VCAs, variable parallel compression, and selectable THD coloration intensity for big tone that'll help you get pro impact in your mixes. Plus, there's true bypass and hardware A\/B switching, so you can easily compare dry versus compressed or two different configurations of settings.\u003cbr\u003e \u003cbr\u003e When it comes to the digital integration, _DIONE is high-tech with USB connectivity and plug-in control. It has three touch-sensitive encoders that not only adjust the settings of the analog circuitry, but also allow you to write real-time automation from _DIONE to your DAW. Alternatively, you can draw automation in the DAW and _DIONE will react accordingly. You can even send a DAW track to the sidechain of _DIONE over the USB connection; analog compression digitally sidechained from your DAW. The sidechain also has five different filter settings for full control over the trigger signal.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eNew Implementation of a Legend\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The legendary sound of \"the\" stereo bus compressor has been a true companion on countless recordings for 40 years. Often recognized as \"mix bus glue,\" this particular compression sound has become industry standard in the analog and DAW worlds. WesAudio's _DIONE implements legendary VCA compression into a 500 Series module and brings with it one of the most demanded features in the audio industry�digital recall.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eTHAT 2181 VCAs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       _DIONE is a 100% analog device with +24 dBu headroom. Regardless of its digital control nature, the fully analog signal path provides top-tier VCA compression. It contains two THAT 2181 VCAs in the signal chain and two more in the sidechain detector.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eMix Knob for Parallel Compression\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The inclusion of a dedicated mix knob allows _DIONE to perform parallel compression at the twist of a dial.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eTHD\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       THD stands for \"total harmonic distortion\" and it allows you to saturate your signal with beautiful analog color with two different intensity levels. Choose \"Mid\" for 1% THD or \"High\" for 3% THD.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eSidechain Filters\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       _DIONE's sidechain filter functionality allows you to modify signal going into the compressor's detector. It includes three high-pass filters at 60, 90, and 150 Hz, and two tilt filters, which are special \"curve\" filters.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFour Ratio Settings\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       _DIONE provides selectable ratios of 1.5:1 and 2:1 for gentle mix bus processing, and 4:1 and 10:1 for more aggressive compression.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003e500 Series Compatible\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Regardless its extensions, _DIONE is fully compatible with the 500 series standard. Digital features can be enabled through the mini-USB socket on the front panel.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eng500 Series\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Each WesAudio device in ng500 (Next Generation 500 series) product line is equipped with a special connector. This connector is an extension to the 500 series, and allows your device to be managed\/recalled through specialized GCon protocol (e.g. _TITAN 500 series 10-slot frame). This extension is compatible with the 500 series standardized plug type; however, some manufacturers apply enormous screws to the plug itself, which prevent the device from fitting in. Based on official research, more than 90% of available 500 series racks will fit just fine. Currently known exceptions include:\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cul\u003e\n        \u003cli\u003eRupert Neve Designs 500 series Racks (R6 \u0026amp; R10)\u003c\/li\u003e\n        \u003cli\u003eAphex 500 series rack\u003c\/li\u003e\n        \u003cli\u003eSome older BAE racks (not produced anymore)\u003c\/li\u003e\n        \u003cli\u003eMidas L6 (module won�t fit to the very end on slots 3 and 6)\u003c\/li\u003e\n        \u003cli\u003eMidas L10 (module won�t fit to the very end on slots 4 and 8)\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eHardware A\/B\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Even using _DIONE as a pure analog signal processor, you can easily switch between two parallel settings with the magic of simple A\/B buttons.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eTotal Recall and Plug-In Control\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Along with classic analog compression, you receive one of the most demanded features in the audio industry�total recall. Plus, full plug-in control (VST2, VST3, AU, AAX, and AAX DSP) makes _DIONE compatible with most, if not all, major DAWs. This total integration with your beloved DAW will change your workflow forever.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eAnalog Automation\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       It's very common to want different device settings based on song sections. Now it is possible; just draw automation lines in your DAW and the _DIONE analog device will follow. And remember, you can use four touch-sensitive encoders to record automation to your DAW.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eAdditional Features\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eFully digitally controlled analog circuit\u003c\/li\u003e\n        \u003cli\u003e+24 dBu of headroom\u003c\/li\u003e\n        \u003cli\u003eDigital recall can be achieved by connecting directly through the mini-USB socket on the front panel, or using it inside a _TITAN chassis\u003c\/li\u003e\n        \u003cli\u003eDedicated stereo plug-in\u003c\/li\u003e\n        \u003cli\u003eDigital sidechain makes it possible to send any track from your DAW as a sidechain signal to the compressor\u003c\/li\u003e\n        \u003cli\u003eThree touch-sensitive encoders, perfect for recording automation of all parameters to your DAW in real time\u003c\/li\u003e\n        \u003cli\u003eTrue bypass\u003c\/li\u003e\n        \u003cli\u003eAccurate analog gain reduction meter and its precise simulation implemented in the plug-in\u003c\/li\u003e\n        \u003cli\u003eFree software and firmware upgrades\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eWesAudio _DIONE 500 Series Stereo Bus Compressor with Digital Recall\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eLimited 2-Year Warranty\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003ch4\u003eNot in the Box\u003c\/h4\u003e\n  \u003cul\u003e\n   \u003cli\u003e\n\u003cspan\u003eEssential\u003c\/span\u003e \u003ca\u003eAdditional Hardware \u003cspan\u003e(Not Included)\u003c\/span\u003e\u003c\/a\u003e\n\u003c\/li\u003e\n  \u003c\/ul\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Table of Contents\n    \u003c\/div\u003e\n    \u003cul\u003e\n     \u003cli\u003eDescription\u003c\/li\u003e\n     \u003cli\u003eNew Implementation of a Legend\u003c\/li\u003e\n     \u003cli\u003eTHAT 2181 VCAs\u003c\/li\u003e\n     \u003cli\u003eMix Knob for Parallel Compression\u003c\/li\u003e\n     \u003cli\u003eTHD\u003c\/li\u003e\n     \u003cli\u003eSidechain Filters\u003c\/li\u003e\n     \u003cli\u003eFour Ratio Settings\u003c\/li\u003e\n     \u003cli\u003e500 Series Compatible\u003c\/li\u003e\n     \u003cli\u003eng500 Series\u003c\/li\u003e\n     \u003cli\u003eHardware A\/B\u003c\/li\u003e\n     \u003cli\u003eTotal Recall and Plug-In Control\u003c\/li\u003e\n     \u003cli\u003eAnalog Automation\u003c\/li\u003e\n     \u003cli\u003eAdditional Features\u003c\/li\u003e\n    \u003c\/ul\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003ch2\u003eWesAudio DIONE Specs\u003c\/h2\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003ctable\u003e\n      \u003ctbody\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eFunction\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eCompressor\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eNumber of Channels\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e2\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eInputs\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e2 x Balanced Line Input via 500 Series Multipin Connector\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eOutputs\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e2 x Balanced Line Output via 500 Series Multipin Connector\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eUSB\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e1 x Mini-USB Port (Front Panel)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003ePlug-In Formats\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eVST2, VST3, AU, AAX, and AAX DSP\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eInput Impedance\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e10 Kilohms\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eOutput Impedance\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e\u0026lt;100 Ohms\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eMaximum Gain\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e21 dB\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eCompression Ratio\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e1.5:1, 2:1, 4:1, or 10:1\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eAttack Time\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e0.1, 0.3, 1, 3, 10, or 30 ms\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eRelease Time\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e0.1, 0.3, 0.6, 0.9, or 1.2 Seconds, or Auto Mode\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eSidechain Filter\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e60, 90, or 150 Hz, or T1 \/ T2\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eFrequency Response\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e20 Hz to 20 kHz (0.1 dB)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eHeadroom\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e+24 dBu\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eTHD\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eMid Switch: 1%\u003cbr\u003e High Switch: 3%\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eTHD + N\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eWet: 0.008% (1 kHz, 0 dBu)\u003cbr\u003e Dry: 0.004% (1 kHz, 0 dBu)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eCrosstalk\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e\u0026lt; -90 dB\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003ePower Consumption\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e70 mA \/ +16 V and 50 mA \/ -16 V (per Slot)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eDimensions\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e3.0 x 5.2 x 6.2\" \/ 7.6 x 13.3 x 15.8 cm\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eWeight\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eNot Specified by Manufacturer\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n      \u003c\/tbody\u003e\n     \u003c\/table\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Packaging Info\n     \u003c\/div\u003e\n     \u003ctable\u003e\n      \u003ctbody\u003e\n       \u003ctr\u003e\n        \u003ctd\u003ePackage Weight\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e1.66 lb\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e8.2 x 6.3 x 4.4\"\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n      \u003c\/tbody\u003e\n     \u003c\/table\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003ch2\u003eWesAudio DIONE Reviews\u003c\/h2\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"WesAudio-10","offers":[{"title":"Default Title","offer_id":40041927311445,"sku":"WEDIONE:WEDIONE:bhpv","price":214290.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/1623242173_1642548.jpg?v=1650611048"},{"product_id":"wesaudio-ngbuscomp-analog-stereo-bus-compressor-with-digital-recall","title":"WesAudio ngBusComp Analog Stereo Bus Compressor with Digital Recall","description":"\u003cdiv\u003e\n \u003ch2\u003eWesAudio NGBUSCOMP Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cul\u003e\n    \u003cli\u003e\n\u003cspan\u003e1\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e2\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eNew Implementation of a Legend\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e3\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eTHAT 2181 VCAs\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e4\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eStereo or Dual Mono\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e5\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eMid-Side Operation\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e6\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eRelative Channel Linking\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e7\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eSelectable Output Circuit\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e8\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eDrive Carnhill Transformers\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e9\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eMix Knob for Parallel Compression\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e10\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eSidechain Filters\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e11\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eTHD\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e12\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eFive Ratio Settings\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e13\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eExternal Sidechain\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e14\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eHardware A\/B\/C\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e15\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eUSB or Ethernet Connectivity\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e16\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eDetailed Metering\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e17\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eTotal Recall and Plug-In Control\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e18\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eAnalog Automation\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e19\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eAdditional Features\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eMerging the best of analog and digital worlds, the \u003cb\u003eWesAudio ngBusComp\u003c\/b\u003e rackmount stereo bus compressor offers legendary mix bus glue, three operating modes (stereo, dual mono, and mid-side), and the powerful luxury of digital total recall. On the analog side, it provides high headroom of +26 dBu, THAT 2181 VCAs, Carnhill transformers, variable parallel compression, and adjustable THD coloration intensity for big tone that'll help you get pro impact in your mixes and masters. Plus, there's true bypass and hardware A\/B\/C switching, so you can easily compare dry versus compressed or three different configurations of settings.\u003cbr\u003e \u003cbr\u003e When it comes to the digital integration, ngBusComp is high-tech with USB\/Ethernet connectivity and plug-in control. It has five touch-sensitive encoders per channel that not only adjust the settings of the analog circuitry, but also allow you to write real-time automation from ngBusComp to your DAW. Alternatively, you can draw automation in the DAW and ngBusComp will react accordingly. You can route external sources to the sidechains of ngBusComp via dedicated 1\/4\" inputs or use the five different filter settings for full control over the internal sidechain.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eNew Implementation of a Legend\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The legendary sound of \"the\" stereo bus compressor has been a true companion on countless recordings for 40 years. Often recognized as \"mix bus glue,\" this particular compression sound has become the industry standard in the analog and DAW worlds. WesAudio's ngBusComp implements legendary VCA compression into a 3 RU rack unit and brings with it one of the most demanded features in the audio industry�digital recall.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eTHAT 2181 VCAs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       ngBusComp is a 100% analog device with +26 dBu headroom. Regardless of its digital control nature, the fully analog signal path provides top-tier VCA compression. It contains four THAT 2181 VCAs in the signal chain and one more in the sidechain detector of each channel.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eStereo or Dual Mono\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       ngBusComp detectors can be linked and unlinked anytime, allowing true bus compression behavior or dual mono compression when needed.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eMid-Side Operation\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       ngBusComp supports mid-side operation, so you can give your side channel different compression settings than the middle channel. This makes the ngBusComp capable for mastering as well as mixing.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eRelative Channel Linking\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Channels can be linked\/unlinked at anytime to support different settings on both channels and still manage them in a relative way. Work on a mid-side mix separately for each channel, or engage \"parameter link\" and the makeup gain for both channels will be adjusted relatively to keep the same amount of volume difference.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eSelectable Output Circuit\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       With ngBusComp you can select your output stage to be either electronically balanced or transformer-balanced with precise output pad control.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eDrive Carnhill Transformers\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       In \"Iron\" mode, it is possible to use makeup gain to drive the transformers, and the special output pad is there to turn the signal down. The pad is a passive attenuator managed via a relay cascade, up to 15 dB of attenuation is available in 1 dB steps.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eMix Knob for Parallel Compression\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The inclusion of a dedicated mix knob allows ngBusComp to perform parallel compression at the twist of a dial.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eSidechain Filters\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       ngBusComp's sidechain filter functionality allows you to modify signal going into the compressor's detector. It includes three high-pass filters at 60, 90, and 150 Hz, and two tilt filters which are special \"curve\" filters.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eTHD\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       THD stands for \"total harmonic distortion\" and it allows you to saturate your signal with beautiful analog color with variable intensity ranging from 0 to 8% THD.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFive Ratio Settings\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       ngBusComo provides selectable ratios of 1.5:1 and 2:1 for gentle mix bus processing, and 4:1 and 10:1 for more aggressive compression. Select INF mode to crush the signal with extreme limiting.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eExternal Sidechain\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Equipped with XLR main I\/O and 1\/4\" sidechain jacks, ngBusComp lets you create a custom sidechain signal to control each channel of the compressor.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eHardware A\/B\/C\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Even using ngBusComp as a pure analog signal processor, you can easily switch between three memory settings with the magic of simple A\/B\/C buttons.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eUSB or Ethernet Connectivity\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       ngBusComp supports direct USB connection, or you can manage it in your local network after connecting it to your router via Ethernet.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eDetailed Metering\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Each channel shows detail metering for input, output, and gain reduction. Of course, analog metering is forwarded to the plug-in instance.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eTotal Recall and Plug-In Control\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Along with classic analog compression, you receive one of the most demanded features in the audio industry�total recall. Plus, full plug-in control (VST2, VST3, AU, AAX, and AAX DSP) makes ngBusComp compatible with most, if not all, major DAWs. This total integration with your beloved DAW will change your workflow forever.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eAnalog Automation\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       It's very common to want different device settings based on song sections. Now it is possible; just draw automation lines in your DAW and the ngBusComp analog device will follow. And remember, you can use five touch-sensitive encoders per channel to record automation to your DAW.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eAdditional Features\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eFully digitally controlled analog circuit powered by four THAT 2181 VCAs\u003c\/li\u003e\n        \u003cli\u003e+26 dBu of headroom\u003c\/li\u003e\n        \u003cli\u003eDual mono, stereo, and mid-side modes\u003c\/li\u003e\n        \u003cli\u003eNormal (electronically balanced) and Iron (transformer balanced) selectable output stages\u003c\/li\u003e\n        \u003cli\u003ePassive attenuator enabled in Iron mode, allows driving the output transformer for musical saturation\u003c\/li\u003e\n        \u003cli\u003eMix knob for parallel compression\u003c\/li\u003e\n        \u003cli\u003eRelative parameter linking\u003c\/li\u003e\n        \u003cli\u003eTHD coloration with variable control\u003c\/li\u003e\n        \u003cli\u003eSidechain filters and external sidechain via TRS\u003c\/li\u003e\n        \u003cli\u003eDigital recall and management can be achieved by connecting directly through the USB Type-B jack or the Ethernet port\u003c\/li\u003e\n        \u003cli\u003eControllable through standalone WesAudio application\u003c\/li\u003e\n        \u003cli\u003eFive touch-sensitive encoders per channel, perfect for recording automation of all parameters to your DAW in real time\u003c\/li\u003e\n        \u003cli\u003eTrue bypass and hardware A\/B\/C comparing\u003c\/li\u003e\n        \u003cli\u003eAccurate analog gain reduction meter and its precise simulation implemented in the plug-in\u003c\/li\u003e\n        \u003cli\u003eFree software and firmware upgrades\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eWesAudio ngBusComp Analog Stereo Bus Compressor with Digital Recall\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003ePower Cable\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eLimited 2-Year Warranty\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Table of Contents\n    \u003c\/div\u003e\n    \u003cul\u003e\n     \u003cli\u003eDescription\u003c\/li\u003e\n     \u003cli\u003eNew Implementation of a Legend\u003c\/li\u003e\n     \u003cli\u003eTHAT 2181 VCAs\u003c\/li\u003e\n     \u003cli\u003eStereo or Dual Mono\u003c\/li\u003e\n     \u003cli\u003eMid-Side Operation\u003c\/li\u003e\n     \u003cli\u003eRelative Channel Linking\u003c\/li\u003e\n     \u003cli\u003eSelectable Output Circuit\u003c\/li\u003e\n     \u003cli\u003eDrive Carnhill Transformers\u003c\/li\u003e\n     \u003cli\u003eMix Knob for Parallel Compression\u003c\/li\u003e\n     \u003cli\u003eSidechain Filters\u003c\/li\u003e\n     \u003cli\u003eTHD\u003c\/li\u003e\n     \u003cli\u003eFive Ratio Settings\u003c\/li\u003e\n     \u003cli\u003eExternal Sidechain\u003c\/li\u003e\n     \u003cli\u003eHardware A\/B\/C\u003c\/li\u003e\n     \u003cli\u003eUSB or Ethernet Connectivity\u003c\/li\u003e\n     \u003cli\u003eDetailed Metering\u003c\/li\u003e\n     \u003cli\u003eTotal Recall and Plug-In Control\u003c\/li\u003e\n     \u003cli\u003eAnalog Automation\u003c\/li\u003e\n     \u003cli\u003eAdditional Features\u003c\/li\u003e\n    \u003c\/ul\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003ch2\u003eWesAudio NGBUSCOMP Specs\u003c\/h2\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003ctable\u003e\n      \u003ctbody\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eFunction\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eCompressor\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eNumber of Channels\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e2\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eInputs\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e2 x XLR 3-Pin Female Balanced Line Inputs\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eOutputs\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e2 x XLR 3-Pin Male Balanced Line Outputs\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eSidechain\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e2 x 1\/4\" TRS\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eUSB\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e1 x USB Type-B Port\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eEthernet\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e1 x RJ45 Port\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003ePlug-In Formats\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eVST2, VST3, AU, AAX, and AAX DSP\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eInput Impedance\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e10 Kilohms\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eOutput Impedance\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e\u0026lt;50 Ohms\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eMaximum Input Level\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e+26 dBu\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eMaximum Output Level\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e+26 dBu\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eDynamic Range\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e\u0026gt;120 dB\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eCompression Ratio\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e1.5:1, 2:1, 4:1, 10:1, or INF\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eAttack Time\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e0.1, 0.3, 1, 3, 10, or 30 ms\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eRelease Time\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e0.1, 0.3, 0.6, 0.9, or 1.2 Seconds, or Auto Mode\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eSidechain Filter\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e60, 90, or 150 Hz, or T1 \/ T2\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eFrequency Response\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e0 Hz to 300 kHz (-3 dB)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eTHD\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e0 to 8%\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eTHD + N\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e\u0026lt;0.006% (20 Hz to 20 kHz at 0 dBu)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eCrosstalk\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e\u0026lt; -90 dB\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003ePower Requirement\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e115 or 230 VAC, 50\/60 Hz\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eRack Height\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e3 RU\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eDimensions\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eNot Specified by Manufacturer\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eWeight\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eNot Specified by Manufacturer\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n      \u003c\/tbody\u003e\n     \u003c\/table\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003ch2\u003eWesAudio NGBUSCOMP Reviews\u003c\/h2\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"WesAudio-10","offers":[{"title":"Default Title","offer_id":40041927376981,"sku":"WENGBUSCOMP:WENGBUSCOMP:bhpv","price":558505.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/1623242173_1642552.jpg?v=1650611060"},{"product_id":"solid-state-logic-the-bus-2-channel-bus-compressor-and-dynamic-equalizer","title":"Solid State Logic THE BUS+ 2-Channel Bus Compressor and Dynamic Equalizer","description":"\u003cdiv\u003e\n \u003ch2\u003eSolid State Logic THE BUS+ Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cul\u003e\n    \u003cli\u003e\n\u003cspan\u003e1\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e2\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eGreatness Made Even Better\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e3\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eBus Compressor\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e4\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eDynamic EQ\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eBy combining the infamous SSL Bus Compressor circuit design with 2-band parallel dynamic EQ and recall-friendly stepped controls, \u003cb\u003eTHE BUS+\u003c\/b\u003e from \u003cb\u003eSolid State Logic\u003c\/b\u003e ushers in both classic and innovative dynamics processing for anything from single tracks and stems to mixes and masters. Its top-of-the-line analog sonics and immense headroom scream \"integrity\" while the digitally controlled settings ensure precision, clean switching, and exemption from the unpredictability of traditional analog devices.\u003c\/p\u003e\n    \u003cp\u003e With four operating modes�Dual Mono, Mid-Side, Classic Stereo, and S\/C Stereo, a stereo mode with a summed sidechain�and compression coloration options ranging from the gritty texture of the 4K console's \"Hit Maker\" to the transparency of the X Logic variant, THE BUS+ is an impressively versatile compressor. The addition of internal\/external sidechains with a variable high-pass filter, a hidden transient expander, and a mix knob for variable parallel compression makes THE BUS+ a crown for any studio.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Greatness Made Even Better\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       THE BUS+ is designed to be SSL's supreme version of the SSL Bus Compressor, building on the original circuit with premium components (including 2181 THAT VCAs), sophisticated control, customizable harmonic saturation, advanced sidechaining, flexible routing, and unexpected processing tools such as dynamic EQ.\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cul\u003e\n        \u003cli\u003eAuthentic, 100% analog circuit, controlled digitally using stepped front-panel pots\u003c\/li\u003e\n        \u003cli\u003eFour modes of operation�Classic Stereo, Stereo (with summed sidechain), Dual Mono, or Mid-Side\u003c\/li\u003e\n        \u003cli\u003eHuge +27.5 dBu headroom and selectable operating level (0, +10, or -5 dB)\u003c\/li\u003e\n        \u003cli\u003eExternal sidechain inputs and sends\u003c\/li\u003e\n        \u003cli\u003eConfigurable processing order; put the Bus Compressor before or after the D-EQ\u003c\/li\u003e\n        \u003cli\u003eGlobal bypass, clipping indicators, and manual\/automatic sleep modes\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Bus Compressor\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       This is the heralded SSL Bus Compressor of old, remade for today's production needs.\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cul\u003e\n        \u003cli\u003eLOW THD Mode reduces low-frequency distortion caused by compression\u003c\/li\u003e\n        \u003cli\u003eF\/B Mode alters the compression characteristics for a more \"relaxed\" style of compression\u003c\/li\u003e\n        \u003cli\u003e4K Mode's single-VCA operation with variable harmonic distortion brings grit and grunge\u003c\/li\u003e\n        \u003cli\u003eNegative ratios allow for creative pumping effects and control of particularly loud signals\u003c\/li\u003e\n        \u003cli\u003eNew attack and release time constants including an additional auto setting\u003c\/li\u003e\n        \u003cli\u003ePrecision MDAC-controlled make-up gain in coarse (1 dB) or fine (0.5 dB) steps\u003c\/li\u003e\n        \u003cli\u003eVariable sidechain high-pass filter control up to 300 Hz in 10 Hz steps\u003c\/li\u003e\n        \u003cli\u003eMoving-coil gain reduction meters\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Dynamic EQ\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The D-EQ is SSL's powerful 2-band analog dynamic equalizer that lets you tweak the balance between background material and the main signal.\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cul\u003e\n        \u003cli\u003eCompress\/expand modes with three choices of time constants for each band\u003c\/li\u003e\n        \u003cli\u003e16 selectable frequency points per band\u003c\/li\u003e\n        \u003cli\u003eAdjustable range per band from 0.5 to 15 dB\u003c\/li\u003e\n        \u003cli\u003eHF band can be switched to Bell shape, with selectable frequencies covering high-mids and highs\u003c\/li\u003e\n        \u003cli\u003eFrequency band static make-up gain for LF and HF bands (in Stereo or Summed S\/C Stereo) or LF band (in Dual Mono or Mid-Side)\u003c\/li\u003e\n        \u003cli\u003eG-Series mode changes LF filter to be second order with degree of undershoot\/overshoot\u003c\/li\u003e\n        \u003cli\u003eTricolor activity LEDs to indicate D-EQ activity\u003c\/li\u003e\n        \u003cli\u003ePer-band bypass\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\u003c\/div\u003e\n   \u003cdiv\u003e\n    UPC: 878076001500\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eSolid State Logic THE BUS+ 2-Channel Bus Compressor and Dynamic Equalizer\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eIEC Power Cable\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ca\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cp\u003eUser Manual\u003c\/p\u003e\n      \u003cp\u003e14.5 MB\u003c\/p\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\u003c\/a\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Table of Contents\n    \u003c\/div\u003e\n    \u003cul\u003e\n     \u003cli\u003eDescription\u003c\/li\u003e\n     \u003cli\u003eGreatness Made Even Better\u003c\/li\u003e\n     \u003cli\u003eBus Compressor\u003c\/li\u003e\n     \u003cli\u003eDynamic EQ\u003c\/li\u003e\n    \u003c\/ul\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003ch2\u003eSolid State Logic THE BUS+ Specs\u003c\/h2\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      General\n     \u003c\/div\u003e\n     \u003ctable\u003e\n      \u003ctbody\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eNumber of Channels\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e2\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eInputs\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e2 x XLR 3-Pin Female (Balanced)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eOutputs\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e2 x XLR 3-Pin Male (Balanced)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eSidechain\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e2 x XLR 3-Pin Female Inputs\u003cbr\u003e 2 x XLR 3-Pin Male Sends\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n      \u003c\/tbody\u003e\n     \u003c\/table\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Audio Performance\n     \u003c\/div\u003e\n     \u003ctable\u003e\n      \u003ctbody\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eInput Impedance\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e10 Kilohms\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eOutput Impedance\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e60 Ohms\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eMaximum Input Level\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e27.5 dBu at 1% THD\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eMaximum Output Level\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e27.5 dBu at 1% THD\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eCompression Threshold\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e-20 to +20 dB\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eCompression Ratio\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e1.3:1, 1.5:1, 2:1, 3:1, 4:1, 5:1, 10:1, 20:1, -2.5:1, -1.5:1, -0.5:1\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eAttack Time\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e0.1 to 40 ms\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eRelease Time\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e0.05 to 1.2 Sec, Auto, Auto 2\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eMake-up Gain\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eRange: -10 to +20 dB\u003cbr\u003e Precision: \u0026lt;0.003 dB\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eFrequency Response\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e20 Hz to 20 kHz (±0.025 dB, Bypassed)\u003cbr\u003e \u0026lt;1 Hz to \u0026gt;200 kHz (-3 dB Low and High Cut-Offs, Bypassed)\u003cbr\u003e 20 Hz to 20 kHz (±0.01 dB, Compressor In)\u003cbr\u003e \u0026lt;2 Hz to \u0026gt;180 kHz (-3 dB Low and High Cut-Offs, Compressor In)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eTHD + Noise\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e-95 dB \/ 0.0017% Typical (Bypassed, 1 kHz at 0 dBu)\u003cbr\u003e -106 dB \/ 0.0004% Typical (Bypassed, 1 kHz at +20 dBu)\u003cbr\u003e -88 dB \/ 0.004% Typical (Compressor In, 1 kHz at 0 dBu)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eNoise\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e-95 dBu Typical (Bypassed)\u003cbr\u003e -90 dBu Typical (Compressor In)\u003cbr\u003e -89 dBu Typical (4K Mode In, Any Intensity)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eDynamic Range\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e122.5 dB (Bypassed)\u003cbr\u003e 117.5 dB (Compressor In)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eCrosstalk\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e\u0026lt; -118 dB (Bypassed, 20 Hz at +24 dBu)\u003cbr\u003e \u0026lt; -110 dB (Bypassed, 1 kHz at +24 dBu)\u003cbr\u003e \u0026lt; -90 dB (Bypassed, 10 kHz at +24 dBu)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eMatching Tolerance\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e\u0026lt;0.05 dB (Bypassed)\u003cbr\u003e \u0026lt;0.02 dB (In, 1 kHz at 0 dBu)\u003cbr\u003e \u0026lt;0.1 dB (Dual Mono, Any Setting Gain Reduction \u0026lt;8 dB)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n      \u003c\/tbody\u003e\n     \u003c\/table\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Equalizer\n     \u003c\/div\u003e\n     \u003ctable\u003e\n      \u003ctbody\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eBands\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e2\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eFrequency Response\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e20 Hz to 20 kHz (±0.05 dB, LF In)\u003cbr\u003e \u0026lt;2 Hz to \u0026gt;200 kHz (-3 dB Low and High Cut-Offs, LF In)\u003cbr\u003e 20 Hz to 20 kHz (±0.05 dB, HF In)\u003cbr\u003e \u0026lt;2 Hz to \u0026gt;200 kHz (-3 dB Low and High Cut-Offs, HF In)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eTHD + Noise\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e-88 dB \/ 0.004% Typical (LF In, 40 Hz at 0 dBu)\u003cbr\u003e -81 dB \/ 0.008% Typical (HF In, 10 kHz at 0 dBu, 40 kHz Bandwidth)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eNoise\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e-90 dBu Typical (LF In)\u003cbr\u003e -87 dBu Typical (HF In)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eHeadroom\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e\u0026gt;27 dB (LF and HF In)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eGain Accuracy\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eLF: ±0.05 dB Typical (LF In, 40 Hz at 0 dBu: -10 dB to +10 dB)\u003cbr\u003e HF: ±0.05 dB Typical (HF In, 10 kHz at 0 dBu: -10 dB to +10 dB)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eMatching Tolerance\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e\u0026lt;0.05 dB (LF\/HF In, 20 Hz to 20 kHz at 0 dBu)\u003cbr\u003e \u0026lt;0.1 dB (LF In, 40 Hz, Any Gain Change)\u003cbr\u003e \u0026lt;0.1 dB (HF In, 10 kHz, Any Gain Change)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n      \u003c\/tbody\u003e\n     \u003c\/table\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Power\n     \u003c\/div\u003e\n     \u003ctable\u003e\n      \u003ctbody\u003e\n       \u003ctr\u003e\n        \u003ctd\u003ePower Supply\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e100 to 240 VAC, 50\/60 Hz (Auto-Ranging)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003ePower Consumption\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e38 W (Operating)\u003cbr\u003e \u0026lt;1 W (Sleep)\u003cbr\u003e 10 W (Auto Sleep)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n      \u003c\/tbody\u003e\n     \u003c\/table\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Physical\n     \u003c\/div\u003e\n     \u003ctable\u003e\n      \u003ctbody\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eRack Height\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e2 RU\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eDimensions (W x D x H)\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e19 x 3.5 x 11.9\" \/ 48 x 8.9 x 30.3 cm (Chassis Only)\u003cbr\u003e 19 x 3.5 x 12.9\" \/ 48 x 8.9 x 32.8 cm (Including Front-Panel Controls)\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eWeight\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e13.1 lb \/ 5.9 kg\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n      \u003c\/tbody\u003e\n     \u003c\/table\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Packaging Info\n     \u003c\/div\u003e\n     \u003ctable\u003e\n      \u003ctbody\u003e\n       \u003ctr\u003e\n        \u003ctd\u003ePackage Weight\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e19.03 lb\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e21.6 x 18.3 x 8.6\"\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n      \u003c\/tbody\u003e\n     \u003c\/table\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003ch2\u003eSolid State Logic THE BUS+ Reviews\u003c\/h2\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Solid State Logic-10","offers":[{"title":"Default Title","offer_id":40513351712853,"sku":"SOBUSPNGBC:SOBUSPNGBC:bhpv","price":494110.