{"title":"Audio Books \u0026 Tutorials","description":"","products":[{"product_id":"ty-ford-audio-video-book-audio-bootcamp-field-guide-4th-edition-by-ty-ford","title":"Ty Ford Audio \u0026 Video Book: Audio Bootcamp Field Guide 4th Edition by Ty Ford","description":"\u003cul\u003e \u003cli\u003eUpdated Version\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cp\u003e \u003cb\u003eAudio Bootcamp Field Guide\u003c\/b\u003e - After answering thousands of online questions from videographers about how to capture better sound on video shoots, studio and location audio pro Ty Ford wrote \"Ty Ford's Audio Bootcamp Field Guide.\" Readers are initially surprised by how small the book is, but find that there are no wasted words and that all of them make sense to the average human; no electronic formulas to memorize, no discussions about wavelengths, calculus, trigonometry or physics required. \u003c\/p\u003e \u003cp\u003eBoom, lav and handheld mics are discussed. A section on mic patterns and their strengths and weaknesses help you choose which mic is best for a particular shot. The Mixer section explains why a mixer can make your audio sound better and how to connect everything to help you get better production sound rather than spending time in post trying to fix problem audio.\u003c\/p\u003e \u003cp\u003eA Q\u0026amp;A chapter takes you through the thought processes required to make good decisions about how to get the best audio you can, regardless of the setup.\u003c\/p\u003e \u003cp\u003eThe Good Gear Guide is an up to date list of solid location audio gear. The Equipment Rental Guide is a list of qualified professional equipment rental houses in the US, in case you need to rent audio gear you don't have. Heavy-duty plastic covers insure the book will survive in a run bag. Spiral binding allows the book to remain open to the page you want without having to hold it.\u003c\/p\u003e \u003cp\u003eThe Anti-Panic Checklist on the back cover helps you through those anxious moments when you know some thing's wrong, but you're not sure where to look. In a companion online video tutorial, Ty Ford demonstrates the differences in ear-worn, lav, supercardioid and shotgun mics. You hear what the mics sound like as they are being used with an on-going narrative that explains what you're hearing and which mics work best in different situations.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003ch3\u003eTopics Covered\u003c\/h3\u003e \u003cdl\u003e \u003cdd\u003eMicrophones: Lavs, hypers, shotguns\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003eApplication Notes: When to use each microphone and why\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003eMixers: Why a mixer? How to connect and calibrate\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003eGood Gear List: Future-proof your audio with the best gear\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003eQ\u0026amp;A, FAQ and Index: Practical experience at your fingertips\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003eMicrophone \u0026amp; Gear Rentals: A list of rental house websites\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003eAnti-Panic Audio Checklist\u003c\/dd\u003e \u003c\/dl\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e\u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eSubject\u003c\/td\u003e \u003ctd\u003eLocation Audio Recording\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eAuthor\u003c\/td\u003e \u003ctd\u003eTy Ford\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eEdition\u003c\/td\u003e \u003ctd\u003e4th\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eHard\/Soft Cover\u003c\/td\u003e \u003ctd\u003eSoftcover\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePages\u003c\/td\u003e \u003ctd\u003e \u003ci\u003eNot Specified by Publisher\u003c\/i\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDimensions\u003c\/td\u003e \u003ctd\u003e \u003ci\u003eNot Specified by Publisher\u003c\/i\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eIllustrations\u003c\/td\u003e \u003ctd\u003eYes\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eISBN Number\u003c\/td\u003e \u003ctd\u003e978-1-60643-676-952495\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePublisher\u003c\/td\u003e \u003ctd\u003eTy Ford\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDate Published\u003c\/td\u003e \u003ctd\u003e2008\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003cth\u003e \u003ca\u003ePackaging Info\u003c\/a\u003e \u003c\/th\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePackage Weight\u003c\/td\u003e \u003ctd\u003e0.15 lb\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e \u003ctd\u003e5.4 x 4.2 x 0.4\"\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e All product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Ty Ford Audio \u0026 Video-10","offers":[{"title":"Default Title","offer_id":27499797712,"sku":"TYTFABCFG:TYTFABCFG:bhpv","price":4690.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/Ty_Ford_Audio_Video_978_1_60643_676_952495_Book_Audio_Bootcamp_Field_1233226745000_568363.jpg?v=1575981785"},{"product_id":"ars-nova-practica-musica-cd-textbook-40-licenses","title":"Ars Nova Practica Musica CD \u0026 Textbook (40 Licenses)","description":"\u003cul\u003e \u003cli\u003eIncludes Textbook\u003c\/li\u003e \u003cli\u003eMac or PC\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cp\u003e \u003cstrong\u003ePractica Musica (40 Licenses)\u003c\/strong\u003e from \u003cstrong\u003eArs Nova\u003c\/strong\u003e is a user friendly music theory and ear training program complete with interactive learning for novices and experts alike. \u003c\/p\u003e \u003cp\u003eFirst, learn to read music by understanding clefs, rhythms and key signatures. 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Use of them does not imply any affiliation with or endorsement by them.","brand":"Ars Nova-10","offers":[{"title":"Default Title","offer_id":35142120528,"sku":"ARPMH40:ARPMH40:bhpv","price":132015.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/Ars_Nova_AN_PM_H_SL_40_Practica_Musica_CD_1233264334000_577512.jpg?v=1575982718"},{"product_id":"ars-nova-practica-musica-cd-textbook-100-licenses","title":"Ars Nova Practica Musica CD \u0026 Textbook (100 Licenses)","description":"\u003cul\u003e \u003cli\u003eIncludes Textbook\u003c\/li\u003e \u003cli\u003eMac or PC\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cp\u003e \u003cstrong\u003ePractica Musica (100 Licenses)\u003c\/strong\u003e from \u003cstrong\u003eArs Nova\u003c\/strong\u003e is a user friendly music theory and ear training program complete with interactive learning for novices and experts alike. \u003c\/p\u003e \u003cp\u003eFirst, learn to read music by understanding clefs, rhythms and key signatures. Practice by reading single notes then whole melodies (computer generated) first with pitches only then with rhythms also.\u003c\/p\u003e \u003cp\u003eEar training helps the user recognize intervals and chords from basic triads to advanced harmonies.\u003c\/p\u003e \u003cp\u003eIncluded with Practica Musica is the Exploring Theory Textbook in print and digital forms with specific chapters geared for the software content.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdl\u003e \u003cdt\u003eCourses of Study\u003c\/dt\u003e \u003cdd\u003e Beginner's Course \u003cbr\u003e Exploring Theory Textbook Course \u003cbr\u003e AP Prep Course \u003cbr\u003e 80 Topics \u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003eInteractive\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003eNotation tools\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003eEar training and music dictation\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003eLarge or small note fonts for ease of vision\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003eMIDI Export of exercises and compositions\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003eMoveable-do solfege\u003c\/dd\u003e \u003c\/dl\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e\u003cdiv\u003e \u003cdiv\u003eIn the Box\u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eArs Nova Practica Musica CD \u0026amp; Textbook (100 Licenses)\u003c\/div\u003e \u003c\/div\u003e \u003cul\u003e \u003cli\u003ePractica Musica CD \u0026amp; Textbook (100 Licenses)\u003c\/li\u003e \u003c\/ul\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eCompatibility\u003c\/td\u003e \u003ctd\u003ePC or Mac\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e All product and company names are trademarks™ or registered® trademarks of their respective holders. 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It also discusses how bands can work successfully with a sound engineer, and set up effective sound system components. \u003c\/p\u003e \u003cp\u003eReaders will learn how they can buy the equipment that will enable them to accomplish their goals by distinguishing between advertising hype and pragmatic functions.�Learn how to choose the venue, how to purchase equipment, how to rent field recording services, and how to hook all the components together correctly, as well as set up the 'mix' for the musicians on stage and the audience.\u003c\/p\u003e \u003cp\u003eWritten by a musician and engineer with 25 years experience in performance, recording, and sound reinforcement, it seeks to correct common misinformation about sound systems components, and is the only book of its kind to date which combines sound reinforcement and live recording techniques.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdl\u003e \u003cdt\u003eAbout the Author\u003c\/dt\u003e \u003cdd\u003eMike Sokol is founder and owner of JMS Productions, a leading provider of high-quality sound reinforcement and live recording services.�Being the house sound engineer for the Mountain Green Concerts at the Kepler Auditorium in Hagerstown, Maryland, he has published extensively in Electronic Musician, EQ, Computer Video and other magazines.\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdt\u003eTable of Contents\u003c\/dt\u003e \u003cdd\u003e Introduction: A Philosophy of Sound for Acoustic Acts \u003cbr\u003e 1. Sound Reinforcement Basics \u003cbr\u003e 2. How Microphones Work \u003cbr\u003e 3. Pickups and Direct Instrument Sends \u003cbr\u003e 4. Instrument Amplifiers \u003cbr\u003e 5. Using Microphones and Pickups \u003cbr\u003e 6. Processing and Effects Basics \u003cbr\u003e 7. Sound Reinforcement Amplifiers \u003cbr\u003e 8. Monitoring Systems \u003cbr\u003e 9. Main Speakers \u003cbr\u003e 10. A Wide Dispersion Surround Speaker System \u003cbr\u003e 11. Building a Wide Dispersion Surround Speaker System \u003cbr\u003e 12. Mixing Boards \u003cbr\u003e 13. Setting Up the System for the Show \u003cbr\u003e 14. Recording Performances \u003cbr\u003e 15. How to Survive on the Road \u003c\/dd\u003e \u003c\/dl\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e\u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eSubject\u003c\/td\u003e \u003ctd\u003eGeneral audio tutorials\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eAuthor\u003c\/td\u003e \u003ctd\u003eMike Sokol\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eEdition\u003c\/td\u003e \u003ctd\u003e1st\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eHard\/Soft Cover\u003c\/td\u003e \u003ctd\u003ePaperback\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePages\u003c\/td\u003e \u003ctd\u003e288 pages\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eIllustrations\u003c\/td\u003e \u003ctd\u003eYes\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eISBN Number\u003c\/td\u003e \u003ctd\u003eISBN-10: 0134335090, ISBN-13: 978-0134335094\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePublisher\u003c\/td\u003e \u003ctd\u003ePearson\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDate Published\u003c\/td\u003e \u003ctd\u003eJuly 11, 1997\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDimensions\u003c\/td\u003e \u003ctd\u003e10.8 x 8.3 x 0.5\", 27.43 x 21.08 x 1.27cm\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e All product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Pearson Education-10","offers":[{"title":"Default Title","offer_id":35370279312,"sku":"PEAMGSRLR:PEAMGSRLR:bhpv","price":19500.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/Pearson_Education_9780134335094_Book_The_Acoustic_Musician_s_1311081181000_809195.jpg?v=1575984636"},{"product_id":"ars-nova-practica-musica-30-licenses","title":"Ars Nova Practica Musica (30 Licenses)","description":"\u003cul\u003e \u003cli\u003eIncludes Textbook\u003c\/li\u003e \u003cli\u003eMac or PC\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cp\u003e \u003cstrong\u003ePractica Musica (30 Licenses)\u003c\/strong\u003e from \u003cstrong\u003eArs Nova\u003c\/strong\u003e is a user friendly music theory and ear training program complete with interactive learning for novices and experts alike. \u003c\/p\u003e \u003cp\u003eFirst, learn to read music by understanding clefs, rhythms and key signatures. 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Use of them does not imply any affiliation with or endorsement by them.","brand":"Ars Nova-10","offers":[{"title":"Default Title","offer_id":35425585872,"sku":"ARPMH30:ARPMH30:bhpv","price":117595.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/Ars_Nova_AN_PM_H_SL_30_Practica_Musica_30_Licenses_1244820746000_577511.jpg?v=1575985067"},{"product_id":"ars-nova-practica-musica-cd-textbook-50-licenses","title":"Ars Nova Practica Musica CD \u0026 Textbook (50 Licenses)","description":"\u003cul\u003e \u003cli\u003eIncludes Textbook\u003c\/li\u003e \u003cli\u003eMac or PC\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cp\u003e \u003cstrong\u003ePractica Musica (50 Licenses)\u003c\/strong\u003e from \u003cstrong\u003eArs Nova\u003c\/strong\u003e is a user friendly music theory and ear training program complete with interactive learning for novices and experts alike. \u003c\/p\u003e \u003cp\u003eFirst, learn to read music by understanding clefs, rhythms and key signatures. 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Use of them does not imply any affiliation with or endorsement by them.","brand":"Ars Nova-10","offers":[{"title":"Default Title","offer_id":35425586000,"sku":"ARPMH50:ARPMH50:bhpv","price":144410.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/Ars_Nova_AN_PM_H_SL_50_Practica_Musica_CD_1233264334000_577513.jpg?v=1575985067"},{"product_id":"emedia-music-cd-rom-piano-for-dummies-2-cd-roms","title":"eMedia Music CD-Rom: Piano For Dummies (2 CD-Roms)","description":"\u003cul\u003e \u003cli\u003eIncludes Levels 1 \u0026amp; 2\u003c\/li\u003e \u003cli\u003e300 Lessons\u003c\/li\u003e \u003cli\u003eInstant Feedback On Your Progress\u003c\/li\u003e \u003cli\u003eHighlights Notes Played Correctly\u003c\/li\u003e \u003cli\u003eFull Motion Video Instruction\u003c\/li\u003e \u003cli\u003eSpeed Up \/ Slow Down to Suit Your Style\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cp\u003e \u003cb\u003eeMedia's Piano For Dummies Deluxe\u003c\/b\u003e is a wonderful way to teach yourself the basics and then some about playing the piano. In this two disc set, you'll get in-depth instruction in everything from finger positions and basic scales to advanced rhythms and harmonies. \u003c\/p\u003e \u003cp\u003eUsing the included 300 step-by-step lessons, you'll be able to progress at your own speed.�By using the full motion videos, you'll be able to speed up or slow down according to how fast you want to learn or play along. The program will let you know when your playing is correct.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdl\u003e \u003cdd\u003eLearn the basics and advanced techniques with this 2 disc set\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003eLearn harmony, melody, scales, notation\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003eRecord and playback your progress and get instant feedback as to your progress\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003eFull motion video allows you to play fast or slow\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003ePlay along with live songs and learn from your mistakes\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdd\u003eProgram is taught by a Julliard School of Music instructor, Irma Irene Justicia, M.A\u003c\/dd\u003e \u003c\/dl\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cspan\u003eUPC: 746290091051\u003c\/span\u003e \u003c\/div\u003e \u003c\/div\u003e\u003cdiv\u003e \u003cdiv\u003eIn the Box\u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eeMedia Music CD-Rom: Piano For Dummies (2 CD-Roms)\u003c\/div\u003e \u003c\/div\u003e \u003cul\u003e \u003cli\u003e 2 x CD-Roms \u003c\/li\u003e \u003c\/ul\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eSubject\u003c\/td\u003e \u003ctd\u003eInstrument \u0026amp; Music Tutorials\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eAuthor\u003c\/td\u003e \u003ctd\u003eWith Irma Irene Justicia, M.A\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eEdition\u003c\/td\u003e \u003ctd\u003e1st\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eHard\/Soft Cover\u003c\/td\u003e \u003ctd\u003eCD-Rom\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePages\u003c\/td\u003e \u003ctd\u003e Over 300 Lessons \u003cbr\u003e \u003cbr\u003e \u003cb\u003eSystem Requirements\u003c\/b\u003e \u003cbr\u003e \u003cb\u003eWindows\u003c\/b\u003e \u003cbr\u003e Windows XP\/Vista\/Windows 7 \u003cbr\u003e \u003cb\u003eMAC\u003c\/b\u003e \u003cbr\u003e Mac OS X 10.4 or later (Universal Binary) \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDimensions\u003c\/td\u003e \u003ctd\u003eCD-Rom\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eIllustrations\u003c\/td\u003e \u003ctd\u003eYes\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eISBN Number\u003c\/td\u003e \u003ctd\u003e \u003ci\u003eNot Specified by Manufacturer\u003c\/i\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePublisher\u003c\/td\u003e \u003ctd\u003eeMedia\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDate Published\u003c\/td\u003e \u003ctd\u003e2010\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003cth\u003e \u003ca\u003ePackaging Info\u003c\/a\u003e \u003c\/th\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePackage Weight\u003c\/td\u003e \u003ctd\u003e0.25 lb\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e \u003ctd\u003e7.6 x 5.25 x 1.8\"\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e All product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"eMedia Music-10","offers":[{"title":"Default Title","offer_id":35656241680,"sku":"EMPFDD:EMPFDD:bhpv","price":9225.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/eMedia_Music_FD09105_CD_Rom_Piano_For_Dummies_1297097200000_749135.jpg?v=1575987575"},{"product_id":"pearson-education-book-the-physics-of-sound-3rd-edition","title":"Pearson Education Book: The Physics of Sound, 3rd Edition","description":"\u003cul\u003e \u003cli\u003eAuthors: Richard E Berg \u0026amp; David G Stork\u003c\/li\u003e \u003cli\u003eSummaries Now Provided for Each Chapter\u003c\/li\u003e \u003cli\u003eDiscusses Wide Range of Topics\u003c\/li\u003e \u003cli\u003eExamples for Classroom Demonstrations\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cp\u003e \u003cstrong\u003eThe Physics of Sound\u003c\/strong\u003e Uses a hands-on and experimental approach. This book incorporates developments in digital audio technology�including consumer products�into a firm foundation of the physics of sound. Selected topics are interesting to a broad audience, with many applications of sound and waves beyond strictly musical applications. No background in physics, mathematics, or music is required. \u003c\/p\u003e \u003cp\u003eNew to this edition are: summaries for each chapter, numerous new problems added, new applications presented throughout, updated information on musical synthesizers, as well as updates for recent information on the ear, new discussion of the left-handed piano, and updates for modern technology, particularly MP3.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdl\u003e \u003cdt\u003eAbout the Authors\u003c\/dt\u003e \u003cdd\u003e Professor Richard E. Berg received his B.S. degree in music from Manchester College (Indiana), with emphasis on piano and clarinet, and M.S. and Ph.D. degrees in physics from Michigan State University. After completing his Ph.D. thesis in the area of cyclotron design, be began work on the construction of the cyclotron at the University of Maryland. \u003cp\u003eDavid G. Stork is Chief Scientist of Ricoh Innovations Inc., and Consulting Professor of Electrical Engineering at Stanford University. He received his B.S. degree in physics from the Massachusetts Institute of Technology, and his M.S. and Ph.D. degrees in physics from the University of Maryland. Dr. Stork is an accomplished orchestral and chamber timpanist\/percussionist, has performed in major concert halls throughout the United States, and performed on more than a dozen compact disks, including four world premier recordings.\u003c\/p\u003e \u003c\/dd\u003e \u003c\/dl\u003e \u003cdl\u003e \u003cdt\u003eTable of Contents\u003c\/dt\u003e \u003cdd\u003e Chapter 1. Simple Harmonic Motion and Applications \u003cbr\u003e Chapter 2. Waves and Sound \u003cbr\u003e Chapter 3. Standing Waves and the Overtone Series \u003cbr\u003e Chapter 4. Analysis and Synthesis of Complex Waves \u003cbr\u003e Chapter 5. Electronic Music and Synthesizers \u003cbr\u003e Chapter 6. The Human Ear and Voice \u003cbr\u003e Chapter 7. Sound Recording and Reproduction \u003cbr\u003e Chapter 8. Room and Auditorium Acoustics \u003cbr\u003e Chapter 9. Musical Temperament and Pitch \u003cbr\u003e Chapter 10. Woodwind Instruments \u003cbr\u003e Chapter 11. Brass Instruments \u003cbr\u003e Chapter 12. String Instruments \u003cbr\u003e Chapter 13. The Piano \u003cbr\u003e Chapter 14. Percussion Instruments \u003cbr\u003e Appendix A: Elementary Music Theory \u003cbr\u003e Appendix B: Terms and Units \u003cbr\u003e Appendix C: Prefixes with Common Units \u003cbr\u003e Glossary of Terms \u003cbr\u003e Index \u003c\/dd\u003e \u003c\/dl\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e\u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eSubject\u003c\/td\u003e \u003ctd\u003eGeneral audio tutorials\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eAuthor\u003c\/td\u003e \u003ctd\u003eRichard E. Berg and David G. Stork\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eEdition\u003c\/td\u003e \u003ctd\u003e3rd\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eHard\/Soft Cover\u003c\/td\u003e \u003ctd\u003ePaperback\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePages\u003c\/td\u003e \u003ctd\u003e398 pages\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eIllustrations\u003c\/td\u003e \u003ctd\u003eNo\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eISBN Number\u003c\/td\u003e \u003ctd\u003eISBN-10: 0131457896, ISBN-13: 978-0131457898\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePublisher\u003c\/td\u003e \u003ctd\u003ePearson Education, Addison-Wesley\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDate Published\u003c\/td\u003e \u003ctd\u003e08\/17\/2004\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDimensions\u003c\/td\u003e \u003ctd\u003e9.2 x 7.2 x 0.8\", 23.36 x 18.29 x 2.03cm\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e All product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Pearson Education-10","offers":[{"title":"Default Title","offer_id":35685623184,"sku":"PEPS3:PEPS3:bhpv","price":35195.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/Pearson_Education_9780131457898_Book_The_Physics_of_1311081181000_808984.jpg?v=1575989324"},{"product_id":"pearson-education-book-techniques-and-standards-for-image-video-and-audio-coding-1st-edition","title":"Pearson Education Book: Techniques and Standards for Image, Video, and Audio Coding, 1st Edition","description":"\u003cul\u003e \u003cli\u003eAuthors: K. R. Rao, and J.J. Hwang\u003c\/li\u003e \u003cli\u003eSenior\/Graduate Level Courses\u003c\/li\u003e \u003cli\u003eProvides the Latest Techniques\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cp\u003e \u003cstrong\u003eTechniques and Standards for Image, Video, and Audio Coding\u003c\/strong\u003e is a comprehensive book on all of the International Standards for coding and compression, both approved and emerging.�It demonstrates the various techniques available for coding and compression, and provides coverage of the latest coding and compression techniques, concepts, and principles. The two appendices describe the different systems and software related to these standards, and provide information available on the Internet. As multimedia applications become more prevalent (videophones, multimedia books, videogames, video conferencing), and the files traveling the net are getting bigger and slower, proper coding and comression will become even more important. This book is intended for senior\/graduate level courses in multimedia, communications, and networking. \u003cspan\u003e�\u003c\/span\u003e \u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdl\u003e \u003cdt\u003eTable of Contents\u003c\/dt\u003e \u003cdd\u003e I. Digital�Coding Techniques \u003cbr\u003e 1. Introduction \u003cbr\u003e 2. Color Formats \u003cbr\u003e 3. Quantization \u003cbr\u003e 4. Predictive Coding \u003cbr\u003e 5. Transform Coding \u003cbr\u003e 6. Hybrid Coding and Motion Compensation \u003cbr\u003e 7. Vector Quantization and Subband Coding \u003cbr\u003e II. International Standards�for �Image, Video�and Audio Coding \u003cbr\u003e 8. JPEG Still Picture Compression Algorithm \u003cbr\u003e 9. 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Use of them does not imply any affiliation with or endorsement by them.","brand":"Pearson Education-10","offers":[{"title":"Default Title","offer_id":35685645776,"sku":"PETSIVAC:PETSIVAC:bhpv","price":23540.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/Pearson_Education_9780133099072_Book_Techniques_and_Standards_1311081181000_809192.jpg?v=1575989325"},{"product_id":"rising-software-playground-sessions-piano-learning-software-with-bonus-content-1-year-subscription-boxed-edition","title":"Rising Software Playground Sessions Piano Learning Software with Bonus Content (1-Year Subscription, Boxed Edition)","description":"All product and company names are trademarks™ or registered® trademarks of their respective holders. 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Use of them does not imply any affiliation with or endorsement by them.","brand":"Rising Software-10","offers":[{"title":"Default Title","offer_id":118935748624,"sku":"RIPS2YEARBOX:RIPS2YEARBOX:bhpv","price":32600.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/rising_software_ps2yearboxed_playground_sessions_2_year_1505157657000_1355762.jpg?v=1576003143"},{"product_id":"simon-schuster-profit-from-your-podcast-proven-strategies-to-turn-listeners-into-a-livelihood-paperback","title":"Simon \u0026 Schuster Profit from Your Podcast: Proven Strategies to Turn Listeners into a Livelihood (Paperback)","description":"\u003cdiv\u003e\n \u003ch2\u003eSimon \u0026amp; Schuster 9781621537724 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003ePick up any book on podcast monetization, and you will find 90 percent of it only covers how to launch a podcast. If you already have a podcast, you have that information; you�re ready for the next step. Profit from Your Podcast provides top strategies and real-life examples of podcast monetization. This book is more than what to do. It also tells you how to do it. Chapters cover such topics as:\u003c\/p\u003e\n    \u003cul\u003e\n     \u003cli\u003eHow to Grow Your Audience\u003c\/li\u003e\n     \u003cli\u003eHow to Set Your Pricing\u003c\/li\u003e\n     \u003cli\u003eUnderstanding Advertising Jargon\u003c\/li\u003e\n     \u003cli\u003eHow to Find Sponsors\u003c\/li\u003e\n     \u003cli\u003eBest Strategies for Making Money as an Affiliate\u003c\/li\u003e\n     \u003cli\u003eMaster Strategies for Crowdfunding\u003c\/li\u003e\n     \u003cli\u003eHarnessing the Power of Webinars and Events\u003c\/li\u003e\n     \u003cli\u003eThe Top Tools to Make Your Job Easy\u003c\/li\u003e\n    \u003c\/ul\u003e\n    \u003cp\u003eBuilt on the author�s fifteen years of experience in podcasting, this action-packed guide will benefit new and veteran podcasters. Get clear on who your audience is and what they want, deliver value, and build an engaged audience that wants to give you money. Leverage your relationships and the integrity you have built through your podcast to create multiple streams of income. Profit from Your Podcast gives you the tools to do it all.\u003c\/p\u003e\n    \u003cp\u003e \u003c\/p\u003e\n    \u003cp\u003e \u003c\/p\u003e\n    \u003cp\u003e \u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003ch2\u003eSimon \u0026amp; Schuster 9781621537724 Specs\u003c\/h2\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003ctable\u003e\n      \u003ctbody\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eAuthor\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eDave Jackson\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003ePublisher\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eAllworth\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003ePublication Date\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eSeptember 29, 2020\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eEdition\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e1st\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eISBN Number\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eISBN 10: 1621537722\u003cbr\u003eISBN 13: 978-1621537724\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e192\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eCover Type\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eSoft\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eIllustrations\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e\u003cspan\u003eYes\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eDimensions\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e6.0 x 0.5 x 9.0\" \/ 152.4 x 12.7 x 228.6 mm\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n      \u003c\/tbody\u003e\n     \u003c\/table\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Packaging Info\n     \u003c\/div\u003e\n     \u003ctable\u003e\n      \u003ctbody\u003e\n       \u003ctr\u003e\n        \u003ctd\u003ePackage Weight\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e0.53 lb\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e8.8 x 6.1 x 0.3\"\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n      \u003c\/tbody\u003e\n     \u003c\/table\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003ch2\u003eSimon \u0026amp; Schuster 9781621537724 Reviews\u003c\/h2\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Simon \u0026 Schuster-10","offers":[{"title":"Default Title","offer_id":40041770188885,"sku":"SIPRFPCPB:SIPRFPCPB:bhpv","price":3200.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/1623844114_1639759.jpg?v=1650600913"},{"product_id":"focal-press-pro-tools-9-music-production-recording-editing-mixing-1st-edition","title":"Focal Press Pro Tools 9:Music Production, Recording, Editing \u0026 Mixing, 1st Edition","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780240522487 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003ePro Tools 9: Music Production, Recording, Editing \u0026amp; Mixing is the definitive guide to the software for new and professional users, providing readers with all the vital skills needed. Covering both the Pro Tools HD and LE, this book is extensively illustrated in color and packed with time saving hints and tips. It is a great reference to keep on hand as a constant source of information. Detailed chapters on the user interface, the MIDI and scoring features, recording, editing, signal processing and mixing blend essential knowledge with tutorials and practical examples from actual recordings.\u003c\/p\u003e \n    \u003cp\u003e\u003cspan\u003ePro Tools 9\u003c\/span\u003e is endorsed by leading international producers, composers and engineers. It is up-to-date and specific to version 9, and is particularly useful for those upgrading from earlier versions of Pro-Tools or Cross-grading from other digital audio workstations.\u003cbr\u003e \u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Author\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Mike Collins is a studio musician, recording engineer and producer with more than 30 years experience of making records. He has many credits on UK chart singles and albums, for radio and TV broadcasts, advertising jingles and movie scores. Mike was awarded a BSc Degree in Electroacoustics-with-Music from Salford University in 1979, became a Member of the Audio Engineering Society in 1980, and was awarded an MSc Degree in Music Information Technology, with Distinction, in 1989.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Chapter 1: Pro Tools - The World's Leading Digital Audio Workstation\n       \u003cbr\u003eChapter 2: Using Pro Tools\n       \u003cbr\u003eChapter 3: Time Operations, Tempo Operations, and Key Signatures\n       \u003cbr\u003eChapter 4: Working with MIDI\n       \u003cbr\u003eChapter 5: Recording\n       \u003cbr\u003eChapter 6: Editing\n       \u003cbr\u003eChapter 7: Mixing\n       \u003cbr\u003eChapter 8: New Hardware \u0026amp; Software: PT9\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003ch2\u003eFocal Press 9780240522487 Specs\u003c\/h2\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003ctable\u003e\n      \u003ctbody\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eSubject\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eAudio software tutorials\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eAuthor\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eMike Collins\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eEdition\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e1st\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eHard\/Soft Cover\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003ePaperback\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003ePages\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e404 pages\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eDimensions\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e9.2 x 7.5 x 1.1\", 24 x 19 x 2.8cm\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eIllustrations\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eYes\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eISBN Number\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eISBN-10: 0240522486, ISBN-13: 978-0240522487\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003ePublisher\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eFocal Press\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eDate Published\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003eMay 03, 2011\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n      \u003c\/tbody\u003e\n     \u003c\/table\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Packaging Info\n     \u003c\/div\u003e\n     \u003ctable\u003e\n      \u003ctbody\u003e\n       \u003ctr\u003e\n        \u003ctd\u003ePackage Weight\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e2.2 lb\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n       \u003ctr\u003e\n        \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e\n        \u003ctd\u003e\u003cspan\u003e9.2 x 7.7 x 0.9\"\u003c\/span\u003e\u003c\/td\u003e\n       \u003c\/tr\u003e\n      \u003c\/tbody\u003e\n     \u003c\/table\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780240522487 Reviews\u003c\/h2\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40512765624405,"sku":"FOPT9MPEM:FOPT9MPEM:bhpv","price":7760.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/products\/1308647094_783744.jpg?v=1676630461"},{"product_id":"pearson-education-the-science-of-sound-3rd-edition","title":"Pearson Education The Science of Sound, 3rd Edition","description":"\u003cdiv\u003e\n \u003ch2\u003ePearson Education 9780805385656 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003e\u003cstrong\u003eThe Science of Sound\u003c\/strong\u003e is a widely recognized textbook in the field. This book provides an excellent introduction to acoustics for students without a strong background in college physics or mathematics. Emphasis is placed on understanding the phenomena of sound, and a wide variety of topics are discussed.\u003c\/p\u003e \n    \u003cp\u003eIn the Third Edition, Richard Moore and Paul Wheeler join Tom Rossing in updating The Science of Sound to include a wide range of important technological developments in the field of acoustics. New exercises and review questions have been added to the end of each chapter to help students study the material.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Authors\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Thomas D. Rossing completed his B.A. at Luther College in 1950, his M.S. and Ph.D. at Iowa State University in 1954. Currently, he is a professor at Northern Illinois University. Currently, he is a professor at Northern Illinois University. Professor Rossing has published more than 200 papers and ten books.\n       \u003cp\u003e\u003c\/p\u003e \n       \u003cp\u003e\u003cspan\u003eRichard F. Moore, University of California, San Diego\u003cbr\u003ePaul A. Wheeler, Utah State University\u003c\/span\u003e\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cspan\u003eI. VIBRATIONS, WAVES, AND SOUNDS\u003cbr\u003e1. What is Sound?\u003cbr\u003e2. Vibrating Systems\u003cbr\u003e3. Waves\u003cbr\u003e4. Resonance\u003cp\u003e\u003c\/p\u003eII. PERCEPTION AND MEASUREMENT OF SOUND\u003cbr\u003e5. Hearing\u003cbr\u003e6. Sound Pressure, Power, and Loudness\u003cbr\u003e7. Pitch and Timbre\u003cbr\u003e8. Combination Tones and Harmony\u003cbr\u003e9. Musical Scales and Temperament\u003cp\u003e\u003c\/p\u003eIII. MUSICAL INSTRUMENTS\u003cbr\u003e10. String Instruments\u003cbr\u003e11. Brass Instruments\u003cbr\u003e12. Woodwind Instruments\u003cbr\u003e13. Percussion Instruments\u003cbr\u003e14. Keyboard Instruments\u003cp\u003e\u003c\/p\u003eIV. THE HUMAN VOICE\u003cbr\u003e15. Speech Production\u003cbr\u003e16. Speech Recognition, Analysis, and Synthesis\u003cbr\u003e17. Singing\u003cp\u003e\u003c\/p\u003eV. ELECTROACOUSTICS\u003cbr\u003e18. Electronic Circuits\u003cbr\u003e19. Loudspeakers\u003cbr\u003e20. Microphones, Amplifiers, and Tuners\u003cbr\u003e21. Digital Circuits and Techniques\u003cbr\u003e22. Sound Recording\u003cp\u003e\u003c\/p\u003eVI. ROOM ACOUSTICS\u003cbr\u003e23. Auditorium Acoustics\u003cbr\u003e24. Electronic Reinforcement of Sound\u003cbr\u003e25. Small Rooms, Home Listening Rooms and Recording Studios\u003cp\u003e\u003c\/p\u003eVII. ELECTRONIC AND COMPUTER MUSIC\u003cbr\u003e26. Music Technology and its Origins\u003cbr\u003e27. Analog Electronic Music\u003cbr\u003e28. Digital Audio and Processing\u003cbr\u003e29. Computer Music and Virtual Acoustics\u003cp\u003e\u003c\/p\u003eVIII. ENVIRONMENTAL SOUND\u003cbr\u003e30. Noise in the Environment\u003cbr\u003e31. Effects of Noise on People\u003cbr\u003e32. Control of Noise\u003c\/span\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003ePearson Education The Science of Sound, 3rd Edition\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003ePearson Education 9780805385656 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eThomas D. Rossing\u003cbr\u003eRichard F. Moore\u003cbr\u003ePaul A. Wheeler\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003ePearson Education, Addison Wesley\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eDecember 18, 2001\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e3rd\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eISBN 10: 0805385657\u003cbr\u003eISBN 13: 9780805385656\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e680\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eHard\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eDimensions\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9.1 x 7.4 x 0.6\" \/ 24.1 x 18.8 x 4.3 cm\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Pearson Education-10","offers":[{"title":"Default Title","offer_id":40729326551125,"sku":"PESS3:PESS3:bhpv","price":35270.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1311066781_808983.jpg?v=1700550943"},{"product_id":"ars-nova-practica-musica","title":"Ars Nova Practica Musica","description":"\u003cdiv\u003e\n \u003ch2\u003eArs Nova Practica Musica Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003e\u003cstrong\u003ePractica Musica \u003c\/strong\u003efrom \u003cstrong\u003eArs Nova\u003c\/strong\u003e is a user friendly music theory and ear training program complete with interactive learning for novices and experts alike. \u003c\/p\u003e\n    \u003cp\u003eFirst, learn to read music by understanding clefs, rhythms and key signatures. Practice by reading single notes then whole melodies (computer generated) first with pitches only then with rhythms also.\u003c\/p\u003e\n    \u003cp\u003eEar training helps the user recognize intervals and chords from basic triads to advanced harmonies. \u003c\/p\u003e\n    \u003cp\u003eIncluded with Practica Musica is the Exploring Theory Textbook in print and digital forms with specific chapters geared for the software content.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Courses of Study\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Beginner's Course \n       \u003cbr\u003eExploring Theory Textbook Course \n       \u003cbr\u003e AP Prep Course\n       \u003cbr\u003e 80 Topics\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Interactive\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Notation tools\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Ear training and music dictation\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Large or small note fonts for ease of vision\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       MIDI Export of exercises and compositions\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Moveable-do solfege \n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\u003c\/div\u003e\n   \u003cdiv\u003e\n    UPC: 033481118438\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eArs Nova Practica Musica\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003ePractica Musica CD \u0026amp; Textbook\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eArs Nova Practica Musica Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCompatibility\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003ePC or Mac\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Packaging Info\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePackage Weight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1.45 lb\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9.8 x 7.1 x 1.1\"\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Ars Nova-10","offers":[{"title":"Default Title","offer_id":40729326846037,"sku":"ARPMH:ARPMH:bhpv","price":15325.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1233246334_577510.jpg?v=1700550987"},{"product_id":"emedia-music-cd-rom-guitar-for-dummies-deluxe-2-cd-roms","title":"eMedia Music CD-ROM: Guitar For Dummies Deluxe (2 CD-ROMs)","description":"\u003cdiv\u003e\n \u003ch2\u003eeMedia Music Guitar For Dummies Deluxe Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003e\u003cb\u003eeMedia's Guitar For Dummies Deluxe\u003c\/b\u003e is a fun and educational way to learn guitar. Using over 180 lessons and full motion videos, you'll learn both the basics and some advanced techniques such as fingerpicking. The program includes instant feedback so that you'll know when you're doing it right or wrong. You'll be able to play along with recorded songs, follow your progress, and speed up or slow down using the MIDI tracks so you can learn at your own pace.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Two CD-Roms packed with 180 lessons that will take you from stringing to playing chords\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Play along with the melodies\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Learn by watching full motion videos\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Learn to read music notation\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Have fun playing along with live recorded songs or MIDI tracks\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\u003c\/div\u003e\n   \u003cdiv\u003e\n    UPC: 746290091037\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eeMedia Music CD-ROM: Guitar For Dummies Deluxe (2 CD-ROMs)\u003c\/span\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cspan\u003e2 x CD-Roms\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eeMedia Music Guitar For Dummies Deluxe Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eDelivery Format\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eCD\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eWindows Supported OS Versions\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eWindows XP to Windows 10\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMac Supported OS Versions\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e10.5 to 10.14 (32-Bit)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eInternet Connection Required\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eNo\u003c\/span\u003e\n           \u003cspan\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Packaging Info\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePackage Weight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e0.19 lb\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e7.55 x 5.3 x 0.3\"\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"eMedia Music-10","offers":[{"title":"Default Title","offer_id":40729326977109,"sku":"EMGFDD:EMGFDD:bhpv","price":9225.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1305536689_749134.jpg?v=1700550995"},{"product_id":"emedia-music-cd-rom-bass-method-version-2-by-john-arbo","title":"eMedia Music CD-Rom: Bass Method (Version 2) by John Arbo","description":"\u003cdiv\u003e\n \u003ch2\u003eeMedia Music EG07103 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003e\u003cb\u003eBass Method\u003c\/b\u003e from \u003cstrong\u003eeMedia Music\u003c\/strong\u003e will get you playing bass by teaching you everything from notation to chord structure and from strumming to picking. The program uses a variety of approaches including split-screen images to show you both hands. You'll see close-ups of hand positions to assist you. In addition, both guitar tablature and traditional musical notation are used. Actual songs that we all know and love in a variety of song genres are used, including Rock, Pop, Country, and Folk!\u003c\/p\u003e\n    \u003cp\u003eThis program includes both multi-track audio and variable-speed MIDI audio, as well as bass-only and no-bass audio options. Many songs in eMedia Bass Method are also found in eMedia Guitar Method, so students can learn with over 200 songs and exercises, making learning fun and interesting.\u003c\/p\u003e\n    \u003cp\u003eAs a bonus you'll get an animated fretboard feature which will help you to understand even more the concept of position. Also included is a digital metronome, automatic tuner and recorder. You'll be able to slow down the music for more intensive study and loop your music so you can repeat any section you need practice with.  \u003c\/p\u003e\n    \u003cp\u003eThis is a full and comprehensive learning program that will take you from knowing nothing to playing music like you've always wanted to.\u003c\/p\u003e\n    \u003cp\u003e  \u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Benefits\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Instant Feedback on Your Playing\n       \u003cbr\u003eNote and Finger Tracker\n       \u003cbr\u003eOver 140 Step-by-Step Lessons\n       \u003cbr\u003eOver 30 Large-Format Videos\n       \u003cbr\u003eAnimated Fretboard\n       \u003cbr\u003eMusic Tracking\n       \u003cbr\u003eDigital Metronome\n       \u003cbr\u003eDigital Recorder\n       \u003cbr\u003eGuitar Chords\n       \u003cbr\u003eAutomatic Tuner\n       \u003cbr\u003eAudio Tracks and Variable-Speed MIDI\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Some of the Songs Included\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       The Steve Miller Band (\"Rock N� Me\")\n       \u003cbr\u003eThe Grateful Dead (\"Uncle John�s Band\")\n       \u003cbr\u003eCreedence Clearwater Revival (\"Midnight Special\")\n       \u003cbr\u003eAs well as these popular songs:\n       \u003cbr\u003e\"Scarborough Fair\"\n       \u003cbr\u003e\"La Bamba\"\n       \u003cbr\u003e\"Ode to Joy\"\n       \u003cbr\u003e\"Shenandoah\"\n       \u003cbr\u003e\"Drunken Sailor\"\n       \u003cbr\u003e\"House of the Rising Sun\" and more!\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\u003c\/div\u003e\n   \u003cdiv\u003e\n    UPC: 746290071039\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eeMedia Music CD-Rom: Bass Method (Version 2) by John Arbo\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eeMedia Music EG07103 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eDelivery Format\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eCD\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eWindows Supported OS Versions\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eWindows XP to Windows 10\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eMac Supported OS Versions\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e10.5 to 10.14 (32-Bit)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eInternet Connection Required\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eNo\u003c\/span\u003e\n           \u003cspan\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Packaging Info\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePackage Weight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e0.175 lb\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e7.6 x 5.3 x 1.8\"\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"eMedia Music-10","offers":[{"title":"Default Title","offer_id":40729346539605,"sku":"EMBMV2:EMBMV2:bhpv","price":9225.