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/1651147599_1702222.jpg?v=1676641902"},{"product_id":"drawmer-1976-stereo-3-band-saturation-and-width-processor","title":"Drawmer 1976 Stereo 3-Band Saturation and Width Processor","description":"\u003cdiv\u003e\n \u003ch2\u003eDrawmer 1976 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cul\u003e\n    \u003cli\u003e\n\u003cspan\u003e1\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e2\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eAdd Life to Your Recordings\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003e3\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e4\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eWhat Is Saturation?\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e5\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eThe Importance of Width\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e6\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eIntuitive Layout\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e7\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eWhere to Make the Most of Saturation\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Add Life to Your Recordings\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Inject the familiar warmth and color of 1970's audio gear into your sterile digital signals with the \n       \u003cstrong\u003e1976\u003c\/strong\u003e from \n       \u003cstrong\u003eDrawmer\u003c\/strong\u003e, a 3-band saturation and width processor with genuine stereo or mono operation that produces warmth and fullness that plug-ins can only dream of emulating. With independent saturation, width, and volume controls for each band, it is incredibly easy to fine tune your signals for optimal depth and presence, and variable crossover control lets you dial in different amounts of independent saturation across the full frequency range.\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003eEach band, as well as the final output, has dedicated bypass and mute buttons, and both the input and output have variable level controls. The 1976 sports balanced stereo XLR I\/O as well as a clear, stereo LED VU meter for keeping an eye on your channel levels. This unit includes an AC power cord and a linear, toroidal, internal power supply with user-selectable voltage for global compatibility.\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\u003c\/div\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        What Is Saturation?\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       Saturation in music production is something that can really enrich the sound in your mix by adding a subtle form of distortion through pleasant-sounding harmonics. It originates from the analog days when audio recordings ran through various pieces of hardware, each one adding their own character to the music, giving the audio an appealing quality that was much sought after.\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003eToday in the digital age, these characteristics no longer occur naturally, giving an overly clean, sterile quality to the audio, and requiring saturation plug-ins to be used to emulate those harmonics which are not present. The 1976 allows you to add this character in a completely analog, natural way, and it's use is not only limited to digital recordings, as it'll add presence, warmth, and life to any audio regardless of how it's recorded, whether its drums, vocals, synths, and more, in digital or analog.\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        The Importance of Width\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       Without stereo widening, the mix won't jump out of the speaker and grab your listener, and this is where the 3 bands of the 1976 can be used to add an extra dimension, taking the mix from a flat wall of sound, to a 3D immersive experience. It's likely your mix will have a stereo element already; however, the 1976 makes it super easy to control this, widening and narrowing where necessary to get the desired effect. One major benefit of having independent width control for each of the bands is to allow the high frequencies to be spread across a wider soundstage without affecting the low-frequency end.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        Intuitive Layout\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       The layout of the 1976 has been designed to be as simple, familiar, and intuitive as possible, while still giving complete control over the audio. The front panel consists of an input control that allows you to optimize the input level should it be to low, or hot.\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003eThis is followed by three identical Low, Mid, and High saturation and width bands, flowing left to right, with the variable crossover frequency knobs separating them. To the right, are the Output controls to optimize the output level.\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        Where to Make the Most of Saturation\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       Saturation can be used to add warmth on pretty much any piece of audio; however, it can be applied to some sounds far more effectively than others:\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cul\u003e\n        \u003cli\u003ePercussion: drums are one of the best sounds in which to use saturation. It can be used to glue the whole drum bus together, injecting some punch and excitement, giving them depth and life, and adding harmonics that are pleasing to the ear, while taming rogue transients and high end harshness using natural compression. \u003c\/li\u003e\n        \u003cli\u003eBasslines: if your bassline sounds a little flat and lifeless, it will really benefit from adding some saturation. This will bring out the grit, dirty the sound, and fatten it out.\u003c\/li\u003e\n        \u003cli\u003eSynths: synths tend to sound too digital and clinical. Saturation will bring them to life, making them sound warmer, more natural, and closer to the analog sound that they emulate. It'll inject harmonics and grit, and make the synths stand out more in the mix.\u003c\/li\u003e\n        \u003cli\u003eVocals: saturation is one of the secrets to great sounding vocals. Your vocal recordings may sound good, but saturation will make them sing (pun intended). It will make any vocal sound fuller, especially thin and dull voices, and will warm and tame harsh sounding vocals by subtly softening sibilance.\u003c\/li\u003e\n        \u003cli\u003eMix: for all of it's pros, digital recording has a major drawback, and that's its overly harsh, overly clean natural sound. Saturation can be the key here. It will add harmonic distortion to inject life and warmth into the mix, and help your digital mixes sound more like those from the analog recording era.\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eDrawmer 1976 Stereo 3-Band Saturation and Width Processor\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eLimited 1-Year Manufacturer Warranty\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ca\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cp\u003eUser Manual\u003c\/p\u003e\n      \u003cp\u003e2.7 MB\u003c\/p\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\u003c\/a\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Table of Contents\n    \u003c\/div\u003e\n    \u003cul\u003e\n     \u003cli\u003eDescription\u003c\/li\u003e\n     \u003cli\u003eAdd Life to Your Recordings\u003c\/li\u003e\n     \u003cli\u003e\n     \u003c\/li\u003e\n\u003cli\u003eWhat Is Saturation?\u003c\/li\u003e\n     \u003cli\u003eThe Importance of Width\u003c\/li\u003e\n     \u003cli\u003eIntuitive Layout\u003c\/li\u003e\n     \u003cli\u003eWhere to Make the Most of Saturation\u003c\/li\u003e\n    \u003c\/ul\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eDrawmer 1976 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Inputs \/ Outputs\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAudio I\/O\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u003cb\u003e2 x \u003c\/b\u003eXLR 3-Pin Line Input (1 Stereo Pair)\u003cbr\u003e\u003cb\u003e2 x \u003c\/b\u003eXLR 3-Pin Line Output (1 Stereo Pair)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Power\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePower Source\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eAC Input (Built-In)\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePower Consumption\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e15 VA\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Environmental\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCertifications\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eCE\u003cb\u003e\u003c\/b\u003e, WEEE\u003cb\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Physical\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMounting\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eFront: 4 x Standard Rackmount Screw\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eColor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eBlack\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMaterial of Construction\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSteel, Aluminum\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eDimensions\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e19 x 8 x 1.7\" \/ 48.2 x 20.2 x 4.4 cm\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eWeight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e5.7 lb \/ 2.6 kg\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Drawmer-10","offers":[{"title":"Default Title","offer_id":40731728838741,"sku":"DR1976:DR1976:bhpv","price":231095.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1676554862_1752075.jpg?v=1700731102"},{"product_id":"drawmer-1973-three-band-stereo-fet-compressor","title":"Drawmer 1973 Three-Band Stereo FET Compressor","description":"\u003cdiv\u003e\n \u003ch2\u003eDrawmer 1973 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cul\u003e\n    \u003cli\u003e\n\u003cspan\u003e1\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003e2\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003e3\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e4\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eThree-Band Compression\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e5\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eIntuitive Layout\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e6\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003ePrecision Mix Control\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Providing three bands of transparent, intuitive compression that any engineer will appreciate, the \n       \u003cstrong\u003e1973\u003c\/strong\u003e from \n       \u003cstrong\u003eDrawmer\u003c\/strong\u003e is a stereo FET compressor with a fast-reacting soft-knee design that makes mixing and mastering jobs a breeze. Combining a set of crossover filters that split the audio signal into three frequency bands, each band is compressed and independently adjusted, allowing you to find and process frequencies in each band with great precision without affecting the other bands before the final output.\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003eWith variable wet\/dry mix and output gain, you can engage in parallel compression internally, without the need for external audio gear, and each band sports the features one expects of a studio-grade compressor, including threshold, gain, mute, bypass, and switched attack and release, including program dependent release settings. You can use the Big and Air switches to activate low- and high-frequency boosts respectively, and the two analog VU meters make it easy to keep an eye on your signal levels, including a +10 dB meter rescale mode, and a switchable Peak mode to see fast transients. The 1973 includes an AC power cord, and an internal, toroidal power supply with user-selectable voltage switching for global compatibility.\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\u003c\/div\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        Three-Band Compression\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       The 1973 can pull off impressive feats that a single-band compressor could never accomplish. For example, it can easily prevent an acoustic guitar, cello, or double bass from sounding boomy on low notes without thinning the highs, and it can make shrill-sounding vocal tracks richer, thicker, and less raspy by individually compressing the low, mid, and high bands.\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003eIn a mastering situation, having independent control over each band can resolve a problem mix, pulling out individual instruments, brightening the brilliance\/air, or making the bottom end of a mix sound huge while simultaneously avoiding pumping or breathing artifacts. It can also increase the available headroom.\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        Intuitive Layout\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       Multiband compressors can be intimidating and difficult to use due to the number of controls and the confusing layout typical of such units. With this in mind, the 1973 has been designed to be as simple, familiar, and intuitive as possible whilst still giving complete control over the audio.\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003eThe front panel consists of three nearly identical compressor bands, flowing left to right, with the Variable Crossover Frequency knobs separating them. To the right are the large, illuminated VU Meters, with variable Output controls and the bypass switch underneath.\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        Precision Mix Control\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       Incorporated into the 1973 is the Mix Control. This acts like a parallel compression effect that mixes the Wet (compressed) and Dry (original) signals to provide a simple and exact way of controlling the amount of compression used, all with the turn of a single knob.\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003eOne criticism of multiband compression is that it is possible to take the effect too far and ruin a mix, but this is easily prevented with the 1973 through the use of the Mix control, allowing you mix in less of the wet signal and more dry. By the same token, the mix control can add more compression simply by adding more of the wet signal. It's that simple.\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eDrawmer 1973 Three-Band Stereo FET Compressor\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eAC Power Cord\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eLimited 1-Year Manufacturer Warranty\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ca\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cp\u003eUser Manual\u003c\/p\u003e\n      \u003cp\u003e1.6 MB\u003c\/p\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\u003c\/a\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Table of Contents\n    \u003c\/div\u003e\n    \u003cul\u003e\n     \u003cli\u003eDescription\u003c\/li\u003e\n     \u003cli\u003e\n     \u003c\/li\u003e\n\u003cli\u003e\n     \u003c\/li\u003e\n\u003cli\u003eThree-Band Compression\u003c\/li\u003e\n     \u003cli\u003eIntuitive Layout\u003c\/li\u003e\n     \u003cli\u003ePrecision Mix Control\u003c\/li\u003e\n    \u003c\/ul\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eDrawmer 1973 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Inputs \/ Outputs\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAudio I\/O\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u003cb\u003e2 x \u003c\/b\u003eXLR 3-Pin Line Input (1 Stereo Pair)\u003cbr\u003e\u003cb\u003e2 x \u003c\/b\u003eXLR 3-Pin Line Output (1 Stereo Pair)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Power\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePower Source\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eAC Input (Built-In)\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePower Consumption\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e60 VA\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Environmental\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCertifications\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eCE\u003cb\u003e\u003c\/b\u003e, WEEE\u003cb\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Physical\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMounting\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eFront: 3 x Standard Rackmount Hole\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eColor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eBlack\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMaterial of Construction\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSteel, Aluminum\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eDimensions\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e19 x 10.6 x 3.5\" \/ 48.2 x 27 x 8.8 cm\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eWeight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9.3 lb \/ 4.2 kg\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Packaging Info\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePackage Weight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e11.355 lb\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e22.1 x 16.9 x 6.7\"\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Drawmer-10","offers":[{"title":"Default Title","offer_id":40731738865749,"sku":"DR1973:DR1973:bhpv","price":326515.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1676554862_1752073.jpg?v=1700732346"},{"product_id":"eventide-omnipressor-2830au-compressor-and-expander","title":"Eventide Omnipressor 2830AU Compressor and Expander","description":"\u003cdiv\u003e\n \u003ch2\u003eEventide OMNIPRESSSOR 2830AU Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eUpdating one of the most influential dynamics processors in music history, the \u003cstrong\u003e50th Anniversary Reissue Omnipressor 2830AU\u003c\/strong\u003e from \u003cstrong\u003eEventide\u003c\/strong\u003e provides users with flexible operation in a rackmountable unit, capable of deftly flowing from compression and limiting to expansion and gating, all with the turn of a knob. But the Omnipressor 2830AU isn't just versatile, it's also unique, sporting unconventional dynamics functions like the dynamic reversal, the first of its kind, which reverses transient peaks and troughs to produce a simulated tape reversal sound.\u003c\/p\u003e\n    \u003cp\u003eThe original 1976 Omnipressor was the first processor to introduce the concept of side-chaining, and the reissue is no different, sporting both transformer-balanced XLR and unbalanced 1\/4\" side-chain I\/O, as well as line I\/O and link connections for optional stereo processing. The meter sports a three-way switch for selecting between input, output, or gain monitoring. Mix control lets you engage in parallel compression, and you also get a relay-bypass switch, input and output level control, gain, attenuation, threshold control, and much more. And once linked, you can operate in three modes: Stereo Mode for typical stereo dynamics processing, Master Mode for controlling a chain of units with one master unit, and VCA Mode for transforming your Omnipressor into a high-quality voltage-controlled amplifier.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       A Piece of History\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Originally invented by Eventide�s founder, Richard Factor (and later redesigned for production by Jon Paul), the 1976 Omnipressor made a host of effects possible. It featured variable control of all aspects of dynamic modification.\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003eIt also introduced the notion of the side-chain and foretold techniques that today we take for granted like lookahead processing. One of its first customers was a young Brian May, lead guitarist of Queen. With the Omnipressor in his rig, his sound was never the same.\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Dynamics Reversal\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       One of the novel features of the Omnipressor is its ability to make signals sound backward. This is a consequence of the Dynamic Reversal feature, which enables loud sounds to come out more softly than soft sounds. Speech waveforms, for instance, generally consist of loud peaks followed by trailing-off envelopes.\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003eBy making these envelopes louder than the peaks, the illusion that the sound is coming out backward is generated. Likewise, drum sounds consist of peaks roughly coincident with mechanical impact, followed by a decay envelope. In general. any material with wide dynamic range can be reversed, and by experimenting with forward and reversal playback, you can achieve an incredible array of effects.\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Dynamics Processing Functions\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Fully counterclockwise, the Omnipressor gain varies sharply from full attenuation to maximum gain as a threshold level is exceeded. As the control is turned clockwise from the center divider, the gain begins decreasing with increasing input level.\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cul\u003e\n        \u003cli\u003eDynamic Reversal: An input level of +10 dB results in an output of -10 dB, and vice versa.\u003c\/li\u003e\n        \u003cli\u003eGate: As the signal decreases below +10 dB, the device gain rapidly goes to minimum.\u003c\/li\u003e\n        \u003cli\u003eExpansion: A 40 dB input range results in a 60 dB output range, increasing dynamic range.\u003c\/li\u003e\n        \u003cli\u003eControl Centered: Input level equals output level.\u003c\/li\u003e\n        \u003cli\u003eLimiting: Gain is unity until input is 0 dB. Above 0 dB, a 30 dB change in input produces a 6 dB output change.\u003c\/li\u003e\n        \u003cli\u003eInfinite Compression: Output level remains unchanged regardless of input level.\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       A Unique Metering System\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The analog VU meter is calibrated over a 60 dB range in a linear\/logarithmic scale. When the three-way switch is in the Input position, the meter reads the input signal level. When in the Gain position, the meter reads the relative gain of the device, giving an indication of the gain control function. In the Output position, the meter reads the output level of the Omnipressor.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Controls and Switches\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eLine switch controls the relay-bypass function\u003c\/li\u003e\n        \u003cli\u003eInput and Output level controls\u003c\/li\u003e\n        \u003cli\u003eMix control for wet\/dry adjustment and parallel compression\u003c\/li\u003e\n        \u003cli\u003eSide-chain enables or disabled side-chain audio path\u003c\/li\u003e\n        \u003cli\u003eInput Threshold controls the operating point of the Omnipressor\u003c\/li\u003e\n        \u003cli\u003eBass cut for reducing low-end leakage into your signals\u003c\/li\u003e\n        \u003cli\u003eControl Attack Time and Release Time\u003c\/li\u003e\n        \u003cli\u003eThree-way switch for Meter Function: Input, Gain, or Output monitoring\u003c\/li\u003e\n        \u003cli\u003eMain Function knob scrolls through basic modes of operation (compression, limiting, reversal, etc.)\u003c\/li\u003e\n        \u003cli\u003eAtten Limit adjusts the limits of maximum attenuation, with a max reduction of 30 dB\u003c\/li\u003e\n        \u003cli\u003eGain Limit commands the maximum gain of the Omnipressor\u003c\/li\u003e\n        \u003cli\u003eLink activates or deactivates the unit to unit linking function\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      More Common Applications\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Voltage-Controlled Amplification\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The Omnipressor can be used as a high-quality voltage-controlled amplifier (VCA) for modulation, electronic music, channel gain variation, amplitude scaling, filter generation, or any application in which a fader or pot is used. Characteristics in the VCA control mode include accurate voltage vs amplitude curve, good tracking, low distortion regardless of signal level (below clipping level), and a wide control range.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Predictive Compression\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The unique ability of the Omnipressor to separate the gain control from the level detector enables one to build what is most conveniently termed a predictive compressor. Such a unit should go a long way towards eliminating the unavoidable imperfections standard units have.\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003eConnect an Omnipressor and an Eventide Digital Delay Line, or similar delay device. Enable the side-chain input. What you have just fabricated is a compressor that can read the future, or, in more common parlance, one which has a negative attack time. \u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Noise Reduction Unit\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The Omnipressor makes a good compression\/expansion noise reduction unit for enhancing the transmission capability of some media such as tape, digital equipment, low grade phone lines, etc. If the Omnipressor is set up as a compressor on the input end (feeding the tape machine or phone line) and as an expander on the output end, then the input dynamic range is compressed during transmission and a medium with, say, 40 dB dynamic range can appear to have a much wider range.\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003eSince identical circuitry with identical time constants is used to produce compression and expansion, perfect dynamic tracking is obtained. If compression and expansion ratios are set properly, the system should be transparent to the listener.\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\u003c\/div\u003e\n    \u003cdiv\u003e\n     UPC: 840694002610\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eEventide Omnipressor 2830AU Compressor and Expander\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eLimited 1-Year Manufacturer Warranty\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ca\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cp\u003eUser Manual\u003c\/p\u003e\n      \u003cp\u003e2.6 MB\u003c\/p\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\u003c\/a\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eEventide OMNIPRESSSOR 2830AU Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       General\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMaximum Input Level\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e+20 dB\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMaximum Output Level\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e+18 dB\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eInput Impedance\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e600 Ohms (Transformer Balanced)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eOutput Impedance\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e600 Ohms (Transformer Balanced)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eFrequency Response\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e20 Hz to 16 kHz (-0.5 dB)\u003cbr\u003e 15 Hz to 20 kHz (-1 dB)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eGain\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e-12 to +12 dB (Depending on Output Level)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eDistortion\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eAGC Disabled: 0.02% (At 1 kHz, -20 dB)\u003cbr\u003e AGC: 0.5% (At 1 kHz)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eSNR\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e-90 dB (Unity Gain)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Inputs \/ Outputs\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAudio I\/O\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1x XLR 3-Pin Line Input (Balanced)\u003cbr\u003e1x XLR 3-Pin Line Input (Side-Chain)\u003cbr\u003e1x 1\/4\" TRS Line Input (Unbalanced)\u003cbr\u003e1x 1\/4\" TRS Line Input (Side-Chain)\u003cbr\u003e1x 1\/4\" TRS Input (Link)\u003cbr\u003e1x XLR 3-Pin Line Output (Balanced)\u003cbr\u003e1x XLR 3-Pin Line Output (Side-Chain)\u003cbr\u003e1x 1\/4\" TRS Line Output (Unbalanced)\u003cbr\u003e1x 1\/4\" TRS Line Output (Side-Chain)\u003cbr\u003e1x 1\/4\" TRS Output (Link)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Power\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePower Source\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eAC Input\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAC Input Power\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u003cb\u003e\u003c\/b\u003e115 to 230 VAC, 50 \/ 60 Hz\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePower Consumption\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e10 W (Typical)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Physical\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMounting\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eFront: 4 x Standard Rackmount Hole\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eColor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eBlack\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMaterial of Construction\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eMetal\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eDimensions\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e19 x 9 x 3.5\" \/ 48.3 x 22.9 x 8.9 cm (W x H x D)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eWeight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u003cspan\u003eNot Specified by Manufacturer\u003c\/span\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Packaging Info\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePackage Weight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e13.925 lb\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e22.4 x 13.3 x 8.3\"\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Eventide-10","offers":[{"title":"Default Title","offer_id":40772678156373,"sku":"EVOP2830:EVOP2830:bhpv","price":331145.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1698755723_1792562.jpg?v=1707248477"},{"product_id":"spl-deesser-mk2-rackmount-auto-dynamic-dual-de-esser-1-ru","title":"SPL DeEsser Mk2 Rackmount Auto-Dynamic Dual De-Esser (1 RU)","description":"\u003cdiv\u003e\n \u003ch2\u003eSPL DE-ESSER MK2 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cul\u003e\n    \u003cli\u003e\n\u003cspan\u003e1\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e2\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eHow Does the SPL Auto-Dynamic DeEsser Work?\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e3\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eS-Reduction Control and LED Display\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e4\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eAuto Switch\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e5\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eFemale and Male Modes\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e6\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eXLR and 1\/4\" Balanced Inputs and Outputs\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eThe \u003cb\u003eSPL DeEsser Mk2\u003c\/b\u003e is a highly specialized auto-dynamic de-esser that automatically removes excess sibilant frequencies in a simple and musical way, cancelling out S-sounds without affecting the natural character or timbre of the voice. This updated version offers the same processing qualities as its predecessor but features a new design with solid aluminum knobs that provide an even better feel, for a high-quality user experience. The DeEsser Mk2 offers two mono DeEssers in a compact 1 RU unit.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       How Does the SPL Auto-Dynamic DeEsser Work?\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eThe DeEsser Mk2 Auto-Dynamic DeEsser has a new circuit technology that automatically adjusts to the S-frequencies and narrows the bandwidth so that only the range of the S-sound is processed, and all neighboring frequencies remain untouched.\u003c\/li\u003e\n        \u003cli\u003eThe frequency band determined in this way is mixed back to the original signal in phase-inverted form, whereby the S-sound is acoustically removed. \u003c\/li\u003e\n        \u003cli\u003eAuto-Dynamic de-essing has very little negative influence on the timbre of the voice; side effects such as twanging or lisping do not occur. In addition, time-consuming readjustment of the frequency settings is no longer necessary.\u003c\/li\u003e\n        \u003cli\u003eThe SPL Auto-Dynamic DeEsser combines efficiency with sound neutrality. Additionally, you can also soften hard cymbal sounds or snares.\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       S-Reduction Control and LED Display\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eThe S?Reduction control adjusts the intensity of the S?sound reduction. In practice, S?Reduction settings between -2 dB and -8 dB achieve the best results for most applications.\u003c\/li\u003e\n        \u003cli\u003eThe S-Reduction LED display visualizes the intensity of the S?sound reduction between 0 and -20 dB in 2 dB steps.\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Auto Switch\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eThe Auto switch activates the Auto Dynamic function. This automatically adjusts the threshold if the input level fluctuates due to varying distance to the microphone, which can lead to fluctuating input levels.\u003c\/li\u003e\n        \u003cli\u003eWith Auto-Threshold engaged, the de-essing intensity remains constant at the value you set using the S?Reduction control. This helpful not only for inexperienced voice-over artists, but also in live situations.\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Female and Male Modes\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eThe Female switch is used to adapt the de-essing to the voice characteristics of female performers. With the Female switch pressed, automatic S-sound detection now reacts more intensively to higher-frequency S-sounds.\u003c\/li\u003e\n        \u003cli\u003eThe un-pressed switch position selects the Male mode to adapt the S-sound detection to male voice characteristics. Lower-frequency S-sounds are processed.\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       XLR and 1\/4\" Balanced Inputs and Outputs\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eThe two channels of the DeEsser Mk2 are equipped with Neutrik XLR connectors with gold-plated contacts. Each de-esser also features 1\/4\" TRS connectors.\u003c\/li\u003e\n        \u003cli\u003eThe signal transmission is electronically balanced at a nominal level of +6 dB.\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eSPL DeEsser Mk2 Rackmount Auto-Dynamic Dual De-Esser (1 RU)\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003ePower Cord\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eLimited 2-Year Manufacturer Warranty\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ca\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cp\u003eUser Manual\u003c\/p\u003e\n      \u003cp\u003e0.4 MB\u003c\/p\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\u003c\/a\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Table of Contents\n    \u003c\/div\u003e\n    \u003cul\u003e\n     \u003cli\u003eDescription\u003c\/li\u003e\n     \u003cli\u003eHow Does the SPL Auto-Dynamic DeEsser Work?\u003c\/li\u003e\n     \u003cli\u003eS-Reduction Control and LED Display\u003c\/li\u003e\n     \u003cli\u003eAuto Switch\u003c\/li\u003e\n     \u003cli\u003eFemale and Male Modes\u003c\/li\u003e\n     \u003cli\u003eXLR and 1\/4\" Balanced Inputs and Outputs\u003c\/li\u003e\n    \u003c\/ul\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eSPL DE-ESSER MK2 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       General\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCompatibility\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u003cspan\u003eNot Specified by Manufacturer\u003c\/span\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Inputs \/ Outputs\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAudio I\/O\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e2x XLR 3-Pin Line Input (Balanced)\u003cbr\u003e2x 1\/4\" TRS Line Input (Balanced)\u003cbr\u003e2x XLR 3-Pin Line Output (Balanced)\u003cbr\u003e2x 1\/4\" TRS Line Output (Balanced)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Power\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePower Source\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eAC Input\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAC Input Power\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u003cb\u003e\u003c\/b\u003e115 to 230 VAC, 50 \/ 60 Hz\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePower Consumption\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e15 W\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Environmental\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEnvironmental Protection\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eNo\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Physical\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMounting\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1 x Rackmount\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eColor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eBlack\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMaterial of Construction\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eAluminum\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCable Length\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u003cspan\u003eNot Specified by Manufacturer\u003c\/span\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eDimensions\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e19 x 9.3 x 1.7\" \/ 482 x 237 x 44 mm\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eWeight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e7.3 lb \/ 3.3 kg\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"SPL-10","offers":[{"title":"Default Title","offer_id":40773734137941,"sku":"SPLDEESMK2:SPLDEESMK2:bhpv","price":185675.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1669891835_1738864.jpg?v=1707291338"},{"product_id":"drawmer-dl441-quad-auto-compressor-and-limiter","title":"Drawmer DL441 Quad Auto Compressor and Limiter","description":"\u003cdiv\u003e\n \u003ch2\u003eDrawmer DL441 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cul\u003e\n    \u003cli\u003e\n\u003cspan\u003e1\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e2\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eAuto Attack and Release\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e3\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003ePeak Limiting\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e4\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eMetering\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e5\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eBypass\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eCapturing four channels of the innovative DL241 Auto Compressor in a compact 1 RU space, the \u003cstrong\u003eDL441\u003c\/strong\u003e from \u003cstrong\u003eDrawmer\u003c\/strong\u003e is a four-channel program adaptive compressor\/limiter, which makes it easy for an engineer to precisely control the dynamic range and peak level of signals in an instant without sacrificing crucial adjustment parameters. Ideal for use in broadcast and live sound reinforcement, each channel sports a fully automatic attack and release compressor with a variable threshold Peak Level limiter on the final output, and each channel can be operated independently in mono, or channel linked for dual-stereo operation.\u003c\/p\u003e\n    \u003cp\u003eThe compressor section can be switched between hard- or soft-knee compression, with each mode implementing a different take on ratio control for various applications, and each section features fully variable manual control for the non-automatic settings. Comprehensive traffic light-style metering, selectable operating level (+4 or -10 dBu), balanced XLR I\/O, and hardwired bypass round out the features of this efficient, yet powerful signal processor. The DL441 includes an AC power cable and a globally compatible internal power supply.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Auto Attack and Release\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The automatic attack and release removes the need for manual adjustment by producing a response, which constantly follows the dynamics of the signal. This enables the DL441 to preserve crisp transients without allowing excessive peaks to occur.\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003eA smooth, yet lively recovery from compression minimizes side effects such as pumping and breathing. This feature is particularly valuable when the program being treated does not have predictable or consistent dynamics, such as complete mixes, vocals, or slapped and popped bass guitar.\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Peak Limiting\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Zero Response Time, Zero Overshoot circuitry provides an absolute limit to the peak level of the output signal, adjustable from 0 to +16 dB above system level. When set to the required level, any excessive peaks will be stopped and the gain will be momentarily decreased if necessary.\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003eThe Zero Response Time is essential to avoid unpleasant distortion when mastering for CD or sending any signal to digital equipment. Zero Response Time means that the DL441 provides complete protection from even the fastest and shortest signal spikes (overloads), making the unit also ideally suited for speaker system protection in sound reinforcement applications.\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Metering\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Comprehensive LED meters give at-a-glance indications of gain reduction, and input\/output signal level gain reduction from 1 to -30 dB is shown simultaneously with signal level from 20 to +15 dB. Other single LEDs indicate function status of gating action, auto mode, bypass, peak limiting, stereo linking, and power on.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Bypass\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       A fully balanced hardwire bypass connects the input directly to the output allowing the signal to pass through the unit with no power applied. In bypass, the VU level meter displays the input signal.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eDrawmer DL441 Quad Auto Compressor and Limiter\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eAC Power Cord\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eLimited 1-Year Manufacturer Warranty\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ca\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cp\u003eUser Manual\u003c\/p\u003e\n      \u003cp\u003e0.4 MB\u003c\/p\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\u003c\/a\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Table of Contents\n    \u003c\/div\u003e\n    \u003cul\u003e\n     \u003cli\u003eDescription\u003c\/li\u003e\n     \u003cli\u003eAuto Attack and Release\u003c\/li\u003e\n     \u003cli\u003ePeak Limiting\u003c\/li\u003e\n     \u003cli\u003eMetering\u003c\/li\u003e\n     \u003cli\u003eBypass\u003c\/li\u003e\n    \u003c\/ul\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eDrawmer DL441 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       General\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eInput Impedance\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e20 Kilohms\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eOutput Impedance\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e50 Ohms\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMaximum Input Level\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e+21 dBu\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMaximum Output Level\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e+20 dBu\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eBandwidth\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u0026lt;12 Hz to 35 kHz (-1 dB)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCrosstalk\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u0026lt;-80 dB (at 10 kHz)\u003cbr\u003e \u0026lt;-75 dB (at 20 kHz)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eInput CMRR\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u0026lt;40 dB (20 Hz to 10 kHz)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNoise\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e-98 dB (Unity Gain, A-Weighted, Typical)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eDistortion\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u0026lt;0.015% (Unity Gain, at 1 kHz)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Inputs \/ Outputs\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAudio I\/O\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e4x XLR 3-Pin Line Input (2 Stereo Pairs)\u003cbr\u003e4x XLR 3-Pin Line Output (2 Stereo Pairs)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Power\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePower Source\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eAC Input (Built-In)\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePower Consumption\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e13 W\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAC Input Power\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e115 \/ 230 VAC, 50\/60 Hz (User Selected)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Physical\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMounting\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eFront: 4 x Standard Rackmount Hole\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eColor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eBlack\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMaterial of Construction\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eMetal\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eDimensions\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e19 x 7.9 x 1.7\" \/ 48.2 x 20 x 4.4 cm\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eWeight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e7.5 lb \/ 3.4 kg\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Packaging Info\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePackage Weight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e7.16 lb\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e22.3 x 14.5 x 4.6\"\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Drawmer-10","offers":[{"title":"Default Title","offer_id":40773768839253,"sku":"DRDL441:DRDL441:bhpv","price":251880.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1676555216_1752087.jpg?v=1707295967"},{"product_id":"wesaudio-ng76-analog-1176-style-compressor-with-full-digital-recall","title":"WesAudio ng76 Analog 1176-Style Compressor with Full Digital Recall","description":"\u003cdiv\u003e\n \u003ch2\u003eWesAudio NG76 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eAudio professionals in search of the ultimate 1176 compressor with full digital recall will be thrilled with the \u003cstrong\u003eWesAudio ng76\u003c\/strong\u003e, a 100% analog 1176-style FET compressor with Carnhill transformers well suited for mixing and mastering. The ng76 features the classic controls you'd come to expect including Input, Output, Attack, and Release as well as a Mix control for onboard parallel compression. There are four ration settings (4:1, 8:1, 12:1, 20:1) with all possible combinations, including the infamous \"ALL\" button mode.\u003c\/p\u003e\n    \u003cp\u003eThe ng76 can also function as a saturation box \/ clipper. When switching to saturation mode, the FET is reconfigured to produce more distortion. When it comes to digital integration, ng76 is high-tech with USB\/Ethernet connectivity and recall and plug-in control. Draw automation in the DAW and ng76 will react accordingly.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      At a Glance\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cul\u003e\n       \u003cli\u003e100% analog FET (1176-style) compressor with 24 dBu of headroom\u003c\/li\u003e\n       \u003cli\u003eClassic lightning speed compression style based on WesAudio Beta76 design\u003c\/li\u003e\n       \u003cli\u003eFull Total Recall and plugin control compatible with most DAWs\u003c\/li\u003e\n       \u003cli\u003eClassic controls known from FET style compressor: INPUT \/ OUTPUT \/ ATTACK \/ RELEASE + additional Mix knob for parallel compression\u003c\/li\u003e\n       \u003cli\u003eCarnhill Transformers (input and output)\u003c\/li\u003e\n       \u003cli\u003eSaturation mode: One knob which sets INPUT and OUTPUT in an opposite way while keeping the compression circuit disabled. It allows to use the unit as a saturation box \/ clipper: in this mode the FET circuit is reconfigured to produce more distortion\u003c\/li\u003e\n       \u003cli\u003eFour ratio settings 4:1 \/ 8:1 \/ 12:1 \/ 20:1�all possible combinations, including \"ALL\" button mode\u003c\/li\u003e\n      \u003c\/ul\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eWesAudio ng76 Analog 1176-Style Compressor with Full Digital Recall\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003ePower Cable\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eLimited 2-Year Manufacturer Warranty\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ca\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cp\u003eUser Manual\u003c\/p\u003e\n      \u003cp\u003e3.3 MB\u003c\/p\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\u003c\/a\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eWesAudio NG76 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Inputs \/ Outputs\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eUSB I\/O\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1 x USB-B Female Input\/Output\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAudio I\/O\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1x XLR 3-Pin Line Input\u003cbr\u003e1x XLR 3-Pin Line Output\u003cbr\u003e2x 1\/4\" TRS Input\/Output (Stereo Link (Send\/Receive))\u003cbr\u003e1x RJ45 Input\/Output (Ethernet Control)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Power\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePower Source\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eAC Input (Included)\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAC Input Power\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u003cb\u003e\u003c\/b\u003e115 to 230 VAC, 50 \/ 60 Hz\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Environmental\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEnvironmental Protection\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eNo\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Physical\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eColor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eBlack\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eDimensions\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e18.9 x 9.4 x 3.5\" \/ 48 x 24 x 9 cm\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eWeight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e13.2 lb \/ 6 kg\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Packaging Info\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePackage Weight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e14.56 lb\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e22.3 x 15 x 12.3\"\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"WesAudio-10","offers":[{"title":"Default Title","offer_id":40773911216213,"sku":"WENG76:WENG76:bhpv","price":229110.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1681256730_1761479.jpg?v=1707308884"},{"product_id":"empirical-labs-h-pump-500-series-vca-compressor","title":"EMPIRICAL LABS H-PUMP 500-Series VCA Compressor","description":"\u003cdiv\u003e\n \u003ch2\u003eEMPIRICAL LABS EL-P-H PUMP Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eSharing DNA with notable processors such as the Distressor, Arousor, and Mike-E, the \u003cstrong\u003eH-PUMP\u003c\/strong\u003e from \u003cstrong\u003eEmpirical Labs\u003c\/strong\u003e is a classic, soft-knee-style VCA compressor designed with a horizontally oriented chassis for use with 500-series racks. Featuring eight ratios to choose from (2:1 to 20:1) and digitally stepped controls for easy recall, the V-PUMP is designed as a go-to compression processor, flexible enough to bend to the will of any creative endeavor.\u003c\/p\u003e\n    \u003cp\u003eThe attack section provides speeds ranging from 200 µs to 40 ms, while the release section allows for 50 to 500 ms release times as well as an opto-coupler-style release. The compressor also includes extra features like a 70 Hz high-pass filter, a saturation soft clipper from the Mike-E, comprehensive gain reduction metering, bypass, and a unique attack modification (AtMod) feature derived from the Arousor plug-in and appearing in hardware for the first time.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Attack Modification\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      One of the most unique features of PUMP is AtMod, short for Attack Modification. First seen in the Arousor plug-in, AtMod is a feature never before found in a hardware compressor.\n      \u003cp\u003e\u003c\/p\u003e\n      \u003cp\u003eAtMod gives users the ability to slow down the initial slope of the attack envelope to add just a little bit more of the transient back into the track. Whether it�s to get a little bit more snap on the snare track or more thump on the electric bass, the AtMod will let the transients through without losing your desired amount of compression.\u003c\/p\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\u003c\/div\u003e\n   \u003cdiv\u003e\n    UPC: 854682006146\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eEMPIRICAL LABS H-PUMP 500-Series VCA Compressor\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eLimited 1-Year Manufacturer Warranty\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eEMPIRICAL LABS EL-P-H PUMP Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eFrequency Response (-3 dB)\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e5 Hz to 175 kHz\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eDynamic Range\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e125 dB (Maximum Output)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eTHD\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e0.5% (Soft Clipping)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eDistortion\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eBetween 0.003% and 15% (at 1 kHz, Depending on Mode and Settings)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMaximum Input Level\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e+22 dBm\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMaximum Output Level\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e+28.5 dBm (Unity Gain)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eImpedance\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eBalanced Line In: 20 Kilohms\u003cbr\u003e Instrument In: 120 Kilohms\u003cbr\u003e Output: \u0026lt;75 Ohms\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eTime Constants\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eAttack: 200 ?s to 40 ms\u003cbr\u003e Release: 50 to 500 ms\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eHigh-Pass Filter\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eFixed at 70 Hz (Switchable)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Packaging Info\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePackage Weight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e0.85 lb\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e10.3 x 7.1 x 3\"\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"EMPIRICAL LABS-10","offers":[{"title":"Default Title","offer_id":40774012403797,"sku":"EMELPHPUMP:EMELPHPUMP:bhpv","price":113365.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1682608547_1763418.jpg?v=1707316146"},{"product_id":"rupert-neve-designs-mbt-master-bus-transformer","title":"Rupert Neve Designs MBT Master Bus Transformer","description":"\u003cdiv\u003e\n \u003ch2\u003eRupert Neve Designs MBT Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cul\u003e\n    \u003cli\u003e\n\u003cspan\u003e1\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003e2\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e3\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eCreate Tonal Magic with the HPF and Shelf EQ\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e4\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eBreathe In New Life with the Color Comp\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e5\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eFind New Dimension with Width\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e6\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eControl Harmonics Like Never Before with Super Silk\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e7\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eDrive and Control Levels with I\/O Amplifiers\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The \n       \u003cstrong\u003eMBT Master Bus Transformer\u003c\/strong\u003e from \n       \u003cstrong\u003eRupert Neve Designs\u003c\/strong\u003e leverages industry legend Rupert Neve's six decades of audio transformer expertise to provide a powerful and flexible audio processor uniquely poised to add an incredible array of flavorful options designed to sweeten, enhance, drive, widen, and utterly transform your source material, making it the ultimate tool for musical coloration. Equally at home on a full mix, groups, stems, or individual sources, the MBT pairs acclaimed tonal quality with an immensely flexible set of controls to shape your sound.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Create Tonal Magic with the HPF and Shelf EQ\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eFirst in line is a smooth high-pass filter with a fully variable frequency selection control. The HPF extends from 100 Hz all the way down to 15 Hz, an especially helpful area to manage on a full mix that needs to be as loud as possible.\u003c\/li\u003e\n        \u003cli\u003eNext up is the all-new 2-band Shelf EQ section�with 3 octave ranges, gentle slopes, and minimal phase shifts, this EQ was created with an emphasis on simplicity and elegance. This smooth and musical EQ is excellent at providing just the right amount of tonal enhancement�especially when it is interacting with the other sections of the MBT.\u003c\/li\u003e\n        \u003cli\u003eEach band has +\/- 9 dB of gain control, with the LF EQ corner frequency variable from 30 to 240 Hz and the HF EQ corner frequency variable from 3 to 24 kHz. The LF band is excellent at either taming or accentuating low-end to give source material an exacting amount of weight and power. The HF band provides a wide range of corner frequencies to choose from, allowing adjustments to be made from the upper midrange all the way up to the very top end, giving tracks extra shine and clarity.\u003c\/li\u003e\n        \u003cli\u003eOne exciting aspect of using the MBT is discovering how the different sections can interact with each other. Sometimes the EQ can be dialed in first, other times it can be left alone until the other sections are dialed in. One thing is certain: the MBT encourages experimentation at every turn.\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Breathe In New Life with the Color Comp\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eWith an all-new optical compressor design, the Color Comp excels at accentuating the nonlinear distortion and colorful characteristics of the Opto cell to bring source material a new sense of life and depth.\u003c\/li\u003e\n        \u003cli\u003eThe compressor ratio can be set to a low (2:1) ratio for subtle and smooth compression or high (5:1) for much more dramatic behavior.\u003c\/li\u003e\n        \u003cli\u003eThe variable high-pass side-chain filter removes the low frequencies from the compressor side-chain circuit, allowing low-end information to pass through the compressor untouched while the compressor focuses on the rest of the signal. With a sweepable range from 20 Hz all the way up to 350 Hz, this is a highly flexible tonal shaping control providing the ability to leave the low end intact while taming or squashing the rest of the source material as needed.\u003c\/li\u003e\n        \u003cli\u003eThe Color Comp also contains a Blend control, making it easy to use the compression circuit in parallel with the uncompressed source material. This can be especially useful when wanting to dial back the harmonic content, dynamic range reduction, and transient squashing from more extreme compressor settings.\u003c\/li\u003e\n        \u003cli\u003eThe threshold is variable from 0 to +24 dBu, with a gain reduction LED illuminating when the signal passes the threshold. However, the Color Comp also introduces audible nonlinear harmonic content even with just a touch of gain reduction�as such, users are advised to listen to the Color Comp engaged even when no gain reduction is visible, in order to discern the amount of tonality that it introduces. The pleasing nature of this harmonic content will become even more apparent as the compressor settings become more extreme.\u003c\/li\u003e\n        \u003cli\u003eThe release is variable from 100 ms to 1.5 seconds. By dialing in higher ratios and faster releases it is possible to get the Color Comp to actively pump with the attacks, whereas with slower release times it will operate in a much smoother manner. Lastly, the Color Comp has 20 dB of Class-A makeup gain. This is not only useful for level-matching the before and after compression signals, but also for driving the interstage transformers found in the SuperSilk section for even greater harmonic enhancements.\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Find New Dimension with Width\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eThe Width section is designed to increase the perceived stereo spread without losing low-end focus. While inspired by the Stereo Field Editor (SFE) WIDTH controls found on RND's award-winning Master Buss Processor, the MBT�s width section has two key differences: First, the width control on the MBT is additive only, with a greater range for more extreme operation.\u003c\/li\u003e\n        \u003cli\u003eSecond, there is a variable HPF from 50 to 800 Hz to adjust the width content, so that low frequencies remain more centered in the mix as the mids and highs are spread out to create more space. Additionally, there is subtle high frequency tapering of the width content to avoid overemphasizing harsher HF tones.\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Control Harmonics Like Never Before with Super Silk\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eIntroduced nearly twenty years ago, the Silk circuit has long been a favorite for Rupert Neve Designs users. First available as a simple on\/off switch, then with selectable Red and Blue modes and the variable Texture control, Silk exists to enhance and control even and odd order harmonic content in any source material.\u003c\/li\u003e\n        \u003cli\u003eSuper Silk is the latest advancement to this beloved technology: featuring independent Red, Blue, Harmonics, and Zener Drive controls, harmonic manipulation is taken to a whole new level with the MBT.\u003c\/li\u003e\n        \u003cli\u003eHistorically, Silk was always applied to a unit�s output transformers. But when designing the MBT, a need was felt to offer even greater control and flexibility�therefore, Super Silk also includes an extra set of transformers to further expand the possibilities of this much-loved circuit. This design provides a way to drive into Super Silk for more dynamic saturation and transient clipping, while also being able to attenuate the signal for proper gain staging after Super Silk by using the Output Trim.\u003c\/li\u003e\n        \u003cli\u003eSilk Red accentuates harmonics in the upper-mid and high frequencies, adding sparkle and sheen. Silk Blue accentuates harmonics in the low and low-mid frequencies, creating more depth and weight. The Harmonics control increases the overall musical harmonic content by saturating the MBT�s custom interstage transformers; this setting will interact with the settings for both Silk Blue and Silk Red, so experimentation is encouraged to find new blends and balances.\u003c\/li\u003e\n        \u003cli\u003eLastly, the switchable Zener Drive is a diode-based asymmetrical soft-clip circuit that introduces mostly odd order harmonic content as the signal approaches the edge of the MBT�s headroom to achieve a more aggressive tonality.\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Drive and Control Levels with I\/O Amplifiers\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eTo maintain optimal gain staging through the MBT, fully drive the interstage transformers, and accurately match the pre\/post signals, the MBT includes Class-A input and output amplifiers to manage all levels.\u003c\/li\u003e\n        \u003cli\u003eThe output amplifiers feed Rupert Neve Designs' custom output transformers for line balancing and isolation.\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eRupert Neve Designs MBT Master Bus Transformer\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eAC Power Cable\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eLimited 3-Year Manufacturer Warranty\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ca\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cp\u003eUser Manual\u003c\/p\u003e\n      \u003cp\u003e0.9 MB\u003c\/p\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\u003c\/a\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Table of Contents\n    \u003c\/div\u003e\n    \u003cul\u003e\n     \u003cli\u003eDescription\u003c\/li\u003e\n     \u003cli\u003e\n     \u003c\/li\u003e\n\u003cli\u003eCreate Tonal Magic with the HPF and Shelf EQ\u003c\/li\u003e\n     \u003cli\u003eBreathe In New Life with the Color Comp\u003c\/li\u003e\n     \u003cli\u003eFind New Dimension with Width\u003c\/li\u003e\n     \u003cli\u003eControl Harmonics Like Never Before with Super Silk\u003c\/li\u003e\n     \u003cli\u003eDrive and Control Levels with I\/O Amplifiers\u003c\/li\u003e\n    \u003c\/ul\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eRupert Neve Designs MBT Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Inputs \/ Outputs\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAudio I\/O\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e2x XLR 3-Pin Line Input\u003cbr\u003e2x XLR 3-Pin Line Output\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eInput Impedance\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e10 kilohms\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNoise\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eNo Features Engaged\u003cbr\u003e Noise (22 Hz to 22 kHz): Better than -95 dBu\u003cbr\u003e THD+N (0 dBu at 1kHz): Better than 0.004%\u003cbr\u003e THD+N (+20 dBu at 1 kHz): Better than 0.002%\u003cbr\u003e HPF Engaged\u003cbr\u003e Noise (22 Hz to 22 kHz): Better than -95 dBu\u003cbr\u003e THD+N (+20 dBu at 1 kHz): Better than 0.002%\u003cbr\u003e Equalizer Engaged\u003cbr\u003e Noise (22 Hz to 22 kHz): Better than -93 dBu\u003cbr\u003e THD+N (+20 dBu at 1 kHz): Better than 0.002%\u003cbr\u003e Compressor Engaged\u003cbr\u003e Noise (22 Hz to 22 kHz): Better than -92 dBu\u003cbr\u003e THD+N (+20 dBu at 1 kHz): Better than 0.002%\u003cbr\u003e Width Engaged\u003cbr\u003e Noise (22 Hz to 22 kHz): Better than -88 dBu\u003cbr\u003e THD+N (+20 dBu at 1 kHz): Better than 0.002%\u003cbr\u003e Silk Engaged\u003cbr\u003e Noise (22 Hz to 22 kHz): Better than -95 dBu\u003cbr\u003e THD+N (+20 dBu at 1 kHz): Better than 0.003%\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMaximum Input Level\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e+25.5 dBu\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMaximum Output Level\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e+26.8 dBu\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCrosstalk\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eBetter than -95 dB at 1 kHz\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eFrequency Response\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u0026lt;5 Hz to 30 kHz, +\/- 0.1 dB\u003cbr\u003e \u0026lt;5 Hz to 60 kHz, +\/- 0.25 dB\u003cbr\u003e \u0026lt;5 Hz to 180 kHz, -3 dB\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Wireless\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMobile App Compatible\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eNo\u003cb\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Power\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePower Source\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eAC Input (Included)\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAC Input Power\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u003cb\u003e\u003c\/b\u003e100 to 240 VAC, 50 \/ 60 Hz\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePower Consumption\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e70 W\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Physical\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eColor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eBlack\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eDimensions\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e19 x 10.1 x 3.5\" \/ 48.3 x 25.7 x 8.9 cm\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Packaging Info\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePackage Weight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e15.59 lb\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e21.4 x 17.2 x 8.1\"\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Rupert Neve Designs-10","offers":[{"title":"Default Title","offer_id":40775069859925,"sku":"RUMBT:RUMBT:bhpv","price":649320.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1695080775_1786557.jpg?v=1707370877"},{"product_id":"empirical-labs-v-pump-500-series-vca-compressor","title":"EMPIRICAL LABS V-PUMP 500-Series VCA Compressor","description":"\u003cdiv\u003e\n \u003ch2\u003eEMPIRICAL LABS EL-P-V PUMP Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cp\u003eSharing DNA with notable processors such as the Distressor, Arousor, and Mike-E, the \u003cstrong\u003eV-PUMP\u003c\/strong\u003e from \u003cstrong\u003eEmpirical Labs\u003c\/strong\u003e is a classic, soft-knee-style VCA compressor designed with a vertically oriented chassis for use with 500-series racks. Featuring eight ratios to choose from (2:1 to 20:1) and digitally stepped controls for easy recall, the V-PUMP is designed as a go-to compression processor, flexible enough to bend to the will of any creative endeavor.\u003c\/p\u003e\n   \u003cp\u003eThe attack section provides speeds ranging from 200 µs to 40 ms, while the release section allows for 50 to 500 ms release times as well as an opto-coupler-style release. The compressor also includes extra features like a 70 Hz high-pass filter, a saturation soft clipper from the Mike-E, comprehensive gain reduction metering, bypass, and a unique attack modification (AtMod) feature derived from the Arousor plug-in and appearing in hardware for the first time.\u003c\/p\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Attack Modification\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      One of the most unique features of PUMP is AtMod, short for Attack Modification. First seen in the Arousor plug-in, AtMod is a feature never before found in a hardware compressor.\n      \u003cp\u003e\u003c\/p\u003e\n      \u003cp\u003eAtMod gives users the ability to slow down the initial slope of the attack envelope to add just a little bit more of the transient back into the track. Whether it�s to get a little bit more snap on the snare track or more thump on the electric bass, the AtMod will let the transients through without losing your desired amount of compression.\u003c\/p\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\u003c\/div\u003e\n   \u003cdiv\u003e\n    UPC: 854682006139\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eEMPIRICAL LABS V-PUMP 500-Series VCA Compressor\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eLimited 1-Year Manufacturer Warranty\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003ch4\u003eNot in the Box\u003c\/h4\u003e\n \u003cul\u003e\n  \u003cli\u003e\n\u003cspan\u003eEssential\u003c\/span\u003e \u003ca\u003eExpansion Chassis \u003cspan\u003e(Not Included)\u003c\/span\u003e\u003c\/a\u003e\n\u003c\/li\u003e\n \u003c\/ul\u003e\n \u003ch4\u003eAdditional Resources \u003c\/h4\u003e\n \u003cp\u003eNo additional resources available\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eEMPIRICAL LABS EL-P-V PUMPSpecs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eFrequency Response (-3 dB)\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e5 Hz to 175 kHz\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eDynamic Range\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e125 dB (Maximum Output)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eTHD\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e0.5% (Soft Clipping)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eDistortion\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eBetween 0.003% and 15% (at 1 kHz, Depending on Mode and Settings)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMaximum Input Level\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e+22 dBm\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMaximum Output Level\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e+28.5 dBm (Unity Gain)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eImpedance\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eBalanced Line In: 20 Kilohms\u003cbr\u003e Instrument In: 120 Kilohms\u003cbr\u003e Output: \u0026lt;75 Ohms\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eTime Constants\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eAttack: 200 ?s to 40 ms\u003cbr\u003e Release: 50 to 500 ms\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eHigh-Pass Filter\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eFixed at 70 Hz (Switchable)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Packaging Info\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePackage Weight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e0.845 lb\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e10.3 x 7.2 x 3\"\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"EMPIRICAL LABS-10","offers":[{"title":"Default Title","offer_id":40955065270357,"sku":"EMELPVPUMP:EMELPVPUMP:bhpv","price":113365.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1682608547_1763419.jpg?v=1735265538"},{"product_id":"harrison-audio-comp-500-series-compressor","title":"Harrison Audio Comp 500 Series Compressor","description":"\u003cdiv\u003e\n \u003ch2\u003eHarrison Audio Comp Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cp\u003eThe \u003cb\u003eHarrison Audio Comp 500 Series Compressor\u003c\/b\u003e is a very flexible dynamics processor based on the classic Harrison feed-forward design and offered in 500 Series format. From a transparent leveler on guitars and vocals�using a 1:2 ratio and fast release and applying 2 or 3 dB of gain reduction�to making a sizzling compressed drum and bass track�slamming the ratio in combination with a slow release�the Comp 500 Series module delivers the warm, rich Harrison tone that helped create some of the most iconic albums of the '70s and '80s.\u003c\/p\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Legacy in Analog\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cul\u003e\n       \u003cli\u003eHarrison consoles have helped create some of the most highly regarded and influential music in history. Michael Jackson, ABBA, Led Zeppelin, Queen, Donald Fagan, and many more iconic artists have relied on Harrison production tools to help create their multiplatinum albums.\u003c\/li\u003e\n       \u003cli\u003eThe latest range of 500 Series modules from Harrison harnesses the sound and features that engineers like Bruce Swedien, Roger Nichols, and Reinhold Mack trusted to make music that stands the test of time.\u003c\/li\u003e\n      \u003c\/ul\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Comp Design\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cul\u003e\n       \u003cli\u003eThe Comp 500 Series module is based on a classic feed-forward design, using a THAT 2180 VCA chip for high-quality analog performance.\u003c\/li\u003e\n       \u003cli\u003eThe compressor�s attack is program-dependent, adapting to the input signal and offering an optimal attack time depending on the source material.\u003c\/li\u003e\n       \u003cli\u003eThe release time is continuously variable from fast to slow.\u003c\/li\u003e\n       \u003cli\u003eThese parameters can turn the Comp module from a transparent leveler into a highly saturated vibe compressor, adding character and excitement to a wide range of sources.\u003c\/li\u003e\n      \u003c\/ul\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Key Features\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cul\u003e\n       \u003cli\u003eClassic Harrison sound\u003c\/li\u003e\n       \u003cli\u003eExtremely flexible compressor, from transparent leveler to character comp\u003c\/li\u003e\n       \u003cli\u003eClassic feed-froward design\u003c\/li\u003e\n       \u003cli\u003eTHAT 2180 VCA chip for high-quality analog performance\u003c\/li\u003e\n       \u003cli\u003eProgram-dependant attack time \u003c\/li\u003e\n       \u003cli\u003eContinually variable release time from fast to slow\u003c\/li\u003e\n       \u003cli\u003eSound of Harrison compressor\u003c\/li\u003e\n       \u003cli\u003eInput overload LED\u003c\/li\u003e\n       \u003cli\u003eCompatible with 500 Series format chassis\u003c\/li\u003e\n      \u003c\/ul\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\u003c\/div\u003e\n   \u003cdiv\u003e\n    UPC: 850057437027\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eHarrison Audio Comp 500 Series Compressor\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eLimited 1-Year Manufacturer Warranty\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003ch4\u003eAdditional Resources \u003c\/h4\u003e\n \u003cp\u003eNo additional resources available\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eHarrison Audio CompSpecs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       General\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCompatibility\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u003cspan\u003eNot Specified by Manufacturer\u003c\/span\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Power\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePower Source\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eProprietary Interface\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Environmental\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEnvironmental Resistance\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eNo\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Physical\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eDimensions\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u003cspan\u003eNot Specified by Manufacturer\u003c\/span\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eWeight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u003cspan\u003eNot Specified by Manufacturer\u003c\/span\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Packaging Info\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePackage Weight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e0.68 lb\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e8.6 x 6.1 x 2.1\"\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Harrison Audio-10","offers":[{"title":"Default Title","offer_id":40955065303125,"sku":"HACPSRC:HACPSRC:bhpv","price":51035.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1715858125_1807476.jpg?v=1735265542"},{"product_id":"black-box-analog-design-hg-2-mastering-dynamics-processor","title":"Black Box Analog Design HG-2 Mastering Dynamics Processor","description":"\u003cdiv\u003e\n \u003ch2\u003eBlack Box Analog Design HG-2 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      The \n      \u003cstrong\u003eBlack Box Analog Design HG-2\u003c\/strong\u003e is a powerful and flexible line-level, stereo unit engineered to bring exceptional saturation, harmonic richness, natural compression, and tonal enhancement to your mixing and mastering workflow. Designed to deliver results that would typically require multiple pieces of gear�only better�the HG-2 simplifies your signal chain while adding undeniable character and control. With its potent combination of tubes, transformers, and tone-shaping capabilities, the HG-2 is a formidable secret weapon for your mix bus.\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\u003c\/div\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Dual-Path Tube Saturation\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      The HG-2 employs custom input transformers that feed two distinct signal paths:\n      \u003cp\u003e\u003c\/p\u003e\n      \u003cul\u003e\n       \u003cli\u003eMain path: The primary signal passes through a 6U8A Pentode tube stage and then into a Triode stage, allowing you to dial in everything from subtle harmonic warmth to full-on tube saturation.\u003c\/li\u003e\n       \u003cli\u003eParallel path: A second path, utilizing a pair of 12AT7 tubes, is dedicated to saturation and harmonics. This parallel circuit includes a 3-way Freq. Select switch:\n        \u003cul\u003e\n         \u003cli\u003eLow: Saturates low mids and sub frequencies, ideal for enhancing the bass or adding weight to tracks.\u003c\/li\u003e\n         \u003cli\u003eFlat: Full-bandwidth saturation for a balanced harmonic enhancement.\u003c\/li\u003e\n         \u003cli\u003eHigh: Focused saturation on high mids and high frequencies to add presence and air.\u003c\/li\u003e\n        \u003c\/ul\u003e\n\u003c\/li\u003e\n       \u003cli\u003eThe Saturation knob lets you control how much of this parallel signal is blended back into the main path, offering a wide range of tonal possibilities.\u003c\/li\u003e\n      \u003c\/ul\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Additional Tonal Controls\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cul\u003e\n       \u003cli\u003eAir switch: Adds a subtle, sweet high-frequency lift, perfect for polishing mixes or tracks.\u003c\/li\u003e\n       \u003cli\u003eAlt Tube switch: Switch between two differently voiced 12AT7 tubes for distinct tonal flavors and saturation characteristics.\u003c\/li\u003e\n       \u003cli\u003eCustom output stage: After the signal paths merge, the signal hits a pair of custom output transformers, delivering rich harmonic character with precision.\u003c\/li\u003e\n      \u003c\/ul\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Metering and Bypass\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cul\u003e\n       \u003cli\u003eMeter button: Switch between three metering modes�VU, VU\/Peak, and Energy�to visualize your signal dynamics.\u003c\/li\u003e\n       \u003cli\u003eTrue bypass: The bypass circuit shorts the input directly to the output, ensuring complete transparency when the HG-2 is not engaged.\u003c\/li\u003e\n      \u003c\/ul\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Designed for the Mix Bus, Built for Versatility\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      While the HG-2 is purpose-built to enhance your mix bus with its signature mojo, it shines on other applications as well:\n      \u003cp\u003e\u003c\/p\u003e\n      \u003cp\u003e\u003c\/p\u003e\n      \u003cul\u003e\n       \u003cli\u003eUse it on individual instruments to add richness and depth.\u003c\/li\u003e\n       \u003cli\u003eRun it as a front-end processor for synths and stereo sources.\u003c\/li\u003e\n       \u003cli\u003ePush it to create harmonic excitement, tube-driven compression, or distortion for creative sound design.\u003c\/li\u003e\n      \u003c\/ul\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eItems Included\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eBlack Box Analog Design HG-2 Mastering Dynamics Processor\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eAC Power Cable\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eLimited 1-Year Manufacturer Warranty\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003ch4\u003eAdditional Resources \u003c\/h4\u003e\n \u003cdiv\u003e\n  \u003ca\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cp\u003eUser Manual\u003c\/p\u003e\n     \u003cp\u003e12.4 MB\u003c\/p\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\u003c\/a\u003e\n \u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eBlack Box Analog Design HG-2 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Inputs\/Outputs\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAudio I\/O\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e2x XLR 3-Pin Line Input\u003cbr\u003e2x XLR 3-Pin Line Output\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Wireless\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMobile App Compatible\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eNo\u003cb\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Power\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePower Source\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eAC Input\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Physical\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMounting\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSide: 2x Rack Ears\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eColor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eBlack\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCable Length\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u003cspan\u003eNot Specified by Manufacturer\u003c\/span\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eDimensions\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u003cspan\u003eNot Specified by Manufacturer\u003c\/span\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eWeight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u003cspan\u003eNot Specified by Manufacturer\u003c\/span\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Packaging Info\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePackage Weight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e18.67 lb\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e22 x 14.4 x 8.6\"\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Black Box Analog Design-10","offers":[{"title":"Default Title","offer_id":40984673583189,"sku":"BBHG2:BBHG2:bhpv","price":651085.