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1305536689_762982.jpg?v=1700552539"},{"product_id":"cmp-books-book-digital-audio-processing-by-doug-coulter","title":"CMP Books Book: Digital Audio Processing by Doug Coulter","description":"\u003cdiv\u003e\n \u003ch2\u003eCMP Books 9780879305666 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003e\u003cb\u003eDigital Audio Processing\u003c\/b\u003e - Digital techniques for processing sound, described in accessible language! C++ programmers involved in digital signal processing (DSP) for telephony, audio, video and user interface development will learn how to achieve: - Normal effects to replicate nature. \u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eCMP Books Book: Digital Audio Processing by Doug Coulter\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eCMP Books 9780879305666 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eDoug Coulter\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eElsevier (CMP)\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eJanuary, 2000\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eISBN 13: 9780879305666\u003cbr\u003eISBN 10: 0879305665\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e413\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"CMP Books-10","offers":[{"title":"Default Title","offer_id":40729348669525,"sku":"CMDAP:CMDAP:bhpv","price":14800.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1233078305_491065.jpg?v=1700552726"},{"product_id":"focal-press-basic-live-sound-reinforcement-a-practical-guide-for-starting-live-audio-softcover","title":"Focal Press Basic Live Sound Reinforcement: A Practical Guide for Starting Live Audio (Softcover)","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780240821016 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eThis first edition softcover of \u003cb\u003eBasic Live Sound Reinforcement: A Practical Guide for Starting Live Audio\u003c\/b\u003e from \u003cb\u003eFocal Press\u003c\/b\u003e teaches you how to access and interpret manufacturer spec information, find shortcuts for plotting measure and test equations, and begin your journey towards becoming a live sound professional. Land and perform your first live gigs with this guide that offers just the right amount of information. It doesn't bog you down in details intended for complex and expensive equipment in Madison Square Garden-sized venues. Basic Live Sound Reinforcement is a handbook for audio engineers and live sound enthusiasts who perform in small venues from one-mic coffee shops to clubs.\u003c\/p\u003e\n    \u003cp\u003eWith their combined years of teaching and writing experience, authors Raven Bierderman and Penny Pattison provide you with a thorough foundation of the theoretical and the practical, offering more advanced beginners a complete overview of the industry, the gear, and the art of mixing, while making sure to remain accessible to those who are just starting out.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eIntroduction\u003c\/li\u003e\n        \u003cli\u003ePart 1: Introducing Live Sound\u003c\/li\u003e\n        \u003cli\u003eChapter 1: What is Live Sound?\u003c\/li\u003e\n        \u003cli\u003eChapter 2: Overview of the Live Sound Industry\u003c\/li\u003e\n        \u003cli\u003eChapter 3: Live Sound � Where the Boots Hit the Ground\u003c\/li\u003e\n        \u003cli\u003ePart 2: The Art and Science of Live Sound\u003c\/li\u003e\n        \u003cli\u003eChapter 4: Sound Science � Physics and Perception\u003c\/li\u003e\n        \u003cli\u003eChapter 5: Acoustics � The Science of Sound in the Environment\u003c\/li\u003e\n        \u003cli\u003eChapter 6: Sound Power, Power, and More Science You Need to Know\u003c\/li\u003e\n        \u003cli\u003eChapter 7: Beyond Ears that Hear � The Art of Live Sound\u003c\/li\u003e\n        \u003cli\u003ePart 3: Tools of the Trade � The Public Address System\u003c\/li\u003e\n        \u003cli\u003eChapter 8: The P.A. System � More than the Sum of its Parts\u003c\/li\u003e\n        \u003cli\u003eChapter 9: Microphones � Sound to Signal\u003c\/li\u003e\n        \u003cli\u003eChapter 10: The Mixer � Shaping the Signal with the P.A. UI\u003c\/li\u003e\n        \u003cli\u003eChapter 11: Processors, Effects, and More � Rack Mounted Equipment\u003c\/li\u003e\n        \u003cli\u003eChapter 12: Amplifiers, Crossovers, and Speakers � From a Little Signal to a Big Sound\u003c\/li\u003e\n        \u003cli\u003eChapter 13: A Word to the Wireless\u003c\/li\u003e\n        \u003cli\u003eChapter 14: Parts to P.A. � Tie it Together with Cables\u003c\/li\u003e\n        \u003cli\u003ePart 4: Getting Ready for the Show\u003c\/li\u003e\n        \u003cli\u003eChapter 15: Preproduction � Preparations in Advance\u003c\/li\u003e\n        \u003cli\u003eChapter 16: More Preproduction � Plan it, Do it, Double-check it\u003c\/li\u003e\n        \u003cli\u003eChapter 17: Safe Gear Humping 101 � Get it to the Gig without Breaking Your Back\u003c\/li\u003e\n        \u003cli\u003eChapter 18: The Step by Step Guide to a Safe Setup\u003c\/li\u003e\n        \u003cli\u003eChapter 19: Good Sound Starts Here � Microphone Set-up for Live Production\u003c\/li\u003e\n        \u003cli\u003eChapter 20: From Signal to Sound - Speaker Placement for Live Production\u003c\/li\u003e\n        \u003cli\u003ePart 5: Show Time and Beyond\u003c\/li\u003e\n        \u003cli\u003eChapter 21: Setup � Connecting and Tuning the Chain\u003c\/li\u003e\n        \u003cli\u003eChapter 22: All in the Mix � Fundamentals, Mixing Monitors, and Sound Check\u003c\/li\u003e\n        \u003cli\u003eChapter 23: Mixing the Live Show � From Curtains up to Last Call\u003c\/li\u003e\n        \u003cli\u003eChapter 24: Beat Trouble to the Draw � Tactical Troubleshooting for Today�s Audio Outlaw\u003c\/li\u003e\n        \u003cli\u003ePart 6: Becoming a Live Sound Professional\u003c\/li\u003e\n        \u003cli\u003eChapter 25: Getting your Foot in the Door � Making the Transition from Out in the Cold to in the Live Audio Fold\u003c\/li\u003e\n        \u003cli\u003eChapter 26: Navigating the Audio Technology Marketplace\u003c\/li\u003e\n        \u003cli\u003eChapter 27: Working Like a Pro\u003c\/li\u003e\n        \u003cli\u003eChapter 28: The No Bucks Wasted Poor Engineer�s Guide to Buying Audio Gear\u003c\/li\u003e\n        \u003cli\u003eChapter 29: Working Well With Others (Bonus Online Chapter)\u003c\/li\u003e\n        \u003cli\u003eGlossary\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Author\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Raven Biederman has taught at the former Globe School of Music in San Francisco and the Art Institute of San Francisco. He has worked as FOH mixer at Club Cocomo and other small to medium venues in and around the Bay Area. He is founder of Recoil Studios, through which he has numerous independent artist album credits for mixing and mastering.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Basic Live Sound Reinforcement: A Practical Guide for Starting Live Audio (Softcover)\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9780240821016 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRaven Biederman\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEditor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003ePenny Pattison\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eFocal Press\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eJuly 1, 2013\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1st\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780240821016\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e392\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e265 Black \u0026amp; White Illustrations\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731708751957,"sku":"FOBLSRPB:FOBLSRPB:bhpv","price":13000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1676886340_1752004.jpg?v=1700728798"},{"product_id":"focal-press-music-production-recording-a-guide-for-producers-engineers-musicians","title":"Focal Press Music Production: Recording - A Guide for Producers, Engineers \u0026 Musicians","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780240522739 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eImprove the artistry of your productions with this first edition softcover of \u003cstrong\u003eMusic Production: Recording - A Guide for Producers, Engineers \u0026amp; Musicians\u003c\/strong\u003e from \u003cstrong\u003eFocal Press\u003c\/strong\u003e. The technical guide focuses on musicality and how your decisions affect it. Your recordings are the vehicle for your compositions, and author Carlos Lellis Ferreira walks you through the entire process, bringing aesthetic considerations into each discussion. Learn visually with detailed diagrams and clear explanations of best practices.\u003c\/p\u003e\n    \u003cp\u003eUnlike many other recording books, Music Production: Recording is organized around real-world scenarios, including details about roles and responsibilities that help you navigate through key stages of production.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eForeword by Julian Standen\u003c\/li\u003e\n        \u003cli\u003eIntroduction: The Act of Recording\u003c\/li\u003e\n        \u003cli\u003ePart I: Core Concepts\n         \u003cul\u003e\n          \u003cli\u003eChapter 1: Recording Environments\u003c\/li\u003e\n          \u003cli\u003eChapter 2: The Recording Team\u003c\/li\u003e\n          \u003cli\u003eChapter 3: The Tools\n           \u003cul\u003e\n            \u003cli\u003eMicrophones\u003c\/li\u003e\n            \u003cli\u003eDI \/ Direct Injection Boxes\u003c\/li\u003e\n            \u003cli\u003eAnalog Audio Cables\u003c\/li\u003e\n            \u003cli\u003eOther Cables\u003c\/li\u003e\n            \u003cli\u003eMicrophone Preamplifiers\u003c\/li\u003e\n            \u003cli\u003eEqualizers\u003c\/li\u003e\n            \u003cli\u003eDynamic Range Processors\u003c\/li\u003e\n            \u003cli\u003eMixing Consoles\u003c\/li\u003e\n            \u003cli\u003ePatchbays\u003c\/li\u003e\n            \u003cli\u003eEffects Processors\u003c\/li\u003e\n            \u003cli\u003eMultitrack Recorders\u003c\/li\u003e\n            \u003cli\u003eTwo-Track Recorders\u003c\/li\u003e\n            \u003cli\u003eThe Digital Audio Workstation (DAW)\u003c\/li\u003e\n            \u003cli\u003eThe Monitoring System\u003c\/li\u003e\n           \u003c\/ul\u003e\n\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003ePart II: Pre-Production\n         \u003cul\u003e\n          \u003cli\u003eChapter 4. Preparing to Record\n           \u003cul\u003e\n            \u003cli\u003eResearch\u003c\/li\u003e\n            \u003cli\u003eThe Compositions\u003c\/li\u003e\n            \u003cli\u003eThe Instruments\u003c\/li\u003e\n            \u003cli\u003eThe \"Recce\" \/ Visiting the Recording Venue\u003c\/li\u003e\n            \u003cli\u003eEquipment Requirements\u003c\/li\u003e\n            \u003cli\u003eThe Session Plan\u003c\/li\u003e\n           \u003c\/ul\u003e\n\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003ePart III: Production\n         \u003cul\u003e\n          \u003cli\u003eChapter 5: Studio Preparation\n           \u003cul\u003e\n            \u003cli\u003eAcoustics\u003c\/li\u003e\n            \u003cli\u003ePower and Distribution\u003c\/li\u003e\n            \u003cli\u003ePreparing the DAW Session File\u003c\/li\u003e\n           \u003c\/ul\u003e\n\u003c\/li\u003e\n          \u003cli\u003eChapter 6: Live Room Setup\n           \u003cul\u003e\n            \u003cli\u003eInstrument Placement\u003c\/li\u003e\n            \u003cli\u003eMicrophone Placement\u003c\/li\u003e\n            \u003cli\u003eStereo Microphone Techniques\u003c\/li\u003e\n           \u003c\/ul\u003e\n\u003c\/li\u003e\n          \u003cli\u003eChapter 7: The Control Room Setup\n           \u003cul\u003e\n            \u003cli\u003eGain Structure\u003c\/li\u003e\n           \u003c\/ul\u003e\n\u003c\/li\u003e\n          \u003cli\u003eChapter 8: The Sound Check\u003c\/li\u003e\n          \u003cli\u003eChapter 9: The Musician's Cue Mix\u003c\/li\u003e\n          \u003cli\u003eChapter 10: Tracking\u003c\/li\u003e\n          \u003cli\u003eChapter 11: Overdubbing\u003c\/li\u003e\n          \u003cli\u003eChapter 12: A Few Words on Studio Psychology\u003c\/li\u003e\n          \u003cli\u003eChapter 13: The Monitor or Reference Mix\n           \u003cul\u003e\n            \u003cli\u003eFiltering\u003c\/li\u003e\n            \u003cli\u003eLevel Balancing\u003c\/li\u003e\n            \u003cli\u003ePanning\u003c\/li\u003e\n            \u003cli\u003eEqualization\u003c\/li\u003e\n            \u003cli\u003eDynamic Range Processing\u003c\/li\u003e\n            \u003cli\u003eEffects Processing\u003c\/li\u003e\n           \u003c\/ul\u003e\n\u003c\/li\u003e\n          \u003cli\u003eChapter 14: Session Information\n           \u003cul\u003e\n            \u003cli\u003eRecall Sheets\u003c\/li\u003e\n            \u003cli\u003eTrack Sheets and Session Notes\u003c\/li\u003e\n            \u003cli\u003eLyrics Sheets\u003c\/li\u003e\n            \u003cli\u003eThe Production Progress Chart\u003c\/li\u003e\n            \u003cli\u003eSong-Based Progress Charts\u003c\/li\u003e\n            \u003cli\u003eEnd of Recording\u003c\/li\u003e\n           \u003c\/ul\u003e\n\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003eOutro: Is it Worth It?\u003c\/li\u003e\n        \u003cli\u003eAppendices\n         \u003cul\u003e\n          \u003cli\u003e1. Working with References\u003c\/li\u003e\n          \u003cli\u003e2. Bar Charts\u003c\/li\u003e\n          \u003cli\u003e3. Equal Loudness Contours\u003c\/li\u003e\n          \u003cli\u003e4. Instrument Part Names\u003c\/li\u003e\n          \u003cli\u003e5. Setting Gain Structure and Routing Signals\u003c\/li\u003e\n          \u003cli\u003e6. Replacing Drum Heads \/ Drum Tuning and Timbre\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003eIndex\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Author\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Carlos Lellis Ferreira holds an SAE\/Middlesex University MA in Creative Media and a diploma Summa Cum Laude from Berklee College of Music. He has worked as an engineer and producer with artists such as Rosabella Gregory and Joby Talbot, as well as Grammy Award winners Sir John Tavener and Thomas Dybdahl amongst many others. He is currently the head lecturer at the SAE Institute in London, where he oversees the first year of the BA\/BSc program in Sound Production.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Music Production: Recording - A Guide for Producers, Engineers \u0026amp; Musicians\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9780240522739 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eCarlos Lellis Ferreira\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eFocal Press\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eApril 19, 2013\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1st\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780240522739\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e368\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e100 Black \u0026amp; White Illustrations\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731709898837,"sku":"FOMPRPB:FOMPRPB:bhpv","price":10735.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1676886340_1751997.jpg?v=1700728955"},{"product_id":"focal-press-web-marketing-for-the-music-business-softcover","title":"Focal Press Web Marketing for the Music Business (Softcover)","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780240823706 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cul\u003e\n    \u003cli\u003e\n\u003cspan\u003e1\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e2\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eNew and Updated\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e3\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eTable of Contents\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e4\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eAbout the Author\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eCreate a powerful online presence that captures your audience with this second edition of \u003cb\u003eWeb Marketing for the Music Business\u003c\/b\u003e from \u003cb\u003eFocal Press\u003c\/b\u003e. Introduce potential fans to the sights and sounds of your band or music project with new resources, updated basics, and fresh advice on website creation. Market your band using social media on Facebook, SonicBids, or ReverbNation, where fan interaction is key, and fan-generated content can be encouraged. Learn techniques for coordinating your off and online promotions for maximum impact. This book is a valuable resource for do-it-yourself musicians, managers, and industry professionals who want to maximize sales and exposure.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       New and Updated\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eSet up your website and website design\u003c\/li\u003e\n        \u003cli\u003eSelect your domain name and host\u003c\/li\u003e\n        \u003cli\u003eUse HTML, Java, widgets, Flash, and RSS to charge up your website\u003c\/li\u003e\n        \u003cli\u003eUse search engine optimization (SEO) methods for the best search engine rankings\u003c\/li\u003e\n        \u003cli\u003eMaximize social media sites like Facebook, YouTube, and Twitter for easy sharing by fans\u003c\/li\u003e\n        \u003cli\u003eMonitor site traffic and using analytic tools\u003c\/li\u003e\n        \u003cli\u003eAdd audio and video to your site\u003c\/li\u003e\n        \u003cli\u003eChoose and using commercial download services\u003c\/li\u003e\n        \u003cli\u003eCreate and manage an online store\u003c\/li\u003e\n        \u003cli\u003eFind your online market\u003c\/li\u003e\n        \u003cli\u003eCreate a mobile website and mobile media campaign\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eChapter 1 Development of Music Marketing on the Internet\u003c\/li\u003e\n        \u003cli\u003eChapter 2 State of the Market\u003c\/li\u003e\n        \u003cli\u003eChapter 3 Overall Music Marketing Strategy\u003c\/li\u003e\n        \u003cli\u003eChapter 4 Domains and Hosts\u003c\/li\u003e\n        \u003cli\u003eChapter 5 Creating the Web Site\u003c\/li\u003e\n        \u003cli\u003eChapter 6 HTML and Scripts\u003c\/li\u003e\n        \u003cli\u003eChapter 7 Optimizing and Monitoring Your Web Site to Increase Traffic\u003c\/li\u003e\n        \u003cli\u003eChapter 8 Audio and Video for Your Web Site\u003c\/li\u003e\n        \u003cli\u003eChapter 9 E-commerce and Financial Transactions\u003c\/li\u003e\n        \u003cli\u003eChapter 10 Finding Your Market\u003c\/li\u003e\n        \u003cli\u003eChapter 11 Successful Promotion on the Web\u003c\/li\u003e\n        \u003cli\u003eChapter 12 Social Networking Sites\u003c\/li\u003e\n        \u003cli\u003eChapter 13 Professional, Legal and Ethical Issues\u003c\/li\u003e\n        \u003cli\u003eChapter 14 Mobile Media\u003c\/li\u003e\n        \u003cli\u003eChapter 15 Mobile Music Marketing\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Author\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Tom Hutchison was a professor of marketing in the Department of Recording Industry at MTSU, but was on leave to serve as the director of the School of Business and Management at Husson University. He worked with a wide range of popular artists including Faith Hill, The Dixie Chicks, The Roots, and Beck. Tom also conducted market research projects for Sony, MCA\/Universal, DreamWorks, and Warner Music Group. Tom passed away suddenly on Memorial Day, 2012, just after finishing the manuscript for this new edition.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Web Marketing for the Music Business (Softcover)\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Table of Contents\n    \u003c\/div\u003e\n    \u003cul\u003e\n     \u003cli\u003eDescription\u003c\/li\u003e\n     \u003cli\u003eNew and Updated\u003c\/li\u003e\n     \u003cli\u003eTable of Contents\u003c\/li\u003e\n     \u003cli\u003eAbout the Author\u003c\/li\u003e\n    \u003c\/ul\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9780240823706 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eTom Hutchison\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eFocal Press\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eDecember 18, 2012\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e2nd\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780240823706\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e304\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u003cspan\u003eYes\u003c\/span\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731716845653,"sku":"FOWMMBPB:FOWMMBPB:bhpv","price":11855.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1676886340_1752005.jpg?v=1700729524"},{"product_id":"focal-press-practical-mastering-a-guide-to-mastering-in-the-modern-studio","title":"Focal Press Practical Mastering: A Guide to Mastering in the Modern Studio","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780240523705 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eGuiding you through the history and emergence of modern mastering techniques, with practical hints and tips on how to use them in your setup, \u003cb\u003ePractical Mastering: A Guide to Mastering in the Modern Studio\u003c\/b\u003e from \u003cb\u003eFocal Press\u003c\/b\u003e is for anyone looking to master this elusive art form. Providing you with solid mastering theory underpinned by years of professional experience and hands-on advice for getting the most out of your setup.\u003c\/p\u003e\n    \u003cp\u003eUsing years of practical and professional experience, authors Mark and Russ discuss how to effectively listen to and interpret post-mix tracks, showing how to pick out areas of the mix that could be optimized or need development. Backed up with professional tips and tricks on how to develop and fine tune your hearing skills, learn to hone your ears for efficient and effective listening to create polished master tracks.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eAbout the Authors\u003c\/li\u003e\n        \u003cli\u003eDedication\u003c\/li\u003e\n        \u003cli\u003eAcknowledgements\u003c\/li\u003e\n        \u003cli\u003eChapter 1: Mastering\u003c\/li\u003e\n        \u003cli\u003eChapter 2: Mastering Tools\u003c\/li\u003e\n        \u003cli\u003eChapter 3: Mastering Objectives\u003c\/li\u003e\n        \u003cli\u003eChapter 4: Controlling Dynamics\u003c\/li\u003e\n        \u003cli\u003eChapter 5: Refining Timbre\u003c\/li\u003e\n        \u003cli\u003eChapter 6: Creating and Managing Loudness\u003c\/li\u003e\n        \u003cli\u003eChapter 7: Controlling Width and Depth\u003c\/li\u003e\n        \u003cli\u003eChapter 8: Crafting a Product\u003c\/li\u003e\n        \u003cli\u003eChapter 9: Delivering a Product\u003c\/li\u003e\n        \u003cli\u003eChapter 10: DAW Workflow\u003c\/li\u003e\n        \u003cli\u003eChapter 11: Conclusions\u003c\/li\u003e\n        \u003cli\u003eIndex\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Authors\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Mark Cousins works as a composer, programmer, and sound engineer, as well as being an active contributor to Music Tech Magazine. His professional work involves composing music for some of the world's largest production music companies - including Universal Publishing Production Music - with broadcaster credits including BBC1, BBC2, ITV, Channel 4, Five, BBC World and Sky One, among others. His work has been performed by the Royal Philharmonic Orchestra, the East of England Orchestra, the City of Prague Philharmonic Orchestra, and the Brighton Festival Chorus. He has also mixed several orchestral albums for BMG Zomba.\n       \u003cbr\u003e \n       \u003cbr\u003e Russ Hepworth-Sawyer is a sound engineer and producer with extensive experience in all things audio. He is a member of the Association of Professional Recording Services and the Audio Engineering Society; a Fellow of the Institute for Learning (UK); and a board member of the Music Producer's Guild. Through MOTTOsound (www.mottosound.co.uk), Russ works freelance in the industry as a mastering engineer, a producer, writer, and a consultant. Russ currently lectures part-time for York St John University and Barnsley College Online and has taught extensively in higher education at British institutions including Leeds College of Music, London College of Music, and Rose Bruford College. He currently writes for Pro Sound News Europe, has contributed to Sound On Sound magazine, and has written many titles for Focal Press.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Practical Mastering: A Guide to Mastering in the Modern Studio\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9780240523705 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eMark Cousins\u003cbr\u003eRuss Hepworth-Sawyer\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eFocal Press\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eApril 18, 2013\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1st\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780240523705\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e264\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u003cspan\u003eYes\u003c\/span\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731725955157,"sku":"FOPMMSPB:FOPMMSPB:bhpv","price":11855.