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1733920323_1868197.jpg?v=1737779776"},{"product_id":"elysia-xpressor-neo-500-stereo-compressor-500-series-module","title":"elysia xpressor|neo 500 Stereo Compressor (500 Series Module)","description":"\u003cdiv\u003e\n \u003ch2\u003eelysia Xpressor Neo Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cp\u003eDesigned for the 500 Series format, the \u003cb\u003eelysia xpressor|neo 500\u003c\/b\u003e is a stereo compressor tailored for modular recording setups and compact studio environments. Offering remarkable versatility and precise control, it empowers you to explore new sonic possibilities. This Class-A stereo VCA compressor delivers an open, transparent sound characterized by punchy transients, detailed high-end clarity, and robust low-end energy, making it an exceptional tool for recording, mixing, and mastering. \u003c\/p\u003e\n   \u003cp\u003e In standard mode, the xpressor|neo ensures transparent compression with a flat frequency response. Activate Warm Mode to introduce subtle warmth and musical saturation, adding character to your sound without compromising clarity. Whether you're using it for stereo bus compression, shaping mono signals, or crafting creative dynamics, the xpressor|neo 500 is a powerful and flexible tool that enhances the quality and depth of your recordings. Meticulously hand-built and tested in Germany to the highest standards, it occupies two slots in any 500 Series rack (available separately).\u003c\/p\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Auto Fast Attack\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cul\u003e\n       \u003cli\u003eIn Auto Fast mode, the compressor can be very fast, but only when it is really needed. This function influences the attack parameter on short and loud impulses. In all other cases, the original setting of the controller has priority.\u003c\/li\u003e\n      \u003c\/ul\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Logarithmic or Linear Release\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cul\u003e\n       \u003cli\u003eIn Logarithmic (Log) Release Mode, short and loud peaks (e.g. drums) have a fast release time, while the remaining material is processed with a slower release. Its smooth performance makes the Log Release especially useful for mastering and stereo bus compression.\u003c\/li\u003e\n       \u003cli\u003eThe Linear mode has a straight release profile without the slower tapering release characteristic of the Log mode. The linear mode is a good choice for more aggressive dynamics control of dry signals and it is especially useful when you want to process signals which do not have a long decay.\u003c\/li\u003e\n      \u003c\/ul\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Warm Mode\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cul\u003e\n       \u003cli\u003eWarm Mode is a slew-rate limiter that reduces the speed of the output amplifier stages. This affects the frequency spectrum, the harmonics, and the transient response at the same time, creating a rich, saturated sound.\u003c\/li\u003e\n      \u003c\/ul\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Side-Chain Filter\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cul\u003e\n       \u003cli\u003eFor frequency-selective compression, the xpressor|neo 500 offers a low-cut filter with a selectable frequency.\u003c\/li\u003e\n       \u003cli\u003eThe filter is located in the side-chain, enabling you to reduce the influence the effect that low frequencies have on your overall compression. This is an easy way to apply the desired amount of gain reduction without the side effect of the track starting to pump.\u003c\/li\u003e\n      \u003c\/ul\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Gain Reduction Limiter\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cul\u003e\n       \u003cli\u003eThe Gain Reduction Limiter (GR Limit) is placed in the control path of the compressor.\u003c\/li\u003e\n       \u003cli\u003eIt limits the control voltage according to the setting of the GR Limit controller. No matter how high the input level might get, the amount of gain reduction will never exceed the value which you have set.\u003c\/li\u003e\n       \u003cli\u003eSpecial effects like ducking or upward compression can be achieved by only reducing quieter parts without changing the original dynamics.\u003c\/li\u003e\n      \u003c\/ul\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Parallel Compression\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cul\u003e\n       \u003cli\u003eThe Mix knob makes it possible to crossfade between the unprocessed and the compressed signals. This allows parallel compression right in the box and makes additional routings redundant in favor of better signal quality.\u003c\/li\u003e\n      \u003c\/ul\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eItems Included\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eelysia xpressor|neo 500 Stereo Compressor (500 Series Module)\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eLimited 2-Year Manufacturer Warranty\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003ch4\u003eNot Included\u003c\/h4\u003e\n \u003cul\u003e\n  \u003cli\u003e\n\u003cspan\u003eEssential\u003c\/span\u003e \u003ca\u003eExpansion Chassis\u003c\/a\u003e\n\u003c\/li\u003e\n \u003c\/ul\u003e\n \u003ch4\u003eAdditional Resources \u003c\/h4\u003e\n \u003cdiv\u003e\n  \u003ca\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cp\u003eUser Manual\u003c\/p\u003e\n     \u003cp\u003e3.5 MB\u003c\/p\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\u003c\/a\u003e\n \u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eelysia Xpressor Neo Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       General\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCompatibility\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e500 Series Rack\u003cb\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eFrequency Response\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e10 Hz to 400 kHz (-3.0 dB)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eTHD+N\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eAt 0 dBu, 20 Hz to 22 kHz, Mix 0 %: 0.003 % \u003cbr\u003e At 0 dBu, 20 Hz to 22 kHz, Mix 100 %: 0.007 % \u003cbr\u003e At +10 dBu, 20 Hz to 22 kHz, Mix 0 %: 0.003 % \u003cbr\u003e At +10 dBu, 20 Hz to 22 kHz, Mix 100 %: 0.02 %\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNoise Floor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e-91 dBu, 20 Hz to 20 kHz (A-weighted)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eDynamic Range\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e112 dB, 20 Hz to 22 kHz\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMaximum Input Level\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e+21 dBu\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMaximum Output Level\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e+21 dBu\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eImpedance\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eInput: 10 Kilohms \u003cbr\u003e Output: 68 Ohms\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Power\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePower Source\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eProprietary Interface\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eOperating Current\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e130 mA\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Physical\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMounting\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e4x Screws\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eColor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eBlack \/ Silver\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCertifications\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eCE\u003cb\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eDimensions\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u003cspan\u003eNot Specified by Manufacturer\u003c\/span\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eWeight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u003cspan\u003eNot Specified by Manufacturer\u003c\/span\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Packaging Info\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePackage Weight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1.45 lb\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e11.9 x 8.8 x 5.5\"\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"elysia-10","offers":[{"title":"Default Title","offer_id":40984673681493,"sku":"ELXPRSRNE500:ELXPRSRNE500:bhpv","price":222325.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1710411931_1816295.jpg?v=1737779783"},{"product_id":"wesaudio-_pandora-500-series-multiband-analog-compressor-with-digital-recall-and-automation","title":"WesAudio _Pandora 500 Series Multiband Analog Compressor with Digital Recall and Automation","description":"\u003cdiv\u003e\n \u003ch2\u003eWesAudio _Pandora Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Enjoy the rich, warm sound of multiband analog compression and the ease of digital recall and automation in your 500 Series rack with the _\n      \u003cstrong\u003ePandora\u003c\/strong\u003e from \n      \u003cstrong\u003eWesAudio\u003c\/strong\u003e. This feature-rich powerhouse puts a VCA compressor in each of its three frequency bands, with a pair of crossovers that allow you to fine-tune the frequency ranges to provide precise level control across your low, mid, and high signal information. In addition, the unit allows you to automate and recall the hardware settings from your DAW using a digital plug-in interface, easily integrating into today's workflows by giving you the best of both worlds.\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\u003c\/div\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Purely Analog Design\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Multiband compressor with 24 dBu of headroom, delivering superior audio quality. Independent VCA compressors on each band provide maximum control\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      3-Band Control with Harmonic Distortion\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Crossover filters range from 40 Hz to 2 kHz, and 2 kHz to 15 kHz for precise multiband processing. Each band features tailored harmonic distortion, optimized for its frequency range\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Comprehensive Metering\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Gain reduction visible on the front panel and plug-in, with input meters for each band in the plug-in\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Side-Chain Filters\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      3 selectable side-chain low-pass filters to isolate problematic high frequencies, while 3 selectable side-chain high-pass filters provide for enhanced low-frequency management\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Parallel Compression\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      MIX knob allows easy blending of dry and compressed signals\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      True-Bypass and Soloing\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Ensures total transparency when bypassed, each band can be fully bypassed or soloed for isolated processing\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Modern GUI\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Allows complete control of hardware parameters from the plug-in interface. 10 touch-sensitive encoders allow automation recording of specific parameters in your DAW. Digital recall can be achieved by connecting the unit via the front panel mini USB socket or through the _TITAN chassis.\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      500 Series Compatible\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Regardless its extensions, Pandora is fully compatible with the 500 Series standard. Digital features can be enabled through the mini-USB socket on the front panel.\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       ng500 Series\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      Each WesAudio device in the ng500 (Next Generation 500 Series) product line is equipped with a special connector. This connector is an extension to the 500 Series, and allows your device to be managed\/recalled through specialized GCon protocol (e.g. _TITAN 500 Series 10-slot frame). This extension is compatible with the 500 Series standardized plug type; however, some manufacturers apply enormous screws to the plug itself, which prevent the device from fitting in. Based on official research, more than 90% of available 500 Series racks will fit just fine. Currently known exceptions include:\n      \u003cp\u003e\u003c\/p\u003e\n      \u003cp\u003e\u003c\/p\u003e\n      \u003cul\u003e\n       \u003cli\u003eRupert Neve Designs 500 Series Racks (R6 and R10)\u003c\/li\u003e\n       \u003cli\u003eAphex 500 Series rack\u003c\/li\u003e\n       \u003cli\u003eSome older BAE racks (not produced anymore)\u003c\/li\u003e\n       \u003cli\u003eMidas L6 (module won�t fit to the very end on slots 3 and 6)\u003c\/li\u003e\n       \u003cli\u003eMidas L10 (module won�t fit to the very end on slots 4 and 8)\u003c\/li\u003e\n      \u003c\/ul\u003e\n      \u003cp\u003e\u003c\/p\u003e\n      \u003cp\u003e \u003c\/p\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eItems Included\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eWesAudio _Pandora 500 Series Multiband Analog Compressor with Digital Recall and Automation\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eLimited 2-Year Manufacturer Warranty\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003ch4\u003eNot Included\u003c\/h4\u003e\n \u003cul\u003e\n  \u003cli\u003e\n\u003cspan\u003eEssential\u003c\/span\u003e \u003ca\u003eExpansion Chassis\u003c\/a\u003e\n\u003c\/li\u003e\n \u003c\/ul\u003e\n \u003ch4\u003eAdditional Resources \u003c\/h4\u003e\n \u003cdiv\u003e\n  \u003ca\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cp\u003eUser Manual\u003c\/p\u003e\n     \u003cp\u003e2.4 MB\u003c\/p\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\u003c\/a\u003e\n \u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eWesAudio _Pandora Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Inputs\/Outputs\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eUSB I\/O\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1 x Micro-USB Female Input\/Output\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eFrequency Response\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e20 Hz to 20 kHz (0.2 dB)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eTHD+N\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eWet: 0.009% (1 kHz, 0 dBu)\u003cbr\u003e Dry: 0.005% (1 kHz, 0 dBu)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eInput Impedance\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e10 kilohms\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eOutput Impedance\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u0026lt; 100 ohm\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCrosstalk\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u0026lt; -110 dB (1 kHz)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAttack Time\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e0.1, 0.3, 1, 3, 10, 30 ms\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eRelease Time\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e0.1, 0.3, 0.6, 0.9, 1.2, Auto ms\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eRatio\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1.5, 2.4, 10\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eSidechain\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSC HPF Filter Low: 60, 90, 150 Hz\u003cbr\u003e SC LPF Filter High: 3, 6, 9 kHz\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eFormat\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e3 Slots 500 Series Stereo Module\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Power\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePower Source\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eDC Input\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eOperating Current\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e160 mA\u003cbr\u003e140 mA\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Physical\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMounting\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eMultiple 500 Series Rack\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eColor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eWhite\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMaterial of Construction\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eMetal\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eDimensions\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e6.2 x 5.2 x 4.5\" \/ 158 x 133 x 115 mm\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eWeight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e2.2 lb \/ 1 kg\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"WesAudio-10","offers":[{"title":"Default Title","offer_id":40986542735445,"sku":"WEPANDORA:WEPANDORA:bhpv","price":261795.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1730159119_1857770.jpg?v=1737852868"},{"product_id":"aea-ribbon-mics-1029-half-rack-stereo-vca-compressor","title":"AEA Ribbon Mics 1029 Half-Rack Stereo VCA Compressor","description":"\u003cdiv\u003e\n \u003ch2\u003eAEA Ribbon Mics 1029 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Transparent Stereo Compression with an Analog Design\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      The \n      \u003cstrong\u003eAEA 1029\u003c\/strong\u003e is a stereo VCA compressor designed for mix engineers, producers, and mastering professionals who require precise, musical dynamics control without compromising sonic fidelity. Featuring a proprietary op-amp emulates transformer-coupled outputs, which can be used with either a balanced or unbalanced signal, depending on how your cable\/system is set up. The 1029 preserves the depth and nuance of high-quality audio sources�especially ribbon microphones and other low-distortion transducers.\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Stereo or Single-Mono Operation\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      The 1029 is designed to compress stereo signals with identical processing applied to both channels via a single set of shared controls. It can also be used with a mono source, typically by connecting it to one channel only. The unit does not support dual mono operation, and the two channels cannot be adjusted independently. This configuration ensures precise stereo imaging and makes the 1029 ideal for mix buses, stems, and other linked stereo applications.\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Custom-Designed VCA\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      At the core of the 1029 is a custom-designed VCA�engineered in-house by AEA. This design delivers transparent, low-noise performance with musical compression characteristics.\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Fixed Timing via Peak\/RMS Switch\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Compression timing is governed by a front-panel Peak\/RMS switch. In Peak mode, the 1029 reacts quickly to transients and short-duration peaks. RMS mode engages slower, program-dependent timing behavior, for more relaxed, natural compression. Attack and release times are internally fixed within each mode and are not continuously adjustable.\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Essential Controls and Visual Feedback\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      The 1029 features front-panel controls for Threshold, Ratio (variable from 1:1 to limiting), and Gain, along with the Peak\/RMS switch and a Hard Bypass toggle. An 7-step LED meter displays gain reduction in real time, allowing engineers to monitor compression behavior at a glance.\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Professional Construction and Power\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Built into a robust 2 RU rackmount chassis, the 1029 emulates a transformer-coupled output and can be used as either a balanced or unbalanced signal (depending on how your cable\/system is configured), and includes a universal internal power supply (100 to 240 VAC) for international compatibility. Like all AEA products, it is hand-assembled in Pasadena, California.\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Additional Details\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cul\u003e\n       \u003cli\u003eStereo VCA compressor with shared controls\u003c\/li\u003e\n       \u003cli\u003eSupports stereo or mono input (not dual mono)\u003c\/li\u003e\n       \u003cli\u003eTHAT VCAs and proprietary op-amp for transparent compression\u003c\/li\u003e\n       \u003cli\u003ePeak\/RMS switch selects fixed timing behavior\u003c\/li\u003e\n       \u003cli\u003eThreshold, Ratio, Gain, and Bypass controls\u003c\/li\u003e\n       \u003cli\u003eLED gain reduction meter with 7-step display\u003c\/li\u003e\n       \u003cli\u003e+26 dBu max output level; \u0026gt;128 dB dynamic range\u003c\/li\u003e\n       \u003cli\u003eRugged 2RU rackmount chassis with XLR I\/O\u003c\/li\u003e\n       \u003cli\u003eHand-built in Pasadena, California, USA\u003c\/li\u003e\n      \u003c\/ul\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\u003c\/div\u003e\n   \u003cdiv\u003e\n    UPC: 652401978374\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003ca\u003e\u003cimg\u003e\u003c\/a\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eItems Included\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eAEA Ribbon Mics 1029 Half-Rack Stereo VCA Compressor\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003eLimited 1-Year Manufacturer Warranty\u003c\/span\u003e\u003ci\u003e\u003cbr\u003eRegistration Extension: 2-Year\u003c\/i\u003e\n\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003ch4\u003eAdditional Resources \u003c\/h4\u003e\n \u003cdiv\u003e\n  \u003ca\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cp\u003eUser Manual\u003c\/p\u003e\n     \u003cp\u003e1.4 MB\u003c\/p\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\u003c\/a\u003e\n \u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eAEA Ribbon Mics 1029 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Inputs\/Outputs\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAudio I\/O\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e2x XLR 3-Pin Input\u003cbr\u003e2x XLR 3-Pin Output\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAudio\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eInput Impedance: 10 kilohms Actively Balanced\u003cbr\u003e Max Input Level: +26 dBu\u003cbr\u003e Input CMRR: \u0026gt; 70dB (22 Hz to 22 kHz)\u003cbr\u003e Output Stage: 50 ohms Active Balanced Floating\u003cbr\u003e Max Output Level: +26 dBu Balanced Load, +22 dBu Unbalanced Load\u003cbr\u003e Minimum Load Impedance: 600 ohms\u003cbr\u003e Signal-to-Noise Ratio: Dry: -97dBu, Wet: -91dBu\u003cbr\u003e Frequency Response\u003cbr\u003e Dry: 10 Hz to 200 kHz (+0 dB, -0.05 dB)\u003cbr\u003e Wet: 10 Hz to 200 kHz (+0 dB, -0.1 dB)\u003cbr\u003e Input and Output XLR Polarity: Pin 2 +, Pin 3 -\u003cbr\u003e Absolute Phase: Non-Inverting\u003cbr\u003e Attack and Release Times\u003cbr\u003e Peak Fast: 4 ms Attack, 17 ms Release\u003cbr\u003e RMS: 12 ms Attack, 50 ms Release\u003cbr\u003e Peak Slow: 4 ms Attack, 200 ms Release\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMetering\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eLED Signal Level Indicators, 7 Segment LED Meters: -20, -12, -4, 0, 6, 10, 20 (6 dB before Clipping)\u003cbr\u003e Gain Reduction Indicator, 6 Segment LED Meter: -1, -2, -3, -6, -9, -12 dB Gain Reduction\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Wireless\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMobile App Compatible\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eNo\u003cb\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Power\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePower Source\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eAC Adapter with Power Brick (Included)\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAC Input Power\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u003cb\u003e\u003c\/b\u003e100 to 240 VAC, 50 \/ 60 Hz\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePower Consumption\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e6 W\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Physical\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eColor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eGray\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCable Length\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e7.5' \/ 2.3 m (Power Supply with Cable)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eDimensions\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e8.5 x 8 x 1.8\" \/ 21.59 x 20.32 x 4.6 cm (Main Unit)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eWeight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e2 lb \/ 893 g (Main Unit)\u003cbr\u003e1.1 lb \/ 483 g (Power Supply)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Packaging Info\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePackage Weight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e3.895 lb\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e12.2 x 9.1 x 4.4\"\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"AEA Ribbon Mics-10","offers":[{"title":"Default Title","offer_id":41337755861077,"sku":"AE1029:AE1029:bhpv","price":253995.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1747399497_1895193.jpg?v=1749285789"},{"product_id":"antelope-a4-1b-opto-valve-analog-automated-compressor","title":"Antelope A4-1B Opto-Valve Analog Automated Compressor","description":"\u003cdiv\u003e\n \u003ch2\u003eAntelope A4-1B Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Not Just Inspired, Reimagined\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      A modern reimagining of a legendary Danish tube compressor, the\n      \u003cstrong\u003e Antelope A4-1B Analog Automated Opto Valve Compressor \u003c\/strong\u003eis an optical-tube compressor combining the warm, smooth sound of vintage analog compression with the precision and flexibility of digital control. It features a 100% analog signal path made with with premium tubes and UK transformers, ensuring silky smooth and transparent compression.\n      \u003cp\u003e\u003c\/p\u003e\n      \u003cp\u003eAdvanced digital control over all parameters allows for flawless integration with a DAW plug-in or standalone app, enabling full automation, remote operation, and enhanced features like de-essing and side-chain filtering. Proprietary motorized potentiometers ensure instant preset recall and effortless A\/B testing, making the A4-1B a versatile tool for audio professionals who want the classic sound of a vintage tube compressor with the added benefit of modern digital control and features.\u003c\/p\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Pure Analog Excellence\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cul\u003e\n       \u003cli\u003eThe A4-1B is crafted to replicate the smooth, musical character of vintage Opto-Tube compressors. Even under heavy compression, it maintains transparency, bringing life to vocal tracks, bass, keys, and percussion.\u003c\/li\u003e\n       \u003cli\u003eWith every touch of its controls, the A4-1B embodies the essence of the legendary hardware it was inspired by, offering modern production the classic sound of opto-valve compression.\u003c\/li\u003e\n      \u003c\/ul\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Revolutionized Analog Power\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cul\u003e\n       \u003cli\u003eA4-1B delivers exceptional consistency and sound quality across the entire frequency spectrum. This all-analog powerhouse is built for longevity, faithfully upholding the legacy of its predecessor.\u003c\/li\u003e\n       \u003cli\u003eCustom UK-made transformers provide tight low-end response and high-fidelity audio, while premium tubes add warmth and precision.\u003c\/li\u003e\n       \u003cli\u003eThe heart of the A4-1B lies in its meticulously designed PSU, featuring automatic voltage adaptation for enhanced stability and noise reduction.\u003c\/li\u003e\n      \u003c\/ul\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Game-Changing Digital Integration\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cul\u003e\n       \u003cli\u003eA4-1B is the first of Antelope Audio's automated outboard analog units, designed to bring high-quality hardware to a new generation of audio producers. These units marry classic analog sound with digital innovation, enabling users to unlock their full potential while preserving the analog warmth that defines them.\u003c\/li\u003e\n      \u003c\/ul\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Full Digital Control\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cul\u003e\n       \u003cli\u003eThe A4-1B's digital control panel is accessible via a standalone app or as a VST\/AU\/AAX plug-in, ensuring compatibility with any modern DAW. Whether integrated into a digital, analog, or hybrid setup, the intuitive software streamlines preset management, allowing you to apply your settings to various sessions and access them anywhere in the studio.\u003c\/li\u003e\n      \u003c\/ul\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Responsive Automation\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cul\u003e\n       \u003cli\u003eThe A4-1B features motorized potentiometers that respond instantly to adjustments, whether made physically on the unit or digitally through the control panel.\u003c\/li\u003e\n       \u003cli\u003eThese parameters�Attack, Release, Gain, Threshold, and Ratio�are fully automatable, just like any native plug-in, offering dynamic control throughout your session.\u003c\/li\u003e\n      \u003c\/ul\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Preset Recall and A\/B Testing\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cul\u003e\n       \u003cli\u003eThe A4-1B software panel simplifies preset recall, allowing for rapid access to your saved settings. Unlike most analog gear, you can quickly perform A\/B comparisons to fine-tune your sound with ease.\u003c\/li\u003e\n      \u003c\/ul\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Filtering and De-Essing\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cul\u003e\n       \u003cli\u003eIncorporating modern features like filtering and side-chain compression, the A4-1B offers a fully realized digital-only feature set.\u003c\/li\u003e\n       \u003cli\u003eAvailable High-, Low-, and Band-Pass Filters enable targeted compression, while the de-essing and side-chain capabilities make the A4-1B an invaluable tool for vocal processing-features not found in the original legacy unit.\u003c\/li\u003e\n      \u003c\/ul\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Precisely Calibrated for Consistency\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cul\u003e\n       \u003cli\u003eA4-1B stands out for its calibration systems, ensuring consistent performance and long-term reliability. Whether using dual units for stereo matching or maintaining the integrity of your setup, the A4-1B offers an Opto-Cell Test System, self-calibration of the VU meters, and meter reference levels (-10 \/ 0 \/ +4 \/ +20 dBu).\u003c\/li\u003e\n       \u003cli\u003eThe motorized potentiometers are also recalibrated, ensuring the highest precision. These calibration options are easily accessible through the control panel.\u003c\/li\u003e\n      \u003c\/ul\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Get the A4 Functionality\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cul\u003e\n       \u003cli\u003eThe A4 software suite is available as an optional add-on with a monthly or annual membership plan.\u003c\/li\u003e\n       \u003cli\u003eA one-year Antelope Membership is included with the A4-1B, granting access to the full suite of Synergy Core Native plugins, as well as all future updates and releases.\u003c\/li\u003e\n      \u003c\/ul\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\u003c\/div\u003e\n   \u003cdiv\u003e\n    UPC: 850041548098\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003ca\u003e\u003cimg\u003e\u003c\/a\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eItems Included\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eAntelope A4-1B Opto-Valve Analog Automated Compressor\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003ePower Cord\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eLimited 1-Year Manufacturer Warranty\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003ch4\u003eAdditional Resources \u003c\/h4\u003e\n \u003cp\u003eNo additional resources available\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Antelope-10","offers":[{"title":"Default Title","offer_id":41337755893845,"sku":"ANA41B:ANA41B:bhpv","price":332060.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1738583452_1876752.jpg?v=1749285797"},{"product_id":"tk-audio-the-transformer-stereo-harmonic-generator-and-color-box","title":"TK Audio The Transformer Stereo Harmonic Generator and Color Box","description":"\u003cdiv\u003e\n \u003ch2\u003eTK Audio Transformer Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      For engineers recording and mixing primarily in the box, \n      \u003cb\u003eTK Audio The Transformer\u003c\/b\u003e brings analog warmth, punch, and color to tracks and mixes through multiple harmonic stages. The stereo unit is divided into two sections: a harmonic-generation stage and a transformer-coupled Class-A stage with a punchy, vintage tone.\n      \u003cp\u003e\u003c\/p\u003e\n      \u003cp\u003eThe first section features three distinct harmonic stages: transformer saturation, passive saturation\/clipping, and an active germanium circuit. Each stage not only introduces unique harmonic textures but also shapes the tone curve differently. The blend function allows precise control over the harmonic content, while an M\/S mode enables independent processing of mid and side channels. The second section is a selectable vintage transformer-coupled Class-A stage that delivers the rich, classic British sound of the 1970s. With illuminated switches and detented potentiometers, The Transformer ensures easy recall and seamless integration into any workflow.\u003c\/p\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      At a Glance\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cul\u003e\n       \u003cli\u003eTransformer saturation circuit that adds low-end harmonics and a low-end bump.\u003c\/li\u003e\n       \u003cli\u003ePassive saturation circuit that adds a lot of odd and even harmonics.\u003c\/li\u003e\n       \u003cli\u003eActive germanium stage with a vintage sound and a mix of harmonics.\u003c\/li\u003e\n       \u003cli\u003eClass-A stage with a pleasant British '70s sound.\u003c\/li\u003e\n       \u003cli\u003eM\/S function for separate processing of the mid and side channels.\u003c\/li\u003e\n       \u003cli\u003eIlluminated switches and detented potentiometers for easy recall.\u003c\/li\u003e\n      \u003c\/ul\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      TX Drive\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      The first harmonic stage, TX Drive, is a transformer saturation circuit with a single control that adjusts the amount of transformer saturation while keeping the output level consistent. The circuit generates approximately 1% harmonic distortion in the low end, with a subtle presence of higher harmonics. It also introduces a slight 2 dB boost around 30 Hz. As you increase the drive, the boost and higher harmonics decrease, but the low-end harmonics remain steady at around 1%.\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Gain\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Following the TX Drive is a gain control, allowing you to push the subsequent Saturation and Germanium stages harder to generate more harmonics.\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Sat (Saturation Stage)\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      The second stage is a passive saturation circuit that primarily introduces odd harmonics. Engaging the Even switch adds even harmonics as well. The amount of harmonic content depends on how hard this stage is driven.\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Ge (Germanium Stage)\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      The third stage is an active germanium circuit that emphasizes even harmonics, delivering a rich vintage character with a smooth, slightly rounded high end. Like the Sat stage, the harmonic content increases as the stage is driven harder.\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Output Trim\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      A final output trim control allows for fine-tuning the signal level before it enters the blend section.\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Blend\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      The Blend control lets you mix the processed signal from the harmonic stages with the dry signal, giving you precise control over the overall tonal balance.\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      M\/S Processing\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      A M\/S (mid\/side) function enables separate processing of the mid and side channels. For example, you can apply TX Drive to the mid channel for enhanced low-end harmonics while using the Sat and Ge stages to add harmonic richness to the side channel.\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Class-A Stage\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      After the blend and M\/S processing, the signal passes through a transformer-coupled class-A stage, which imparts a warm, punchy sound with a midrange presence and silky high end, reminiscent of classic British class-A designs from the early �70s.\n      \u003cp\u003e\u003c\/p\u003e\n      \u003cp\u003eThis stage also includes an HF boost option, subtly enhancing the top end for added air and openness.\u003c\/p\u003e\n      \u003cp\u003eNote that the Class-A stage is positioned after the M\/S encoder\/decoder and cannot be used in M\/S mode.\u003c\/p\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003ca\u003e\u003cimg\u003e\u003c\/a\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eItems Included\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eTK Audio The Transformer Stereo Harmonic Generator and Color Box\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003ePower Cord\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eLimited 1-Year Manufacturer Warranty\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003ch4\u003eAdditional Resources \u003c\/h4\u003e\n \u003cdiv\u003e\n  \u003ca\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cp\u003eUser Manual\u003c\/p\u003e\n     \u003cp\u003e1.6 MB\u003c\/p\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\u003c\/a\u003e\n \u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eTK Audio Transformer Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       General\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eGain\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eUp to +20 dB\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eOutput\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e-20 to 0 dB, Trim\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eInput Impedance\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e20 Kilohms\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMaximum Input Level\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e+26 dBu\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMaximum Output Level\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e+26 dBu\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eSNR\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e89 dB, at 0 dBu\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eDynamic Range\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e115 dB\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Inputs\/Outputs\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAudio I\/O\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e2x XLR 3-Pin Input (Left\/Right)\u003cbr\u003e2x XLR 3-Pin Output (Left\/Right)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Power\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePower Source\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eAC Input\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAC Input Power\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u003cb\u003e\u003c\/b\u003e115 to 230 VAC, 50 \/ 60 Hz\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePower Consumption\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e13 VA\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Physical\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMounting\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e2x Rack Ears\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eColor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eBlack\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Packaging Info\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePackage Weight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e11.325 lb\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e21.6 x 14.1 x 4.6\"\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"TK Audio-10","offers":[{"title":"Default Title","offer_id":41337755992149,"sku":"TKTHTRNSFRMR:TKTHTRNSFRMR:bhpv","price":297835.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1739144730_1877252.jpg?v=1749285816"},{"product_id":"elysia-xmax-500-series-multiband-mastering-compressor","title":"elysia xmax 500-Series Multiband Mastering Compressor","description":"\u003cdiv\u003e\n \u003ch2\u003eelysia xmax Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      The \n      \u003cstrong\u003eelysia xmax 500 Series Module\u003c\/strong\u003e is a mastering-grade, Class-A analog processor designed for engineers who demand detailed control, sonic transparency, and space-saving modularity. Housed in the 500 Series format, it delivers the same core functionality as the rack version�combining powerful multiband compression, Mid\/Side processing, and precision tone shaping in a modular design ideal for mixing, mastering, and live sound applications.