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1676886340_1751998.jpg?v=1700730640"},{"product_id":"focal-press-the-remix-manual-the-art-and-science-of-dance-music-remixing-with-logic","title":"Focal Press The Remix Manual: The Art and Science of Dance Music Remixing with Logic","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780240818931 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003e\u003cb\u003eThe Remix Manual: The Art and Science of Dance Music Remixing with Logic\u003c\/b\u003e by Simon Langford from \u003cb\u003e Focal Press\u003c\/b\u003e is a step-by-step guide that brings you through the entire process of making your own professional quality remixes.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press The Remix Manual: The Art and Science of Dance Music Remixing with Logic\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9780240818931 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSimon Langford\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRoutledge\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eMarch 30, 2011\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1st\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780240814582\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e442\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u003cspan\u003eYes\u003c\/span\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731745484885,"sku":"FOQSRMPB:FOQSRMPB:bhpv","price":10220.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1679329831_1752003.jpg?v=1700732972"},{"product_id":"focal-press-leading-with-sound-proactive-sound-practices-in-video-game-development","title":"Focal Press Leading with Sound: Proactive Sound Practices in Video Game Development","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780367535872 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003e\u003cb\u003eLeading with Sound: Proactive Sound Practices in Video Game Development\u003c\/b\u003e from \u003cstrong\u003eFocal Press\u003c\/strong\u003e is the must-have companion guide to working on video game projects. Focused on the creative, collaborative, philosophical and organizational skills behind game sound and eschewing the technical, this book celebrates the subjects most essential to leading with sound in video game development at any level.\u003c\/p\u003e\n    \u003cp\u003eRefuting the traditional optics of sound as a service in favour of sound as a proactive visionary department, this book examines each of the four food-groups of dialogue, sound design, music and mix, not through the usual technical and production lenses of how and when, but the essential lens of why that enables leadership with sound. Leading with Sound is essential reading for aspiring sound designers, inside and outside of the classroom as well as experienced professionals in the game industry.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003ePart One: Ports of Entry\n         \u003cul\u003e\n          \u003cli\u003e01. What is this Book About?\u003c\/li\u003e\n          \u003cli\u003e02. The Big Four: Understanding the Four Food-groups of Audio (and how they inter-relate)\u003c\/li\u003e\n          \u003cli\u003e03. What Drives the Mix of Your Game.\u003c\/li\u003e\n          \u003cli\u003e04. Taking a Psychological Approach to Sound Categorization\u003c\/li\u003e\n          \u003cli\u003e05. What is a Game Developer?\u003c\/li\u003e\n          \u003cli\u003e06. What is Game Audio?\u003c\/li\u003e\n          \u003cli\u003e07. What You May be Missing: Vision to Drive Your Tools and Pipelines\u003c\/li\u003e\n          \u003cli\u003e08. Communication Essentials: Managing Expectations of Quality (The �L� Scale)\u003c\/li\u003e\n          \u003cli\u003e09. Developing Early Audio Visions\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003ePart Two: Sound Design\n         \u003cul\u003e\n          \u003cli\u003e10. Why do we Need Sounds?\u003c\/li\u003e\n          \u003cli\u003e11. Working with Sound.\u003c\/li\u003e\n          \u003cli\u003e12. Higher Level is Better.\u003c\/li\u003e\n          \u003cli\u003e13. What is Causing these Sounds and Where are they Located?\u003c\/li\u003e\n          \u003cli\u003e14. Ambiguity and Clarity.\u003c\/li\u003e\n          \u003cli\u003e15. Designing for Three Audiences. (Player, Spectator, Creator)\u003c\/li\u003e\n          \u003cli\u003e16. Thinking Horizontally, Vertically, and Diagonally about Asset Design.\u003c\/li\u003e\n          \u003cli\u003e17. Designing a Moment: Temporality in Interactive Sound Design.\u003c\/li\u003e\n          \u003cli\u003e18. Leading with Sound: Spectacle and Immersion.\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003ePart Three: Music\n         \u003cul\u003e\n          \u003cli\u003e19. Why do we Need Music?\u003c\/li\u003e\n          \u003cli\u003e20. Music as Creative Crutches: Reaching for Music Too Soon \u0026amp; Too Late.\u003c\/li\u003e\n          \u003cli\u003e21. Defining the Sound: Towards an Iconic Music Design\u003c\/li\u003e\n          \u003cli\u003e22. The Shape of Emotion: We Can�t Feel Emotion All the Time.\u003c\/li\u003e\n          \u003cli\u003e23. Diegetic, Non-Diegetic and Trans-Diegetic Musical Spaces.\u003c\/li\u003e\n          \u003cli\u003e24. Non-Diegetic Space in Recorded Music\u003c\/li\u003e\n          \u003cli\u003e25. Leading with Music: Music as Spectacle Throughout Production and Post-Release\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003ePart Four: Voice\n         \u003cul\u003e\n          \u003cli\u003e26. Why do we Need Voice?\u003c\/li\u003e\n          \u003cli\u003e27. Early Dialogue Development\u003c\/li\u003e\n          \u003cli\u003e28. The Sound of Voice: Dialects, Culture and Meaning\u003c\/li\u003e\n          \u003cli\u003e29. Casting Philosophies (Auditions, Recording, Iteration)\u003c\/li\u003e\n          \u003cli\u003e30. Let�s do it Again\u003c\/li\u003e\n          \u003cli\u003e31. Rethinking Dialogue Production: Infinite Alternatives\u003c\/li\u003e\n          \u003cli\u003e32. Leading with Voice: Leveraging the Spectacle of Performance\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003ePart Five: Mix\n         \u003cul\u003e\n          \u003cli\u003e33. Why do we Need to Mix?\u003c\/li\u003e\n          \u003cli\u003e34. Mix Essentials\u003c\/li\u003e\n          \u003cli\u003e35. Philosophy of the Mix: Narrative Dynamics (Pushing, Pulling, Shaping)\u003c\/li\u003e\n          \u003cli\u003e36. Some Defining Terminology and Features of Non-Linear Mixing\u003c\/li\u003e\n          \u003cli\u003e37. Mix Consistency\u003c\/li\u003e\n          \u003cli\u003e38. Building the Mix\u003c\/li\u003e\n          \u003cli\u003e39. Planning and Surviving the Major Milestone and Final Mixes.\u003c\/li\u003e\n          \u003cli\u003e40. Leading with the Mix: The First and Last Thing You Think About.\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003ePart Six: Fade Out\n         \u003cul\u003e\n          \u003cli\u003e41. The Importance of a Holistic (Four-Food-group) Vision\u003c\/li\u003e\n          \u003cli\u003e42. Studio Culture: A Theory of Everything\u003c\/li\u003e\n          \u003cli\u003e43. Game Audio Studio Spaces: Architectural Problems in Video Game Sound.\u003c\/li\u003e\n          \u003cli\u003e44. Games are for Everyone: Accessibility, Options and Customization in Audio for Gamers.\u003c\/li\u003e\n          \u003cli\u003e45. Finding Our Place, Between Vision and Service.\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Author\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Rob Bridgett is a British-Canadian Audio Director based in Montreal. In 1993 Rob attended Derby University to study cinema and media, and was one of the first to graduate from the Sound Design for the Moving Image Master's degree programme at Bournemouth University in 1999. Having worked as an audio director in the games industry since 2001, Bridgett has become a committed advocate for leading with sound and sound as design.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Leading with Sound: Proactive Sound Practices in Video Game Development\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9780367535872 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRob Bridgett\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eFocal Press\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eMay 19, 2021\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1st\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780367535872\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e234\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e15 Black \u0026amp; White Illustrations\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731895332949,"sku":"FOLWSPA:FOLWSPA:bhpv","price":10710.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1678884637_1757172.jpg?v=1700737786"},{"product_id":"focal-press-innovation-in-music-future-opportunities","title":"Focal Press Innovation in Music: Future Opportunities","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780367363352 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cul\u003e\n    \u003cli\u003e\n\u003cspan\u003e1\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e2\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eTable of Contents\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e3\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eTable of Contents Continued\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e4\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eAbout the Editors\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003e\u003cb\u003eInnovation in Music: Future Opportunities\u003c\/b\u003e from \u003cb\u003eFocal Press\u003c\/b\u003e brings together cutting-edge research on new innovations in the field of music production, technology, performance and business. Including contributions from a host of well-respected researchers and practitioners, this volume provides crucial coverage on a range of topics from cybersecurity, to accessible music technology, performance techniques, and the role of talent shows within music business. Innovation in Music: Future Opportunities is the perfect companion for professionals and researchers alike with an interest in the music industry.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003ePart I Music production innovation\n         \u003cul\u003e\n          \u003cli\u003e1. Country \u0026amp; Eastern: Contextual and cultural mediation in the recording studio � two producers, two artists, two cultures\n           \u003cul\u003e\n            \u003cli\u003eRichard Lightman\u003c\/li\u003e\n           \u003c\/ul\u003e\n\u003c\/li\u003e\n          \u003cli\u003e2. Defining and developing a sonic signature in music mixing: A practice-based approach as modern-day studio mentorship\n           \u003cul\u003e\n            \u003cli\u003eAndrea Succi\u003c\/li\u003e\n           \u003c\/ul\u003e\n\u003c\/li\u003e\n          \u003cli\u003e3. Making records within records: Manufacturing phonographic �otherness� in sample-based Hip Hop production\n           \u003cul\u003e\n            \u003cli\u003eMichail Exarchos\u003c\/li\u003e\n           \u003c\/ul\u003e\n\u003c\/li\u003e\n          \u003cli\u003e4. Motormouth: An essay in sonic recontextualization\n           \u003cul\u003e\n            \u003cli\u003eJez Nash\u003c\/li\u003e\n           \u003c\/ul\u003e\n\u003c\/li\u003e\n          \u003cli\u003e5. The Individualist: Todd Rundgren�s approach to innovation and his 1993 interactive album No World Order\n           \u003cul\u003e\n            \u003cli\u003eTim Hughes\u003c\/li\u003e\n           \u003c\/ul\u003e\n\u003c\/li\u003e\n          \u003cli\u003e6. Ground control and cloud booths: Using Dante to break geographical barriers to music production\n           \u003cul\u003e\n            \u003cli\u003ePaul Ferguson and Dave Hook\u003c\/li\u003e\n           \u003c\/ul\u003e\n\u003c\/li\u003e\n          \u003cli\u003e7. Music production utilising Internet of Things technologies\n           \u003cul\u003e\n            \u003cli\u003eMarques Hardin and Rob Toulson\u003c\/li\u003e\n           \u003c\/ul\u003e\n\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003ePART II Music technology innovation\n         \u003cul\u003e\n          \u003cli\u003e8. development of an Ambisonic Guitar System\n           \u003cul\u003e\n            \u003cli\u003eDuncan Werner, Bruce Wiggins, and Emma Fitzmaurice\u003c\/li\u003e\n           \u003c\/ul\u003e\n\u003c\/li\u003e\n          \u003cli\u003e9. Retaining pianistic virtuosity in #MIs: Exploring pre-existing gestural nuances for live sound modulation through a comparative study\n           \u003cul\u003e\n            \u003cli\u003eNiccolo Granieri, James Dooley, and Tychonas michaildidis\u003c\/li\u003e\n           \u003c\/ul\u003e\n\u003c\/li\u003e\n          \u003cli\u003e10. Improvising song writing and composition within a hybrid modular synthesis system\n           \u003cul\u003e\n            \u003cli\u003eHussein Boon\u003c\/li\u003e\n           \u003c\/ul\u003e\n\u003c\/li\u003e\n          \u003cli\u003e11. Speaker Park: An intersection of loudspeaker design and post-acousmatic composition\u003c\/li\u003e\n          \u003cli\u003eJon Pigott and Antti Sakari SaarioJ\u003c\/li\u003e\n          \u003cli\u003e12. Sound objects: Exploring procedural audio for theatre\n           \u003cul\u003e\n            \u003cli\u003eMat Daqlgleish and Sarah Whitfield\u003c\/li\u003e\n           \u003c\/ul\u003e\n\u003c\/li\u003e\n          \u003cli\u003e13. Hearing and feeling memories: Connecting image, sound and haptic feedback to create a multisensory experience of photographs\n           \u003cul\u003e\n            \u003cli\u003eMatthew D.F. Evans, James Dooley and Simon Hall\u003c\/li\u003e\n           \u003c\/ul\u003e\n\u003c\/li\u003e\n          \u003cli\u003e14. Concepts for the design of accessible music technology\n           \u003cul\u003e\n            \u003cli\u003eJoe Wright\u003c\/li\u003e\n           \u003c\/ul\u003e\n\u003c\/li\u003e\n          \u003cli\u003e15. Security engineering in the arts\n           \u003cul\u003e\n            \u003cli\u003eAndy Farnell\u003c\/li\u003e\n           \u003c\/ul\u003e\n\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003ePART III Performance innovation\n         \u003cul\u003e\n          \u003cli\u003e16. Transparency and authenticity in the live arena: An exploration of electronic music performance techniques\n           \u003cul\u003e\n            \u003cli\u003eDave Fortune\u003c\/li\u003e\n           \u003c\/ul\u003e\n\u003c\/li\u003e\n          \u003cli\u003e17. BTS� \"Speak Yourself\" world tour as an intermedial spectacle of attachment\n           \u003cul\u003e\n            \u003cli\u003eAlicja Sulkowska\u003c\/li\u003e\n           \u003c\/ul\u003e\n\u003c\/li\u003e\n          \u003cli\u003e18. A review of contemporary practices incorporating digital technologies with live classical music\n           \u003cul\u003e\n            \u003cli\u003eClara Colotti\\\u003c\/li\u003e\n           \u003c\/ul\u003e\n\u003c\/li\u003e\n          \u003cli\u003e19. Free ensembles and small (chamber) orchestras as innovative drivers of classical music in Germany\n           \u003cul\u003e\n            \u003cli\u003eAlenka Barber-Kersovan and Volker Kirchberg\u003c\/li\u003e\n           \u003c\/ul\u003e\n\u003c\/li\u003e\n          \u003cli\u003e20. Transforming musical performance: Activating the audience as digital collaborators\n           \u003cul\u003e\n            \u003cli\u003eAdrian York\u003c\/li\u003e\n           \u003c\/ul\u003e\n\u003c\/li\u003e\n          \u003cli\u003e21. The online composer�audience collaboration\n           \u003cul\u003e\n            \u003cli\u003eLuis Ramirez\u003c\/li\u003e\n           \u003c\/ul\u003e\n\u003c\/li\u003e\n          \u003cli\u003e22. New instruments as creativity triggers in composer�performer collaboration\n           \u003cul\u003e\n            \u003cli\u003eAgata Kugiak-Kenworthy\u003c\/li\u003e\n           \u003c\/ul\u003e\n\u003c\/li\u003e\n          \u003cli\u003e23. \"My avatar and me\": Technology-enhanced mirror in monitoring music performance practice\n           \u003cul\u003e\n            \u003cli\u003eGiusy Caruso, Luc Nijs and Marc Leman\u003c\/li\u003e\n           \u003c\/ul\u003e\n\u003c\/li\u003e\n          \u003cli\u003e24. Creative considerations for on-screen visuals in electronic pop music performances\n           \u003cul\u003e\n            \u003cli\u003eKirsten Hermes\u003c\/li\u003e\n           \u003c\/ul\u003e\n\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents Continued\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       PART IV Music business and artist development innovation\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003e25. Towards a quantum theory of musical creativity\u003c\/p\u003e\n       \u003cp\u003eMatthew Lovett\u003c\/p\u003e\n       \u003cp\u003e26. Observing mood-based patterns and commonalities in music using machine learning algorithms\u003c\/p\u003e\n       \u003cp\u003eJeffrey Lupker and William J. Turkel\u003c\/p\u003e\n       \u003cp\u003e27. The role of contests and talent shows as part of the artist development process within the music industry\u003c\/p\u003e\n       \u003cp\u003eStefan Lalchev and Paul G. Oliver\u003c\/p\u003e\n       \u003cp\u003e28. Music: Leeds - supporting a regionalised music sector and scene\u003c\/p\u003e\n       \u003cp\u003ePaul Thompson and Sam Nicholls\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Editors\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Russ Hepworth-Sawyer is co-chair of the UK Mastering Group, a freelance mastering engineer, writer, and consultant through MOTTOsound (www.mottosound.com) and part-time lecturer at York St John University, UK.\n       \u003cbr\u003e \n       \u003cbr\u003e Justin Paterson is Professor of Music Production at London College of Music, University of West London, UK.\n       \u003cbr\u003e \n       \u003cbr\u003e Rob Toulson is Founder and Director of RT60 Ltd, specializing in technology development for the audio and music industries.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Innovation in Music: Future Opportunities\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Table of Contents\n    \u003c\/div\u003e\n    \u003cul\u003e\n     \u003cli\u003eDescription\u003c\/li\u003e\n     \u003cli\u003eTable of Contents\u003c\/li\u003e\n     \u003cli\u003eTable of Contents Continued\u003c\/li\u003e\n     \u003cli\u003eAbout the Editors\u003c\/li\u003e\n    \u003c\/ul\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9780367363352 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEditor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRuss Hepworth-Sawyer\u003cbr\u003eJustin Paterson\u003cbr\u003eRob Toulson\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRoutledge Taylor \u0026amp; Francis\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eJanuary 22, 2021\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1st\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780367363352\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e474\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e96 Black \u0026amp; White Illustrations\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731900837973,"sku":"FOIMFOO:FOIMFOO:bhpv","price":15945.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1678884104_1757121.jpg?v=1700737881"},{"product_id":"focal-press-unity-game-audio-implementation-a-practical-guide-for-beginners","title":"Focal Press Unity Game Audio Implementation: A Practical Guide for Beginners","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780367517731 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003e\u003cb\u003eUnity Game Audio Implementation: A Practical Guide for Beginners\u003c\/b\u003e from \u003cb\u003eFocal Press\u003c\/b\u003e offers a unique, practical, project-based approach to learning about aspects of Interactive Game Audio for those who have never used a game engine before and don't want to learn computer programming right now. The book offers insight into the skills needed to design game-ready sounds in current Digital Audio Workstation (DAW) and shows how to implement these sounds within the Unity game engine. The reader will also learn about interactive music and how to set this up to respond to a variety of events in the game, with the option of adding in their own story and dialogue.\u003c\/p\u003e\n    \u003cp\u003eAll the information is presented in a practical working context from an established Game Audio Sound Designer with AAA games experience. The chapters are accompanied by several game levels teaching all about the techniques and theories before offering instructive steps for how to put them into action. After completing the practical tasks in this book, not only will the reader create an interactive soundscape for a multilevel playable game featuring all their own audio, they will also receive tips on how to use their finished project in support of an application for Video Game Sound Designer jobs.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       1. Introduction to Game Audio and the Unity Game Engine\n       \u003cbr\u003e 2. Game Audio Sound Design and creation\n       \u003cbr\u003e 3. Game sound editing techniques\n       \u003cbr\u003e 4. Importing assets into Unity and placing sounds in gameworld\n       \u003cbr\u003e 5. Understanding basic game mechanics and generic Unity tools\n       \u003cbr\u003e 6. Set up main game project, creating a project plan and Game Audio Design documentation\n       \u003cbr\u003e 7. Trigger Areas and Reverb Zones\n       \u003cbr\u003e 8. Recording, processing, and implementing dialogue\n       \u003cbr\u003e 9. Audio Implementation of character and enemy SFX\n       \u003cbr\u003e 10. Audio Implementation of game mechanics and cutscenes\n       \u003cbr\u003e 11. Interactive music\n       \u003cbr\u003e 12. Unity Mixer routing and effects and additional audio scripts\n       \u003cbr\u003e 13. Bonus chapter - expanding\/improving upon existing implementation\n       \u003cbr\u003e 14. What to do next\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Author\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Andrew Coggan is a Game Audio Sound Designer with a portfolio of work that includes projects at a number of notable companies such as Travellers' Tales Fusion on LEGO STAR WARS: The Force Awakens, LEGO MARVEL's Avengers, various Virtual Reality (VR)\/Augmented Reality (AR) experiences and applications, and several independent games spanning a number of different genres. He was also Audio Lead for Cosmonaut Studios on the game Eternal Threads and for Skyhook Games on Lawn Mowing Simulator. In addition to this, an unreleased project called The Seer was featured by Unity at the 2016 international Game Developers Conference (GDC) in San Francisco, California, USA.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Unity Game Audio Implementation: A Practical Guide for Beginners\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9780367517731 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eAndrew Coggan\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eFocal Press\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eDecember 31, 2021\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1st\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780367517731\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e434\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e18 Color Illustrations\u003cbr\u003e350 Black \u0026amp; White Illustrations\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731902476373,"sku":"FOUGAIP:FOUGAIP:bhpv","price":15130.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1678884637_1757165.jpg?v=1700738063"},{"product_id":"focal-press-practical-audio-electronics","title":"Focal Press Practical Audio Electronics","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780367359850 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003e\u003cb\u003ePractical Audio Electronics\u003c\/b\u003e from \u003cb\u003eFocal Press\u003c\/b\u003e is a comprehensive introduction to basic audio electronics and the fundamentals of sound circuit building, providing the reader with the necessary knowledge and skills to undertake projects from scratch. Imparting a thorough foundation of theory alongside the practical skills needed to understand, build, modify, and test audio circuits, this book equips the reader with the tools to explore the sonic possibilities that emerge when electronics technology is applied innovatively to the making of music.\u003c\/p\u003e\n    \u003cp\u003eSuitable for all levels of technical proficiency, this book encourages a deeper understanding through highlighted sections of advanced material and example projects including circuits to make, alter, and amplify audio, providing a snapshot of the wide range of possibilities of practical audio electronics. An ideal resource for students, hobbyists, musicians, audio professionals, and those interested in exploring the possibilities of hardware-based sound and music creation.