\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Class-A Circuitry with Mid\/Side Architecture\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      The xmax 500 Series Module encodes the stereo signal into Mid and Side components, allowing separate dynamic treatment of central and spatial content. The Mid signal is split into Low and Mid frequency bands, resulting in three dedicated compression bands (Low, Mid, and Side). After processing, the signal is decoded back to stereo for final tone sculpting and output.\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Multiband Compression with Flexible Control\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Each compression band can be adjusted independently and linked using the VariLink function for cohesive behavior. The Smart Global Release control allows for fast, unified adjustment of release times across all bands. A dedicated Punch mode adds transient emphasis, making it ideal for mix bus and stem compression.\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Stereo Imaging and Tone Shaping Tools\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      A built-in Side Band Mono-Maker collapses low-frequency side content to mono, tightening the stereo field and improving mix clarity. A single-knob shelving EQ provides intuitive tone shaping after compression, while a variable crossover frequency gives precise control over low-end definition between bands.\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Soft Clipping and Metering for Loudness Management\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      The xmax's analog soft clipper, inherited from the elysia alpha compressor, gently limits peaks without harshness-perfect for increasing loudness without sacrificing headroom. High-quality analog meters provide at-a-glance visibility of input\/output levels, gain reduction, and clipping status for each band.\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003ca\u003e\u003cimg\u003e\u003c\/a\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eItems Included\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eelysia xmax 500-Series Multiband Mastering Compressor\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eLimited 2-Year Manufacturer Warranty\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003ch4\u003eAdditional Resources \u003c\/h4\u003e\n \u003cdiv\u003e\n  \u003ca\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cp\u003eUser Manual\u003c\/p\u003e\n     \u003cp\u003e3.8 MB\u003c\/p\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\u003c\/a\u003e\n \u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eelysia xmax Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Inputs\/Outputs\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAudio I\/O\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e2x XLR 3-Pin Line Input\u003cbr\u003e2x 1\/4\" TRS Line Input\u003cbr\u003e2x XLR 3-Pin Line Output\u003cbr\u003e2x 1\/4\" TRS Line Output\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Wireless\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMobile App Compatible\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eNo\u003cb\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Power\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePower Source\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eProprietary Interface (Built-In)\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePower Consumption\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9 W\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePower Handling\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e500-Series Rack Required: +\/- 16V\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Physical\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMounting\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSide: Multiple 500 Series Rack\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eColor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eBlack\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eWeight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e3.17 lb \/ 1.44 kg\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Packaging Info\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePackage Weight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1.39 lb\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e12.6 x 7.8 x 5.4\"\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"elysia-10","offers":[{"title":"Default Title","offer_id":41338982105173,"sku":"ELXMAX500:ELXMAX500:bhpv","price":258640.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1737990382_1876134.jpg?v=1749352359"},{"product_id":"api-audio-2500-stereo-bus-compressor","title":"API AUDIO 2500+ Stereo Bus Compressor","description":"\u003cdiv\u003e\n \u003ch2\u003eAPI AUDIO 2500+ Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cp\u003eIdeal for enhancing punch and tone in stereo mixes, the \u003cstrong\u003eAPI Audio 2500+\u003c\/strong\u003e is a stereo bus compressor with a number of unique features that give it an edge in shaping dynamics. With selectable feedforward (new) and feedback (old) modes and selectable preset or variable release time control, you can precisely sculpt your dynamics to handle any program material. \u003c\/p\u003e\n   \u003cp\u003e The front-panel control features are extensive and include: a 3-way THRUST circuit control for enhancing low-frequency punch, selectable soft, medium, and hard-knee compression modes, selectable auto or manual makeup gain control, and separate compressor-in and hardwired bypass buttons. The innovative Mix\/Blend section allows you to select between standard compression only output, cross mode for internal cross processing (wet-\/dry-style blending), and parallel, which lets you mix your compressed signal into a static uncompressed signal. The 2500+ sports a useful Link section in which you can engage in stepped link control ranging from independent to 100% link in six steps. You can switch the detection speed of the Link section, switching the speed between fast (peak) and slow (RMS). Finally, stereo illuminated VU meters are included with selectable source monitoring, allowing you to select between monitoring input, output, or gain reduction levels.\u003c\/p\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Basic Compression Controls\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The 2500+ features typical compression controls, including:\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cul\u003e\n        \u003cli\u003eThreshold control (continuously variable) ranging from +20 to -20 dBu\u003c\/li\u003e\n        \u003cli\u003eAn over-threshold LED indicator is included above the threshold control\u003c\/li\u003e\n        \u003cli\u003eSeven fixed attack times: 0.03, 0.1, 0.3, 1, 3, 10, and 30 ms\u003c\/li\u003e\n        \u003cli\u003eSeven fixed compression ratios: 1.5:1, 2:1, 3:1, 4:1, 6:1, 10:1, and Infinity:1\u003c\/li\u003e\n        \u003cli\u003eSix optionally fixed release times: 0.05, 0.1, 0.2, 0.5, 1, and 2 seconds\u003c\/li\u003e\n        \u003cli\u003eContinuously variable release times ranging from 50 ms to 3 seconds\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       THRUST Circuit\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The patented THRUST feature has been used for many years in the famed ATI Paragon and Paragon II consoles, as well as the Pro-6 Input Strip. This circuit places a filter in front of the RMS detector, with a slope of 10 dB per decade, which is the inverse of the pink noise energy curve.\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003e By switching the THRUST button in either the medium or loud positions, this inverse filter evens out the energy by lowering the energy in the low frequencies and increasing the energy in the high frequencies, so each octave has the same energy instead of each octave having half the energy as the one lower. This creates a unique compression effect that reduces the overall gain, but the sound is much punchier and the signal actually sounds much less compressed.\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Variable Stereo Link\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The L\/R Link feature is unique to the API 2500+. First, there is a variable link control, ranging from IND (independent) to 50% through 100% in six steps. Variable linking allows combining the left\/right control voltages over a range, minimizing the interaction between channels while still linking them to retain the stereo image. \n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003e While engaged, the link control has selectable detection speeds?fast (peak) and slow (RMS). The 2500+ has two completely identical compressor circuits?from the input, through the RMS detector, to the VCAs, and to the output section. When the 2500+ is linked, the control voltages are summed together, but both channels still detect their own control voltages. This eliminates changing the tone of the compressor when linking is used.\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Mix\/Blend Circuit\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       First featured in the limited production 50th Anniversary Edition, the Mix\/Blend control provides either crossfader or parallel mixing of the compressed and uncompressed signals. Three different user settings are offered:\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cul\u003e\n        \u003cli\u003eOff: this offers the compressed signal only\u003c\/li\u003e\n        \u003cli\u003eX (Cross): this setting allows the Mix control to be adjusted between 100% uncompressed to 100% compressed, increasing one while decreasing the other\u003c\/li\u003e\n        \u003cli\u003eII (Parallel): with this setting, you can use the Mix control to dial in the compressed signal and blend it into the uncompressed signal (which remains the same)\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eItems Included\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eAPI AUDIO 2500+ Stereo Bus Compressor\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eLimited 5-Year Manufacturer Warranty\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003ch4\u003eAdditional Resources \u003c\/h4\u003e\n \u003cdiv\u003e\n  \u003ca\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cp\u003eUser Manual\u003c\/p\u003e\n     \u003cp\u003e3.0 MB\u003c\/p\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\u003c\/a\u003e\n \u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eAPI AUDIO 2500+ Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       General\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eInput Impedance\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e60 Kilohms\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eOutput Impedance\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e75 Ohms\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMaximum Output Level\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e+32 dBu\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eFrequency Response\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e20 Hz to 50 kHz (?0.5 dB)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eSignal-to-Noise Ratio\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e120 dB\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Inputs\/Outputs\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAudio I\/O\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e2x XLR 3-Pin Line Input (1 Stereo Pair)\u003cbr\u003e2x 1\/4\" Line Input (Side-Chain)\u003cbr\u003e2x XLR 3-Pin Line Output (1 Stereo Pair)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Power\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePower Source\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eAC Input\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAC Input Power\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u003cb\u003eChanging Voltage Requires Manual Switching\u003c\/b\u003e\u003cbr\u003e\u003cb\u003e\u003c\/b\u003e115 to 230 VAC, 50 \/ 60 Hz\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePower Consumption\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e28.8 W\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Physical\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMounting\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eFront: 4x Standard Rack Screw\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eColor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eBlack\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMaterial of Construction\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eMetal\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eDimensions\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e19 x 10.5 x 1.75\" \/ 48.3 x 26.7 x 4.45 cm\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eWeight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9.4 lb \/ 4.3 kg\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Packaging Info\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePackage Weight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e12.975 lb\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e23 x 16 x 6.6\"\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"API AUDIO-10","offers":[{"title":"Default Title","offer_id":41974150889557,"sku":"AP2500:AP2500:bhpv","price":535630.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1751541960_1904684.jpg?v=1765917201"},{"product_id":"api-audio-sr22-dual-channel-compressor","title":"API AUDIO SR22 Dual-Channel Compressor","description":"\u003cdiv\u003e\n \u003ch2\u003eAPI AUDIO SR22 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cp\u003eBased on the celebrated dynamics section of the classic ATI Paragon live mixing consoles, the \u003cstrong\u003eAPI Audio SR22\u003c\/strong\u003e is a dual-channel compressor with optional stereo link support and API's patented THRUST circuit for enhanced low-end punch. Sporting variable threshold, ratio, and makeup gain controls, this compressor is fast, easy to use, and delivers professional results.\u003c\/p\u003e\n   \u003cp\u003eThe SR22 features an automatic timing circuit that sets the attack and release times based on the audio signal, resulting in pleasing compression that avoids the clicks and pops of hard-edged attack and ultrafast release times. You can also switch between hard- or soft-knee compression modes. The SR22 includes two classic illuminated analog VU meters, with the option to switch between monitoring output level or gain reduction. You also get a peak LED indicator. This compressor provides fully balanced I\/O via either XLR or 1\/4\" connections.\u003c\/p\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       A Paragon of Compression\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       This is the same compressor circuit originally included in all ATI Paragon mixing consoles. ATI was founded in 1988 to manufacture audio equipment for live sound reinforcement. Paragon mixing consoles could be found on many of the top tours of the past 20 years. One of the most distinctive features of these consoles were the onboard dynamics processing, favorites of many top engineers on the road.\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003eATI was able to acquire API in 1999, and today, the engineering approach and manufacturing processes of ATI have been incorporated into API. The SR22 is a faithful reproduction of this classic compression circuity.\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Simple Control\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Each channel includes the patented THRUST circuit, which protects the sensitive high-frequency content of the audio signal, even under the most vigorous of compression ratios. The perfect companion to the new SR24 Dual Channel EQ, the SR22 provides comprehensive, easy-to-use control along with classic analog VU meters for monitoring output and gain reduction. The two channels can also be linked for use as a stereo compressor with true RMS power summing of the left and right signals.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eItems Included\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eAPI AUDIO SR22 Dual-Channel Compressor\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eLimited 5-Year Manufacturer Warranty\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003ch4\u003eAdditional Resources \u003c\/h4\u003e\n \u003cdiv\u003e\n  \u003ca\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cp\u003eUser Manual\u003c\/p\u003e\n     \u003cp\u003e2.0 MB\u003c\/p\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\u003c\/a\u003e\n \u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eAPI AUDIO SR22 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       General\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eInput Impedance\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e15 Kilohms\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eFrequency Range\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e20 Hz to 50 kHz\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eTHD + N\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u0026lt;0.005%\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMaximum Input Level\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e+19 dBu\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eSignal-to-Noise Ratio\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e-88 dBu (Compressor In)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCrosstalk\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u0026lt;84 dB\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Inputs\/Outputs\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAudio I\/O\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e2x XLR 3-Pin Line Input\u003cbr\u003e2x 1\/4\" TRS Line Input\u003cbr\u003e2x XLR 3-Pin Line Output\u003cbr\u003e2x 1\/4\" TRS Line Output\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Power\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePower Source\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eAC Input\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAC Input Power\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u003cb\u003eChanging Voltage Requires Manual Switching\u003c\/b\u003e\u003cbr\u003e\u003cb\u003e\u003c\/b\u003e115 to 230 VAC, 50 \/ 60 Hz\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePower Consumption\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e12 W\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Physical\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMounting\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eFront: 4x Standard Rack Screw\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eColor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eBlue\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMaterial of Construction\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eMetal\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eDimensions\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e19 x 10 x 3.5\" \/ 48.3 x 25.4 x 8.9 cm (2 RU)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eWeight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e12 lb \/ 5.4 kg\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"API AUDIO-10","offers":[{"title":"Default Title","offer_id":41974155673685,"sku":"APSR22:APSR22:bhpv","price":219670.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1751542700_1904711.jpg?v=1765917389"},{"product_id":"api-audio-t25-2-channel-tube-compressor-limiter","title":"API AUDIO T25 2-Channel Tube Compressor\/Limiter","description":"\u003cdiv\u003e\n \u003ch2\u003eAPI AUDIO T25 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cp\u003eRepresenting a new direction in \u003cstrong\u003eAPI Audio\u003c\/strong\u003e's line of compressor\/limiters, the \u003cstrong\u003eT25\u003c\/strong\u003e is a 2-channel feedback-style stereo dynamics processor with FET-based gain reduction circuitry and a Class-A tube output stage sporting 12AT7WC and 12BH7 tubes and a custom transformer. With a flexible feature set, the T25 delivers classic tube performance for signals or whole mixes.\u003c\/p\u003e\n   \u003cp\u003eThe T25 sports stepped and detented controls for easy recall, with 11-step attack and release controls, 31-step input\/threshold and output\/makeup gain controls, and four fixed compression ratios (2:1, 4:1, 8:1, and 20:1). Other useful functions include a THRUST feature for engaging a frequency-dependent side-chain control, and the D-S feature, which provides a high-frequency-dependent side-chain for applying de-essing to vocals. By default, the T25 features a dual-mono output, while the Link switch engages stereo processing. Stereo connections are available via XLR 3-pin and 1\/4\" TRS I\/O on the rear panel. You can keep an eye on all your signals with the classic-style analog VU meters, the 10-segment LED gain-reduction meter, and the LED peak indicator.\u003c\/p\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       THRUST Feature\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The patented THRUST inserts a filter in front of the RMS detector that evens out the energy by lowering the energy in the low frequencies and increasing the energy in the high frequencies, so each octave has the same energy, instead of each octave having half as much energy as the one lower. This creates a unique compression effect that still reduces the overall gain, but the sound is much more punchy and the signal actually sounds much less compressed.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Stereo Link Processing\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The channels 1 and 2 of the T25 Tube Compressor function can be linked together for stereo operation. This will prevent center-image shifting caused by differing amounts of gain reduction on each channel when compressing correlated stereo signals and mixes. Examples include stereo piano or guitar, drum overheads, or any other audio recorded with a stereo array. The T25 can also be used as stereo mix bus compressor when used in linked mode.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eItems Included\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eAPI AUDIO T25 2-Channel Tube Compressor\/Limiter\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eLimited 5-Year Manufacturer Warranty\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003ch4\u003eAdditional Resources \u003c\/h4\u003e\n \u003cdiv\u003e\n  \u003ca\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cp\u003eUser Manual\u003c\/p\u003e\n     \u003cp\u003e1.8 MB\u003c\/p\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\u003c\/a\u003e\n \u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eAPI AUDIO T25 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       General\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eInput Impedance\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e20 Kilohms\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eOutput Impedance\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e75 Ohms\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMaximum Output Level\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e+24 dBu\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eFrequency Response\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e20 Hz to 40 kHz (+0 \/ -1 dB)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eGain\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e+40 dB (Maximum)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eSignal-to-Noise Ratio\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e90 dB\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Inputs\/Outputs\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAudio I\/O\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e2x XLR 3-Pin Line Input (1 Stereo Pair)\u003cbr\u003e2x 1\/4\" TRS Line Input (1 Stereo Pair)\u003cbr\u003e2x XLR 3-Pin Line Output (1 Stereo Pair)\u003cbr\u003e2x 1\/4\" TRS Line Output (1 Stereo Pair)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Power\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePower Source\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eAC Input\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAC Input Power\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u003cb\u003eChanging Voltage Requires Manual Switching\u003c\/b\u003e\u003cbr\u003e\u003cb\u003e\u003c\/b\u003e115 to 230 VAC, 50 \/ 60 Hz\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePower Consumption\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e45 W\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Physical\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMounting\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eFront: 4x Standard Rack Screw\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eColor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eBlue\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMaterial of Construction\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eMetal\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eDimensions\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e21 x 15 x 9\" \/ 53.3 x 38.1 x 22.9 cm\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eWeight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e14 lb \/ 6.4 kg\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Packaging Info\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePackage Weight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e17.485 lb\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e21 x 14.7 x 8.7\"\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"API AUDIO-10","offers":[{"title":"Default Title","offer_id":41974156197973,"sku":"APT25:APT25:bhpv","price":365165.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1751542882_1904716.jpg?v=1765917436"},{"product_id":"chameleon-labs-7721-stereo-vca-compressor","title":"Chameleon Labs 7721 Stereo VCA Compressor","description":"\u003cdiv\u003e\n \u003ch2\u003eChameleon Labs 7721 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cp\u003eProviding classic compression controls along with less common features, the \u003cstrong\u003eChameleon Labs 7721\u003c\/strong\u003e is an analog VCA compressor with stereo XLR I\/O and a side-chain input for utilizing a secondary trigger source. With selectable peak or RMS detection modes, you can engage in either rapid (peak) or averaged (RMS) reaction to handle virtually any signal type, from instruments to whole mixes.\u003c\/p\u003e\n   \u003cp\u003eThe 7721 features a selectable 24 dB per octave high-pass filter with an adjustable filter point from 20 to 200 Hz. Controls include typical threshold, attack, and release controls, as well as gain ratio, blend (for internal parallel processing), and soft or hard knee compression selection. The custom VU meter monitors input, output, and gain reduction levels. The output stage is fully balanced. With an internal universal switching power supply, this compressor is compatible with all international power sources. The 7721 is designed and built in North America.\u003c\/p\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Selectable Peak or RMS Detection\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Peak\/RMS Detection toggles the compressors behavior based on the wave peaks, for rapid instantaneous voltage signals like snare hits, horn stabs, hand claps, dynamic singers, and the world's most irritating instrument to record, the triangle, while RMS responds to the average energy in the signal?perfect for the mix bus, bass, drum loops, guitars, and background vocals.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Useful Controls\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eSide-Chain: engages the 20 to 200 Hz 24 dB per octave high-pass filter, which only feeds the detector circuit (not your audio path), letting more bottom end through while controlling the mid and upper energy to make hip-hop, rock, and EDM pulse.\u003c\/li\u003e\n        \u003cli\u003eDry\/wet blend: lets you mix the original signal with the compressed signal for instant parallel-like processing. This will preserve the transients, while simultaneously taming the track.\u003c\/li\u003e\n        \u003cli\u003eSoft\/Hard Knee: lets you switch between a gentler compression onset and a faster onset more akin to limiting.\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     UPC: 863140000282\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eItems Included\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eChameleon Labs 7721 Stereo VCA Compressor\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eLimited 1-Year Manufacturer Warranty\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003ch4\u003eAdditional Resources \u003c\/h4\u003e\n \u003cp\u003eNo additional resources available\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eChameleon Labs 7721 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Inputs\/Outputs\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAudio I\/O\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e2x XLR 3-Pin Line Input (1 Stereo Pair)\u003cbr\u003e1x XLR 3-Pin Input (Side-Chain)\u003cbr\u003e2x XLR 3-Pin Line Output (1 Stereo Pair)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Power\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePower Source\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eAC Input\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAC Input Power\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u003cb\u003e\u003c\/b\u003e100 to 240 VAC, 50 \/ 60 Hz\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Physical\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMounting\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eFront: 4x Standard Rack Screw\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eColor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eBlack\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eDimensions\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e19\" \/ 48.3 cm (1 RU)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Packaging Info\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePackage Weight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e13.115 lb\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e21.4 x 16.9 x 5.7\"\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Chameleon Labs-10","offers":[{"title":"Default Title","offer_id":41974329180245,"sku":"CH7721:CH7721:bhpv","price":251970.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1748599659_1899003.jpg?v=1765928646"},{"product_id":"cranborne-audio-brick-lane-500-modal-pwm-compressor-for-500-series","title":"Cranborne Audio Brick Lane 500 Modal PWM Compressor for 500 Series","description":"\u003cdiv\u003e\n \u003ch2\u003eCranborne Audio Brick Lane 500 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The \n       \u003cstrong\u003eBrick Lane 500\u003c\/strong\u003e from \n       \u003cstrong\u003eCranborne Audio\u003c\/strong\u003e is an advanced analog PWM compressor designed to redefine dynamics control in professional audio production. Powered by its innovative Modal PWM Compression architecture, this module provides unmatched flexibility by offering multiple distinct compression styles within a single unit. Each mode represents a unique compression approach, delivering a wide range of sonic characteristics tailored to various applications.\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003eFrom gentle, Vari-Mu-inspired curves to rapid FET-like responsiveness, the Brick Lane 500 adapts seamlessly to any creative need. Compression ratio, attack, release, and knee behaviors dynamically shift between modes, providing precise control over tonal and dynamic shaping. The versatile Stress control enhances each mode, offering options like subtle harmonic warmth, transient shaping, mix glue, and loudness optimization. Ideal for mixing and sound design, the Brick Lane 500 delivers the power of multiple legendary compressors in one compact module, making it a powerful tool for professionals seeking a flexible and creative approach to compression.\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Modal Compression: The Sonic Transformation Engine\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       The Brick Lane 500 introduces six distinct compression characters, each meticulously crafted to deliver unique sonic signatures:\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cul\u003e\n        \u003cli\u003eVelvet: Vintage Vari-Mu-style musicality with tube-inspired harmonic compression. This compression style offers smooth, organic, dynamic control with vintage tonal warmth and character.\u003c\/li\u003e\n        \u003cli\u003eFloat: Transparent opto-inspired dynamics with moderate transparency and gentle, wavelike compression ballistics.\u003c\/li\u003e\n        \u003cli\u003eSmash: FET-style transient dominance with aggressive dynamic reduction, and explosive punch, and sonic impact.\u003c\/li\u003e\n        \u003cli\u003eTame: Precision transient management with ultrafast, transparent control and surgical dynamic precision.\u003c\/li\u003e\n        \u003cli\u003eGlue: Glue together all the elements of your mix with this on your master bus for gentle bus-style compression.\u003c\/li\u003e\n        \u003cli\u003ePolish: Ultimate mastering-style limiting with the cleanest, fastest analog limiter with Clairborne's Analog Lookahead technology.\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Key Technological Innovations\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       PWM Compression for Ultimate Analog Compression\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003ePure PWM (Pulse Width Modulation) analog signal processing\u003c\/li\u003e\n        \u003cli\u003eMinimizes undesirable compression artefacts and distortion\u003c\/li\u003e\n        \u003cli\u003eInfinite control of compression envelopes, onsets, and ballistics\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Analog Lookahead Technology\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eQuarter-wave predictive voltage detection provides an advanced transient anticipation mechanism\u003c\/li\u003e\n        \u003cli\u003eEnables zero-latency dynamics control\u003c\/li\u003e\n        \u003cli\u003ePrevents converter clipping with surgical precision\u003c\/li\u003e\n        \u003cli\u003eExclusive to Polish mode for ultimate mastering-grade limiting\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Transient Harmonic Saturation\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eProprietary Stress control enables nuanced audio coloration for each compression mode\u003c\/li\u003e\n        \u003cli\u003eTransforms compression into a creative instrument\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Full Analog Signal Path\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003ePure PWM processing\u003c\/li\u003e\n        \u003cli\u003e100% analog signal integrity with no digital conversion\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        Stereo-Link via OptoSync\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eBrick Lane 500 features Cranborne Audio?s OptoSync technology, enabling two Brick Lane 500 units to work as a perfect stereo pair for mixes and stereo sources.\u003c\/li\u003e\n        \u003cli\u003eUsing OptoSync, all controls are synchronized from the left unit to the right without cables or internal fixings. Switch OptoSync for all slave units to ON and its controls all synchronize to the master unit wirelessly using LED and optical communication.\u003c\/li\u003e\n        \u003cli\u003eYou can also use OptoSync to link together multiple units for applying the same sonic footprint across entire summing mixers or multichannel surround mixes.\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      At a Glance\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003e500 Series modal PWM compressor meticulously developed by the Cranborne Audio team in the UK\u003c\/li\u003e\n        \u003cli\u003eCustom PWM compression circuit and unique Stress control for harmonically-enriched compression effects\u003c\/li\u003e\n        \u003cli\u003e6 Compression modes - Velvet, Float, Smash, Tame, Glue, and Polish set compression ratio, knee, compression style, and compression rate of change\u003c\/li\u003e\n        \u003cli\u003eThreshold control and variable-range attack and release controls (altered per mode)\u003c\/li\u003e\n        \u003cli\u003e12-segment LED level meter and 12-segment LED gain reduction meter\u003c\/li\u003e\n        \u003cli\u003e4 selectable sidechain HPF modes?OFF, 60 Hz, 100 Hz, 200 Hz\u003c\/li\u003e\n        \u003cli\u003e?20 dB Input and Output \/ Make-Up Gain Level to tailor the compression and saturation character to the source\u003c\/li\u003e\n        \u003cli\u003eOptoSync wireless communication between modules for linked controls during stereo operation\u003c\/li\u003e\n        \u003cli\u003e3.5mm TRS socket for linking non-adjacent modules\u003c\/li\u003e\n        \u003cli\u003eCircuit auto-calibration for perfect stereo matching between all modules\u003c\/li\u003e\n        \u003cli\u003eTrue-bypass IN\/OUT switching with complete or post input trim modes available on DIP switch\u003c\/li\u003e\n        \u003cli\u003eStepped, front-panel controls for quick recall and precise feel\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eItems Included\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eCranborne Audio Brick Lane 500 Modal PWM Compressor for 500 Series\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003ch4\u003eNot Included\u003c\/h4\u003e\n \u003cul\u003e\n  \u003cli\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Essential\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n\u003ca\u003eExpansion Chassis\u003c\/a\u003e\n\u003c\/li\u003e\n \u003c\/ul\u003e\n \u003ch4\u003eAdditional Resources \u003c\/h4\u003e\n \u003cdiv\u003e\n  \u003ca\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cp\u003eQuickstart Guide\u003c\/p\u003e\n     \u003cp\u003e2.9 MB\u003c\/p\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\u003c\/a\u003e\n \u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eCranborne Audio Brick Lane 500 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       General\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eTechnical Data\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eTest Signal Path: APx555 (Line Out) - Input - Line Output - APx555 (Line In)\u003cbr\u003e Max Input Level: +24 dBu (\u0026lt;0.003% THD)\u003cbr\u003e Max Output Level: +26.5dBu (\u0026lt;0.003% THD)\u003cbr\u003e Frequency Response: ?0.5dB, 2 Hz to 80 kHz\u003cbr\u003e Noise Floor: \u0026lt;-100 dBu (Unweighted)\u003cbr\u003e Dynamic Range: \u0026gt;118 dB\u003cbr\u003e Input Impedance: Line = 43 Kilohms\u003cbr\u003e Output Impedance: Line = 150 Ohms\u003cbr\u003e Current Draw: 140mA per Rail - Typical Use Case, 160 mA per Rail - Max\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCompression\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eCompressor Element: Pulse Width Modulation\u003cbr\u003e Switching Frequency: 250 kHz\u003cbr\u003e Distortion (THD):\u003cbr\u003e 0dB Gain Reduction - \u0026lt;0.0006% THD+N, \u0026lt;0.00025% THD\u003cbr\u003e 5dB Gain Reduction - \u0026lt;0.00085% THD\u003cbr\u003e 10dB Gain Reduction - \u0026lt;0.00085% THD\u003cbr\u003e 20dB Gain Reduction - \u0026lt;0.00085% THD\u003cbr\u003e Harmonics (Stress Control): \u0026lt;20% THD Depending on Conditions\u003cbr\u003e Sidechain Detection HPF: Selectable - 60 Hz, 100 Hz, 200 Hz, OFF\u003cbr\u003e Minimum Attack Time (Standard): 6 Nanoseconds (2 Microseconds Processing Delay)\u003cbr\u003e Minimum Attack Time (POLISH Mode with Analog Lookahead Enabled): 6 Nanoseconds, 0 Nanoseconds Processing Delay at 20 kHz\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Wireless\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMobile App Compatible\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eNo\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Power\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePower Source\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eDC Input\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eOperating Current\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e140 mA (Typical)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Physical\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMounting\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eMultiple 500 Series\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eColor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eBlack\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eOperating Conditions\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e33 to 95?F \/ 1 to 35?C\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eStorage Conditions\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e-4 to 122?F \/ -20 to 50?C\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eDimensions\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e6.8 x 5.3 x 1.5\" \/ 172.3 x 133.4 x 38 mm\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eWeight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e0.9 lb \/ 0.4 kg\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Packaging Info\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePackage Weight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1.94 lb\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e10 x 7.9 x 3.8\"\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Cranborne Audio-10","offers":[{"title":"Default Title","offer_id":41974377447509,"sku":"CRBRCKLAN500:CRBRCKLAN500:bhpv","price":97610.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1737542728_1875688.jpg?v=1765931972"},{"product_id":"elysia-xmax-qube-multiband-mastering-compressor","title":"elysia xmax qube Multiband Mastering Compressor","description":"\u003cdiv\u003e\n \u003ch2\u003eelysia xmax Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The \n       \u003cb\u003eelysia XMAX qube\u003c\/b\u003e is a mastering-grade, Class-A analog processor designed for engineers who demand detailed control, sonic transparency, and standalone flexibility. Housed in a compact desktop chassis, it delivers the same core functionality as the rack and 500 Series versions?combining powerful multiband compression, Mid\/Side processing, and precision tone shaping in a self-contained format ideal for mixing, mastering, and live sound applications.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Class-A Circuitry with Mid\/Side Architecture\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The XMAX qube encodes the stereo signal into Mid and Side components, allowing separate dynamic treatment of central and spatial content. The Mid signal is split into Low and Mid frequency bands, resulting in three dedicated compression bands (Low, Mid, and Side). After processing, the signal is decoded back to stereo for final tone sculpting and output.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Multiband Compression with Flexible Control\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Each compression band can be adjusted independently and linked using the VariLink function for cohesive behavior. The Smart Global Release control allows for fast, unified adjustment of release times across all bands. A dedicated Punch mode adds transient emphasis, making it ideal for mix bus and stem compression.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Stereo Imaging and Tone Shaping Tools\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       A built-in Side Band Mono-Maker collapses low-frequency side content to mono, tightening the stereo field and improving mix clarity. A single-knob shelving EQ provides intuitive tone shaping after compression, while a variable crossover frequency gives precise control over low-end definition between bands.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Soft Clipping and Metering for Loudness Management\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The XMAX's analog soft clipper, inherited from the elysia alpha compressor, gently limits peaks without harshness-perfect for increasing loudness without sacrificing headroom. High-quality analog meters provide at-a-glance visibility of input\/output levels, gain reduction, and clipping status for each band.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eItems Included\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eelysia xmax qube Multiband Mastering Compressor\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eLimited 2-Year Manufacturer Warranty\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003ch4\u003eAdditional Resources \u003c\/h4\u003e\n \u003cdiv\u003e\n  \u003ca\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cp\u003eUser Manual\u003c\/p\u003e\n     \u003cp\u003e3.8 MB\u003c\/p\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\u003c\/a\u003e\n \u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eelysia xmax Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Inputs\/Outputs\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAudio I\/O\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e2x XLR 3-Pin Line Input\u003cbr\u003e2x 1\/4\" TRS Line Input\u003cbr\u003e2x XLR 3-Pin Line Output\u003cbr\u003e2x 1\/4\" TRS Line Output\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Wireless\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMobile App Compatible\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eNo\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Power\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePower Source\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eAC Input (Included)\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eDC Input Power\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e18 VDC at 1 A\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePower Consumption\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9 W\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Physical\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eColor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eBlack\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eWeight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e3.17 lb \/ 1.44 kg\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Packaging Info\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePackage Weight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e3.96 lb\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e12.3 x 7.9 x 5.5\"\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"elysia-10","offers":[{"title":"Default Title","offer_id":41974526836821,"sku":"ELXMAXQUBE:ELXMAXQUBE:bhpv","price":293465.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1737990411_1876135.jpg?v=1765937733"},{"product_id":"eventide-omnipressor-2830au-compressor-and-expander-pair-2","title":"Eventide Omnipressor 2830AU Compressor and Expander (Pair)","description":"\u003cdiv\u003e\n \u003ch2\u003eEventide OMNIPRESSSOR 2830AU Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch3\u003eFrom Manufacturer\u003c\/h3\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        Omnipressor 2830Au Reissue Overview \u0026amp; Demo\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        Omnipressor 2830*Au Tips: Master Your Mix with Stereo Linking Mode\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cp\u003eUpdating one of the most influential dynamics processors in music history, the \u003cstrong\u003e50th Anniversary Reissue Omnipressor 2830AU\u003c\/strong\u003e from \u003cstrong\u003eEventide\u003c\/strong\u003e provides users with flexible operation in a rackmountable unit, capable of deftly flowing from compression and limiting to expansion and gating, all with the turn of a knob. But the Omnipressor 2830AU isn't just versatile, it's also unique. Sporting unconventional dynamics functions like the dynamic reversal, the first of its kind, it reverses transient peaks and troughs to produce a simulated tape reversal sound.\u003c\/p\u003e\n   \u003cp\u003eThe original 1976 Omnipressor was the first processor to introduce the concept of side-chaining, and the reissue is no different, sporting both transformer-balanced XLR and unbalanced 1\/4\" side-chain I\/O, as well as line I\/O and link connections for optional stereo processing. The meter sports a three-way switch for selecting between input, output, or gain monitoring. Mix control lets you engage in parallel compression, and you also get a relay-bypass switch, input and output level control, gain, attenuation, threshold control, and much more. And once linked, you can operate in three modes: Stereo Mode for typical stereo dynamics processing, Master Mode for controlling a chain of units with one master unit, and VCA Mode for transforming your Omnipressor into a high-quality voltage-controlled amplifier.\u003c\/p\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       A Piece of History\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Originally invented by Eventide?s founder, Richard Factor (and later redesigned for production by Jon Paul), the 1976 Omnipressor made a host of effects possible. It featured variable control of all aspects of dynamic modification.\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003eIt also introduced the notion of the side-chain and foretold techniques that today we take for granted like lookahead processing. One of its first customers was a young Brian May, lead guitarist of Queen. With the Omnipressor in his rig, his sound was never the same.\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Dynamics Reversal\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       One of the novel features of the Omnipressor is its ability to make signals sound backward. This is a consequence of the Dynamic Reversal feature, which enables loud sounds to come out more softly than soft sounds. Speech waveforms, for instance, generally consist of loud peaks followed by trailing-off envelopes.\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003eBy making these envelopes louder than the peaks, the illusion that the sound is coming out backward is generated. Likewise, drum sounds consist of peaks roughly coincident with mechanical impact, followed by a decay envelope. In general. any material with wide dynamic range can be reversed, and by experimenting with forward and reversal playback, you can achieve an incredible array of effects.\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Dynamics Processing Functions\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Fully counterclockwise, the Omnipressor gain varies sharply from full attenuation to maximum gain as a threshold level is exceeded. As the control is turned clockwise from the center divider, the gain begins decreasing with increasing input level.\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cul\u003e\n        \u003cli\u003eDynamic Reversal: An input level of +10 dB results in an output of -10 dB, and vice versa.\u003c\/li\u003e\n        \u003cli\u003eGate: As the signal decreases below +10 dB, the device gain rapidly goes to minimum.\u003c\/li\u003e\n        \u003cli\u003eExpansion: A 40 dB input range results in a 60 dB output range, increasing dynamic range.\u003c\/li\u003e\n        \u003cli\u003eControl Centered: Input level equals output level.\u003c\/li\u003e\n        \u003cli\u003eLimiting: Gain is unity until input is 0 dB. Above 0 dB, a 30 dB change in input produces a 6 dB output change.\u003c\/li\u003e\n        \u003cli\u003eInfinite Compression: Output level remains unchanged regardless of input level.\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       A Unique Metering System\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The analog VU meter is calibrated over a 60 dB range in a linear\/logarithmic scale. When the three-way switch is in the Input position, the meter reads the input signal level. When in the Gain position, the meter reads the relative gain of the device, giving an indication of the gain control function. In the Output position, the meter reads the output level of the Omnipressor.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Controls and Switches\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eLine switch controls the relay-bypass function\u003c\/li\u003e\n        \u003cli\u003eInput and Output level controls\u003c\/li\u003e\n        \u003cli\u003eMix control for wet\/dry adjustment and parallel compression\u003c\/li\u003e\n        \u003cli\u003eSide-chain enables or disabled side-chain audio path\u003c\/li\u003e\n        \u003cli\u003eInput Threshold controls the operating point of the Omnipressor\u003c\/li\u003e\n        \u003cli\u003eBass cut for reducing low-end leakage into your signals\u003c\/li\u003e\n        \u003cli\u003eControl Attack Time and Release Time\u003c\/li\u003e\n        \u003cli\u003eThree-way switch for Meter Function: Input, Gain, or Output monitoring\u003c\/li\u003e\n        \u003cli\u003eMain Function knob scrolls through basic modes of operation (compression, limiting, reversal, etc.)\u003c\/li\u003e\n        \u003cli\u003eAtten Limit adjusts the limits of maximum attenuation, with a max reduction of 30 dB\u003c\/li\u003e\n        \u003cli\u003eGain Limit commands the maximum gain of the Omnipressor\u003c\/li\u003e\n        \u003cli\u003eLink activates or deactivates the unit to unit linking function\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      More Common Applications\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Voltage-Controlled Amplification\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The Omnipressor can be used as a high-quality voltage-controlled amplifier (VCA) for modulation, electronic music, channel gain variation, amplitude scaling, filter generation, or any application in which a fader or pot is used. Characteristics in the VCA control mode include accurate voltage vs amplitude curve, good tracking, low distortion regardless of signal level (below clipping level), and a wide control range.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Predictive Compression\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The unique ability of the Omnipressor to separate the gain control from the level detector enables one to build what is most conveniently termed a predictive compressor. Such a unit should go a long way towards eliminating the unavoidable imperfections standard units have.\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003eConnect an Omnipressor and an Eventide Digital Delay Line, or similar delay device. Enable the side-chain input. What you have just fabricated is a compressor that can read the future, or, in more common parlance, one which has a negative attack time. \u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Noise Reduction Unit\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The Omnipressor makes a good compression\/expansion noise reduction unit for enhancing the transmission capability of some media such as tape, digital equipment, low grade phone lines, etc. If the Omnipressor is set up as a compressor on the input end (feeding the tape machine or phone line) and as an expander on the output end, then the input dynamic range is compressed during transmission and a medium with, say, 40 dB dynamic range can appear to have a much wider range.\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003eSince identical circuitry with identical time constants is used to produce compression and expansion, perfect dynamic tracking is obtained. If compression and expansion ratios are set properly, the system should be transparent to the listener.\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     UPC: 840694002610\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eItems Included\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003e\u003cspan\u003e2 x Eventide Omnipressor 2830AU Compressor and Expander\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n    \u003cul\u003e\n     \u003cli\u003e\u003cspan\u003eLimited 1-Year Manufacturer Warranty\u003c\/span\u003e\u003c\/li\u003e\n    \u003c\/ul\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003ch4\u003eAdditional Resources \u003c\/h4\u003e\n \u003cdiv\u003e\n  \u003ca\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cp\u003eUser Manual\u003c\/p\u003e\n     \u003cp\u003e2.6 MB\u003c\/p\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\u003c\/a\u003e\n \u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eEventide OMNIPRESSSOR 2830AU Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       General\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMaximum Input Level\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e+20 dB\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMaximum Output Level\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e+18 dB\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eInput Impedance\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e600 Ohms (Transformer Balanced)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eOutput Impedance\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e600 Ohms (Transformer Balanced)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eFrequency Response\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e20 Hz to 16 kHz (-0.5 dB)\u003cbr\u003e 15 Hz to 20 kHz (-1 dB)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eGain\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e-12 to +12 dB (Depending on Output Level)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eDistortion\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eAGC Disabled: 0.02% (At 1 kHz, -20 dB)\u003cbr\u003e AGC: 0.5% (At 1 kHz)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eSNR\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e-90 dB (Unity Gain)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Inputs\/Outputs\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAudio I\/O\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1x XLR 3-Pin Line Input (Balanced)\u003cbr\u003e1x XLR 3-Pin Line Input (Side-Chain)\u003cbr\u003e1x 1\/4\" TRS Line Input (Unbalanced)\u003cbr\u003e1x 1\/4\" TRS Line Input (Side-Chain)\u003cbr\u003e1x 1\/4\" TRS Input (Link)\u003cbr\u003e1x XLR 3-Pin Line Output (Balanced)\u003cbr\u003e1x XLR 3-Pin Line Output (Side-Chain)\u003cbr\u003e1x 1\/4\" TRS Line Output (Unbalanced)\u003cbr\u003e1x 1\/4\" TRS Line Output (Side-Chain)\u003cbr\u003e1x 1\/4\" TRS Output (Link)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Power\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePower Source\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eAC Input\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAC Input Power\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u003cb\u003e\u003c\/b\u003e115 to 230 VAC, 50 \/ 60 Hz\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePower Consumption\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e10 W (Typical)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Physical\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMounting\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eFront: 4x Standard Rackmount Hole\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eColor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eBlack\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMaterial of Construction\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eMetal\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eDimensions\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e19 x 9 x 3.5\" \/ 48.3 x 22.9 x 8.9 cm (W x H x D)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Packaging Info\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePackage Weight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e13.925 lb\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e22.4 x 13.3 x 8.3\"\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Eventide-10","offers":[{"title":"Default Title","offer_id":41974561079381,"sku":"EVOP28302XK:EVOP28302XK:bhpv","price":657035.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1713264305_1823617_14ebdc76-2644-4c28-bbcb-2eb9a1834991.jpg?v=1765938650"},{"product_id":"rupert-neve-designs-portico-542-tape-emulator-500-series-kit-6","title":"Rupert Neve Designs Portico 542 Tape Emulator 500 Series Kit","description":"\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    Kit Contains:\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\n         \u003cdiv\u003e\n          \u003cspan\u003e\n           \u003cdiv\u003e\n            \u003cimg alt=\"Rupert Neve Designs Portico 542 Tape Emulator\"\u003e \n           \u003c\/div\u003e\n           \u003cdiv\u003e\u003c\/div\u003e\u003c\/span\u003e\n         \u003c\/div\u003e\n        \u003c\/div\u003e\n       \u003c\/div\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\n         \u003cdiv\u003e\n          \u003cspan\u003e\n           \u003cdiv\u003e\n            \u003cimg alt=\"Rupert Neve Designs R6 Six Space 500 Series Rack\"\u003e \n           \u003c\/div\u003e\u003c\/span\u003e\n         \u003c\/div\u003e\n        \u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cp\u003eAssembled as an ideal starting point for any 500-series rack system, this \u003cstrong\u003e Kit\u003c\/strong\u003e bundles two \u003cstrong\u003eRupert Neve Designs Portico 542 Tape Emulator\u003c\/strong\u003e units with an 8-channel, 6-space 500-series chassis. This provides you with two channels of warm, true tape circuitry for adding texture to your signals, while leaving you with plenty of room for expansion in the future.\u003c\/p\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Rupert Neve Designs Portico 542 Tape Emulator\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cp\u003eThe \u003cb\u003ePortico 542 Tape Emulator\u003c\/b\u003e from \u003cb\u003eRupert Neve Designs\u003c\/b\u003e is a single-channel 500 series rack module that simulates the sound of analog tape, and adds texture to your audio with its dedicated Silk circuitry. The emulation of tape is achieved with analog hardware, as opposed to digital processing. The 542 features a \"True Tape\" circuit, which utilizes an authentic magnetic record head and a replay amplifier, giving the applied audio the warmth of tape compression. Texture can be added by pushing the Silk button, selecting Red or Blue mode, and adjusting a knob. This adds harmonic content that's reminiscent of vintage Neve equipment.\u003cbr\u003e \u003cbr\u003e Tape Effects can be added in by pressing an illuminated button. A Saturation knob enables you to dial in the amount of effects, and a Blend knob lets you mix the pre and post signals. A 15 \/ 30 IPS button lets you select between the emulations of those two tape-based characteristics. Two eight-segment LED meters are on the face of the 542, one dedicated to Drive, the other to Level. When your signal hits the yellow LED in the Drive meter, a Soft Clip functionality kicks in, protecting your signal from peaking. A 500-Series power supply\/rack is required for operation.\u003c\/p\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     UPC: 752423656967\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Rupert Neve Designs R6 Six Space 500 Series Rack\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cp\u003eWith 150% of the required current for a 6-space 500-series enclosure, the \u003cb\u003eRupert Neve Designs R6\u003c\/b\u003e will help you hear the full potential of your modules. The headroom in available current helps prevent the power rails from falling under a higher than expected load. LED metering shows you how much power is being used and the internal power supply has been designed with double shielding to avoid significant magnetic induction in any of the channel positions.\u003cbr\u003e \u003cbr\u003e The solid steel chassis has a collapsible handle for portability. The unit offers a total of eight balanced I\/O channels with interchangeable TRS, XLR, and DB-25 connections with a 48V phantom power bus. The channel 7-8 thru connections can be used as a way to quickly and easily convert your signal from and to DB-25, XLR, and TRS connectors. To accommodate 500 series modules that are slightly out of spec, the unit has variable-position screw holes to make the installation process go more smoothly. A 500 series link function can be enabled in pairs using the link jumpers on channels 1-2, 3-4, or 5-6. Matching blank panels are also available to cover any empty slots.\u003c\/p\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       150% Available Current\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Prevents power rails from failing under a higher than expected load\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Connections\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Features balanced DB-25, XLR, and TRS connections to ensure connectivity wherever you go with the back panel patch bay\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Power Monitoring\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Monitors the current usage to ensure that you never run short of power. The metering can also be useful for troubleshooting a module that is severely overdrawing its allotment\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Double Shielded PSU\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Helps avoid significant magnetic induction in any of the channel positions\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Channel 7-8 Thru Conversion\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Allows you to quickly and easily convert your signal from\/to DB-25, XLR, and TRS connectors\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       48V Phantom Supply\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Provides reliable power to your microphones using the +48V bus\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Solid Steel Chassis\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Provides durable and reliable use in a range of recording applications with rubber feet for both horizontal and vertical mounting\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Collapsible Handle\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Improves the portability of the enclosure\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Variable Position Screw Holes\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Makes it easier to install 500 series modules that are slightly out of spec\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       500 Series Link Function\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Enables Channels 1-2, 3-4, or 5-6 to be linked using link jumpers\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     UPC: 752423657322\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eItems Included\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003e\u003cspan\u003e2 x Rupert Neve Designs Portico 542 Tape Emulator\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n    \u003cul\u003e\n     \u003cli\u003e\u003cspan\u003eLimited 1-Year Manufacturer Warranty\u003c\/span\u003e\u003c\/li\u003e\n    \u003c\/ul\u003e\n    \u003cli\u003e\u003cspan\u003e\u003cspan\u003eRupert Neve Designs R6 Six Space 500 Series Rack\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n    \u003cul\u003e\n     \u003cli\u003e\u003cspan\u003eLimited 1-Year Manufacturer Warranty\u003c\/span\u003e\u003c\/li\u003e\n    \u003c\/ul\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003ch4\u003eAdditional Resources \u003c\/h4\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eGuides \u0026amp; Manuals\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eRupert Neve Designs 542 TRUE TAPE EMULATOR Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eFunction\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eTape Emulator\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Channels\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSingle\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eInputs\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1x XLR\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eOutputs\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1x XLR\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eControls\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1x Trim knob, +\/- 12 dB\u003cbr\u003e 1x Saturation knob\u003cbr\u003e 1x Blend knob\u003cbr\u003e 1x Texture knob\u003cbr\u003e 1x Tape Effect In button\u003cbr\u003e 1x 15\/30 IPS button\u003cbr\u003e 1x Silk button\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMaximum Output Level\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e23.25dBu\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eFrequency Response\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eLine amp specifications, with tape circuit disengaged:\u003cbr\u003e Measured at +10dBu, trim at unity\u003cbr\u003e \u003cbr\u003e Main Output +\/- 0.25 dB from 5 Hz to 60 Khz -2 dB @ 120 kHz\u003cbr\u003e \u003cbr\u003e Tape FX specifications:\u003cbr\u003e 15 IPS, Input @ -0 dBu -3dBu @ 28 kHz Saturation @ minimum 0dBu @ 10 Hz +5dBu Peak @ 60 Hz\u003cbr\u003e Saturation @ maximum -3dBu @ 20 kHz -3dBu @ 12.5 Hz +2.4dBu Peak @ 60 Hz\u003cbr\u003e 30 IPS, Input @ -0 dBu -3dBu @ 120 kHz Saturation @ minimum -3dBu @ 10 Hz +3.15dBu Peak @ 125 Hz\u003cbr\u003e Saturation @ maximum -3dBu @ 100 kHz -3dBu @ 12.5 Hz\u003cbr\u003e +1.3dBu Peak @ 110 Hz\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNoise\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eLine amp specifications, with tape circuit disengaged:\u003cbr\u003e Measured at Main Output, un-weighted, 20 Hz - 22 kHz, Input Terminated 40 Ohms\u003cbr\u003e Unity Gain: better than -100dBu\u003cbr\u003e \u003cbr\u003e Tape FX specifications:\u003cbr\u003e Measured at Main Output, un-weighted, 20 Hz - 22 kHz, Input Terminated 40 Ohms\u003cbr\u003e Saturation @ minimum: better than -100dBu Saturation @ maximum: better than -100dBu\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eTotal Harmonic Distortion\/Noise\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eLine amp specifications, with tape circuit disengaged:\u003cbr\u003e @ 1 kHz, +20dBu output level: better than 0.0025% @ 20 Hz, +20dBu output level 0.07% Typical (2nd and 3rd harmonic)\u003cbr\u003e \u003cbr\u003e Tape FX specifications:\u003cbr\u003e 15 IPS, Input @ -0 dBu 0.4% @ 3 kHz to 1% @ 175Hz typical\u003cbr\u003e Saturation @ minimum greater than 1% below 175 Hz typical\u003cbr\u003e Saturation @ maximum 1% at 6 kHz typical 0.3% @ 1 kHz to 3% @ 50 Hz typical\u003cbr\u003e 30 IPS, Input @ -0 dBu 1% at 1 kHz typical\u003cbr\u003e Saturation @ minimum 0.6% @ 400 Hz 5% @ 20 Hz typical\u003cbr\u003e Saturation @ maximum 1.5% @ 20 kHz to 0.4% @ 1 kHz typical 0.4% @ 1 kHz to 2 %@ 50 Hz typical\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMeters\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1x 8-segment Level meter\u003cbr\u003e 1x 8-segment Drive meter\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePower Requirements\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSupplied by 500 series rack with 110-125 mA @ +\/- 16V DC\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eDimensions\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eNot specified by manufacturer\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eWeight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eNot specified by manufacturer\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Packaging Info\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePackage Weight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e2.175 lb\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e10.1 x 7.8 x 3\"\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Rupert Neve Designs-10","offers":[{"title":"Default Title","offer_id":41978344898645,"sku":"RU542K:RU542K:bhpv","price":443890.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1720190614_1743498_6dd5a27f-6427-490a-983a-1b81e0e1c624.jpg?v=1765993809"},{"product_id":"wesaudio-ngtubecomp-tube-compressor-with-digital-recall-and-automation","title":"WesAudio ngTubeComp Tube Compressor with Digital Recall and Automation","description":"\u003cdiv\u003e\n \u003ch2\u003eWesAudio ngTubeComp Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The \n       \u003cstrong\u003eWesAudio ngTubeComp\u003c\/strong\u003e redefines classic vari-mu compression by combining the timeless warmth of analog tube circuitry with the precision and convenience of digital control. Well suited to mixing, mastering, and creative sound design, the ngTubeComp delivers smooth, musical compression with exceptional tonal versatility. Whether working in dual mono, stereo, or mid-side mode, this powerful processor lets you shape your sound with ease, offering a blend of vintage character and modern functionality.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Variable-Mu Compression\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       Variable-mu compressors are classic mixing and mastering tools known for their smooth, tube-based analog compression, ideal for gluing mixes together without heavy saturation or altering the original sound. The term variable-mu (or vari-mu) refers to variable gain, achieved using vacuum tubes as attenuators in the gain-reduction circuit rather than for amplification.\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003eThese compressors are program-dependent, meaning their compression ratio increases as input signal amplitude rises, resulting in a soft-knee compression curve. This design, combined with typically slow attack and release times, creates smooth, cohesive dynamics, making vari-mu compressors highly valued for mastering and submix applications.\u003c\/p\u003e\n       \u003cp\u003eVacuum tubes naturally add subtle coloration, even at low compression levels, enhancing the musicality of a mix. Vari-mu compressors excel at unifying drum busses, submixes, and full mixes, delivering the cohesive glue that mastering engineers rely on to achieve polished, professional results.\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Analog Warmth and Tube Character\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The ngTubeComp delivers fully analog vari-mu compression with up to 26 dBu of headroom, providing smooth, musical dynamics ideal for tracking, mixing, or mastering. With six tubes and four transformers, it offers a rich tonal character and the warmth expected from a high-end tube-based design.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Flexible Compression Modes and Timing Control\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       Three selectable modes?Feedback, Feedforward, and Limit?give users a range of dynamic shaping options from vintage smoothness to modern precision. Paired with variable attack and release controls, the unit can be tailored for subtle leveling or aggressive control depending on the source material.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Dual Output Paths and Gain Staging\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The compressor features a dual output design: a tube and Carnhill transformer-balanced path with an IRON PAD for saturated tone, and an electronically balanced output for cleaner, more transparent delivery. Independent input and output controls allow for accurate gain staging and flexible tonal shaping.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Saturation and Harmonic Control\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       A dedicated THD (Total Harmonic Distortion) control lets you fine-tune the harmonic content?from subtle analog warmth to bold coloration. A built-in tube saturation stage enhances signal depth and presence directly within the compression path.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Advanced Side-Chain Shaping\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The side-chain section includes a high-pass filter for low-frequency management and a high-shelf boost to shape high-end response. Use the side-chain listen mode to isolate and refine EQ adjustments for more accurate compression behavior.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Integrated Digital Workflow\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cdiv\u003e\n        \u003cdiv\u003e\u003c\/div\u003e\n       \u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cdiv\u003e\n       Despite its all-analog audio path, the unit features digital control and recall, allowing seamless integration with DAWs or live systems. This hybrid design combines tactile analog performance with modern workflow convenience.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eItems Included\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eWesAudio ngTubeComp Tube Compressor with Digital Recall and Automation\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003ePower Cable\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003eLimited 2-Year Manufacturer Warranty\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003ch4\u003eAdditional Resources \u003c\/h4\u003e\n \u003cdiv\u003e\n  \u003ca\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cp\u003eUser Manual\u003c\/p\u003e\n     \u003cp\u003e68.3 MB\u003c\/p\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\u003c\/a\u003e\n \u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eWesAudio ngTubeComp Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Inputs\/Outputs\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eUSB I\/O\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1 x USB-B Female Input\/Output\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAudio I\/O\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e2x XLR 3-Pin Line Input\u003cbr\u003e2x XLR 3-Pin Line Output\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Wireless\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMobile App Compatible\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eNo\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Power\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePower Source\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eAC Input (Included)\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAC Input Power\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u003cb\u003e\u003c\/b\u003e115 to 230 VAC, 50 \/ 60 Hz\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Physical\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMounting\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSide: 2x Rack Ears\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eColor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eBlack\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eDimensions\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9.1 x 6.9 x 6.3\" \/ 23 x 17.5 x 16 cm\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eWeight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e5.5 lb \/ 2.5 kg\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Packaging Info\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePackage Weight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e22.255 lb\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e22.4 x 15 x 10.7\"\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"WesAudio-10","offers":[{"title":"Default Title","offer_id":41978878951509,"sku":"WENGTUBECOMP:WENGTUBECOMP:bhpv","price":812460.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1737589656_1874003.jpg?v=1766021591"},{"product_id":"art-pro-vla-iii-multivoice-tube-opto-compressor","title":"ART Pro VLA III Multivoice Tube\/Opto Compressor","description":"\u003cdiv\u003e \n \u003ch2\u003eART PRO VLA III  Overview\u003c\/h2\u003e \n\u003c\/div\u003e \n\u003cdiv\u003e  \n \u003cdiv\u003e \n  \u003cdiv\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n  \u003c\/div\u003e \n \u003c\/div\u003e \n \u003cdiv\u003e \n  \u003cdiv\u003e \n   \u003cp\u003e\u003cb\u003eART\u003c\/b\u003e's \u003cb\u003ePro VLA III Multivoice Tube\/Opto Compressor\u003c\/b\u003e continues the tradition of the popular VLA series, lauded for over twenty years for its price point, design, and control options. The third generation includes a voice switch that lets you choose between warm tube or clean solid-state signal paths, along with compression ratios down to 1.25:1 for gentle dynamics processing. Additionally, background noise has been reduced while headroom and channel symmetry have been emphasized. The authentic character of the 12AT7 tube makes it a perfect candidate for individual tracks or full mixdowns.\u003c\/p\u003e \n   \u003cp\u003e Like its predecessor, the Pro VLA III is a two-channel optical compressor that can be used in dual mono or linked stereo. Balanced XLR and 1\/4\" inputs and outputs carry the fully analog signal, and +4 dBu and -10 dBV operation modes provide loudness options. The front panel of the Pro VLA III, refreshed to match ART's Pro Channel III, features variable threshold, attack, release, and output controls as well as per-channel bypass buttons and simultaneous metering of input, output, and gain-reduction levels.\u003c\/p\u003e \n  \u003c\/div\u003e \n \u003c\/div\u003e \n \u003cdiv\u003e \n  \u003cdiv\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e\u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e\n      UPC: 840402049586 \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n  \u003c\/div\u003e \n \u003c\/div\u003e     Items Included  \n \u003cul\u003e \n  \u003cli\u003e\u003cspan\u003eART Pro VLA III Multivoice Tube\/Opto Compressor\u003c\/span\u003e\u003c\/li\u003e \n  \u003cli\u003e\u003cspan\u003eIEC Power Cable\u003c\/span\u003e\u003c\/li\u003e \n  \u003cli\u003e\u003cspan\u003eLimited 3-Year Manufacturer Warranty\u003c\/span\u003e\u003c\/li\u003e \n \u003c\/ul\u003e    Additional Resources  \n \u003cp\u003eNo additional resources available\u003c\/p\u003e   \n\u003c\/div\u003e \n\u003cdiv\u003e \n \u003cdiv\u003e \n  \u003cdiv\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003ch2\u003eART PRO VLA III  Specs\u003c\/h2\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        General \n      \u003c\/div\u003e \n      \u003ctable\u003e \n       \u003ctbody\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eInput Impedance\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e10 Kilohms (Balanced \/ Unbalanced)\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eMaximum Input Level\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e+20 dBu (+4 dBu Mode) \u003cbr\u003e +10 dBV (-10 dBV Mode)\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eMaximum Output Level\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e+20 dB\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eTHD\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e\u0026lt; 0.005% (Solid State)\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eEquivalent Noise Level\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e-99 dBu (+4 dBu Mode, A-Weighted) \u003cbr\u003e -107 dBu (-10 dBV Mode, A-Weighted)\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n       \u003c\/tbody\u003e \n      \u003c\/table\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Inputs\/Outputs \n      \u003c\/div\u003e \n      \u003ctable\u003e \n       \u003ctbody\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eAudio I\/O\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e2x 1\/4\" Input\u003cbr\u003e2x XLR 3-Pin Input\u003cbr\u003e2x 1\/4\" Output\u003cbr\u003e2x XLR 3-Pin Output\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n       \u003c\/tbody\u003e \n      \u003c\/table\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Power \n      \u003c\/div\u003e \n      \u003ctable\u003e \n       \u003ctbody\u003e \n        \u003ctr\u003e \n         \u003ctd\u003ePower Source\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003eAC Input (Included)\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eAC Input Power\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e100 to 240 VAC, 50 \/ 60 Hz\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003ePower Consumption\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e25 W\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n       \u003c\/tbody\u003e \n      \u003c\/table\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Physical \n      \u003c\/div\u003e \n      \u003ctable\u003e \n       \u003ctbody\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eColor\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e\u003cspan\u003eBlack\u003c\/span\u003e\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eDimensions\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e19 x 9.2 x 3.5\" \/ 48.3 x 23.4 x 8.9 cm\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eWeight\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e10.5 lb \/ 4.8 kg\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n       \u003c\/tbody\u003e \n      \u003c\/table\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Packaging Info \n      \u003c\/div\u003e \n      \u003ctable\u003e \n       \u003ctbody\u003e \n        \u003ctr\u003e \n         \u003ctd\u003ePackage Weight\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e10.46 lb\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e21.6 x 11 x 5.4\"\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n       \u003c\/tbody\u003e \n      \u003c\/table\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n  \u003c\/div\u003e \n \u003c\/div\u003e \n\u003c\/div\u003e\n\u003cp\u003eAll product and company names are trademarks or registered trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.\u003c\/p\u003e","brand":"ART-10","offers":[{"title":"Default Title","offer_id":42618082426965,"sku":"ARPROVLAIII:ARPROVLAIII:bhpv","price":80280.