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003e1. � Introduction\u003c\/li\u003e\n        \u003cli\u003ePart I � Electrical Theory\n         \u003cul\u003e\n          \u003cli\u003e2. � Electricity\u003c\/li\u003e\n          \u003cli\u003e3. � Semiconductors\u003c\/li\u003e\n          \u003cli\u003e4. � Mains Electricity and Electrical Safety\u003c\/li\u003e\n          \u003cli\u003e5. � Signal Characteristics\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003ePart II � Practical Electronics\n         \u003cul\u003e\n          \u003cli\u003e6. � Component Overview\u003c\/li\u003e\n          \u003cli\u003e7. � Circuit Diagrams\u003c\/li\u003e\n          \u003cli\u003e8. � Electronics Lab Equipment\u003c\/li\u003e\n          \u003cli\u003e9. � Basic Circuit Analysis\u003c\/li\u003e\n          \u003cli\u003e10. � Constructing Circuits\u003c\/li\u003e\n          \u003cli\u003e11. � Projects\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003ePart III � Component Reference\n         \u003cul\u003e\n          \u003cli\u003e12. � Resistors\u003c\/li\u003e\n          \u003cli\u003e13. � Capacitors and Inductors§\u003c\/li\u003e\n          \u003cli\u003e14. � Transformers\u003c\/li\u003e\n          \u003cli\u003e15. � Switches\u003c\/li\u003e\n          \u003cli\u003e16. � Diodes\u003c\/li\u003e\n          \u003cli\u003e17. � Transistors\u003c\/li\u003e\n          \u003cli\u003e18. � Integrated Circuits\u003c\/li\u003e\n          \u003cli\u003e19. � Vacuum Tubes\u003c\/li\u003e\n          \u003cli\u003e20. � Audio Transducers\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003eAppendices\n         \u003cul\u003e\n          \u003cli\u003eA. � Prefix Multipliers\u003c\/li\u003e\n          \u003cli\u003eB. � Quantities and Equations\u003c\/li\u003e\n          \u003cli\u003eC. � Schematic Symbol Reference Chart\u003c\/li\u003e\n          \u003cli\u003eD. � Circuit Catalogue\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Author\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Kevin Robinson is a degree-qualified electronics engineer who also holds diplomas in electronic music production and live sound engineering. He has taught electronics and audio technology on various diploma and degree-level sound engineering courses, and also works as a live sound engineer.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Practical Audio Electronics\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9780367359850 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eKevin Robinson\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eFocal Press\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eFebruary 4, 2020\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1st\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780367359850\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e440\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e446 Black \u0026amp; White Illustrations\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Packaging Info\n      \u003c\/div\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePackage Weight\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e2 lb\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9.3 x 7.55 x 1\"\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731906441301,"sku":"FOPAE:FOPAE:bhpv","price":8775.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1678884104_1757118.jpg?v=1700738373"},{"product_id":"focal-press-marketing-recorded-music-how-music-companies-brand-and-market-artists","title":"Focal Press Marketing Recorded Music: How Music Companies Brand and Market Artists","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780367693947 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003e\u003cb\u003eMarketing Recorded Music: How Music Companies Brand and Market Artists\u003c\/b\u003e by Tammy Donham, Amy Sue Macy, and Clyde Philip Rolston from \u003cb\u003eFocal Press\u003c\/b\u003e is the essential resource to help you understand how recorded music is professionally marketed. Updated to reflect the digital era, with new chapters on emerging media, streaming, and branding, this fourth edition also includes strategies for independent and unsigned artists.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      About the Authors\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Tammy Donham is Associate Professor of Recording Industry Studies at Middle Tennessee State University. She frequently teaches online courses and was the recipient of the 2016 Outstanding Achievement in Instructional Technology Award. Donham is a graduate of Leadership Music (class of 2012) as well as a member of the Country Music Association.\n      \u003cp\u003e\u003c\/p\u003e\n      \u003cp\u003eAmy Sue Macy, Professor in the Department of Recording Industry at Middle Tennessee State University, received both her undergraduate degree in music education and her master's degree in business administration from Belmont University. For 15 years, she worked for various labels, including MTM, MCA, Sparrow Records, and the RCA Label Group.\u003c\/p\u003e\n      \u003cp\u003eClyde Philip Rolston is Professor of Music Business in the Mike Curb College of Entertainment and Music Business at Belmont University. Prior to joining the faculty at Belmont University, he was the Vice President of Marketing at Centaur Records, Inc., where he also engineered and produced many projects, including recordings by the Philadelphia Trio and the London Symphony Orchestra.\u003c\/p\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Marketing Recorded Music: How Music Companies Brand and Market Artists\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9780367693947 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eTammy Donham\u003cbr\u003eAmy Sue Macy\u003cbr\u003eClyde Philip Rolston\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eFocal Press\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eJune 13, 2022\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e4th\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780367693947\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e518\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e213 Black \u0026amp; White Illustrations\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731907653717,"sku":"FOMRMHT:FOMRMHT:bhpv","price":12675.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1679326237_1757308.jpg?v=1700738522"},{"product_id":"focal-press-audio-education-theory-culture-and-practice","title":"Focal Press Audio Education: Theory, Culture, and Practice","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780367074449 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eThis first edition softcover of \u003cb\u003eAudio Education: Theory, Culture, and Practice\u003c\/b\u003e from \u003cb\u003eFocal Press\u003c\/b\u003e is a groundbreaking volume exploring the historical perspectives, methodologies, and theoretical underpinnings that shape audio in educational settings. With insights from a roster of international contributors, this book presents perspectives from researchers, practitioners, educators, and historians. Audio Education highlights a range of timely topics, including environmental sustainability, inclusivity, interaction with audio industries, critical listening, and student engagement, making it recommended reading for teachers, researchers, and practitioners engaging with the field of audio education.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eIntroduction: Audio Education and the Makings of Creative and Inclusive Scholarship by Daniel Walzer, Mariana Lopez\u003c\/li\u003e\n        \u003cli\u003eChapter 1: The Roots of Audio- From Craft to Established Field (1925-1945) by George Brock-Nannestad\u003c\/li\u003e\n        \u003cli\u003eChapter 2: The Child as Musical Affector: Sound Perception and Manipulation as Artistic Process in Primary School Music Education by Elissa Johnson-Green\u003c\/li\u003e\n        \u003cli\u003eChapter 3: A Timeline is Not a Continuum: A More Inclusive Electronic Music History by Brian Heller\u003c\/li\u003e\n        \u003cli\u003eChapter 4: Creating Authentic Learning Experiences using Max: An Alternative to Digital Audio Workstations by Mark Bassett\u003c\/li\u003e\n        \u003cli\u003eChapter 5: Gamifying the Learning Experience: Evaluating Teaching Methodologies in an Introductory Module to Sound for Film and Television by Mariana Lopez\u003c\/li\u003e\n        \u003cli\u003eChapter 6: Learning About Critical Listening through Popular Music by Adam Scott Neal\u003c\/li\u003e\n        \u003cli\u003eChapter 7: Listening Sessions: Critical Listening in a Social Context by M. Nyssim Lefford\u003c\/li\u003e\n        \u003cli\u003eChapter 8: Engineering and Recording by Jeremy J. Wells\u003c\/li\u003e\n        \u003cli\u003eChapter 9: Environmental Sustainability in the Audio Engineering Curriculum by Ben Mosley\u003c\/li\u003e\n        \u003cli\u003eChapter 10: Breaking the Sound Barrier: The Importance of Interdisciplinary Audio Curriculum by Elsa Lankford\u003c\/li\u003e\n        \u003cli\u003eChapter 11: Sound Reflections: The Purpose, Perspectives \u0026amp; Place of Audio Education by Paul Thompson, Ben Mosley\u003c\/li\u003e\n        \u003cli\u003eChapter 12: Designing Vocational Training for Audio Engineers at a Distance: Challenges, Reflections, and Recommendations by Duncan Williams\u003c\/li\u003e\n        \u003cli\u003eChapter 13: Accessibility: A Practical Perspective on Inclusion by Victor Zottmann\u003c\/li\u003e\n        \u003cli\u003eChapter 14 Future Educational Goals, and Actionable Items: Teaching Communication Skills for Audio Education Institutions and Educators by Doug Bielmeier\u003c\/li\u003e\n        \u003cli\u003eChapter 15: Addressing the Gender Imbalance in the Theater Sound Industry: A Conservatoire Approach by Clare Hibberd\u003c\/li\u003e\n        \u003cli\u003eChapter 16: Enhancing Student Employability Through Innovative Program Design: A Case Study by Jude Brereton, Helena Daffern, Marc Green, Frank Stevens, Andy Hunt\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Editors\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Mariana Lopez is a senior lecturer in sound production and postproduction in the Department of Theatre, Film, Television, and Interactive Media at the University of York.\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003eDaniel Walzer is an assistant professor of music at the University of Massachusetts Lowell.\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Audio Education: Theory, Culture, and Practice\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9780367074449 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEditor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eDaniel Walzer\u003cbr\u003eMariana Lopez\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eFocal Press\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eJuly 21, 2020\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1st\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780367074449\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e322\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e41 Black \u0026amp; White Illustrations\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731909783637,"sku":"FOAETCPPB:FOAETCPPB:bhpv","price":13000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1678295129_1755060.jpg?v=1700738730"},{"product_id":"focal-press-developing-virtual-synthesizers-with-vcv-rack","title":"Focal Press Developing Virtual Synthesizers with VCV Rack","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780367077730 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003e\u003cb\u003eDeveloping Virtual Synthesizers with VCV Rack\u003c\/b\u003e from \u003cb\u003eFocal Press\u003c\/b\u003e takes the reader step by step through the process of developing synthesizer modules, beginning with the elementary and leading up to more engaging examples. Using the intuitive VCV Rack and its open-source C++ API, this book will guide even the most inexperienced reader to master efficient DSP coding to create oscillators, filters, and complex modules. Examining practical topics related to releasing plugins and managing complex graphical user interaction, with an intuitive study of signal processing theory specifically tailored for sound synthesis and virtual analog, this book covers everything from theory to practice. With exercises and example patches in each chapter, the reader will build a library of synthesizer modules that they can modify and expand.\u003c\/p\u003e\n    \u003cp\u003eThis book is recommended reading for undergraduate and postgraduate students of audio engineering, music technology, computer science, electronics, and related courses; audio coding and do-it-yourself enthusiasts; and professionals looking for a quick guide to VCV Rack. VCV Rack is a free and open-source software available online.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003ePreface\u003c\/li\u003e\n        \u003cli\u003eAcknowledgements\u003c\/li\u003e\n        \u003cli\u003e1. Modular Synthesis: Theory\u003c\/li\u003e\n        \u003cli\u003e2. Elements of Signal Processing for Synthesis\u003c\/li\u003e\n        \u003cli\u003e3. VCV Rack basics4 Developing with VCV Rack\u003c\/li\u003e\n        \u003cli\u003e5. The graphical user interface: a quick introduction\u003c\/li\u003e\n        \u003cli\u003e6. Let�s start programming: the easy ones\u003c\/li\u003e\n        \u003cli\u003e7. Getting Serious: DSP \"classroom\" modules\u003c\/li\u003e\n        \u003cli\u003e8. Crunching numbers: advanced DSP modules\u003c\/li\u003e\n        \u003cli\u003e9. The graphical user interface: creating custom widgets\u003c\/li\u003e\n        \u003cli\u003e10. Additional topics\u003c\/li\u003e\n        \u003cli\u003e11. After reading this book\u003c\/li\u003e\n        \u003cli\u003eBibliography\u003c\/li\u003e\n        \u003cli\u003eIndex\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Author\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Leonardo Gabrielli, PhD, is a research fellow at the Department of Information Engineering, Università Politecnica delle Marche, Italy, where he lectures on music production and conducts research on physical modeling and deep neural audio processing. He collaborates with the music industry as a DSP developer and he is scientific director of Acusmatiq MATME.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Developing Virtual Synthesizers with VCV Rack\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9780367077730 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eLeonardo Gabrielli\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eFocal Press\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eFebruary 6, 2020\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1st\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780367077730\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e286\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e173 Black \u0026amp; White Illustrations\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731910144085,"sku":"FODVSVCVRPB:FODVSVCVRPB:bhpv","price":11690.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1678295428_1755062.jpg?v=1700738778"},{"product_id":"focal-press-the-midi-manual-a-practical-guide-to-midi-within-modern-music-production","title":"Focal Press The MIDI Manual: A Practical Guide to MIDI within Modern Music Production","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780367549985 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003e\u003cb\u003eThe MIDI Manual: A Practical Guide to MIDI within Modern Music Production\u003c\/b\u003e, Fourth Edition, from \u003cb\u003eFocal Press\u003c\/b\u003e is a complete reference on MIDI. Written by David Miles Huber (a 4x Grammy-nominated musician, producer and author), this best-selling guide provides clear explanations of what MIDI 1.0 and 2.0 are, acting as a guide for electronic instruments, the DAW, MIDI sequencing and how to make best use of them. You will learn how to set up an efficient MIDI system and how to get the most out of your production room and ultimately your music.\u003c\/p\u003e\n    \u003cp\u003ePacked full of useful tips and practical examples on sequencing and mixing techniques, The MIDI Manual also covers in-depth information on system interconnections, controllers, groove tools, the DAW, synchronization, and more. For the first time, the MIDI 2.0 spec is explained in light of the latest developments and is accompanied with helpful guidelines for the long-established MIDI 1.0 spec and its implementation chart. Illustrated throughout with helpful photos and screenshots, this is the most readable and clearly explained book on MIDI available.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Foreword\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003e1. What Is MIDI?\u003c\/p\u003e\n       \u003cp\u003e2. The MIDI 1.0 Spec\u003c\/p\u003e\n       \u003cp\u003e3. The MIDI 2.0 Spec\u003c\/p\u003e\n       \u003cp\u003e4. System Interconnection\u003c\/p\u003e\n       \u003cp\u003e5. Electronic Instruments\u003c\/p\u003e\n       \u003cp\u003e6. Controllers\u003c\/p\u003e\n       \u003cp\u003e7. Groove Tools\u003c\/p\u003e\n       \u003cp\u003e8. Audio and the DAW\u003c\/p\u003e\n       \u003cp\u003e9. MIDI and the DAW\u003c\/p\u003e\n       \u003cp\u003e10. The iRevolution\u003c\/p\u003e\n       \u003cp\u003e11. Sync\u003c\/p\u003e\n       \u003cp\u003e12. Multimedia and the Web\u003c\/p\u003e\n       \u003cp\u003e13. Music Notation and Printing\u003c\/p\u003e\n       \u003cp\u003e14. The Art of Production\u003c\/p\u003e\n       \u003cp\u003eIndex\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Author\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       David Miles Huber is a 4x Grammy-nominated producer and musician in the electronic dance and immersive genres, whose music has sold over the million mark. His dance performance style is energized and balanced out by lush beats and live acoustic instruments that combine to create a Zen-Meets-Tech Experience.\n       \u003cbr\u003e \n       \u003cbr\u003e DMH received his degree in music technology from Indiana University and the University of Surrey in Guildford, England. His most prominent book Modern Recording Techniques, Ninth Edition, is the standard recording industry text worldwide.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press The MIDI Manual: A Practical Guide to MIDI within Modern Music Production\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9780367549985 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eDavid Miles Huber\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRoutledge\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eOctober 27, 2020\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e4th\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780367549985\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e290\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e184 Color Illustrations\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731910209621,"sku":"FOMMPGMI:FOMMPGMI:bhpv","price":10710.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1678885627_1757176.jpg?v=1700738783"},{"product_id":"focal-press-sound-and-recording-applications-and-theory","title":"Focal Press Sound and Recording: Applications and Theory","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780367553029 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eProviding vital reading for audio students and trainee engineers, \u003cb\u003eSound and Recording: Applications and Theory\u003c\/b\u003e from \u003cb\u003eFocal Press\u003c\/b\u003e is the essential guide for anyone who wants a solid grounding in both theory and industry practices in audio, sound, and recording. This updated and comprehensively restructured edition includes new content on DAW configuration, effects processing, 3D\/immersive audio systems, object-based audio, and VR audio technology.\u003c\/p\u003e\n    \u003cp\u003eThis bestselling book introduces you to the principles of sound, perception, audio technology, and systems. Sound and Recording is the ideal audio engineering text for students, an accessible reference for professionals, and a comprehensive introduction for hobbyists.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Preface to the second edition\n       \u003cbr\u003e Preface to the third edition\n       \u003cbr\u003e Preface to the fourth edition\n       \u003cbr\u003e Preface to the fifth edition\n       \u003cbr\u003e Preface to the sixth edition\n       \u003cbr\u003e Preface to the seventh edition\n       \u003cbr\u003e Preface to the eighth edition\n       \u003cbr\u003e Chapter 1: Audio and Acoustics Fundamentals\n       \u003cbr\u003e Chapter 2: Auditory Perception and Sound Quality\n       \u003cbr\u003e Chapter 3: Microphones\n       \u003cbr\u003e Chapter 4: Loudspeakers\n       \u003cbr\u003e Chapter 5: Digital Audio Principles\n       \u003cbr\u003e Chapter 6: Digital Recording and Editing Systems\n       \u003cbr\u003e Chapter 7: Mixing, metering and signal levels\n       \u003cbr\u003e Chapter 8: Signal Processing and Effects\n       \u003cbr\u003e Chapter 9: Audio data reduction\n       \u003cbr\u003e Chapter 10: Digital Audio Interfaces and Networking\n       \u003cbr\u003e Chapter 11: Analog Lines and Interconnection\n       \u003cbr\u003e Chapter 12: Power Amplifiers\n       \u003cbr\u003e Chapter 13: MIDI and Musical Instrument Control\n       \u003cbr\u003e Chapter 14: Synchronization\n       \u003cbr\u003e Chapter 15: Two-Channel Stereo\n       \u003cbr\u003e Chapter 16: Surround Sound and Immersive Audio\n       \u003cbr\u003e Glossary\n       \u003cbr\u003e Index\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Authors\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Francis Rumsey is Consultant Editor and Technical Writer for the Journal of the AES, an independent consultant, and organist. Until 2009, he was a Professor at the University of Surrey (UK). He is a Fellow of the AES, and holds the AES Bronze Medal.\n       \u003cbr\u003e \n       \u003cbr\u003e Tim McCormick worked mainly as a freelance sound and electronics engineer, spending periods at the Royal Exchange Theatre Manchester, the Midas division of Klark Teknik, and with the Royal Shakespeare Company. He has also written pieces on such diverse topics as medieval architecture and life modeling.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Sound and Recording: Applications and Theory\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9780367553029 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eFrancis Rumsey\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRoutledge\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eJuly 30, 2021\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e8th\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780367553029\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e618\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e423 Black \u0026amp; White Illustrations\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731913879637,"sku":"FOSRAIT:FOSRAIT:bhpv","price":14310.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1678885627_1757177.jpg?v=1700739202"},{"product_id":"focal-press-understanding-game-scoring-the-evolution-of-compositional-practice-for-and-through-gaming","title":"Focal Press Understanding Game Scoring: The Evolution of Compositional Practice for and Through Gaming","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780367492816 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003e\u003cb\u003eUnderstanding Game Scoring: The Evolution of Compositional Practice for and Through Gaming\u003c\/b\u003e from \u003cb\u003eFocal Press\u003c\/b\u003e explores the unique collaboration between gameplay and composition that defines musical scoring for video games. Using an array of case studies reaching back into the canon of classic video games, this book illuminates the musical flexibility, user interactivity, and sound programming that make game scoring so different from traditional modes of composition.\u003c\/p\u003e\n    \u003cp\u003eMack Enns explores the collaboration between game scorers and players to produce the final score for a game, through case studies of the Nintendo Entertainment System sound hardware configuration, and game scores, including the canonic scores for Super Mario Bros. (1985) and The Legend of Zelda (1986). This book is recommended reading for students and researchers interested in the composition and production of video game scores as well as those interested in ludo-musicology.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       List of Figures\n       \u003cbr\u003e List of Tables\n       \u003cbr\u003e Chapter 1:\n       \u003cbr\u003e An Introduction to Game Scoring\n       \u003cbr\u003e Disasterpeace and FEZ: A Case Study of Game Scoring\n       \u003cbr\u003e Music System Overview: Sequence Context Menu\n       \u003cbr\u003e Music System Overview: Scripts Browser\n       \u003cbr\u003e Music System Overview: Main Composition Sequencer\n       \u003cbr\u003e Game Scoring as an Unique Mode of Musical Composition\n       \u003cbr\u003e Methodology and Outline\n       \u003cbr\u003e Chapter 2:\n       \u003cbr\u003e Game Scoring's Interactive Multimedia Context\n       \u003cbr\u003e Spatial Emulation, the \"Gaming Diegesis\" and Game Scoring\n       \u003cbr\u003e Interactivity: A New Element\n       \u003cbr\u003e Audial Responsibility in the Interactive Multimedia Text: A Case Study of the Score for The Legend of Zelda (1987)\n       \u003cbr\u003e Case Study Conclusions: John Cage and Game Scoring as Aleatoric Composition\n       \u003cbr\u003e Game Scoring Taxonomy: Title Music\n       \u003cbr\u003e Game Scoring Taxonomy: Source Music\n       \u003cbr\u003e Source Music Case Study: Kondo's \"Lost Woods\" Vs. Vreeland's \"Reflection\"\n       \u003cbr\u003e Game Scoring Taxonomy: Results Music\n       \u003cbr\u003e Chapter Conclusions\n       \u003cbr\u003e Chapter 3:\n       \u003cbr\u003e Game Scoring and Gaming Technology\n       \u003cbr\u003e Case Study: The Nintendo Entertainment System's Sound Hardware Configuration\n       \u003cbr\u003e Channel Overview: Pulse Wave Channels\n       \u003cbr\u003e Channel Overview: Triangle Wave Channel\n       \u003cbr\u003e Channel Overview: Noise Channel\n       \u003cbr\u003e Channel Overview: Delta Modulation Channel\n       \u003cbr\u003e NES Game Scoring Techniques\n       \u003cbr\u003e NES Game Scoring Techniques: 2-Channel Echo\n       \u003cbr\u003e NES Game Scoring Techniques: Single Channel Echo\n       \u003cbr\u003e NES Game Scoring Techniques: Arpeggio and Psychoacoustic Block Chords\n       \u003cbr\u003e NES Game Scoring Techniques: TWC Kick Drum Sounds\n       \u003cbr\u003e NES Game Scoring Techniques: Melodic Samples\n       \u003cbr\u003e Putting It All Together: The APU Mixer\n       \u003cbr\u003e Case Study Summary\n       \u003cbr\u003e Game Scoring Taxonomy: Logo Jingles\n       \u003cbr\u003e Game Scoring Taxonomy: Loading Music\n       \u003cbr\u003e Game Scoring Taxonomy: Voice Acting and Vocals\n       \u003cbr\u003e Chapter Conclusions\n       \u003cbr\u003e Chapter 4:\n       \u003cbr\u003e Game Design and Game Scoring as Software Programming\n       \u003cbr\u003e Game Scoring Taxonomy: Introduction Music\n       \u003cbr\u003e Game Scoring Taxonomy: Demo Music\n       \u003cbr\u003e Game Scoring Taxonomy: Gameplay Music\n       \u003cbr\u003e Gameplay Music: Hub Music\n       \u003cbr\u003e Gameplay Music: Area Music\n       \u003cbr\u003e Area Music Case Study: Game Scoring as Mimetic Music Technology in Tetris (1984) and Guitar Hero (2005)\n       \u003cbr\u003e Gameplay Music: Area Music, cont.\n       \u003cbr\u003e Gameplay Music: Time System Jingles\n       \u003cbr\u003e Gameplay Music: Battle Music\n       \u003cbr\u003e Gameplay Music: Rest Music\n       \u003cbr\u003e Gameplay Music: Dialogue Music\n       \u003cbr\u003e Dialogue Music Case Study: The Owl and Link's Awakening (1993)\n       \u003cbr\u003e Gameplay Music: Challenge Music\n       \u003cbr\u003e Chapter Conclusions\n       \u003cbr\u003e Chapter 5:\n       \u003cbr\u003e Game Scoring: Gameplay as Performance of Aleatoric Composition\n       \u003cbr\u003e Before Video Games: The Aleatoric Tradition\n       \u003cbr\u003e A Note on Sound Effects\n       \u003cbr\u003e Case Study: Super Mario Bros. (World 6-2)\n       \u003cbr\u003e Game Scores Vs. Game Soundtracks: Super Mario Bros. on CD\n       \u003cbr\u003e Case Study Conclusions\n       \u003cbr\u003e Game Scoring Taxonomy: Menu Sound Effects\n       \u003cbr\u003e Mario Menus: A Case Study of Menu Sound Effects in Two Super Mario Games\n       \u003cbr\u003e Menu Sound Effects, Cont.\n       \u003cbr\u003e Game Scoring Taxonomy: Menu Music\n       \u003cbr\u003e Game Scoring Taxonomy: Status Music (Gameplay Music, Cont.)\n       \u003cbr\u003e Game Scoring Taxonomy: Gameplay Sound Effects\n       \u003cbr\u003e Game Scoring Taxonomy: \"Ambiences\" or Ambient Sound Effects\n       \u003cbr\u003e Chapter Conclusions\n       \u003cbr\u003e Chapter 6:\n       \u003cbr\u003e Game Scoring: Conclusion\n       \u003cbr\u003e Future Directions\n       \u003cbr\u003e Significance\n       \u003cbr\u003e Implications\n       \u003cbr\u003e Conclusion\n       \u003cbr\u003e Index\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Author\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Mack Enns is a Research Assistant Professor at Hong Kong Baptist University, specializing in music design and programming for video games and interactive media, music technology, and popular music studies.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Understanding Game Scoring: The Evolution of Compositional Practice for and Through Gaming\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9780367492816 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eMack Enns\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eFocal Press\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eNovember 22, 2021\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1st\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780367492816\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e160\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e104 Black \u0026amp; White Illustrations\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731914338389,"sku":"FOUGS:FOUGS:bhpv","price":13330.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1678884637_1757152.jpg?v=1700739253"},{"product_id":"focal-press-the-creative-electronic-music-producer","title":"Focal Press The Creative Electronic Music Producer","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780367900793 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003e\u003cb\u003eThe Creative Electronic Music Producer\u003c\/b\u003e by Thomas Brett examines the creative processes of electronic music production, from idea discovery and perception to the power of improvising, editing, effects processing, and sound design. It features case studies from across the globe on musical systems and workflows used in the production process.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Author\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003eList of Figures\u003c\/p\u003e\n       \u003cp\u003eAcknowledgments\u003c\/p\u003e\n       \u003cp\u003eIntroduction: Electronic music production as infinite game\u003c\/p\u003e\n       \u003cp\u003eChapter 1. Electronic music production, the producer, and the enchanted DAW\u003c\/p\u003e\n       \u003cp\u003eChapter 2. Musical systems and production workflows\u003c\/p\u003e\n       \u003cp\u003eChapter 3. The Faintest Traces: beginnings, approaches, improvising, and being lost\u003c\/p\u003e\n       \u003cp\u003eChapter 4. Subliminal Feeling: presets and sound designInterlude: YouTube electronic music production tutorials\u003c\/p\u003e\n       \u003cp\u003eChapter 5. Timekeeping Ways: rhythm programming\u003c\/p\u003e\n       \u003cp\u003eChapter 6. Folding Back In: production disruptions\u003c\/p\u003e\n       \u003cp\u003eChapter 7. Levels of Detail: editing\u003c\/p\u003e\n       \u003cp\u003eChapter 8. Conjuring: arranging and mixing\u003c\/p\u003e\n       \u003cp\u003eConclusion: The push forward\u003c\/p\u003e\n       \u003cp\u003eReferences\u003c\/p\u003e\n       \u003cp\u003eSuggested Listening\u003c\/p\u003e\n       \u003cp\u003eIndex\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Author\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Thomas Brett is an electronic music producer, with a PhD in ethnomusicology from New York University. His essays and book reviews have appeared in the journals Popular Music and Popular Music and Society as well as edited collections by Routledge, and Oxford, and Cambridge University presses. He has released numerous electronic music recordings and his compositions for marimba and vibraphone have been performed internationally by soloists and university ensembles. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press The Creative Electronic Music Producer\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9780367900793 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eThomas Brett\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eFocal Press\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eJuly 2, 2021\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1st\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780367900793\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e164\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e19 Black \u0026amp; White Illustrations\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731915649109,"sku":"FOCEMP:FOCEMP:bhpv","price":10710.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1680186920_1757333.jpg?v=1700739385"},{"product_id":"focal-press-game-audio-implementation-a-practical-guide-using-the-unreal-engine","title":"Focal Press Game Audio Implementation: A Practical Guide Using the Unreal Engine","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780367372491 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cul\u003e\n    \u003cli\u003e\n\u003cspan\u003e1\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e2\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eFree Downloads from Accompanying Website\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e3\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eTable of Contents\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cspan\u003e4\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eAbout the Authors\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003e\u003cb\u003eGame Audio Implementation: A Practical Guide Using the Unreal Engine\u003c\/b\u003e from \u003cb\u003eFocal Press\u003c\/b\u003e offers a unique and practical approach to learning all about game audio. If you've always wanted to hear your sound or music in a real game, then this is the book for you. Each chapter is accompanied by its own game level where you can see the techniques and theories in action before working through over 70 exercises to develop your own demo level. Taking you all the way from first principles to complex interactive systems in the industry standard, you'll gain the skills to implement your sound and music along with a deep transferable knowledge of the principles you can apply across a range of other game development tools.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Free Downloads from Accompanying Website\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003e12 downloadable demonstration games\u003c\/li\u003e\n        \u003cli\u003eA unique exercise level for you to develop for your portfolio\u003c\/li\u003e\n        \u003cli\u003eAn up-to-date online bibliography with further reading for each chapter\u003c\/li\u003e\n        \u003cli\u003eA free sound library with hundreds of game SFX\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eAcknowledgments\u003c\/li\u003e\n        \u003cli\u003eIntroduction\u003c\/li\u003e\n        \u003cli\u003eChapter 00: Loading Sequence: Quick Start\u003c\/li\u003e\n        \u003cli\u003eChapter 01: Sound Part A: Ambience and Environment\u003c\/li\u003e\n        \u003cli\u003eChapter 02: Sound Part B: Procedural Sound Design\u003c\/li\u003e\n        \u003cli\u003eChapter 03: Music Part A: Quick Start\u003c\/li\u003e\n        \u003cli\u003eChapter 04: Music Part B: Basics and Parallel Forms\u003c\/li\u003e\n        \u003cli\u003eChapter 05: Music Part C: Transitional Forms\u003c\/li\u003e\n        \u003cli\u003eChapter 06: Dialogue\u003c\/li\u003e\n        \u003cli\u003eChapter 07: Making it Real\u003c\/li\u003e\n        \u003cli\u003eChapter 08: Making it Good\u003c\/li\u003e\n        \u003cli\u003eChapter 09: Advanced: Weapons\u003c\/li\u003e\n        \u003cli\u003eChapter 10: Advanced: Vehicle\u003c\/li\u003e\n        \u003cli\u003eChapter 11: Advanced: Sports Dialogue and Crowds\u003c\/li\u003e\n        \u003cli\u003eChapter 12: Advanced: Music\u003c\/li\u003e\n        \u003cli\u003eConclusion\u003c\/li\u003e\n        \u003cli\u003eAppendix A: Core Concepts\u003c\/li\u003e\n        \u003cli\u003eAppendix B: Blueprint Primer\u003c\/li\u003e\n        \u003cli\u003eAppendix C: Testing, Troubleshooting, and Good Practice\u003c\/li\u003e\n        \u003cli\u003eCredits\u003c\/li\u003e\n        \u003cli\u003eQuick Reference\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Authors\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Richard Stevens leads the Masters in Sound and Music for Interactive Games program at Leeds Beckett University, and promotes the games audio education and research through international conference talks, publications, panels, and workshops.\n       \u003cbr\u003e \n       \u003cbr\u003e Dave Raybould is Senior Lecturer at Leeds Beckett University where he teaches games audio, sound design, and synthesis. In his time off he likes to relax by being chased and bitten by police dogs.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Game Audio Implementation: A Practical Guide Using the Unreal Engine\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\u003c\/div\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     Table of Contents\n    \u003c\/div\u003e\n    \u003cul\u003e\n     \u003cli\u003eDescription\u003c\/li\u003e\n     \u003cli\u003eFree Downloads from Accompanying Website\u003c\/li\u003e\n     \u003cli\u003eTable of Contents\u003c\/li\u003e\n     \u003cli\u003eAbout the Authors\u003c\/li\u003e\n    \u003c\/ul\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9780367372491 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRichard Stevens\u003cbr\u003eDave Raybould\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRoutledge Taylor \u0026amp; Francis\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eOctober 27, 2015\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1st\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9781138777248\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e486\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eNo\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731917680725,"sku":"FOGAIP:FOGAIP:bhpv","price":14310.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1678977317_1757127.jpg?v=1700739536"},{"product_id":"focal-press-the-art-of-producing-how-to-create-great-audio-projects","title":"Focal Press The Art of Producing: How to Create Great Audio Projects","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780815369387 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eThis soft cover version of \u003cb\u003eThe Art of Producing: How to Create Great Audio Projects \u003c\/b\u003efrom \u003cb\u003eFocal Press\u003c\/b\u003e is the first book to standardize a specific production process for creating a successful music project from start to finish. Learn how to develop a step-by-step process for critiquing all of the musical components that go into creating a highly refined production that works for all styles of music.\u003c\/p\u003e\n    \u003cp\u003eThe book provides a well-rounded perspective on everything that goes into producing, including vital information on how to creatively work with bands, groups, and record companies, and offers insight into high level values and secrets that famous producers have developed through years of trial and error. The book covers detailed production techniques for working with today's latest digital technologies including virtual recording, virtual instruments, and MIDI tracking. Take these concepts, adapt them to your own personal style and you will end up with a successful project of the highest attainable quality with the most potential to be become a hit or just affect people really deeply.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press The Art of Producing: How to Create Great Audio Projects\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9780815369387 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eDavid Gibson\u003cbr\u003eMaestro Curtis\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRoutledge\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eFebruary 6, 2019\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e2nd\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780815369387\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e254\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u003cspan\u003eYes\u003c\/span\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731919384661,"sku":"FOAPH2CGAP:FOAPH2CGAP:bhpv","price":12675.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1679483851_1758420.jpg?v=1700739768"},{"product_id":"focal-press-mic-it-microphones-microphone-techniques-and-their-impact-on-the-final-mix-ebook","title":"Focal Press Mic It!: Microphones, Microphone Techniques, and Their Impact on the Final Mix (eBook)","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780367723736 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003e\u003cb\u003eMic It!: Microphones, Microphone Techniques, and Their Impact on the Final Mix\u003c\/b\u003e 1st edition from \u003cstrong\u003eFocal Press\u003c\/strong\u003e by Ian Corbett helps you capture great sound in the first place and spend less time fixing it in the mix. With this updated and expanded second edition, you'll quickly understand essential audio concepts as they relate to microphones and mic techniques and learn how to apply them to your recording situation. Mic It! gives you the background to explore, discover, and design your own solutions, enabling you to record great source tracks that can be developed into anything from ultra-clean mixes to massive, organic soundscapes.\u003c\/p\u003e\n    \u003cp\u003eBeginning with essential audio theory and a discussion of the desirable characteristics of good sound, Mic It! covers microphones, mono and stereo mic techniques, the effect of the recording space or room, and large classical and jazz ensemble recording. This second edition also features new chapters on immersive audio, immersive recording concepts, drum tuning, and recording techniques for audio for video. Mic It! provides in-depth information on how different mic techniques can be used, modified, and fine-tuned to capture not only the best sound, but the best sound for the mix as well as how to approach and set up the recording session, prepare for mixing, and avoid common recording and mixing mistakes.\u003c\/p\u003e\n    \u003cp\u003eCorbett's expert advice ranges from vital knowledge no novice should be without, to advanced techniques that more experienced engineers can explore to benefit and vary the sound of their recordings. Whether you only ever buy one microphone, are equipping a studio on a budget, or have a vast selection of great mics to use, with Mic It! you'll learn how to make the most of the tools you have.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      Additional Features\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      To train your ears with practical audio examples on the companion website\n      \u003cp\u003e\u003c\/p\u003e\n      \u003cp\u003eDevelop and test your knowledge as you learn, with concise, applicable exercises, and examples that cover the concepts presented\u003c\/p\u003e\n      \u003cp\u003eRecord the best sound possible in any situation with Mic It!\u003c\/p\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Mic It!: Microphones, Microphone Techniques, and Their Impact on the Final Mix (eBook)\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9780367723736 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eIan Corbett\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRoutledge\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eDecember 30, 2020\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e2nd\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780367723736\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e440\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e185 Black \u0026amp; White Illustrations\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731920662613,"sku":"FOMIMMTI:FOMIMMTI:bhpv","price":11690.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1679325026_1757319.jpg?v=1700739842"},{"product_id":"focal-press-the-art-of-mixing-a-visual-guide-to-recording-engineering-and-production","title":"Focal Press The Art of Mixing: A Visual Guide to Recording, Engineering, and Production","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780815369493 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003e\u003cb\u003eThe Art of Mixing: A Visual Guide to Recording, Engineering, and Production\u003c\/b\u003e by David Gibson from \u003cb\u003eFocal Press\u003c\/b\u003e uses 3D visual representations of sounds in a mix as a tool to explain the dynamics that can be created in the mix. This book provides an in-depth exploration into the aesthetics of what makes a great mix.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       LIST OF VISUALS\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003ePREFACES\u003c\/p\u003e\n       \u003cp\u003eACKNOWLEDGMENTS\u003c\/p\u003e\n       \u003cp\u003eINTRODUCTION\u003c\/p\u003e\n       \u003cp\u003eBEST OF THE COLOR VISUALS\u003c\/p\u003e\n       \u003cp\u003eCHAPTER 1 - All Aspects of a Recorded Piece of Music\u003c\/p\u003e\n       \u003cp\u003eCHAPTER 2 - Visual Representations of \"Imaging\"\u003c\/p\u003e\n       \u003cp\u003eCHAPTER 3 - Guides to a Great Mix (Reasons for Creating One Style of Mix or Another)\u003c\/p\u003e\n       \u003cp\u003eCHAPTER 4 - Functions of Studio Equipment and Visual Representations of All Parameters\u003c\/p\u003e\n       \u003cp\u003eCHAPTER 5 - Musical Dynamics Created With Studio Equipment\u003c\/p\u003e\n       \u003cp\u003eCHAPTER 6 - Styles of Mixes\u003c\/p\u003e\n       \u003cp\u003eCHAPTER 7 - Magic in Music, Songs and Mixes\u003c\/p\u003e\n       \u003cp\u003eCHAPTER 8 - 3D Sound Processors and Surround Sound Mixing\u003c\/p\u003e\n       \u003cp\u003eCHAPTER 9 - Mixing Procedures\u003c\/p\u003e\n       \u003cp\u003eAPPENDIX A � Using an Equalizer Outline\u003c\/p\u003e\n       \u003cp\u003eAPPENDIX B � Mastering Outline\u003c\/p\u003e\n       \u003cp\u003eAPPENDIX C � Homework for the Rest of Your Life\u003c\/p\u003e\n       \u003cp\u003eAPPENDIX D � The Virtual Mixer Interface\u003c\/p\u003e\n       \u003cp\u003eINDEX\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Author\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       David Gibson has been teaching, engineering and producing groups in major 24 track studios since 1982 and is the founder of Globe Institute of Recording and Production which offer classes in San Francisco and online. He has done recording for James Brown�s band, Bobby Whitlock (Derek and the Dominoes), The Atlanta Rhythm Sections, Hank Williams Jr.�s band, members of the Doobie Brothers, Lacy J. Dalton, and Herbie Hancock. He is also the co-author of the top selling book on producing, The Art of Producing. Gibson is currently the #1 seller of Sound Healing music, also used in hospitals across the U.S, and he is the author of the best selling book, The Complete Guide to Sound Healing. Gibson is the inventor of the patented, Virtual Mixer mixing plug-in and a Virtual Reality healing system where you can place sounds inside a 3D image of the body.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press The Art of Mixing: A Visual Guide to Recording, Engineering, and Production\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9780815369493 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eDavid Gibson\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRoutledge\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eDecember 20, 2018\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1st\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780815369493\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e286\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eNo\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731920728149,"sku":"FOTEOSAG:FOTEOSAG:bhpv","price":12345.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1679498211_1758421.jpg?v=1700739848"},{"product_id":"focal-press-beep-to-boom-the-development-of-advanced-runtime-sound-systems-for-games-and-extended-reality","title":"Focal Press Beep to Boom: The Development of Advanced Runtime Sound Systems for Games and Extended Reality","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9781138543904 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003eDrawing on decades of experience, \u003cb\u003eBeep to Boom: The Development of Advanced Runtime Sound Systems for Games and Extended Reality\u003c\/b\u003e from \u003cb\u003eFocal Press\u003c\/b\u003e is a rigorous, comprehensive guide to interactive audio runtime systems. Packed with practical examples and insights, the book explains each component of these complex geometries of sound. Using practical, lowest-common-denominator techniques, Goodwin covers soundfield creation across a range of platforms from phones to VR gaming consoles.\u003c\/p\u003e\n    \u003cp\u003eWhether creating an audio system from scratch or building on existing frameworks, the book also explains costs, benefits, and priorities. In the dynamic simulated world of games and extended reality, interactive audio can now consider every intricacy of real-world sound. This book explains how and why to tame it, enjoyably.