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1757937432_1920659.jpg?v=1781855919"},{"product_id":"rupert-neve-designs-5045-primary-source-enhancer-with-newton-channel-strip-kit","title":"Rupert Neve Designs 5045 Primary Source Enhancer with Newton Channel Strip Kit","description":"\u003cdiv\u003e  \n \u003cdiv\u003e \n  \u003cdiv\u003e \n   \u003cdiv\u003e\n     Kit Contains: \n   \u003c\/div\u003e \n  \u003c\/div\u003e \n  \u003cdiv\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e \n       \u003cdiv\u003e \n        \u003cdiv\u003e \n         \u003cdiv\u003e \n          \u003cspan\u003e \n           \u003cdiv\u003e \n            \u003cimg alt=\"Rupert Neve Designs 5045 Primary Source Enhancer\"\u003e \n           \u003c\/div\u003e \n           \u003cdiv\u003e\u003c\/div\u003e\u003c\/span\u003e \n         \u003c\/div\u003e \n        \u003c\/div\u003e \n       \u003c\/div\u003e \n       \u003cdiv\u003e \n        \u003cdiv\u003e \n         \u003cdiv\u003e \n          \u003cspan\u003e \n           \u003cdiv\u003e \n            \u003cimg alt=\"Rupert Neve Designs Newton Channel Mic Pre + EQ + Compressor with Silk (1 RU)\"\u003e \n           \u003c\/div\u003e\u003c\/span\u003e \n         \u003c\/div\u003e \n        \u003c\/div\u003e \n       \u003c\/div\u003e \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n  \u003c\/div\u003e \n \u003c\/div\u003e \n \u003cdiv\u003e \n  \u003cdiv\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003ch3\u003eFrom Manufacturer\u003c\/h3\u003e  \n      \u003cdiv\u003e \n       \u003cdiv\u003e \n        \u003cdiv\u003e\u003c\/div\u003e \n       \u003c\/div\u003e \n      \u003c\/div\u003e \n      \u003cdiv\u003e \n       \u003cdiv\u003e\n         Quick Start: 5045 and 545 Primary Source Enhancer \n       \u003c\/div\u003e \n      \u003c\/div\u003e  \n      \u003cdiv\u003e \n       \u003cdiv\u003e \n        \u003cdiv\u003e\u003c\/div\u003e \n       \u003c\/div\u003e \n      \u003c\/div\u003e \n      \u003cdiv\u003e \n       \u003cdiv\u003e\n         The 5045 Primary Source Enhancer \n       \u003c\/div\u003e \n      \u003c\/div\u003e  \n      \u003cdiv\u003e \n       \u003cdiv\u003e \n        \u003cdiv\u003e\u003c\/div\u003e \n       \u003c\/div\u003e \n      \u003c\/div\u003e \n      \u003cdiv\u003e \n       \u003cdiv\u003e\n         The Newton Channel \n       \u003c\/div\u003e \n      \u003c\/div\u003e  \n      \u003cdiv\u003e \n       \u003cdiv\u003e \n        \u003cdiv\u003e\u003c\/div\u003e \n       \u003c\/div\u003e \n      \u003c\/div\u003e \n      \u003cdiv\u003e \n       \u003cdiv\u003e\n         Design: How Silk Works \n       \u003c\/div\u003e \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n  \u003c\/div\u003e \n \u003c\/div\u003e \n \u003cdiv\u003e \n  \u003cdiv\u003e \n   \u003cp\u003eIdeal for stages, live recording setups, and studios, this \u003cstrong\u003e Kit\u003c\/strong\u003e includes a \u003cstrong\u003eRupert Neve Design 5045 Primary Source Enhancer\u003c\/strong\u003e and a Newton Channel Strip. This kit allows you to kill feedback in a natural-sounding manner while utilizing the vintage-style warmth of a channel strip that offers mic pre, EQ, and compression with silk.\u003c\/p\u003e \n  \u003c\/div\u003e \n \u003c\/div\u003e \n \u003cdiv\u003e \n  \u003cdiv\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e\n      Rupert Neve Designs 5045 Primary Source Enhancer \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e \n     \u003cp\u003eKeep on-stage feedback out of your audio with the \u003cb\u003eRupert Neve Designs 5045 Primary Source Enhancer\u003c\/b\u003e. This is a two-channel device that tames acoustic feedback in a manner similar too, but not exactly like, a gate. As such, you can use it to help boost the level of microphones in a live performance setting before feedback occurs, all without adding obvious tonal coloration.\u003cbr\u003e \u003cbr\u003e The device sports easy-to-use controls. A Threshold control dictates the level at which the processor starts working, while the Depth parameter sets how much attenuation is applied below the threshold. The Time Constant knob gives you access to six different attack and release speeds?twelve, actually, when you consider that the RMS\/Peak switch changes the behavior of this parameter. With these minimal controls, you can easily set the processor to suppress anything below the signal's optimal range.\u003cbr\u003e \u003cbr\u003e The 5045 takes line-level from mic preamp outputs or insert sends of consoles and delivers a line-level signal that can easily feed a console or PA. Because of transformer coupling on the I\/O path, the unit can interface with a wide variety of gear. It offers XLR connections on the input and output paths.\u003c\/p\u003e \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e\u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e\n      UPC: 752423657094 \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n  \u003c\/div\u003e \n \u003c\/div\u003e \n \u003cdiv\u003e \n  \u003cdiv\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e\n      Rupert Neve Designs Newton Channel Mic Pre + EQ + Compressor with Silk (1 RU) \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e \n     \u003cp\u003eEqually well suited for a project studio, large-scale commercial facility, or live-sound rig, the \u003cb\u003eRupert Neve Designs Newton Channel\u003c\/b\u003e is an intuitive, high-quality channel strip that provides engineers, producers, and artists with modern functionality and classic sound on demand for a wide variety of recording and mixing applications.\u003c\/p\u003e \n     \u003cp\u003e The Newton Channel features a classic Rupert Neve mic pre, custom transformers, and Class-A line amplifiers for a huge headroom and punchy, larger-than-life sound. The discrete 3-band EQ section with fully sweepable mid-band provides flexible and musical controls to quickly sculpt your sound. The discrete compressor section features a fast and smooth VCA circuit to gently tame transients or apply heavy compression. \u003c\/p\u003e \n     \u003cp\u003e Silk Red and Blue Saturation lets you dial in subtle richness or over-the-top vintage-style harmonic saturation using a simple set of controls. Other features include 31-position detented control knobs to accurately recall and match your settings with speed and precision. A Stereo Link Switch allows you to link the gain reduction of two Newton compressors for powerful stereo-bus processing. Located in the unit's 1 RU rack-mountable chassis is a universal power supply with IEC connection for worldwide AC power from 100-240 VAC.\u003c\/p\u003e \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        The Input Stage and Mic Preamp \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e \n       \u003cul\u003e \n        \u003cli\u003eThe Newton?s microphone preamplifier contains all the tone and musicality expected from a Rupert Neve Designs piece. This preamp makes it incredibly easy to quickly dial in a tight, clean, and detailed sound. With a robust 72 dB of gain, including 6 dB of fine trim control, the Newton is ideally suited for a wide variety of sources.\u003c\/li\u003e \n        \u003cli\u003eWhile the input stage is tailored to be an ideal match for standard microphone source impedance, it is equally happy being driven by line levels?so a pair of Newtons can also be put to use as a high-end mixing tool for any studio.\u003c\/li\u003e \n        \u003cli\u003eThe Newton also includes the company's distinctive variable high-pass filter with a comprehensive frequency range adjustment and independent bypass switch, allowing the engineer to quickly eliminate unwanted noise, rumble, or other low-frequency build-up in the source signal.\u003c\/li\u003e \n       \u003c\/ul\u003e \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        The Equalizer \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e \n       \u003cul\u003e \n        \u003cli\u003eThe EQ section in the Newton is optimized for speed and flexibility with a simplified set of controls. The low- and high-frequency shelf bands are controllable with accurate 31-detent potentiometers that provide up to 12 dB of gain boost\/cut, giving you the ability to dial in either subtle or extreme settings as desired.\u003c\/li\u003e \n        \u003cli\u003eThe parametric mid-band of the EQ section includes another 31-detent potentiometer and a wide range of mid frequencies to boost or cut?switchable from 220 Hz to 7 kHz. This makes the MF band particularly flexible, allowing for taming low-mid muddiness, boosting mid-frequency presence, or removing any harshness in the upper midrange.\u003c\/li\u003e \n        \u003cli\u003eThe carefully chosen fixed Q setting maintains a healthy balance of musicality and precision?just wide enough for brush-stroke equalization without adversely affecting neighboring frequencies. As with every section of the Newton Channel, the EQ has an independent bypass button for double checking settings every step of the way.\u003c\/li\u003e \n       \u003c\/ul\u003e \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        The Compressor \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e \n       \u003cul\u003e \n        \u003cli\u003eThe Newton Channel also contains Rupert Neve Designs? ultra-smooth VCA compressor with +20 dB of make-up gain and ample control for any amount of needed compression while maintaining a natural sound.\u003c\/li\u003e \n        \u003cli\u003eAlso included is a helpful pre\/post EQ push button to place the compressor either before or after the EQ section, plus an independent bypass button.\u003c\/li\u003e \n       \u003c\/ul\u003e \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Variable Silk \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e \n       \u003cul\u003e \n        \u003cli\u003eAt the end of the Newton?s signal path is the unique and highly coveted variable Silk circuit, which gives you the power and control to amplify second- and third-order harmonics by saturating the custom Rupert Neve Designs output transformers for a vintage tonality.\u003c\/li\u003e \n        \u003cli\u003eSilk Red mode highlighting harmonics in the highs and upper mid frequencies, and Blue mode accentuating harmonics in the lows and low mids. With the variable Texture knob, you can precisely dial in the desired amount of harmonic density.\u003c\/li\u003e \n       \u003c\/ul\u003e \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Custom Transformer Outputs \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e \n       \u003cul\u003e \n        \u003cli\u003eThe Newton Channel has a custom transformer output stage with a balanced MAIN standard XLR line-level output.\u003c\/li\u003e \n        \u003cli\u003eAdditionally, a separate -6 dBu XLR output can compensate for high levels of input and Silk harmonic saturation, enabling engineers to fully drive the Newton to achieve more transformer harmonics without clipping the next device in the chain.\u003c\/li\u003e \n        \u003cli\u003eBoth outputs are active and can be used concurrently.\u003c\/li\u003e \n       \u003c\/ul\u003e \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e\u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e\n      UPC: 763854076880 \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n  \u003c\/div\u003e \n \u003c\/div\u003e     Items Included  \n \u003cul\u003e \n  \u003cli\u003e\u003cspan\u003e\u003cspan\u003eRupert Neve Designs 5045 Primary Source Enhancer\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e \n  \u003cul\u003e \n   \u003cli\u003e\u003cspan\u003eIEC Power Cord\u003c\/span\u003e\u003c\/li\u003e \n   \u003cli\u003e\u003cspan\u003eLimited 1-Year Warranty\u003c\/span\u003e\u003c\/li\u003e \n  \u003c\/ul\u003e \n  \u003cli\u003e\u003cspan\u003e\u003cspan\u003eRupert Neve Designs Newton Channel Mic Pre + EQ + Compressor with Silk (1 RU)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e \n  \u003cul\u003e \n   \u003cli\u003e\u003cspan\u003ePower Cord\u003c\/span\u003e\u003c\/li\u003e \n   \u003cli\u003e\u003cspan\u003eLimited 3-Year Manufacturer Warranty\u003c\/span\u003e\u003c\/li\u003e \n  \u003c\/ul\u003e \n \u003c\/ul\u003e    Additional Resources  \n \u003cdiv\u003e  \n  \u003cdiv\u003e \n   \u003cdiv\u003e\u003c\/div\u003e \n   \u003cdiv\u003e \n    \u003cp\u003eGuides \u0026amp; Manuals\u003c\/p\u003e \n   \u003c\/div\u003e \n  \u003c\/div\u003e \n \u003c\/div\u003e \n \u003cul\u003e\u003c\/ul\u003e   \n\u003c\/div\u003e \n\u003cdiv\u003e \n \u003cdiv\u003e \n  \u003cdiv\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Kit Contains: \n       \u003cdiv\u003e \n        \u003cdiv\u003e \n         \u003cdiv\u003e \n          \u003cdiv\u003e \n           \u003cdiv\u003e \n            \u003cdiv\u003e \n             \u003cdiv\u003e \n              \u003cdiv\u003e \n               \u003cspan\u003e \n                \u003cdiv\u003e \n                 \u003cimg alt=\"Rupert Neve Designs 5045 Primary Source Enhancer\"\u003e \n                \u003c\/div\u003e \n                \u003cdiv\u003e\u003c\/div\u003e\u003c\/span\u003e \n              \u003c\/div\u003e \n             \u003c\/div\u003e \n            \u003c\/div\u003e \n            \u003cdiv\u003e \n             \u003cdiv\u003e \n              \u003cdiv\u003e \n               \u003cspan\u003e \n                \u003cdiv\u003e \n                 \u003cimg alt=\"Rupert Neve Designs Newton Channel Mic Pre + EQ + Compressor with Silk (1 RU)\"\u003e \n                \u003c\/div\u003e\u003c\/span\u003e \n              \u003c\/div\u003e \n             \u003c\/div\u003e \n            \u003c\/div\u003e \n           \u003c\/div\u003e \n          \u003c\/div\u003e  \n         \u003c\/div\u003e \n        \u003c\/div\u003e \n       \u003c\/div\u003e \n      \u003c\/div\u003e \n      \u003cdiv\u003e \n       \u003ch2\u003eRupert Neve Designs 5045 Primary Source Enhancer\u003c\/h2\u003e \n      \u003c\/div\u003e \n      \u003cdiv\u003e \n       \u003ctable\u003e \n        \u003ctbody\u003e \n         \u003ctr\u003e \n          \u003ctd\u003eThreshold\u003c\/td\u003e \n          \u003ctd\u003e \n           \u003cdiv\u003e \n            \u003cspan\u003eContinuously Variable from -20 to 10 dBu\u003c\/span\u003e \n           \u003c\/div\u003e\n\u003c\/td\u003e \n         \u003c\/tr\u003e \n         \u003ctr\u003e \n          \u003ctd\u003eDepth\u003c\/td\u003e \n          \u003ctd\u003e \n           \u003cdiv\u003e \n            \u003cspan\u003eContinuously Variable from 0 to 20 dBu\u003c\/span\u003e \n           \u003c\/div\u003e\n\u003c\/td\u003e \n         \u003c\/tr\u003e \n         \u003ctr\u003e \n          \u003ctd\u003eTime Constants\u003c\/td\u003e \n          \u003ctd\u003e \n           \u003cdiv\u003e \n            \u003cspan\u003e\u003cb\u003eRMS Mode:\u003c\/b\u003e\u003cbr\u003e \u003ci\u003eRMS Mode Time Constant Data Collected Using 10 dB Bursts\u003c\/i\u003e\u003cbr\u003e A: 50 ms\u003cbr\u003e B: 100 ms\u003cbr\u003e C: 200 ms\u003cbr\u003e D: 750 ms\u003cbr\u003e E: 1.5 Seconds\u003cbr\u003e F: 3 Seconds\u003cbr\u003e \u003cbr\u003e \u003cb\u003ePeak Mode:\u003c\/b\u003e\u003cbr\u003e Attack: 20 ms, Fixed\u003cbr\u003e Release:\u003cbr\u003e A: 20 ms\u003cbr\u003e B: 200 ms\u003cbr\u003e C: 1 Second\u003cbr\u003e D: 2 Second\u003cbr\u003e E: 5 Second\u003cbr\u003e F: 30 Seconds\u003c\/span\u003e \n           \u003c\/div\u003e\n\u003c\/td\u003e \n         \u003c\/tr\u003e \n         \u003ctr\u003e \n          \u003ctd\u003eMaximum Output Level\u003c\/td\u003e \n          \u003ctd\u003e \n           \u003cdiv\u003e \n            \u003cspan\u003e+25 dBu\u003c\/span\u003e \n           \u003c\/div\u003e\n\u003c\/td\u003e \n         \u003c\/tr\u003e \n         \u003ctr\u003e \n          \u003ctd\u003eTHD \u0026amp; Noise\u003c\/td\u003e \n          \u003ctd\u003e \n           \u003cdiv\u003e \n            \u003cspan\u003eMain Output, Feedback Suppressor Bypassed: \u0026lt; 0.002% @ 1 kHz, +20 dBu Output Level, No Load\u003cbr\u003e Main Output, feedback Suppressor Engaged: \u0026lt; 0.002% @ 1 kHz, +20 dBu Output Level, No Load\u003c\/span\u003e \n           \u003c\/div\u003e\n\u003c\/td\u003e \n         \u003c\/tr\u003e \n         \u003ctr\u003e \n          \u003ctd\u003eNoise\u003c\/td\u003e \n          \u003ctd\u003e \n           \u003cdiv\u003e \n            \u003cspan\u003eFeedback Suppressor Bypassed: \u0026lt; -100 dBu @ Main Output, Unweighted, 22 Hz to 22 kHz, 50-Ohm Terminated Input\u003cbr\u003e Feedback Suppressor Engaged: \u0026lt; -95 dBu @ Main Output, Unweighted, 22 Hz to 22 kHz, 50-Ohm Terminated Input\u003c\/span\u003e \n           \u003c\/div\u003e\n\u003c\/td\u003e \n         \u003c\/tr\u003e \n         \u003ctr\u003e \n          \u003ctd\u003eFrequency Response\u003c\/td\u003e \n          \u003ctd\u003e \n           \u003cdiv\u003e \n            \u003cspan\u003eMain Output @ 20 Hz: -3 dB\u003cbr\u003e Main Output @ 150 kHz: -3 dB\u003c\/span\u003e \n           \u003c\/div\u003e\n\u003c\/td\u003e \n         \u003c\/tr\u003e \n         \u003ctr\u003e \n          \u003ctd\u003eCrosstalk\u003c\/td\u003e \n          \u003ctd\u003e \n           \u003cdiv\u003e \n            \u003cspan\u003eMeasured Channel to Channel: \u0026lt; - 80 dB @ 16 kHz\u003c\/span\u003e \n           \u003c\/div\u003e\n\u003c\/td\u003e \n         \u003c\/tr\u003e \n         \u003ctr\u003e \n          \u003ctd\u003ePower Requirements\u003c\/td\u003e \n          \u003ctd\u003e \n           \u003cdiv\u003e \n            \u003cspan\u003e12 VDC Input, 1 A\u003c\/span\u003e \n           \u003c\/div\u003e\n\u003c\/td\u003e \n         \u003c\/tr\u003e \n         \u003ctr\u003e \n          \u003ctd\u003eDimensions\u003c\/td\u003e \n          \u003ctd\u003e \n           \u003cdiv\u003e \n            \u003cspan\u003eNot Specified by Manufacturer\u003c\/span\u003e \n           \u003c\/div\u003e\n\u003c\/td\u003e \n         \u003c\/tr\u003e \n         \u003ctr\u003e \n          \u003ctd\u003eWeight\u003c\/td\u003e \n          \u003ctd\u003e \n           \u003cdiv\u003e \n            \u003cspan\u003eNot Specified by Manufacturer\u003c\/span\u003e \n           \u003c\/div\u003e\n\u003c\/td\u003e \n         \u003c\/tr\u003e \n        \u003c\/tbody\u003e \n       \u003c\/table\u003e \n      \u003c\/div\u003e \n      \u003cdiv\u003e \n       \u003cdiv\u003e\n         Packaging Info \n       \u003c\/div\u003e \n       \u003ctable\u003e \n        \u003ctbody\u003e \n         \u003ctr\u003e \n          \u003ctd\u003ePackage Weight\u003c\/td\u003e \n          \u003ctd\u003e \n           \u003cdiv\u003e \n            \u003cspan\u003e9.39 lb\u003c\/span\u003e \n           \u003c\/div\u003e\n\u003c\/td\u003e \n         \u003c\/tr\u003e \n         \u003ctr\u003e \n          \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e \n          \u003ctd\u003e \n           \u003cdiv\u003e \n            \u003cspan\u003e24.9 x 13.8 x 4.2\"\u003c\/span\u003e \n           \u003c\/div\u003e\n\u003c\/td\u003e \n         \u003c\/tr\u003e \n        \u003c\/tbody\u003e \n       \u003c\/table\u003e \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n  \u003c\/div\u003e \n \u003c\/div\u003e \n\u003c\/div\u003e\n\u003cp\u003eAll product and company names are trademarks or registered trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.\u003c\/p\u003e","brand":"Rupert Neve Designs-10","offers":[{"title":"Default Title","offer_id":42624299925589,"sku":"RU5045EQK:RU5045EQK:bhpv","price":698905.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1771578359_1953593.jpg?v=1782147081"},{"product_id":"rupert-neve-designs-optofet-dual-stage-fet-opto-compressor","title":"Rupert Neve Designs OptoFET Dual-Stage FET\/Opto Compressor","description":"\u003cdiv\u003e \n \u003ch2\u003eRupert Neve Designs OptoFET  Overview\u003c\/h2\u003e \n\u003c\/div\u003e \n\u003cdiv\u003e  \n \u003cdiv\u003e \n  \u003cdiv\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n  \u003c\/div\u003e \n \u003c\/div\u003e \n \u003cdiv\u003e \n  \u003cdiv\u003e \n   \u003cp\u003eCombining a newly designed FET circuit with an optimized optical circuit, the \u003cstrong\u003eRupert Neve Design OptoFET\u003c\/strong\u003e is a versatile dual-stage, dual-band compressor and wave shaper. With Dual-Stage mode, you can use the FET and optical stages in series for complete dynamics control, while Dual-Band mode offers blending of high and low frequencies between circuits for flexible tone shaping.\u003c\/p\u003e \n   \u003cp\u003eEach compressor circuit has completely independent controls. Attack, Release, Threshold, make-up gain, and blend controls for parallel processing. You also get 150 Hz side-chain high-pass filters on each compressor. Global input and output trim controls make gain staging easy. Grit mode on the FET circuit enables powerful wave shaping with ample high-frequency harmonic distortion, while Bloom on the optical circuit increases low-order harmonics for warmth and enhanced bass. The compressor provides an adjustable 50 to 500 Hz crossover section which can flip the order of the comp circuits in Dual-Stage mode or control the blending of circuits in Dual-Band mode. Each compressor section has an independent 8-stage LED gain-reduction meter. Finally, the unit provides an XLR-1\/4\" combo input jack and an XLR output jack, and you can combine two units together for a true stereo link that enables either stereo or dual-mono processing.\u003c\/p\u003e \n  \u003c\/div\u003e \n \u003c\/div\u003e \n \u003cdiv\u003e \n  \u003cdiv\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        All-New FET Compressor Design \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        While this FET compressor has some familiar characteristics, including ultrafast attack times and common ratio settings, there are also several features that make it instantly feel like a Rupert Neve Designs product and nothing else. All variable controls for the OptoFET are via high-quality, 31-detent potentiometers, standard to most current Neve products. The FET compressor includes variable Attack (with the fastest time being a blazing 100 microseconds), Release, Threshold, +20 dB of make-up Gain, and a parallel Blend control from 0% (dry) to 100% (wet). \n       \u003cp\u003e\u003c\/p\u003e \n       \u003cp\u003eRatio can be set to either 4:1 or 8:1 and the 125 Hz S\/C high-pass filter can be toggled on to leave the low end of a source untouched. To further expand the OptoFET?s creative capabilities, a unique new Grit mode transforms the FET compressor into a powerful wave shaper, introducing ample harmonic distortion focused in the upper frequency range. Grit can be used to either slightly accentuate sources, so they pop in just the right way or transform them into something entirely new. Grit is also especially useful when combined with the blend control to achieve an exacting amount of distortion character for a wide range of sources.\u003c\/p\u003e \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Optimized Optical Compressor Design \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        The circuit in the OptoFET was developed to be the ideal complement to the faster, high-frequency focused FET compressor. In contrast, the Opto compressor generates low-order harmonics while also having much slower attack and release settings. For controls, the OPTO compressor includes variable Attack (starting at 5ms), Release, Threshold, +20 dB of make-up gain, and parallel Blend controls, arranged in the same way on the front panel as the FET section. \n       \u003cp\u003e\u003c\/p\u003e \n       \u003cp\u003eRatio can be set to either 2:1 or 5:1, and it also includes a 125 Hz S\/C high-pass filter. Where the FET section has its new Grit mode, the Opto section contains another unique new mode called Bloom. With Bloom engaged, the low-order harmonics increase significantly, instantly making sources warmer, rounder and more pronounced in the low end. Bloom can help make final adjustments without the use of a traditional EQ, especially when used with the Blend control.\u003c\/p\u003e \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Dual Stage or Dual Band \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Some of the OptoFET?s most unique and powerful features lie in the global control section: \n       \u003cp\u003e\u003c\/p\u003e \n       \u003cul\u003e \n        \u003cli\u003eThe serial order of the 2 compressors can be flipped while in Dual-Stage mode.\u003c\/li\u003e \n        \u003cli\u003eThe OptoFET can also become a Dual-Band compressor by simply pressing the X-Over In button, which engages the Crossover filters and the corresponding Crossover variable frequency control.\u003c\/li\u003e \n        \u003cli\u003eWith this mode engaged, each compressor is assigned to either the low- or high-frequency band, allowing for independent processing of both bands simultaneously.\u003c\/li\u003e \n        \u003cli\u003eThe variable frequency selection control dials in exactly where the crossover is applied, from 50 to 500 Hz.\u003c\/li\u003e \n        \u003cli\u003eThe Flip button also works while in Dual-Band mode, assigning the FET or Opto to process either frequency band as desired.\u003c\/li\u003e \n        \u003cli\u003eThis can be especially helpful for bass sources, providing complete control over the low end while boosting the mids and highs to dial in the perfect amount of string noise and texture.\u003c\/li\u003e \n       \u003c\/ul\u003e \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Multiple Gain Stages \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        The OptoFET contains several gain staging options, starting with +\/- 12dB input and output trim controls, ensuring the compression stays smooth and transparent. Alternatively, they can be used to drive the compressors, bringing out novel and interesting harmonic tones without clipping the custom transformer-balanced output stage. \n       \u003cp\u003e\u003c\/p\u003e \n       \u003cp\u003eIn addition, each compressor has its own make-up gain, with one driving into the next in Dual-Stage mode. In Dual-Band mode, the make-up gains can be used for tonal balance adjustments ranging from subtle to dramatic. As with most exceptional compressors, many of the controls and settings are gain dependent, which is why the OptoFET begs for experimentation at every turn.\u003c\/p\u003e \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e\u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e\n      UPC: 601570371936 \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n  \u003c\/div\u003e \n \u003c\/div\u003e     Items Included  \n \u003cul\u003e \n  \u003cli\u003e\u003cspan\u003eRupert Neve Designs OptoFET Dual-Stage FET\/Opto Compressor\u003c\/span\u003e\u003c\/li\u003e \n  \u003cli\u003e\u003cspan\u003eLimited 3-Year Manufacturer Warranty\u003c\/span\u003e\u003c\/li\u003e \n \u003c\/ul\u003e    Additional Resources  \n \u003cdiv\u003e \n  \u003ca\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e\u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cp\u003eUser Manual\u003c\/p\u003e \n     \u003cp\u003e0.9 MB\u003c\/p\u003e \n    \u003c\/div\u003e \n   \u003c\/div\u003e\u003c\/a\u003e \n \u003c\/div\u003e \n \u003cul\u003e\u003c\/ul\u003e   \n\u003c\/div\u003e \n\u003cdiv\u003e \n \u003cdiv\u003e \n  \u003cdiv\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003ch2\u003eRupert Neve Designs OptoFET  Specs\u003c\/h2\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        General \n      \u003c\/div\u003e \n      \u003ctable\u003e \n       \u003ctbody\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eInput Impedance\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e10 Kilohms\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eOutput Impedance\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e40 Ohms\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eMaximum Input Level\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e+24 dBu\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eMaximum Output Level\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e+24 dBu\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eNoise\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003eLine In to Line Out: -96 dBu\u003cbr\u003e FET Comp: -82 dBu\u003cbr\u003e Opto Comp: -93 dBu\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eFrequency Response\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e6 Hz to 70 kHz (\u0026amp;pusmn;0.1 dB)\u003cbr\u003e \u0026lt;5 Hz to 183 kHz (-3 dB)\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eTHD+N\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e0 dBu: 0.002%\u003cbr\u003e +20 dBu: 0.0006%\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n       \u003c\/tbody\u003e \n      \u003c\/table\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Inputs\/Outputs \n      \u003c\/div\u003e \n      \u003ctable\u003e \n       \u003ctbody\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eAudio I\/O\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e1x Combo XLR-1\/4\" 3-Pin Line Input\u003cbr\u003e1x XLR 3-Pin Line Output\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n       \u003c\/tbody\u003e \n      \u003c\/table\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Power \n      \u003c\/div\u003e \n      \u003ctable\u003e \n       \u003ctbody\u003e \n        \u003ctr\u003e \n         \u003ctd\u003ePower Source\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003eAC Input\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eAC Input Power\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e100 to 240 VAC, 50 \/ 60 Hz\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003ePower Consumption\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e35 W\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n       \u003c\/tbody\u003e \n      \u003c\/table\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Physical \n      \u003c\/div\u003e \n      \u003ctable\u003e \n       \u003ctbody\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eMounting\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003eFront: 4x Rack Screw\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eColor\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e\u003cspan\u003eGray\u003c\/span\u003e\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eMaterial of Construction\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003eMetal\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eDimensions\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e19 x 8.25 x 1.75\" \/ 48.3 x 20.96 x 4.45 cm\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eWeight\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e8 lb \/ 3.6 kg\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n       \u003c\/tbody\u003e \n      \u003c\/table\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Packaging Info \n      \u003c\/div\u003e \n      \u003ctable\u003e \n       \u003ctbody\u003e \n        \u003ctr\u003e \n         \u003ctd\u003ePackage Weight\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e9.425 lb\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e24.3 x 13.1 x 4\"\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n       \u003c\/tbody\u003e \n      \u003c\/table\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n  \u003c\/div\u003e \n \u003c\/div\u003e \n\u003c\/div\u003e\n\u003cp\u003eAll product and company names are trademarks or registered trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.\u003c\/p\u003e","brand":"Rupert Neve Designs-10","offers":[{"title":"Default Title","offer_id":42624300286037,"sku":"RU5046:RU5046:bhpv","price":328185.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1768293917_1941699.jpg?v=1782147101"},{"product_id":"tegeler-audio-creme-bus-compressor-and-mastering-equalizer","title":"Tegeler Audio Creme Bus Compressor and Mastering Equalizer","description":"\u003cdiv\u003e \n \u003ch2\u003eTegeler Audio CREME  Overview\u003c\/h2\u003e \n\u003c\/div\u003e \n\u003cdiv\u003e  \n \u003cdiv\u003e \n  \u003cdiv\u003e\u003c\/div\u003e \n \u003c\/div\u003e \n \u003cdiv\u003e \n  \u003cdiv\u003e \n   \u003cp\u003eThe \u003cstrong\u003eCreme Bus Compressor and Mastering Equalizer\u003c\/strong\u003e from \u003cstrong\u003eTegeler Audio\u003c\/strong\u003e combines a Pultec principle-based passive EQ and a high-end bus compressor in a single rack-mountable device.\u003c\/p\u003e \n   \u003cp\u003eThe EQ is typically set to subtly boost the bass and treble, while the bus compressor compresses the sound slightly. It has been refined to the most commonly used applications: Bass boost, to give greater low-end emphasis, and treble boost, to make the mix truly sparkle. Boost is switchable to enable total recall and reduce the boost to appropriate levels for use on master channels.  Based on long relied-upon principles of vintage audio equipment construction, the Creme  is a powerful mixing and mastering tool for professional studio environments.\u003c\/p\u003e \n  \u003c\/div\u003e \n \u003c\/div\u003e \n \u003cdiv\u003e \n  \u003cdiv\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Equalizer \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e \n       \u003cul\u003e \n        \u003cli\u003eCreme  is a broadband equalizer\u003c\/li\u003e \n        \u003cli\u003eAt maximum boost, the effect of the equalizer extends into the mid frequency range\u003c\/li\u003e \n        \u003cli\u003eEqualizer is based on passive design\u003c\/li\u003e \n        \u003cli\u003eContinuous frequency pots use internally switched capacitors for extremely fine switching between steps\u003c\/li\u003e \n       \u003c\/ul\u003e \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Compressor \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        SC Low Cut: \n       \u003cp\u003e\u003c\/p\u003e \n       \u003cul\u003e \n        \u003cli\u003eActivates a 6 dB high-pass filter in the side-chain\u003c\/li\u003e \n        \u003cli\u003eThe low-cut filter allows you to adjust how sensitive the compressor is to low frequencies\u003c\/li\u003e \n        \u003cli\u003eCan be used to remove the low frequencies from the side-chain, so bass notes do not cause pumping effects (or vice-versa if pumping is desired)\u003c\/li\u003e \n       \u003c\/ul\u003e \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n  \u003c\/div\u003e \n \u003c\/div\u003e     Items Included  \n \u003cul\u003e \n  \u003cli\u003e\u003cspan\u003eTegeler Audio Creme Bus Compressor and Mastering Equalizer\u003c\/span\u003e\u003c\/li\u003e \n  \u003cli\u003e\u003cspan\u003ePower Cable\u003c\/span\u003e\u003c\/li\u003e \n  \u003cli\u003e\u003cspan\u003eLimited 2-Year Manufacturer Warranty\u003c\/span\u003e\u003c\/li\u003e \n \u003c\/ul\u003e    Additional Resources  \n \u003cdiv\u003e \n  \u003ca\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e\u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cp\u003eUser Manual\u003c\/p\u003e \n     \u003cp\u003e0.3 MB\u003c\/p\u003e \n    \u003c\/div\u003e \n   \u003c\/div\u003e\u003c\/a\u003e \n \u003c\/div\u003e \n \u003cul\u003e\u003c\/ul\u003e   \n\u003c\/div\u003e \n\u003cdiv\u003e \n \u003cdiv\u003e \n  \u003cdiv\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003ch2\u003eTegeler Audio CREME  Specs\u003c\/h2\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        General \n      \u003c\/div\u003e \n      \u003ctable\u003e \n       \u003ctbody\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eDisplay\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003eNeedle-Style dB Meter\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n       \u003c\/tbody\u003e \n      \u003c\/table\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Inputs\/Outputs \n      \u003c\/div\u003e \n      \u003ctable\u003e \n       \u003ctbody\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eUSB I\/O\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e1 x USB-A Female Input\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eAudio I\/O\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e2x XLR 3-Pin Input\u003cbr\u003e2x XLR 3-Pin Output\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eAudio\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003eFrequency Response: 20 Hz to 40 kHz \u003cbr\u003e Max. Input Level: + 22 dBu \u003cbr\u003e Impedance Line Input: ? 10 Kilohms \u003cbr\u003e Output Impedance: \u0026lt; 600 Ohms \u003cbr\u003e Max. Output Level: + 24 dBu \u003cbr\u003e Dynamic Range: ? 110 dB\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n       \u003c\/tbody\u003e \n      \u003c\/table\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Wireless \n      \u003c\/div\u003e \n      \u003ctable\u003e \n       \u003ctbody\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eMobile App Compatible\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003eNo\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eGlobal Positioning (GPS, GLONASS, etc.)\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e\u003cspan\u003eYes\u003c\/span\u003e\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n       \u003c\/tbody\u003e \n      \u003c\/table\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Power \n      \u003c\/div\u003e \n      \u003ctable\u003e \n       \u003ctbody\u003e \n        \u003ctr\u003e \n         \u003ctd\u003ePower Source\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003eAC Input\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eAC Input Power\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e110 to 230 VAC, 50 \/ 60 Hz\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003ePower Consumption\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e25 W (Maximum)\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eOperating Current\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e500 mA\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n       \u003c\/tbody\u003e \n      \u003c\/table\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Physical \n      \u003c\/div\u003e \n      \u003ctable\u003e \n       \u003ctbody\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eMounting\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e4x Rack\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eColor\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e\u003cspan\u003eBlack\u003c\/span\u003e\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eDimensions\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e19 x 9.8 x 3.5\" \/ 483 x 250 x 88.2 mm\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n       \u003c\/tbody\u003e \n      \u003c\/table\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Packaging Info \n      \u003c\/div\u003e \n      \u003ctable\u003e \n       \u003ctbody\u003e \n        \u003ctr\u003e \n         \u003ctd\u003ePackage Weight\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e22.24 lb\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e21.5 x 13.5 x 6.75\"\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n       \u003c\/tbody\u003e \n      \u003c\/table\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n  \u003c\/div\u003e \n \u003c\/div\u003e \n\u003c\/div\u003e\n\u003cp\u003eAll product and company names are trademarks or registered trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.\u003c\/p\u003e","brand":"Tegeler Audio-10","offers":[{"title":"Default Title","offer_id":42627519873109,"sku":"TEGCREME:TEGCREME:bhpv","price":337415.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1770047144_1947964.jpg?v=1782190256"},{"product_id":"tegeler-audio-vocal-leveler-500-series-opto-compressor","title":"Tegeler Audio Vocal Leveler 500-Series Opto-Compressor","description":"\u003cdiv\u003e \n \u003ch2\u003eTegeler Audio Vocal Leveler 500  Overview\u003c\/h2\u003e \n\u003c\/div\u003e \n\u003cdiv\u003e  \n \u003cdiv\u003e \n  \u003cdiv\u003e\u003c\/div\u003e \n \u003c\/div\u003e \n \u003cdiv\u003e \n  \u003cdiv\u003e \n   \u003cp\u003eThe \u003cstrong\u003eVocal Leveler 500 Series Opto-Compressor \u003c\/strong\u003efrom \u003cstrong\u003eTegeler Audio\u003c\/strong\u003e uses a specialized input transformer, opto compressor, and FET tube simulation to create a tool that is fantastic for refinement of vocal audio recordings among many other sound applications.\u003c\/p\u003e \n   \u003cp\u003eSignals such as bass, acoustic guitars, and more, take very well to its soft inconspicuous compression. The Vocal Leveler always stays transparent and subtle, even when hotter signals are introduced. Thus, it can serve as optimal protection against overloading signal peaks during recording without destroying the microdynamics or character of your audio signal. The unit borrows the Opto-Compressor circuitry from Tegeler's Vari Tube Recording Channel and imports it into compact 500 module format, great for pro recording in studio rooms of all sizes.\u003c\/p\u003e \n  \u003c\/div\u003e \n \u003c\/div\u003e \n \u003cdiv\u003e \n  \u003cdiv\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Controls \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e \n       \u003cul\u003e \n        \u003cli\u003eFront Panel Knobs: Gain Reduction, Output\u003c\/li\u003e \n        \u003cli\u003eToggle Switch (Left) 3 positions: In \/ Bypass \/ Link (for stereo use of two Vocal Levelers)\u003c\/li\u003e \n        \u003cli\u003eToggle Switch (Right) 3 positions: Attack and Release Time: Fast \/ Auto \/ Slow\u003c\/li\u003e \n       \u003c\/ul\u003e \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n  \u003c\/div\u003e \n \u003c\/div\u003e     Items Included  \n \u003cul\u003e \n  \u003cli\u003e\u003cspan\u003eTegeler Audio Vocal Leveler 500-Series Opto-Compressor\u003c\/span\u003e\u003c\/li\u003e \n  \u003cli\u003e\u003cspan\u003eLimited 2-Year Manufacturer Warranty\u003c\/span\u003e\u003c\/li\u003e \n \u003c\/ul\u003e    Additional Resources  \n \u003cp\u003eNo additional resources available\u003c\/p\u003e   \n\u003c\/div\u003e \n\u003cdiv\u003e \n \u003cdiv\u003e \n  \u003cdiv\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003ch2\u003eTegeler Audio Vocal Leveler 500  Specs\u003c\/h2\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Inputs\/Outputs \n      \u003c\/div\u003e \n      \u003ctable\u003e \n       \u003ctbody\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eAudio I\/O\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e2x DB-15 Input\/Output\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eGear Specs\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003eFrequency Range: 20 Hz to 22 kHz \u003cbr\u003e Maximum Input Level: 20 dBu \u003cbr\u003e Input Impedance: ? 2.4 Kilohms \u003cbr\u003e Output Impedance: \u0026lt; 600 Ohms \u003cbr\u003e Operating Level: +4 dBu \u003cbr\u003e Maximum Output Level: 21 dBu \u003cbr\u003e Dynamic Range: 100 dB \u003cbr\u003e Max. Gain Reduction: -12 dB \u003cbr\u003e Voltage: +\/- 16 V\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n       \u003c\/tbody\u003e \n      \u003c\/table\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Power \n      \u003c\/div\u003e \n      \u003ctable\u003e \n       \u003ctbody\u003e \n        \u003ctr\u003e \n         \u003ctd\u003ePower Source\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003ePlug-In Power\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n       \u003c\/tbody\u003e \n      \u003c\/table\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Physical \n      \u003c\/div\u003e \n      \u003ctable\u003e \n       \u003ctbody\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eMounting\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003eFront: 2x Rack\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eColor\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e\u003cspan\u003eBlue\u003c\/span\u003e\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eWeight\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e1.2 lb \/ 540 g\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n       \u003c\/tbody\u003e \n      \u003c\/table\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Packaging Info \n      \u003c\/div\u003e \n      \u003ctable\u003e \n       \u003ctbody\u003e \n        \u003ctr\u003e \n         \u003ctd\u003ePackage Weight\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e3.3 lb\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e10.9 x 9.6 x 4.3\"\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n       \u003c\/tbody\u003e \n      \u003c\/table\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n  \u003c\/div\u003e \n \u003c\/div\u003e \n\u003c\/div\u003e\n\u003cp\u003eAll product and company names are trademarks or registered trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.\u003c\/p\u003e","brand":"Tegeler Audio-10","offers":[{"title":"Default Title","offer_id":42627559850069,"sku":"TEGVL500:TEGVL500:bhpv","price":113365.