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Chapter 1. The Essence of Interactive Audio\n       \u003cbr\u003e Chapter 2. Early Digital Audio Hardware\n       \u003cbr\u003e Chapter 3. Sample Replay\n       \u003cbr\u003e Chapter 4. Interactive Audio Development Roles\n       \u003cbr\u003e Chapter 5. Audio Resource Management\n       \u003cbr\u003e Chapter 6. Loading and Streaming Concepts\n       \u003cbr\u003e Chapter 7. Streaming Case Studies\n       \u003cbr\u003e Chapter 8. The Architecture of Audio Runtimes\n       \u003cbr\u003e Chapter 9. Quick Curves - Transcendental Optimisations\n       \u003cbr\u003e Chapter 10. Objects, Voices, Sources and Handles\n       \u003cbr\u003e Chapter 11. Modelling Distance\n       \u003cbr\u003e Chapter 12. Implementing Voice Groups\n       \u003cbr\u003e Chapter 13. Implementing Listeners\n       \u003cbr\u003e Chapter 14. Split-Screen Multi-Player Audio\n       \u003cbr\u003e Chapter 15. Runtime System Physical Layers\n       \u003cbr\u003e Chapter 16. Mixing and Resampling Systems\n       \u003cbr\u003e Chapter 17. Interactive Audio Codecs\n       \u003cbr\u003e Chapter 18. Panning Sounds for Speakers and Headphones\n       \u003cbr\u003e Chapter 19. Ambisonic Surround-Sound Principles and Practice\n       \u003cbr\u003e Chapter 20. Design and Selection of Digital Filters\n       \u003cbr\u003e Chapter 21. Interactive Reverberation\n       \u003cbr\u003e Chapter 22. Geometrical Interactions, Occlusion and Reflections\n       \u003cbr\u003e Chapter 23. Audio Outputs and Endpoints\n       \u003cbr\u003e Chapter 24. Glossary and Resources\n       \u003cbr\u003e Acknowledgements\n       \u003cbr\u003e Index\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Author\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Simon N. Goodwin is an Interactive Audio Technology Consultant who lives and works in Warwick, UK. His game-development career started in the 8-bit 1970s, later including a productive decade as Principal Programmer in the Central Technology Group at Codemasters Software Company, where he designed and implemented advanced Ambisonic 3D audio technology in multi-million-selling games, including six number 1 hits in the UK, major EU territories, two BAFTA award winners, RaceDriver Grid, and F1 2010. Simon has professionally developed games, tools, audio, and VR technology for Amiga Inc., Atari Corp., Attention to Detail, Central ITV, Codemasters, Digital Precision, dk'tronics, Dolby, DTS, Electronic Arts, Quicksilva, Racal and Silicon Studio Ltd., and written regular technical columns for many magazines including Amiga Format, Crash, Linux Format, and Personal Computer World. Simon's expertise is in console, mobile, and PC audio and streaming system development, intermittently working as an inventor, sound designer, game audio programmer, and audio systems engineer. He has been granted five US and UK patents, advises on AHRC and EPSRC research programmes, and gives talks at GDC, AES, and university conferences.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Beep to Boom: The Development of Advanced Runtime Sound Systems for Games and Extended Reality\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9781138543904 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSimon Goodwin\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRoutledge\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eFebruary, 2019\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1st\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9781138543904\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e294\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eNo\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731921121365,"sku":"FOBTBDARSSGE:FOBTBDARSSGE:bhpv","price":16765.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1680604838_1759801.jpg?v=1700739906"},{"product_id":"focal-press-major-label-mastering-professional-mastering-process","title":"Focal Press Major Label Mastering: Professional Mastering Process","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9781138058583 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003e\u003cb\u003eMajor Label Mastering: Professional Mastering Process\u003c\/b\u003e by Evren Göknar from \u003cstrong\u003eFocal Press\u003c\/strong\u003e distills 25 years of mastering experience at Capitol Records into practical understandings and reliable systems. Containing unparalleled insights, this book reveals the mastering tricks and techniques used at one of the world's most notable record labels.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       INTRODUCTION\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003ePART I: The Key Competencies and Understandings of a Mastering Engineer\u003c\/p\u003e\n       \u003cp\u003eChapter I. The Mastering Engineer\u003c\/p\u003e\n       \u003cp\u003eChapter II. Listening Experience: The Mastering Engineer�s Primary Concern\u003c\/p\u003e\n       \u003cp\u003ePART II: The Mastering Studio and Fundamental Mastering Tools\u003c\/p\u003e\n       \u003cp\u003eChapter III. The Mastering Studio\u003c\/p\u003e\n       \u003cp\u003eChapter IV. Fundamental Mastering Tools and The Primary Colors of Mastering\u003c\/p\u003e\n       \u003cp\u003ePART III: Professional Mastering Process: The Five Step Mastering Process\u003c\/p\u003e\n       \u003cp\u003eChapter V. Step I: Objective Assessment\u003c\/p\u003e\n       \u003cp\u003eChapter VI. Step II: Subjective Assessment\u003c\/p\u003e\n       \u003cp\u003eChapter VII. Step III: The Mastering Game Plan\u003c\/p\u003e\n       \u003cp\u003eChapter VIII. Step IV: Assembly � Links in a Chain\u003c\/p\u003e\n       \u003cp\u003eChapter IX. Step V: Delivery � Generate The Master\u003c\/p\u003e\n       \u003cp\u003ePART IV � Professional Mastering Process � Macro Considerations\u003c\/p\u003e\n       \u003cp\u003eChapter X. Before Beginning a Mastering Project\u003c\/p\u003e\n       \u003cp\u003eChapter XI. The Inner Game: Mindset Approaches For Mastering\u003c\/p\u003e\n       \u003cp\u003eChapter XII. Session-Saving Mastering Secrets\u003c\/p\u003e\n       \u003cp\u003ePART V: Professional Mastering Process � Micro Considerations\u003c\/p\u003e\n       \u003cp\u003eChapter XIII. General Guidelines for Processing Audio\u003c\/p\u003e\n       \u003cp\u003eChapter XIV. Advanced Mastering Chain Tools and Techniques\u003c\/p\u003e\n       \u003cp\u003eChapter XV. Mid-Side (M\/S): An Elixir of Mastering Hope\u003c\/p\u003e\n       \u003cp\u003eChapter XVI. In-The-Box Considerations\u003c\/p\u003e\n       \u003cp\u003eChapter XVII. De-noising \/ Audio Restoration (Out, Damned Spot!)\u003c\/p\u003e\n       \u003cp\u003eChapter XVIII. Conclusion and Summary\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Author\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Evren Göknar is a Grammy® Award-winning Mastering Engineer who has been employed at Capitol Studios in Hollywood for 25 years. His work is sought after worldwide, with his mastering credits including legendary recordings and artists ranging from Mariah Carey to KISS, along with hit television shows The Voice and Songland.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Major Label Mastering: Professional Mastering Process\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9781138058583 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eEvren Göknar\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eFocal Press\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eApril 8, 2020\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1st\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9781138058583\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e208\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e74 Color Illustrations\u003cbr\u003e26 Black \u0026amp; White Illustrations\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731925577813,"sku":"FOMLLMP:FOMLLMP:bhpv","price":11365.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1679494528_1758525.jpg?v=1700740162"},{"product_id":"focal-press-loudspeaker-modelling-and-design-a-practical-introduction","title":"Focal Press Loudspeaker Modelling and Design: A Practical Introduction","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780815361336 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003e\u003cb\u003eLoudspeaker Modelling and Design: A Practical Introduction\u003c\/b\u003e by Geoff Hill from \u003cb\u003eFocal Press\u003c\/b\u003e demonstrates modern software and hardware being applied to the processes behind loudspeaker design and modelling. Modern computing power has progressed to the point that such analyses are now practical for any interested individual or small company.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       I. INTRODUCTION\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003eWhat tools do I need to design loudspeakers?\u003c\/p\u003e\n       \u003cp\u003eII. BASIC THEORY\u003c\/p\u003e\n       \u003cp\u003e1. How Does a Loudspeaker Work?\u003c\/p\u003e\n       \u003cp\u003e2. Frequency Response\u003c\/p\u003e\n       \u003cp\u003e3. Frequency versus Time\u003c\/p\u003e\n       \u003cp\u003e4. Resonance \u0026amp; Damping\u003c\/p\u003e\n       \u003cp\u003e5. Finite Element Analysis\u003c\/p\u003e\n       \u003cp\u003e6. Young�s Modulus\u003c\/p\u003e\n       \u003cp\u003eIII. LOUDSPEAKER MODELS\u003c\/p\u003e\n       \u003cp\u003e7. Small Signal Model\u003c\/p\u003e\n       \u003cp\u003e8. Polynomial Models\u003c\/p\u003e\n       \u003cp\u003e9. Thiele-Small Parameters\u003c\/p\u003e\n       \u003cp\u003e10. Large Signal Domain and Model\u003c\/p\u003e\n       \u003cp\u003eIV. THE DESIGN PROCESS\u003c\/p\u003e\n       \u003cp\u003e11. There is a Job To Do - But exactly what?\u003c\/p\u003e\n       \u003cp\u003e12. Common Questions for Most Loudspeakers\u003c\/p\u003e\n       \u003cp\u003e13. Specifying a loudspeaker driver\u003c\/p\u003e\n       \u003cp\u003e14. Project Planning and a Bill of Materials\u003c\/p\u003e\n       \u003cp\u003e15. Designing a Subwoofer\u003c\/p\u003e\n       \u003cp\u003eV. WHAT�S REALLY GOING ON INSIDE A LOUDSPEAKER?\u003c\/p\u003e\n       \u003cp\u003e16. Driver Design\u003c\/p\u003e\n       \u003cp\u003e17. Magnet\u003c\/p\u003e\n       \u003cp\u003e18. Voice Coil\u003c\/p\u003e\n       \u003cp\u003e19. Bl(x)\u003c\/p\u003e\n       \u003cp\u003e20. Le(x)\u003c\/p\u003e\n       \u003cp\u003e21. Motor Unit\u003c\/p\u003e\n       \u003cp\u003eVI. FEA, BEM AND INTEGRATION\u003c\/p\u003e\n       \u003cp\u003e22. Material Specifications\u003c\/p\u003e\n       \u003cp\u003e23. Mechanical Finite Element Analysis or FEA\u003c\/p\u003e\n       \u003cp\u003e24. Cms(x)\u003c\/p\u003e\n       \u003cp\u003e25. Suspension\u003c\/p\u003e\n       \u003cp\u003e26. Mechanical Simulations\u003c\/p\u003e\n       \u003cp\u003e27. PafLS\u003c\/p\u003e\n       \u003cp\u003e28. Linkwitz Transform\u003c\/p\u003e\n       \u003cp\u003eVII. MECHANICAL DESIGN\u003c\/p\u003e\n       \u003cp\u003e29. Visual and Mechanical Design\u003c\/p\u003e\n       \u003cp\u003e30. Chassis\u003c\/p\u003e\n       \u003cp\u003e31. Cabinet\u003c\/p\u003e\n       \u003cp\u003eVIII. MEASURING A LOUDSPEAKER\u003c\/p\u003e\n       \u003cp\u003e32. Acoustical Measurements\u003c\/p\u003e\n       \u003cp\u003e33. A Universal Loudspeaker Driver Test System\u003c\/p\u003e\n       \u003cp\u003e34. Tetrahedral Test Chamber - White Paper\u003c\/p\u003e\n       \u003cp\u003eIX. APPENDICES\u003c\/p\u003e\n       \u003cp\u003eA. Glossary\u003c\/p\u003e\n       \u003cp\u003eB. References\u003c\/p\u003e\n       \u003cp\u003eC. ABEC and VACS Tutorial\u003c\/p\u003e\n       \u003cp\u003eD. FEMM Tutorial\u003c\/p\u003e\n       \u003cp\u003eE. Fusion 360 Tutorial\u003c\/p\u003e\n       \u003cp\u003eF. HOLMImpulse Tutorial\u003c\/p\u003e\n       \u003cp\u003eG. Klippel LPM Tutorial\u003c\/p\u003e\n       \u003cp\u003eH. Mecway Tutorial\u003c\/p\u003e\n       \u003cp\u003eI. Microcap Tutorial\u003c\/p\u003e\n       \u003cp\u003eJ. Appendix PafLS\u003c\/p\u003e\n       \u003cp\u003eK. Appendix Theoretical Bl(x)\u003c\/p\u003e\n       \u003cp\u003eL. Statistical Analysis of Loudspeakers\u003c\/p\u003e\n       \u003cp\u003eM. WinISD\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Author\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Geoff Hill is a passionate engineer, active member of the Audio Engineering Society, and a consultant working with a wide range of companies in the UK, Europe, and Asia. His latest venture, Hill Acoustics, marks in many ways a return to his roots, combining his 40+ years of experience with a determination to make a difference and do things better.\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003eGeoff can be contacted at www.geoff-hill.com or through his business www.hillacoustics.com.\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Loudspeaker Modelling and Design: A Practical Introduction\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9780815361336 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eGeoff Hill\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRoutledge\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eOctober 8, 2018\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1st\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780815361336\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e390\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e440 Color Illustrations\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731926397013,"sku":"FOLMDPI:FOLMDPI:bhpv","price":15945.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1679492430_1758415.jpg?v=1700740305"},{"product_id":"focal-press-3d-audio","title":"Focal Press 3D Audio","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9781138590069 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003e\u003cb\u003e3D Audio\u003c\/b\u003e from \u003cb\u003eFocal Press\u003c\/b\u003e offers a detailed perspective of this rapidly developing arena. Written by many of the world's leading researchers and practitioners, it draws from science, technologies, and creative practice to provide insight into cutting-edge research in 3D audio. Through exploring the intersection of these fields, the reader will gain insight into a number of research areas and professional practice in 3D sonic space. As such, the book acts both as a primer that enables readers to gain an understanding of various aspects of 3D audio, and can inform students and audio enthusiasts, but its deep treatment of a diverse range of topics will also inform professional practitioners and academics beyond their core specialisms.\u003c\/p\u003e\n    \u003cp\u003eThe chapters cover areas such as an Ambisonics, binaural technologies and approaches, psychoacoustics, 3D audio recording, composition for 3D space, 3D audio in live sound, broadcast, and movies - and more. Overall, this book offers a definitive insight into an emerging sound world that is increasingly becoming part of our everyday lives.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       List of Figures\n       \u003cbr\u003e List of Tables\n       \u003cbr\u003e About the Editors\n       \u003cbr\u003e List of Contributors\n       \u003cbr\u003e Preface\n       \u003cbr\u003e Chapter 1: 3D Audio in Broadcasting - Chris Pike\n       \u003cbr\u003e Chapter 2: 3D Audio for Live Sound - Etienne Corteel, Gullaume Le Nost and Frédéric Roskam\n       \u003cbr\u003e Chapter 3: Towards 6DOF: 3D Audio for virtual, augmented and mixed realities - Gareth Llewellyn \u0026amp; Justin Paterson\n       \u003cbr\u003e Chapter 4: Gestural Control for 3D audio - Diego Quiroz\n       \u003cbr\u003e Chapter 5: Psychoacoustics of Height Perception in 3D Audio - Hyunkook Lee\n       \u003cbr\u003e Chapter 6: Ambisonics Understood - Calum Armstrong \u0026amp; Gavin Kearney\n       \u003cbr\u003e Chapter 7: Binaural Audio Engineering - Kaushik Sunder\n       \u003cbr\u003e Chapter 8: Contextual Factors in Judging Auditory Immersion - Sungyoung Kim\n       \u003cbr\u003e Chapter 9: Spatial Music Composition - Natasha Barrett\n       \u003cbr\u003e Chapter 10: Sound and Space: Learning from Artistic Practice - Pedro Rebelo\n       \u003cbr\u003e Chapter 11: Hearing History: A virtual perspective on music performance - Kenny McAlpine, James Cook and Rod Selfridge\n       \u003cbr\u003e Chapter 12: 3D Acoustic Recording - Paul Geluso\n       \u003cbr\u003e Chapter 13: Redefining the Spatial Stage: Non-front Orientated Approaches to Periphonic Sound Staging for Binaural Reproduction - Jo Lord\n       \u003cbr\u003e Chapter 14: Mixing 3D Audio for Film - Kevin Bolen\n       \u003cbr\u003e Index\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Editors\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Justin Paterson is Professor of Music Production at London College of Music in the University of West London, where he leads the MA Advanced Music Technology course. He has numerous research publications ranging through journal articles, conference presentations, and book chapters, and is the author of the Drum Programming Handbook. Justin is Co- chair of the Innovation in Music conference series and co- editor of its books. He is also an active music producer. His current research interests are 3D audio, interactive music, and haptic feedback. Together with Professor Rob Toulson and working with Warner Music Group to release prominent artists from their roster, he developed the variPlay interactive- music format, funded by the UK Arts and Humanities Research Council. His current research - funded by Innovate UK through its Audience of the Future programme with consortium partners including Generic Robotics and the Science Museum Group - is around the development of a novel music- production interface in mixed reality that utilizes haptic feedback. \n       \u003cbr\u003e\n       \u003cbr\u003e Hyunkook Lee is Reader (i.e. Associate Professor) in Music Technology and Director of the Applied Psychoacoustics Laboratory (APL) at the University of Huddersfield, UK. His recent research has advanced understanding about the psychoacoustics of vertical stereophonic localization and spatial impression in 3D sound recording and reproduction. This has provided theoretical bases for the development of several 3D microphone arrays, including Schoeps ORTF- 3D. His current research topics include the six- degrees- of- freedom perception and rendering of virtual acoustics, and the creation and evaluation of a multimodal immersive experience for extended reality applications. From 2006 to 2010, he was a Senior Research Engineer in audio R\u0026amp;D with LG Electronics, South Korea, where he participated in the standardizations of MPEG audio codecs and developed spatial audio algorithms for mobile devices. He received a bachelor's degree in music and sound recording (Tonmeister) from the University of Surrey, Guildford, UK, in 2002 and a PhD in spatial audio psychoacoustics from the Institute of Sound Recording (IoSR) at the University of Surrey in 2006. He is a Fellow of the Audio Engineering Society (AES) and Vice Chair of the AES High Resolution Audio Technical Committee.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press 3D Audio\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9781138590069 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEditor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eJustin Paterson\u003cbr\u003eHyunkook Lee\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRoutledge Taylor \u0026amp; Francis\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eAugust 12, 2021\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1st\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9781138590069\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e320\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e117 Black \u0026amp; White Illustrations\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731927478357,"sku":"FO3AUDIO:FO3AUDIO:bhpv","price":13000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1680604838_1760298.jpg?v=1700740500"},{"product_id":"focal-press-intelligent-music-production","title":"Focal Press Intelligent Music Production","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9781138055193 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003e\u003cb\u003eIntelligent Music Production\u003c\/b\u003e from \u003cstrong\u003eFocal Press\u003c\/strong\u003e 1st edition by Brecht De Man, Ryan Stables, and Joshua D. Reiss presents the state of the art in approaches, methodologies, and systems from the emerging field of automation in music mixing and mastering. This book collects the relevant works in the domain of innovation in music production, and orders them in a way that outlines the way forward: first, covering our knowledge of the music production processes, then by reviewing the methodologies in classification, data collection, and perceptual evaluation, and finally by presenting recent advances on introducing intelligence in audio effects, sound engineering processes, and music production interfaces.\u003c\/p\u003e\n    \u003cp\u003eIntelligent Music Production is a comprehensive guide, providing an introductory read for beginners as well as a crucial reference point for experienced researchers, producers, engineers, and developers.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       PART I: What do we already know?\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003e1. Introduction\u003c\/p\u003e\n       \u003cp\u003e2. Understanding audio effects\u003c\/p\u003e\n       \u003cp\u003e3. Understanding the mix\u003c\/p\u003e\n       \u003cp\u003ePART II: How do we construct intelligent structures?\u003c\/p\u003e\n       \u003cp\u003e4. IMP construction\u003c\/p\u003e\n       \u003cp\u003e5. Data collection and representation\u003c\/p\u003e\n       \u003cp\u003e6. Perceptual evaluation in music production\u003c\/p\u003e\n       \u003cp\u003ePART III: How do we perform Intelligent Music Production?\u003c\/p\u003e\n       \u003cp\u003e7. IMP systems\u003c\/p\u003e\n       \u003cp\u003e8. IMP processes\u003c\/p\u003e\n       \u003cp\u003e9. IMP interfaces\u003c\/p\u003e\n       \u003cp\u003e10. Future work\u003c\/p\u003e\n       \u003cp\u003eAppendix A\u003c\/p\u003e\n       \u003cp\u003eAdditional resources\u003c\/p\u003e\n       \u003cp\u003eBibliography\u003c\/p\u003e\n       \u003cp\u003eIndex\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Authors\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Brecht De Man is cofounder of Semantic Audio Labs and previously worked at Queen Mary University of London and Birmingham City University. He has published, presented, and patented research on analysis of music production practices, audio effect design, and perception in sound engineering.\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003eRyan Stables is an Associate Professor of Digital Audio Processing at the Digital Media Technology Lab at Birmingham City University, and cofounder of Semantic Audio Labs.\u003c\/p\u003e\n       \u003cp\u003eJoshua D. Reiss is a Professor of Audio Engineering at the Centre for Digital Music at Queen Mary University of London.\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Intelligent Music Production\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9781138055193 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eBrecht De Man\u003cbr\u003eRyan Stables\u003cbr\u003eJoshua D. Reiss\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eFocal Press\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eOctober 29, 2019\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1st\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9781138055193\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e218\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u003cspan\u003eYes\u003c\/span\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731927904341,"sku":"FOINTMUSPROD:FOINTMUSPROD:bhpv","price":14965.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1679491598_1758546.jpg?v=1700740567"},{"product_id":"focal-press-mixing-with-impact-learning-to-make-musical-choices","title":"Focal Press Mixing with Impact: Learning to Make Musical Choices","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9781138080898 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003e\u003cb\u003eMixing with Impact: Learning to Make Musical Choices\u003c\/b\u003e from \u003cstrong\u003eFocal Press\u003c\/strong\u003e by Wessel Oltheten discusses the creative and technical concepts behind making a mix. Whether you're a dance producer in your home studio, a live mixer in a club, or an engineer in a big studio, the mindset is largely the same.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Mixing with Impact: Learning to Make Musical Choices\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9781138080898 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eWessel Oltheten\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRoutledge\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eMarch 26, 2018\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1st\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9781138080898\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e364\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u003cspan\u003eYes\u003c\/span\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731928494165,"sku":"FOMWILMMC:FOMWILMMC:bhpv","price":15130.