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1770047537_1947973.jpg?v=1782190631"},{"product_id":"wave-distro-de-ess-duo-bundle-500-series-horizontal-chassis-with-two-derresser-filter-modules","title":"Wave Distro De-Ess Duo Bundle 500-Series Horizontal Chassis with Two DerrEsser Filter Modules","description":"\u003cdiv\u003e \n \u003ch2\u003eWave Distro DE-ESS DUO  Overview\u003c\/h2\u003e \n\u003c\/div\u003e \n\u003cdiv\u003e  \n \u003cdiv\u003e \n  \u003cdiv\u003e\u003c\/div\u003e \n \u003c\/div\u003e \n \u003cdiv\u003e \n  \u003cdiv\u003e \n   \u003cp\u003eBundling a versatile horizontal 500-series rack chassis with two powerful high-frequency fixer modules, the \u003cstrong\u003eWave Distro PowerGrid Duo with Two DerrEsser Filter Modules\u003c\/strong\u003e offers powerful de-essing, high-frequency limiting, and high-\/low-pass filter modes for enhancing any audio source. Ideal for 2-channel or stereo processing, this bundle is ideal for studio recording.\u003c\/p\u003e \n   \u003cp\u003eWith its high-performance analog VCA circuitry, the DerrEsser module can effectively reduce high-frequency harshness in a musical manner, while low frequencies can be modulated or saturated using the very fast internally fixed attack and release times. The DerrEsser modules offer manual Threshold and Frequency control, with available frequencies ranging from 830 Hz to 10 kHz. Typical traffic light-style LED metering is available, as well as a Bad! red LED for indicating that your signal is within 1 dB of hard clipping. Noteworthy design features include unity gain in and out (up to 6 dB of gain on tap), true bypass relay, military-grade switches and relays, and DC-coupled I\/O. The input is balanced, while the output features balanced impedance. The DerrEsser modules are hand-built and calibrated in the USA.\u003c\/p\u003e \n  \u003c\/div\u003e \n \u003c\/div\u003e \n \u003cdiv\u003e \n  \u003cdiv\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Rack Chassis Main Features \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e \n       \u003cul\u003e \n        \u003cli\u003e2-slot horizontal chassis for 500-series modules\u003c\/li\u003e \n        \u003cli\u003eCan be mounted on standard 19\" equipment racks\u003c\/li\u003e \n        \u003cli\u003eUp to 300mA of stable current for each module\u003c\/li\u003e \n        \u003cli\u003eStereo Link switch for flexible routing and stereo module configurations\u003c\/li\u003e \n        \u003cli\u003eGround-lift switch per slot for eliminating hum\u003c\/li\u003e \n       \u003c\/ul\u003e \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Four Modes of Operation \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Besides true bypass, the DerrEsser features four modes: \n       \u003cp\u003e\u003c\/p\u003e \n       \u003cul\u003e \n        \u003cli\u003eDS mode: as a de-esser in the DS mode (HF Limit off), the threshold can be set to tame harsh S?s (sibilants) that result from an overly bright singer or from EQing to make a vocal sound aggressive and clear.\u003c\/li\u003e \n        \u003cli\u003eHF Limit: in this mode, the DerrEsser essentially acts as a high-frequency compressor. If there is enough high-frequency content to exceed the threshold, then gain reduction occurs.\u003c\/li\u003e \n        \u003cli\u003eHigh-pass: By using the Listen function, the user can employ the filter circuitry inside the DerrEsser to process their audio. With the Listen button in and the HP\/LP switch out, the user will be hearing the high frequencies that are being controlled with the dynamic\/compression circuits.\u003c\/li\u003e \n        \u003cli\u003eLow-pass: with the Listen button in, and the HP\/LP button in, the user is now listening to the low frequencies, those not affected by the VCA and dynamic\/compression circuits. This is a 12 dB per octave filter.\u003c\/li\u003e \n       \u003c\/ul\u003e \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Ideal Sources for DerrEsser \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        The DerrEsser module is a versatile fixer that can help improve almost any studio sound source being recorded, including: \n       \u003cp\u003e\u003c\/p\u003e \n       \u003cul\u003e \n        \u003cli\u003eVocals (especially singers who work the mic)\u003c\/li\u003e \n        \u003cli\u003eElectric guitar for a tighter sound by band limiting the top end and quieting hiss\u003c\/li\u003e \n        \u003cli\u003ePlucked instruments and acoustic guitar for a smoother, more natural sound\u003c\/li\u003e \n        \u003cli\u003ePercussion, allowing you to tame hi-hat bleed, fattening snares, reducing overhead brightness\/harshness, and taming splashy cymbals captured by room mics\u003c\/li\u003e \n        \u003cli\u003eKeyboards, including acoustic pianos (for reducing sharp or plucky sounds) and synthesizers (controlling peaks)\u003c\/li\u003e \n        \u003cli\u003eAll bass instruments, allowing you to roll off high frequencies, add harmonics, and much more\u003c\/li\u003e \n       \u003c\/ul\u003e \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n  \u003c\/div\u003e \n \u003c\/div\u003e     Items Included  \n \u003cul\u003e \n  \u003cli\u003e\u003cspan\u003eWave Distro De-Ess Duo Bundle 500-Series Horizontal Chassis with Two DerrEsser Filter Modules\u003c\/span\u003e\u003c\/li\u003e \n  \u003cli\u003e\u003cspan\u003e\u003cspan\u003eWave Distro PowerGrid Duo Two-Slot 500-Series Horizontal Rack Chassis\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e \n  \u003cli\u003e\u003cspan\u003e\u003cspan\u003e2 x EMPIRICAL LABS DerrEsser ELDS-H 500-Series Dynamic High-Frequency Fixer (Horizontal Version)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e \n  \u003cli\u003e\u003cspan\u003eLimited 3-Year Manufacturer Warranty\u003c\/span\u003e\u003c\/li\u003e \n \u003c\/ul\u003e    Additional Resources  \n \u003cdiv\u003e \n  \u003ca\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e\u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cp\u003eUser Manual\u003c\/p\u003e \n     \u003cp\u003e0.9 MB\u003c\/p\u003e \n    \u003c\/div\u003e \n   \u003c\/div\u003e\u003c\/a\u003e \n \u003c\/div\u003e \n \u003cul\u003e\u003c\/ul\u003e   \n\u003c\/div\u003e \n\u003cdiv\u003e \n \u003cdiv\u003e \n  \u003cdiv\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003ch2\u003eWave Distro DE-ESS DUO  Specs\u003c\/h2\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        General \n      \u003c\/div\u003e \n      \u003ctable\u003e \n       \u003ctbody\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eAudio Circuit Type\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003eAnalog (Solid-State)\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eFrequency Response\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e3 Hz to 120 kHz (-3 dB)\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eDynamic Range\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e-115 dB\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eNoise Floor\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e-93 dBu (Typical)\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eDistortion\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e0.035 to 0.01% (Depending on Mode)\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eInput Impedance\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e20 Kilohms\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eOutput Impedance\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e\u0026lt;51 Ohms\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n       \u003c\/tbody\u003e \n      \u003c\/table\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Inputs\/Outputs \n      \u003c\/div\u003e \n      \u003ctable\u003e \n       \u003ctbody\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eAudio I\/O\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e2x XLR 3-Pin Line\/Mic Input (Balanced)\u003cbr\u003e2x 1\/4\" TRS Line Input (Balanced)\u003cbr\u003e2x XLR 3-Pin Line\/Mic Output\u003cbr\u003e2x 1\/4\" TRS Line Output\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n       \u003c\/tbody\u003e \n      \u003c\/table\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Power \n      \u003c\/div\u003e \n      \u003ctable\u003e \n       \u003ctbody\u003e \n        \u003ctr\u003e \n         \u003ctd\u003ePower Source\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003eAC Input\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eAC Input Power\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e90 to 240 VAC, 50 \/ 60 Hz\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003ePower Consumption\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e8 W (Maximum)\u003cbr\u003e4 W (Typical)\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n       \u003c\/tbody\u003e \n      \u003c\/table\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Physical \n      \u003c\/div\u003e \n      \u003ctable\u003e \n       \u003ctbody\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eMounting\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003eFront: 4x Standard Rack Screw\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eColor\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e\u003cspan\u003eBlue\u003c\/span\u003e\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eMaterial of Construction\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003eMetal\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eDimensions\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e19\" \/ 48.3 cm (Width)\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n       \u003c\/tbody\u003e \n      \u003c\/table\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Packaging Info \n      \u003c\/div\u003e \n      \u003ctable\u003e \n       \u003ctbody\u003e \n        \u003ctr\u003e \n         \u003ctd\u003ePackage Weight\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e7.91 lb\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e21.8 x 13.4 x 4.4\"\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n       \u003c\/tbody\u003e \n      \u003c\/table\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n  \u003c\/div\u003e \n \u003c\/div\u003e \n\u003c\/div\u003e\n\u003cp\u003eAll product and company names are trademarks or registered trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.\u003c\/p\u003e","brand":"Wave Distro-10","offers":[{"title":"Default Title","offer_id":42632303640661,"sku":"WAHORZDESDUO:WAHORZDESDUO:bhpv","price":147855.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1755781786_1900524_2d0436d8-daf8-4790-9c67-2a30ac0d995c.jpg?v=1782235361"},{"product_id":"wave-distro-de-ess-duo-bundle-500-series-vertical-chassis-with-two-empirical-labs-derresser-filter-modules","title":"Wave Distro De-Ess Duo Bundle 500-Series Vertical Chassis with Two Empirical Labs DerrEsser Filter Modules","description":"\u003cdiv\u003e \n \u003ch2\u003eWave Distro VERTICAL DE-ESS DUO  Overview\u003c\/h2\u003e \n\u003c\/div\u003e \n\u003cdiv\u003e  \n \u003cdiv\u003e \n  \u003cdiv\u003e\u003c\/div\u003e \n \u003c\/div\u003e \n \u003cdiv\u003e \n  \u003cdiv\u003e \n   \u003cp\u003eBundling a compact, portable PowerGrid Duo 500-series rack chassis with two powerful high-frequency fixer modules, the \u003cstrong\u003eWave Distro De-Ess Duo Bundle with Two DerrEsser Filter Modules\u003c\/strong\u003e offers powerful de-essing, high-frequency limiting, and high-\/low-pass filter modes for enhancing any audio source. Ideal for 2-channel or stereo processing, this bundle is ideal for studio recording.\u003c\/p\u003e \n   \u003cp\u003eWith its high-performance analog VCA circuitry, the DerrEsser module can effectively reduce high-frequency harshness in a musical manner, while low frequencies can be modulated or saturated using the very fast internally fixed attack and release times. The DerrEsser modules offer manual Threshold and Frequency control, with available frequencies ranging from 830 Hz to 10 kHz. Typical traffic light-style LED metering is available as well as a Bad! red LED for indicating that your signal is within 1 dB of hard clipping. Noteworthy design features include unity gain in and out (up to 6 dB of gain on tap), true bypass relay, military-grade switches and relays, and DC-coupled I\/O. The input is balanced, while the output features balanced impedance. The DerrEsser modules are hand-built and calibrated in the USA.\u003c\/p\u003e \n  \u003c\/div\u003e \n \u003c\/div\u003e \n \u003cdiv\u003e \n  \u003cdiv\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Rack Chassis Main Features \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e \n       \u003cul\u003e \n        \u003cli\u003e2-slot vertical chassis for 500-series modules\u003c\/li\u003e \n        \u003cli\u003eCan be mounted on standard 19\" equipment racks\u003c\/li\u003e \n        \u003cli\u003eUp to 300mA of stable current for each module\u003c\/li\u003e \n        \u003cli\u003eStereo Link switch for flexible routing and stereo module configurations\u003c\/li\u003e \n        \u003cli\u003eGround-lift switch per slot for eliminating hum\u003c\/li\u003e \n       \u003c\/ul\u003e \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Four Modes of Operation \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Besides true bypass, the DerrEsser features four modes: \n       \u003cp\u003e\u003c\/p\u003e \n       \u003cul\u003e \n        \u003cli\u003eDS mode: as a de-esser in the DS mode (HF Limit off), the threshold can be set to tame harsh S?s (sibilants) that result from an overly bright singer or from EQing to make a vocal sound aggressive and clear.\u003c\/li\u003e \n        \u003cli\u003eHF Limit: in this mode, the DerrEsser essentially acts as a high-frequency compressor. If there is enough high-frequency content to exceed the threshold, then gain reduction occurs.\u003c\/li\u003e \n        \u003cli\u003eHigh-pass: by using the Listen function, the user can employ the filter circuitry inside the DerrEsser to process their audio. With the Listen button in and the HP\/LP switch out, the user will be hearing the high frequencies that are being controlled with the dynamic\/compression circuits.\u003c\/li\u003e \n        \u003cli\u003eLow-pass: with the Listen button in, and the HP\/LP button in, the user is now listening to the low frequencies, those not affected by the VCA and dynamic\/compression circuits. This is a 12 dB per octave filter.\u003c\/li\u003e \n       \u003c\/ul\u003e \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Ideal Sources for DerrEsser \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        The DerrEsser module is a versatile fixer that can help improve almost any studio sound source being recorded, including: \n       \u003cp\u003e\u003c\/p\u003e \n       \u003cul\u003e \n        \u003cli\u003eVocals (especially singers who work the mic)\u003c\/li\u003e \n        \u003cli\u003eElectric guitar for a tighter sound by band limiting the top end and quieting hiss\u003c\/li\u003e \n        \u003cli\u003ePlucked instruments and acoustic guitar for a smoother, more natural sound\u003c\/li\u003e \n        \u003cli\u003ePercussion, allowing you to tame hi-hat bleed, fattening snares, reducing overhead brightness\/harshness, and taming splashy cymbals captured by room mics\u003c\/li\u003e \n        \u003cli\u003eKeyboards, including acoustic pianos (for reducing sharp or plucky sounds) and synthesizers (controlling peaks)\u003c\/li\u003e \n        \u003cli\u003eAll bass instruments, allowing you to roll off high frequencies, add harmonics, and much more\u003c\/li\u003e \n       \u003c\/ul\u003e \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n  \u003c\/div\u003e \n \u003c\/div\u003e     Items Included  \n \u003cul\u003e \n  \u003cli\u003e\u003cspan\u003eWave Distro De-Ess Duo Bundle 500-Series Vertical Chassis with Two Empirical Labs DerrEsser Filter Modules\u003c\/span\u003e\u003c\/li\u003e \n  \u003cli\u003e\u003cspan\u003ePowerGrid II Vertical 500-Series Rack Chassis\u003c\/span\u003e\u003c\/li\u003e \n  \u003cli\u003e\u003cspan\u003e\u003cspan\u003e2 x EMPIRICAL LABS DerrEsser ELDS-V 500-Series Dynamic High-Frequency Fixer (Vertical Version)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e \n  \u003cli\u003e\u003cspan\u003eLimited 3-Year Manufacturer Warranty\u003c\/span\u003e\u003c\/li\u003e \n \u003c\/ul\u003e    Additional Resources  \n \u003cdiv\u003e \n  \u003ca\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e\u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cp\u003eUser Manual\u003c\/p\u003e \n     \u003cp\u003e0.9 MB\u003c\/p\u003e \n    \u003c\/div\u003e \n   \u003c\/div\u003e\u003c\/a\u003e \n \u003c\/div\u003e \n \u003cul\u003e\u003c\/ul\u003e   \n\u003c\/div\u003e \n\u003cdiv\u003e \n \u003cdiv\u003e \n  \u003cdiv\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003ch2\u003eWave Distro VERTICAL DE-ESS DUO  Specs\u003c\/h2\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Inputs\/Outputs \n      \u003c\/div\u003e \n      \u003ctable\u003e \n       \u003ctbody\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eAudio I\/O\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e2x XLR 3-Pin Line\/Mic Input (Balanced)\u003cbr\u003e2x 1\/4\" TRS Line Input (Balanced)\u003cbr\u003e2x XLR 3-Pin Line\/Mic Output\u003cbr\u003e2x 1\/4\" TRS Line Output\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n       \u003c\/tbody\u003e \n      \u003c\/table\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Power \n      \u003c\/div\u003e \n      \u003ctable\u003e \n       \u003ctbody\u003e \n        \u003ctr\u003e \n         \u003ctd\u003ePower Source\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003eAC Input\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eAC Input Power\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e90 to 240 VAC, 50 \/ 60 Hz\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n       \u003c\/tbody\u003e \n      \u003c\/table\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Physical \n      \u003c\/div\u003e \n      \u003ctable\u003e \n       \u003ctbody\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eMounting\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003eFront: 2x Standard Rack Screw\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eColor\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e\u003cspan\u003eDark Gray\u003c\/span\u003e\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eMaterial of Construction\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003eMetal\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n       \u003c\/tbody\u003e \n      \u003c\/table\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Packaging Info \n      \u003c\/div\u003e \n      \u003ctable\u003e \n       \u003ctbody\u003e \n        \u003ctr\u003e \n         \u003ctd\u003ePackage Weight\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e3.28 lb\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e10.35 x 9.9 x 7.65\"\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n       \u003c\/tbody\u003e \n      \u003c\/table\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n  \u003c\/div\u003e \n \u003c\/div\u003e \n\u003c\/div\u003e\n\u003cp\u003eAll product and company names are trademarks or registered trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.\u003c\/p\u003e","brand":"Wave Distro-10","offers":[{"title":"Default Title","offer_id":42632679555157,"sku":"WAVRTDEESSDU:WAVRTDEESSDU:bhpv","price":145980.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1755700424_1900527_23232cbf-4e8b-4e2a-b342-9a1c7749403d.jpg?v=1782238477"},{"product_id":"wave-distro-pump-duo-bundle-500-series-with-two-pump-compressor-modules-vertical-orientation","title":"Wave Distro Pump Duo Bundle 500-Series with Two PUMP Compressor Modules (Vertical Orientation)","description":"\u003cdiv\u003e \n \u003ch2\u003eWave Distro VERTICAL PUMP DUO  Overview\u003c\/h2\u003e \n\u003c\/div\u003e \n\u003cdiv\u003e  \n \u003cdiv\u003e \n  \u003cdiv\u003e\u003c\/div\u003e \n \u003c\/div\u003e \n \u003cdiv\u003e \n  \u003cdiv\u003e \n   \u003cp\u003eGet twice the pump in a compact, portable rack chassis with the \u003cstrong\u003ePump Duo Bundle\u003c\/strong\u003e from \u003cstrong\u003eWave Distro\u003c\/strong\u003e, a 2-slot PowerGrid II 500-series vertical rack chassis that comes with two PUMP VCA compressors fit into recessed slots for a flush look. These two PUMP compressors offer eight compression ratios from 2:1 to 20:1 and a Stereo Link switch for powerful stereo dynamics processing.\u003c\/p\u003e \n   \u003cp\u003eThe attack section provides speeds ranging from 0.2 to 40 ms, while the release section allows for 50 to 500 ms release times and an opto-coupler-style release. The compressor includes extra features like a 70 Hz high-pass filter, a saturation soft clipper from the Mike-E, comprehensive gain reduction metering, bypass, digitally stepped controls, and a unique attack modification (AtMod) feature derived from the Arousor plug-in and appearing in hardware for the first time. I\/O includes XLR 3-pin and 1\/4\" TRS balanced connections, and the chassis provides a ground-lift switch for each module to eliminate unwanted hum.\u003c\/p\u003e \n  \u003c\/div\u003e \n \u003c\/div\u003e \n \u003cdiv\u003e \n  \u003cdiv\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Attack Modification \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        One of the most unique features of PUMP is AtMod, short for Attack Modification. First seen in the Arousor plug-in, AtMod is a feature never before found in a hardware compressor. \n       \u003cp\u003e\u003c\/p\u003e \n       \u003cp\u003eAtMod gives users the ability to slow down the initial slope of the attack envelope to add just a little bit more of the transient back into the track. Whether it?s to get a little bit more snap on the snare track or more thump on the electric bass, the AtMod will let the transients through without losing your desired amount of compression.\u003c\/p\u003e \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Chassis Features \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e \n       \u003cul\u003e \n        \u003cli\u003e2-slot vertical chassis for 500-series modules\u003c\/li\u003e \n        \u003cli\u003eCan be mounted on standard 19\" equipment racks\u003c\/li\u003e \n        \u003cli\u003eUp to 300mA of stable current for each module\u003c\/li\u003e \n        \u003cli\u003eStereo Link switch for flexible routing and stereo module configurations\u003c\/li\u003e \n        \u003cli\u003eGround-lift switch per slot for eliminating hum\u003c\/li\u003e \n       \u003c\/ul\u003e \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e\u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e\n      UPC: 860009681811 \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n  \u003c\/div\u003e \n \u003c\/div\u003e     Items Included  \n \u003cul\u003e \n  \u003cli\u003e\u003cspan\u003eWave Distro Pump Duo Bundle 500-Series with Two PUMP Compressor Modules (Vertical Orientation)\u003c\/span\u003e\u003c\/li\u003e \n  \u003cli\u003e\u003cspan\u003ePowerGrid II Vertical 500-Series Rack Chassis\u003c\/span\u003e\u003c\/li\u003e \n  \u003cli\u003e\u003cspan\u003e\u003cspan\u003e2 x EMPIRICAL LABS PUMP 500-Series VCA Compressor (Vertical Orientation)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e \n  \u003cli\u003e\u003cspan\u003eLimited 1-Year Manufacturer Warranty\u003c\/span\u003e\u003c\/li\u003e \n \u003c\/ul\u003e    Additional Resources  \n \u003cdiv\u003e \n  \u003ca\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e\u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cp\u003eUser Manual\u003c\/p\u003e \n     \u003cp\u003e0.6 MB\u003c\/p\u003e \n    \u003c\/div\u003e \n   \u003c\/div\u003e\u003c\/a\u003e \n \u003c\/div\u003e \n \u003cul\u003e\u003c\/ul\u003e   \n\u003c\/div\u003e \n\u003cdiv\u003e \n \u003cdiv\u003e \n  \u003cdiv\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003ch2\u003eWave Distro VERTICAL PUMP DUO  Specs\u003c\/h2\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Inputs\/Outputs \n      \u003c\/div\u003e \n      \u003ctable\u003e \n       \u003ctbody\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eAudio I\/O\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e2x XLR 3-Pin Line\/Mic Input (Balanced)\u003cbr\u003e2x 1\/4\" TRS Line Input (Balanced)\u003cbr\u003e2x XLR 3-Pin Line\/Mic Output\u003cbr\u003e2x 1\/4\" TRS Line Output\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n       \u003c\/tbody\u003e \n      \u003c\/table\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Power \n      \u003c\/div\u003e \n      \u003ctable\u003e \n       \u003ctbody\u003e \n        \u003ctr\u003e \n         \u003ctd\u003ePower Source\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003eAC Input\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eAC Input Power\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e90 to 240 VAC, 50 \/ 60 Hz\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n       \u003c\/tbody\u003e \n      \u003c\/table\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Physical \n      \u003c\/div\u003e \n      \u003ctable\u003e \n       \u003ctbody\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eMounting\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003eFront: 2x Standard Rack Screw\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eColor\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e\u003cspan\u003eDark Gray\u003c\/span\u003e\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eMaterial of Construction\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003eMetal\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eDimensions\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e19\" \/ 48.3 cm (Width)\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n       \u003c\/tbody\u003e \n      \u003c\/table\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Packaging Info \n      \u003c\/div\u003e \n      \u003ctable\u003e \n       \u003ctbody\u003e \n        \u003ctr\u003e \n         \u003ctd\u003ePackage Weight\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e3.28 lb\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e10.3 x 9.8 x 7.55\"\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n       \u003c\/tbody\u003e \n      \u003c\/table\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n  \u003c\/div\u003e \n \u003c\/div\u003e \n\u003c\/div\u003e\n\u003cp\u003eAll product and company names are trademarks or registered trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.\u003c\/p\u003e","brand":"Wave Distro-10","offers":[{"title":"Default Title","offer_id":42632724480085,"sku":"WAVRTPMPDUO:WAVRTPMPDUO:bhpv","price":206810.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1754395858_1900528_d0287826-bb7a-47ba-92e6-8712a4ef46b0.jpg?v=1782238812"},{"product_id":"wesaudio-_dione-500-series-stereo-bus-compressor-kit-2","title":"WesAudio _DIONE 500 Series Stereo Bus Compressor Kit","description":"\u003cdiv\u003e  \n \u003cdiv\u003e \n  \u003cdiv\u003e \n   \u003cdiv\u003e\n     Kit Contains: \n   \u003c\/div\u003e \n  \u003c\/div\u003e \n  \u003cdiv\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e \n       \u003cdiv\u003e \n        \u003cdiv\u003e \n         \u003cdiv\u003e \n          \u003cspan\u003e \n           \u003cdiv\u003e \n            \u003cimg alt=\"WesAudio _DIONE 500 Series Stereo Bus Compressor with Digital Recall\"\u003e \n           \u003c\/div\u003e \n           \u003cdiv\u003e\u003c\/div\u003e\u003c\/span\u003e \n         \u003c\/div\u003e \n        \u003c\/div\u003e \n       \u003c\/div\u003e \n       \u003cdiv\u003e \n        \u003cdiv\u003e \n         \u003cdiv\u003e \n          \u003cspan\u003e \n           \u003cdiv\u003e \n            \u003cimg alt=\"WesAudio _TITAN NG500 Recall Chassis (Up to 10 NG500 Devices and 5 Amps of Power)\"\u003e \n           \u003c\/div\u003e\u003c\/span\u003e \n         \u003c\/div\u003e \n        \u003c\/div\u003e \n       \u003c\/div\u003e \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n  \u003c\/div\u003e \n \u003c\/div\u003e \n \u003cdiv\u003e \n  \u003cdiv\u003e\u003c\/div\u003e \n \u003c\/div\u003e \n \u003cdiv\u003e \n  \u003cdiv\u003e \n   \u003cp\u003eProviding an ideal, digital-friendly start to any home or pro studio, this \u003cstrong\u003e Kit\u003c\/strong\u003e bundles a \u003cstrong\u003eWesAudio _DIONE\u003c\/strong\u003e 500 series stereo bus compressor with a flexible, 10-space chassis. The _DIONE is a powerful analog compressor with sophisticated digital input support, making it very easy to use in combination with modern DAW plug-ins and programming, while the case offers a high-end power supply and plenty of room for upgrades as needs evolve.\u003c\/p\u003e \n  \u003c\/div\u003e \n \u003c\/div\u003e \n \u003cdiv\u003e \n  \u003cdiv\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e\n      WesAudio _DIONE 500 Series Stereo Bus Compressor with Digital Recall \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e \n     \u003cp\u003eMerging the best of analog and digital worlds, the \u003cb\u003eWesAudio _DIONE\u003c\/b\u003e 500 series stereo bus compressor offers legendary mix bus glue and the powerful luxury of digital total recall. On the analog side, it provides high headroom of +24 dBu, THAT 2181 VCAs, variable parallel compression, and selectable THD coloration intensity for big tone that'll help you get pro impact in your mixes. Plus, there's true bypass and hardware A\/B switching, so you can easily compare dry versus compressed or two different configurations of settings.\u003cbr\u003e \u003cbr\u003e When it comes to the digital integration, _DIONE is high-tech with USB connectivity and plug-in control. It has three touch-sensitive encoders that not only adjust the settings of the analog circuitry, but also allow you to write real-time automation from _DIONE to your DAW. Alternatively, you can draw automation in the DAW and _DIONE will react accordingly. You can even send a DAW track to the sidechain of _DIONE over the USB connection; analog compression digitally sidechained from your DAW. The sidechain also has five different filter settings for full control over the trigger signal.\u003c\/p\u003e \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        New Implementation of a Legend \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        The legendary sound of \"the\" stereo bus compressor has been a true companion on countless recordings for 40 years. Often recognized as \"mix bus glue,\" this particular compression sound has become industry standard in the analog and DAW worlds. WesAudio's _DIONE implements legendary VCA compression into a 500 Series module and brings with it one of the most demanded features in the audio industry?digital recall. \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        THAT 2181 VCAs \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        _DIONE is a 100% analog device with +24 dBu headroom. Regardless of its digital control nature, the fully analog signal path provides top-tier VCA compression. It contains two THAT 2181 VCAs in the signal chain and two more in the sidechain detector. \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Mix Knob for Parallel Compression \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        The inclusion of a dedicated mix knob allows _DIONE to perform parallel compression at the twist of a dial. \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        THD \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        THD stands for \"total harmonic distortion\" and it allows you to saturate your signal with beautiful analog color with two different intensity levels. Choose \"Mid\" for 1% THD or \"High\" for 3% THD. \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Sidechain Filters \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        _DIONE's sidechain filter functionality allows you to modify signal going into the compressor's detector. It includes three high-pass filters at 60, 90, and 150 Hz, and two tilt filters, which are special \"curve\" filters. \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Four Ratio Settings \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        _DIONE provides selectable ratios of 1.5:1 and 2:1 for gentle mix bus processing, and 4:1 and 10:1 for more aggressive compression. \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        500 Series Compatible \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Regardless its extensions, _DIONE is fully compatible with the 500 series standard. Digital features can be enabled through the mini-USB socket on the front panel. \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        ng500 Series \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Each WesAudio device in ng500 (Next Generation 500 series) product line is equipped with a special connector. This connector is an extension to the 500 series, and allows your device to be managed\/recalled through specialized GCon protocol (e.g. _TITAN 500 series 10-slot frame). This extension is compatible with the 500 series standardized plug type; however, some manufacturers apply enormous screws to the plug itself, which prevent the device from fitting in. Based on official research, more than 90% of available 500 series racks will fit just fine. Currently known exceptions include: \n       \u003cp\u003e\u003c\/p\u003e \n       \u003cul\u003e \n        \u003cli\u003eRupert Neve Designs 500 series Racks (R6 \u0026amp; R10)\u003c\/li\u003e \n        \u003cli\u003eAphex 500 series rack\u003c\/li\u003e \n        \u003cli\u003eSome older BAE racks (not produced anymore)\u003c\/li\u003e \n        \u003cli\u003eMidas L6 (module won?t fit to the very end on slots 3 and 6)\u003c\/li\u003e \n        \u003cli\u003eMidas L10 (module won?t fit to the very end on slots 4 and 8)\u003c\/li\u003e \n       \u003c\/ul\u003e \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Hardware A\/B \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Even using _DIONE as a pure analog signal processor, you can easily switch between two parallel settings with the magic of simple A\/B buttons. \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Total Recall and Plug-In Control \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Along with classic analog compression, you receive one of the most demanded features in the audio industry?total recall. Plus, full plug-in control (VST2, VST3, AU, AAX, and AAX DSP) makes _DIONE compatible with most, if not all, major DAWs. This total integration with your beloved DAW will change your workflow forever. \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Analog Automation \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        It's very common to want different device settings based on song sections. Now it is possible; just draw automation lines in your DAW and the _DIONE analog device will follow. And remember, you can use four touch-sensitive encoders to record automation to your DAW. \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Additional Features \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e \n       \u003cul\u003e \n        \u003cli\u003eFully digitally controlled analog circuit\u003c\/li\u003e \n        \u003cli\u003e+24 dBu of headroom\u003c\/li\u003e \n        \u003cli\u003eDigital recall can be achieved by connecting directly through the mini-USB socket on the front panel, or using it inside a _TITAN chassis\u003c\/li\u003e \n        \u003cli\u003eDedicated stereo plug-in\u003c\/li\u003e \n        \u003cli\u003eDigital sidechain makes it possible to send any track from your DAW as a sidechain signal to the compressor\u003c\/li\u003e \n        \u003cli\u003eThree touch-sensitive encoders, perfect for recording automation of all parameters to your DAW in real time\u003c\/li\u003e \n        \u003cli\u003eTrue bypass\u003c\/li\u003e \n        \u003cli\u003eAccurate analog gain reduction meter and its precise simulation implemented in the plug-in\u003c\/li\u003e \n        \u003cli\u003eFree software and firmware upgrades\u003c\/li\u003e \n       \u003c\/ul\u003e \n      \u003c\/div\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n  \u003c\/div\u003e \n \u003c\/div\u003e \n \u003cdiv\u003e \n  \u003cdiv\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e\n      WesAudio _TITAN NG500 Recall Chassis (Up to 10 NG500 Devices and 5 Amps of Power) \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e \n     \u003cp\u003e_TITAN is a complete recall system designed to provide total integration with your beloved analog equipment. It extends the 500 Series connector with additional pins where modules can be designed to support digital recall or any other vendor specific functionalities. This extension is part of new open standard ng500?Next Generation 500 series?which allows other manufacturers to design and implement digitally controlled analog devices. The linear power supply is capable of delivering 5A of power to bring the sound of your units to the next level. _TITAN can host standarized 500 Series modules. Of course it was designed to recall up to 10 units with signle USB or Ethernet connection. _TITAN allows you to control\/recall all hosted modules through one connection. USB for direct connection with your workstation; Ethernet dedicated LAN connection to access all devices in your local network. _TITAN is part of an open specification where proper documentation along with dedicated software frameworks can be shared with other vendors free of charge. _TITAN provides a simple standalone application to change status of stereo links between modules. No more problems with accessing your chassis configuration. _TITAN implements a special connector, which routes all audio signals from and to slots 1?8. This allows future integration with audio interface modules, analog summing modules, or patchbays. The input source for any slot is implemented through analog relays, and it is configurable through standalone application. This prevents two different signal sources to be routed to the same module\u003c\/p\u003e \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n  \u003c\/div\u003e \n \u003c\/div\u003e     Items Included  \n \u003cul\u003e \n  \u003cli\u003e\u003cspan\u003e\u003cspan\u003eWesAudio _DIONE 500 Series Stereo Bus Compressor with Digital Recall\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e \n  \u003cul\u003e \n   \u003cli\u003e\u003cspan\u003eLimited 2-Year Manufacturer Warranty\u003c\/span\u003e\u003c\/li\u003e \n  \u003c\/ul\u003e \n  \u003cli\u003e\u003cspan\u003e\u003cspan\u003eWesAudio _TITAN NG500 Recall Chassis (Up to 10 NG500 Devices and 5 Amps of Power)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e \n \u003c\/ul\u003e    Additional Resources  \n \u003cdiv\u003e  \n  \u003cdiv\u003e \n   \u003cdiv\u003e\u003c\/div\u003e \n   \u003cdiv\u003e \n    \u003cp\u003eGuides \u0026amp; Manuals\u003c\/p\u003e \n   \u003c\/div\u003e \n  \u003c\/div\u003e \n \u003c\/div\u003e \n \u003cul\u003e\u003c\/ul\u003e   \n\u003c\/div\u003e \n\u003cdiv\u003e \n \u003cdiv\u003e \n  \u003cdiv\u003e \n   \u003cdiv\u003e \n    \u003cdiv\u003e \n     \u003cdiv\u003e \n      \u003ch2\u003eWesAudio DIONE  Specs\u003c\/h2\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003ctable\u003e \n       \u003ctbody\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eFunction\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003eCompressor\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eNumber of Channels\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e2\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eInputs\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e2 x Balanced Line Input via 500 Series Multipin Connector\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eOutputs\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e2 x Balanced Line Output via 500 Series Multipin Connector\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eUSB\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e1 x Mini-USB Port (Front Panel)\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003ePlug-In Formats\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003eVST2, VST3, AU, AAX, and AAX DSP\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eInput Impedance\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e10 Kilohms\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eOutput Impedance\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e\u0026lt;100 Ohms\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eMaximum Gain\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e21 dB\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eCompression Ratio\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e1.5:1, 2:1, 4:1, or 10:1\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eAttack Time\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e0.1, 0.3, 1, 3, 10, or 30 ms\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eRelease Time\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e0.1, 0.3, 0.6, 0.9, or 1.2 Seconds, or Auto Mode\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eSidechain Filter\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e60, 90, or 150 Hz, or T1 \/ T2\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eFrequency Response\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e20 Hz to 20 kHz (0.1 dB)\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eHeadroom\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e+24 dBu\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eTHD\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003eMid Switch: 1%\u003cbr\u003e High Switch: 3%\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eTHD + N\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003eWet: 0.008% (1 kHz, 0 dBu)\u003cbr\u003e Dry: 0.004% (1 kHz, 0 dBu)\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eCrosstalk\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e\u0026lt; -90 dB\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003ePower Consumption\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e70 mA \/ +16 V and 50 mA \/ -16 V (per Slot)\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eDimensions\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e3.0 x 5.2 x 6.2\" \/ 7.6 x 13.3 x 15.8 cm\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eWeight\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003eNot Specified by Manufacturer\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n       \u003c\/tbody\u003e \n      \u003c\/table\u003e \n     \u003c\/div\u003e \n     \u003cdiv\u003e \n      \u003cdiv\u003e\n        Packaging Info \n      \u003c\/div\u003e \n      \u003ctable\u003e \n       \u003ctbody\u003e \n        \u003ctr\u003e \n         \u003ctd\u003ePackage Weight\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e1.66 lb\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n        \u003ctr\u003e \n         \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e \n         \u003ctd\u003e \n          \u003cdiv\u003e \n           \u003cspan\u003e8.2 x 6.3 x 4.4\"\u003c\/span\u003e \n          \u003c\/div\u003e\n\u003c\/td\u003e \n        \u003c\/tr\u003e \n       \u003c\/tbody\u003e \n      \u003c\/table\u003e \n     \u003c\/div\u003e \n    \u003c\/div\u003e \n   \u003c\/div\u003e \n  \u003c\/div\u003e \n \u003c\/div\u003e \n\u003c\/div\u003e\n\u003cp\u003eAll product and company names are trademarks or registered trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.\u003c\/p\u003e","brand":"WesAudio-10","offers":[{"title":"Default Title","offer_id":42633145221205,"sku":"WEHYPERIONT:WEHYPERIONT:bhpv","price":398630.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1720206328_1739131.jpg?v=1782241393"}],"url":"https:\/\/www.tanotis.com\/collections\/dynamics-processors.oembed?page=2","provider":"Tanotis","version":"1.0","type":"link"}