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1679495424_1758530.jpg?v=1700740686"},{"product_id":"focal-press-composing-for-the-screen","title":"Focal Press Composing for the Screen","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9781032004426 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003e\u003cb\u003eComposing for the Screen\u003c\/b\u003e edited by Scott W. Hallgren from \u003cb\u003eFocal Press\u003c\/b\u003e is a collection of essays written by and interviews with working composers for film, television, and video games, exploring the business side of composing and addressing the lack of understanding about career development and business responsibilities as they relate to composers.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       CHAPTER 1: GETTING STARTED\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003ePRODUCTIVE NETWORKING\u003c\/p\u003e\n       \u003cp\u003eCultivating Strong And Healthy Professional Relationships\u003c\/p\u003e\n       \u003cp\u003eBy Trinity Velez-Justo\u003c\/p\u003e\n       \u003cp\u003eTHE DAY-TO-DAY LIFE OF A NEW COMPOSER\u003c\/p\u003e\n       \u003cp\u003eDreams, Reality, And Training\u003c\/p\u003e\n       \u003cp\u003eA Q\u0026amp;A with Green Seo\u003c\/p\u003e\n       \u003cp\u003eA LOOK BACK AT AN EARLY CAREER START\u003c\/p\u003e\n       \u003cp\u003eMaking The Most Of Every Opportunity, Then And Now\u003c\/p\u003e\n       \u003cp\u003eA Q\u0026amp;A with Sean Beeson\u003c\/p\u003e\n       \u003cp\u003eWORKFLOW � AND WHY IT MATTERS TO COMPOSERS\u003c\/p\u003e\n       \u003cp\u003eUnderstanding Where You Fit in The Big Picture\u003c\/p\u003e\n       \u003cp\u003eBy Ian Anderson, Tim Fritz, and Scott Hallgren\u003c\/p\u003e\n       \u003cp\u003eHOW TO WORK WITH THE PICTURE EDITOR\u003c\/p\u003e\n       \u003cp\u003eThe Relationship and Process Of Editing\u003c\/p\u003e\n       \u003cp\u003eA Q\u0026amp;A with Tracy Nichole Cring\u003c\/p\u003e\n       \u003cp\u003eCHAPTER 2: STICKING IT OUTYOU CAN WORK FROM ANYWHERE\u003c\/p\u003e\n       \u003cp\u003eDoing Indie Game Music Work - From Chicago\u003c\/p\u003e\n       \u003cp\u003eA Q\u0026amp;A with Megan Carnes\u003c\/p\u003e\n       \u003cp\u003eYOUR FIRST MAJOR PROJECT\u003c\/p\u003e\n       \u003cp\u003eFinishing Your First Feature and Beyond\u003c\/p\u003e\n       \u003cp\u003eA Q\u0026amp;A with Carlos GarciaSELF PROMOTION FOR COMPOSERS\u003c\/p\u003e\n       \u003cp\u003eA PR Professional Tells You How To Put Your Best YOU Forward\u003c\/p\u003e\n       \u003cp\u003eBy Thomas Mikusz\u003c\/p\u003e\n       \u003cp\u003eTHE BUSINESS OF MUSIC (FOR PICTURE)\u003c\/p\u003e\n       \u003cp\u003eEducating Yourself About The Value Of Your Work\u003c\/p\u003e\n       \u003cp\u003eA Q\u0026amp;A with Anna Kelberg-Kim, Msq\u003c\/p\u003e\n       \u003cp\u003eFINDING YOUR HAPPY PLACE\u003c\/p\u003e\n       \u003cp\u003eTelling Musical Stories Through Any Medium\u003c\/p\u003e\n       \u003cp\u003eA Q\u0026amp;A with Claire Batchelor\u003c\/p\u003e\n       \u003cp\u003eCHAPTER 3: FINDING SUCCESSA DIRECTOR�S PERSPECTIVE\u003c\/p\u003e\n       \u003cp\u003eWhy We Love Original Music So Much\u003c\/p\u003e\n       \u003cp\u003eA Q\u0026amp;A with Rick Page\u003c\/p\u003e\n       \u003cp\u003eTHE VALUE OF MENTORSHIPS AND PARTNERSHIPS\u003c\/p\u003e\n       \u003cp\u003eA Busy TV Composer Talks About Her Journey\u003c\/p\u003e\n       \u003cp\u003eA Q\u0026amp;A with Rebecca Kneubuhl\u003c\/p\u003e\n       \u003cp\u003eWHY TO JOIN A PERFORMANCE RIGHTS ORGANIZATION\u003c\/p\u003e\n       \u003cp\u003eAn Important Move For Sustaining Your CareerBy Erin Collins\u003c\/p\u003e\n       \u003cp\u003eOTHER ROLES FOR THE MODERN COMPOSER\u003c\/p\u003e\n       \u003cp\u003eAdvertising Work, Engineering, and Insights on Success\u003c\/p\u003e\n       \u003cp\u003eA Q\u0026amp;A with Jake Fader\u003c\/p\u003e\n       \u003cp\u003eEVERYONE SHOULD BE HEARD\u003c\/p\u003e\n       \u003cp\u003eAdditional Composing and The Composer Diversity Collective\u003c\/p\u003e\n       \u003cp\u003eA Q\u0026amp;A with Sandro Morales Santoro\u003c\/p\u003e\n       \u003cp\u003eCHAPTER 4: GETTING AHEAD\u003c\/p\u003e\n       \u003cp\u003eFINDING YOUR OWN WAY\u003c\/p\u003e\n       \u003cp\u003eFrom Theme Parks To Theaters\u003c\/p\u003e\n       \u003cp\u003eA Q\u0026amp;A with Rob Pottorf\u003c\/p\u003e\n       \u003cp\u003eA CAREER IN GAME MUSIC\u003c\/p\u003e\n       \u003cp\u003eAn Industry Veteran Becomes A Leader\u003c\/p\u003e\n       \u003cp\u003eA Q\u0026amp;A with Will Roget\u003c\/p\u003e\n       \u003cp\u003eWHAT DOES A MUSIC EDITOR DO?\u003c\/p\u003e\n       \u003cp\u003eThe Music Editor As Composer As Music Editor\u003c\/p\u003e\n       \u003cp\u003eA Q\u0026amp;A with Shie Rozow\u003c\/p\u003e\n       \u003cp\u003eTHE REALITY OF REALITY TV\u003c\/p\u003e\n       \u003cp\u003eThe Challenges And Rewards at the Top\u003c\/p\u003e\n       \u003cp\u003eA Q\u0026amp;A with Mark T. Williams\u003c\/p\u003e\n       \u003cp\u003eWHAT AN AGENT IS LOOKING FOR\u003c\/p\u003e\n       \u003cp\u003eBeating The Composer Catch-22\u003c\/p\u003e\n       \u003cp\u003eA Q\u0026amp;A with Ari Wise\u003c\/p\u003e\n       \u003cp\u003eCHAPTER 5: STARTING AGAIN\u003c\/p\u003e\n       \u003cp\u003eOTHER ROLES ON THE SOUND TRACK\u003c\/p\u003e\n       \u003cp\u003eWays A Composer Can Sonically Expand In The Industry\u003c\/p\u003e\n       \u003cp\u003eA Q\u0026amp;A with Duncan Watt\u003c\/p\u003e\n       \u003cp\u003eTEACHING � A POWERFUL WAY TO BRANCH OUT\u003c\/p\u003e\n       \u003cp\u003eSuccess in Multiple Arenas Helps Students and You\u003c\/p\u003e\n       \u003cp\u003eA Q\u0026amp;A with Hummie Mann\u003c\/p\u003e\n       \u003cp\u003eSTAGES (OF A CAREER)\u003c\/p\u003e\n       \u003cp\u003eSuccess Can Be Many Things Over TimeBy Mark Watters\u003c\/p\u003e\n       \u003cp\u003eEDUCATION, REVOLUTION, AND THE MEANING OF A MODERN MUSICAL FORMATION\u003c\/p\u003e\n       \u003cp\u003eHow Music Traditions, Educational Reality, And The Internet Are Colliding\u003c\/p\u003e\n       \u003cp\u003eBy Mark Nowakowski\u003c\/p\u003e\n       \u003cp\u003eMOVING INTO PRODUCING AND DIRECTING\u003c\/p\u003e\n       \u003cp\u003eHow A Composer in Iran Makes This Work\u003c\/p\u003e\n       \u003cp\u003eA Q\u0026amp;A with H.R. Nikoofar\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Editor\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Scott W. Hallgren has an extensive list of works as a composer and musician for film, television, and games, including multiple Emmy-nominated, Telly, Golden CINE, and film festival award winners. He currently is an Assistant Professor of Digital Media Production at Kent State University.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Composing for the Screen\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9781032004426 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEditor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eScott W. Hallgren\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRoutledge\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eJuly 20, 2022\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1st\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9781032004426\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e228\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e28 Black \u0026amp; White Illustrations\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731929411669,"sku":"FOCFSC:FOCFSC:bhpv","price":11860.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1679485224_1758441.jpg?v=1700740841"},{"product_id":"focal-press-recording-classical-music","title":"Focal Press Recording Classical Music","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780815380245 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003e\u003cb\u003eRecording Classical Music\u003c\/b\u003e by Robert Toft from \u003cstrong\u003eFocal Press\u003c\/strong\u003e presents the fundamental principles of digitally recording and editing acoustic music in ambient spaces focusing on stereo microphone techniques that will help musicians understand how to translate live environments into recorded sound.\u003c\/p\u003e\n    \u003cp\u003eThe book covers theory and the technical aspects of recording from sound source to delivery, the nature of soundwaves and their behavior in rooms, microphone types, and the techniques of recording in stereo, proximity and phase, file types, tracking and critical listening, loudness, meters, and the post-production processes of EQ. Control of dynamic range (compressors, limiters, dynamic EQ, de-essers), and reverberation (both digital reflection simulation and convolution), with some discussion of commercially available digital plugins are also covered. The final part of the book applies this knowledge to common recording situations, showcasing not only strategies for recording soloists and small ensembles along with case studies of several recordings, but also studio techniques that can enhance or replace the capture of performances in ambient spaces, such as close miking and the addition of artificial reverberation.\u003c\/p\u003e\n    \u003cp\u003eRecording Classical Music provides the tools necessary for anyone interested in classical music production to track, mix, and deliver audio recordings themselves or to supervise the work of others.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Part 1, Fundamental Principles\n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003e1 Soundwaves\u003c\/p\u003e\n       \u003cp\u003eEnclosed Spaces\u003c\/p\u003e\n       \u003cp\u003ePerformance Venues\u003c\/p\u003e\n       \u003cp\u003e2 Audio Chain from Sound Source to Listener\u003c\/p\u003e\n       \u003cp\u003eIntegrity within an Audio Chain\u003c\/p\u003e\n       \u003cp\u003eBasic Concepts and Terminology\u003c\/p\u003e\n       \u003cp\u003ePart 2, Production\u003c\/p\u003e\n       \u003cp\u003e3 Microphone Types\u003c\/p\u003e\n       \u003cp\u003eThe Behavior of a Pure Diaphragm\u003c\/p\u003e\n       \u003cp\u003eCondenser Microphones\u003c\/p\u003e\n       \u003cp\u003eDynamic and Ribbon Microphones\u003c\/p\u003e\n       \u003cp\u003e4 Microphone Characteristics\u003c\/p\u003e\n       \u003cp\u003eFrequency Response\u003c\/p\u003e\n       \u003cp\u003eDirectional (Polar) Patterns\u003c\/p\u003e\n       \u003cp\u003eRandom Energy Efficiency\u003c\/p\u003e\n       \u003cp\u003eDistance Factor\u003c\/p\u003e\n       \u003cp\u003eProximity Effect\u003c\/p\u003e\n       \u003cp\u003ePhase\u003c\/p\u003e\n       \u003cp\u003e5 Stereo Microphone Techniques\u003c\/p\u003e\n       \u003cp\u003eCoincident Pairs\u003c\/p\u003e\n       \u003cp\u003eNear-Coincident Arrays\u003c\/p\u003e\n       \u003cp\u003eSpaced Microphones\u003c\/p\u003e\n       \u003cp\u003e6 Tracking\u003c\/p\u003e\n       \u003cp\u003eCritical Listening\u003c\/p\u003e\n       \u003cp\u003eSetting Levels\u003c\/p\u003e\n       \u003cp\u003eRoom Ambience\u003c\/p\u003e\n       \u003cp\u003ePart 3, Post-Production\u003c\/p\u003e\n       \u003cp\u003e7 EQ � Frequency Balance\u003c\/p\u003e\n       \u003cp\u003eDigital Filters\u003c\/p\u003e\n       \u003cp\u003eCommon Practices\u003c\/p\u003e\n       \u003cp\u003e8 Control of Dynamic Range\u003c\/p\u003e\n       \u003cp\u003eCompressors\u003c\/p\u003e\n       \u003cp\u003eLimiters\u003c\/p\u003e\n       \u003cp\u003eDynamic EQ\u003c\/p\u003e\n       \u003cp\u003eDe-essers\u003c\/p\u003e\n       \u003cp\u003e9 Reverberation\u003c\/p\u003e\n       \u003cp\u003eDigital Reflection Simulation\u003c\/p\u003e\n       \u003cp\u003eConvolution\u003c\/p\u003e\n       \u003cp\u003e10 Delivery\u003c\/p\u003e\n       \u003cp\u003eFile Types\u003c\/p\u003e\n       \u003cp\u003eLoudness and Meters\u003c\/p\u003e\n       \u003cp\u003ePart 4, Common Recording Strategies\u003c\/p\u003e\n       \u003cp\u003e11 Solo Piano\u003c\/p\u003e\n       \u003cp\u003eRecording in Stereo\u003c\/p\u003e\n       \u003cp\u003eUnfavorable Room Acoustics\u003c\/p\u003e\n       \u003cp\u003e12 Soloists with Piano Accompaniment\u003c\/p\u003e\n       \u003cp\u003e13 Small Ensembles\u003c\/p\u003e\n       \u003cp\u003e14 Sessions\u003c\/p\u003e\n       \u003cp\u003eSolo Piano\u003c\/p\u003e\n       \u003cp\u003eSolo Cello\u003c\/p\u003e\n       \u003cp\u003eDouble Bass and Piano\u003c\/p\u003e\n       \u003cp\u003e15 Studio Techniques: Re-Creating the Aural Sense of Historic Spaces\u003c\/p\u003e\n       \u003cp\u003ePre-Production\u003c\/p\u003e\n       \u003cp\u003eProduction\u003c\/p\u003e\n       \u003cp\u003ePost-Production\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Author\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Robert Toft teaches in the Don Wright Faculty of Music at Western University, Canada. His interests revolve around the notion of research informing practice, and he specializes in both recording practices and the history of singing. He has written five books on historically informed vocal performance and has given master classes at leading conservatories and universities in Australia, Austria, Britain, Canada, Germany, Ireland, Switzerland, and the USA. Robert�s production company, Talbot Records, released its first recording in 2017. Inspired by the intensely dramatic performing styles of the sixteenth to nineteenth centuries, its main series, Radically Hip, connects modern audiences to the impassioned eloquence of the past.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Recording Classical Music\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9780815380245 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRobert Toft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eFocal Press\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSeptember 17, 2019\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1st\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780815380245\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e180\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eNo\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731929739349,"sku":"FORECCLMUSIC:FORECCLMUSIC:bhpv","price":11690.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1679496344_1758427.jpg?v=1700740890"},{"product_id":"focal-press-recording-analysis-how-the-record-shapes-the-song","title":"Focal Press Recording Analysis: How the Record Shapes the Song","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9781138667068 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003e\u003cb\u003eRecording Analysis: How the Record Shapes the Song\u003c\/b\u003e from \u003cb\u003eFocal Press\u003c\/b\u003e identifies and explains how the sounds imparted by recording processes enhance the artistry and expression of recorded songs. Moylan investigates how the process of recording a song transforms it into a richer experience and articulates how the unique elements of recorded sound provide essential substance and expression to recorded music.\u003c\/p\u003e\n    \u003cp\u003eThis book explores a broad array of records, evaluating the music, lyrics, social context, literary content and meaning, and offers detailed analyses of recording elements as they appear in a wide variety of tracks. Accompanied by a range of online resources, Recording Analysis is an essential read for students and academics, as well as practitioners, in the fields of record production, song-writing, and popular music.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eList of Figures\u003c\/li\u003e\n        \u003cli\u003eList of Tables\u003c\/li\u003e\n        \u003cli\u003eList of Praxis Studies\u003c\/li\u003e\n        \u003cli\u003ePreface\u003c\/li\u003e\n        \u003cli\u003eIntroduction\u003c\/li\u003e\n        \u003cli\u003ePart One\n         \u003cul\u003e\n          \u003cli\u003e1. Recording Analysis: Domains, Disciplines, Approaches\u003c\/li\u003e\n          \u003cli\u003e2. Overview of Framework: Principles and Concepts, Materials and Organization\u003c\/li\u003e\n          \u003cli\u003e3. Domain and Elements of Music\u003c\/li\u003e\n          \u003cli\u003e4. Domain of Lyrics: The Voice of the Song\u003c\/li\u003e\n          \u003cli\u003e5. Observing Elements of Music and Lyrics in Records\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003ePart Two\n         \u003cul\u003e\n          \u003cli\u003e6. The Recording Domain: Elements, Listening, Notation, Rhythm\u003c\/li\u003e\n          \u003cli\u003e7. Timbre and Pitch in the Recording Domain\u003c\/li\u003e\n          \u003cli\u003e8. The Illusion of Space as an Element of Recording\u003c\/li\u003e\n          \u003cli\u003e9. Loudness, the Confluence of Domains and Deep Listening\u003c\/li\u003e\n          \u003cli\u003e10. Analyzing Recording Elements: Their Contributions to the Record\u003c\/li\u003e\n         \u003c\/ul\u003e\n\u003c\/li\u003e\n        \u003cli\u003eAppendix A: Praxis Studies\u003c\/li\u003e\n        \u003cli\u003eBibliography\u003c\/li\u003e\n        \u003cli\u003eDiscography\u003c\/li\u003e\n        \u003cli\u003eAcknowledgements\u003c\/li\u003e\n        \u003cli\u003eIndex\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Author\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Dr. William Moylan is Distinguished University Professor at the University of Massachusetts Lowell, where he is Professor of Music and Sound Recording Technology. He has taught recording, music theory, and musicology, and critical listening for over 35 years. An active recording engineer\/producer, William Moylan has worked with emerging and leading artists across the genres of classical and popular music. Dr. Moylan is the author of Understanding and Crafting the Mix 3e.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Recording Analysis: How the Record Shapes the Song\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9781138667068 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eWilliam Moylan\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eFocal Press\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eFebruary 26, 2020\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1st\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9781138667068\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e594\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e66 Black \u0026amp; White Illustrations\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731931476053,"sku":"FORAHTRSTS:FORAHTRSTS:bhpv","price":13000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1680605226_1760320.jpg?v=1700740972"},{"product_id":"focal-press-researching-live-music-gigs-tours-concerts-and-festivals","title":"Focal Press Researching Live Music: Gigs, Tours, Concerts and Festivals","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9780367405007 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003e\u003cb\u003eResearching Live Music: Gigs, Tours, Concerts and Festivals\u003c\/b\u003e from \u003cb\u003eFocal Press\u003c\/b\u003e offers an important contribution to the emergent field of live music studies. Featuring paradigmatic case studies, this book is split into four parts, first addressing perspectives associated with production, then promotion and consumption, and finally policy. The contributors to the book draw on a range of methodological and theoretical positions to provide a critical resource that casts new light on live music processes and shows how live music events have become central to raising and discussing broader social and cultural issues.\u003c\/p\u003e\n    \u003cp\u003eTheir case studies expand our knowledge of how live music events work and extend beyond the familiar contexts of the United States and United Kingdom to include examples drawn from Argentina, Australia, France, Jamaica, Japan, New Zealand, Switzerland, and Poland. Researching Live Music is the first comprehensive review of the different ways in which live music can be studied as an interdisciplinary field, including innovative approaches to the study of historic and contemporary live music events. It represents a crucial reading for professionals, students, and researchers working in all aspects of live music.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       List of illustrations\n       \u003cbr\u003e List of contributors\n       \u003cbr\u003e Acknowledgments\n       \u003cbr\u003e \n       \u003cbr\u003e Live Music Studies in Perspective\n       \u003cbr\u003e Chris Anderton and Sergio Pisfil\n       \u003cbr\u003e \n       \u003cbr\u003e Part I: Promotion\n       \u003cbr\u003e Festivals, Free and Unfree: Alex Cooley and the American Rock Festival\n       \u003cbr\u003e Steve Waksman\n       \u003cbr\u003e As Long As They Go Home Safe: The Voice of the Independent Music Festival Promoter\n       \u003cbr\u003e Danny Hagan\n       \u003cbr\u003e Under the Cover of Darkness: Situating \"Covers Gigs\" within Live Music Ecologies\n       \u003cbr\u003e Pat O'Grady\n       \u003cbr\u003e Showcase Festivals as a Gateway to Foreign Markets\n       \u003cbr\u003e Patryk Galuszka\n       \u003cbr\u003e Disruption and Continuity: Covid-19, Live Music, and Cyclic Sociality\n       \u003cbr\u003e Chris Anderton\n       \u003cbr\u003e \n       \u003cbr\u003e Part II: Production\n       \u003cbr\u003e Live Sound Matters\n       \u003cbr\u003e Christopher James Dahlie, Jos Mulder, Sergio Pisfil, and Nick Reeder\n       \u003cbr\u003e Mobile Spectacle: Es Devlin's Pandemonium Tour Design\n       \u003cbr\u003e Glyn Davis\n       \u003cbr\u003e Fulfilling the Hospitality Rider: Working Practices and Issues in a Tour's Supply Chain\n       \u003cbr\u003e Gabrielle Kielich\n       \u003cbr\u003e Vocaloid Liveness? Hatsune Miku and the Live Production of the Japanese Virtual Idol Concerts\n       \u003cbr\u003e Kimi Kärki\n       \u003cbr\u003e \n       \u003cbr\u003e Part III: Consumption\n       \u003cbr\u003e Making Music Public: What Would a Sociology of Live Music Promotion Look Like?\n       \u003cbr\u003e Loïc Riom\n       \u003cbr\u003e Dead Stars Live: Exploring Holograms, Liveness, and Authenticity\n       \u003cbr\u003e Kenny Forbes\n       \u003cbr\u003e Live � as You've Always Heard It Before: Classic Rock, Technology, and the Re-positioning of Authenticity in Live Music Performance\n       \u003cbr\u003e Andy Bennett\n       \u003cbr\u003e Approaching the Live from a Distance: The Unofficial Led Zeppelin Archive\n       \u003cbr\u003e Stephen Loy\n       \u003cbr\u003e \n       \u003cbr\u003e Part IV: Policy\n       \u003cbr\u003e Music Cities, or Cities of Music?\n       \u003cbr\u003e Christina Ballico and Dave Carter\n       \u003cbr\u003e State of Play: Tensions and Interventions in Live Music Policy\n       \u003cbr\u003e Adam Behr\n       \u003cbr\u003e \"Por Más Músicas Mujeres en Vivo!\": The Live Music Female Quota Law and Its Implications for Argentine Music Festivals\n       \u003cbr\u003e Sarah Lahasky\n       \u003cbr\u003e Beyond Live Shows: Regulation and Innovation in the French Live Music Video Economy\n       \u003cbr\u003e Gérôme Guibert, Michaël Spanu, and Catherine Rudent\n       \u003cbr\u003e Index\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Editors\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Chris Anderton is Associate Professor in Cultural Economy at Solent University, Southampton. He is the author of Music Festivals in the UK: Beyond the Carnivalesque (2019) and co-author of both Understanding the Music Industries (2013) and Music Management, Marketing and PR: Creating Connections and Conversations (forthcoming). He is also co-editor of Media Narratives in Popular Music (forthcoming) and has guest edited issues of the journals Rock Music Studies and Arts and the Market.\n       \u003cbr\u003e \n       \u003cbr\u003e Sergio Pisfil is a Lecturer and researcher at Universidad Peruana de Ciencias Aplicadas. His PhD, gained at the University of Edinburgh under the supervision of Simon Frith, focused on the history of live sound and its connections to rock music between 1967 and 1973. His research interests include live music, and the history and aesthetics of popular music. His work has been published in various edited collections, including The Bloomsbury Handbook of Rock Music Research, Gender in Music Production, and the forthcoming Oxford Handbook of Progressive Rock; and in journals such as Popular Music and Society and Communiquer (forthcoming). He is currently guest editing a special issue on live music for the journal Arts and the Market.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Researching Live Music: Gigs, Tours, Concerts and Festivals\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9780367405007 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEditor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eChris Anderton\u003cbr\u003eSergio Pisfil\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eFocal Press\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eNovember 18, 2021\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1st\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9780367405007\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e272\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e2 Black \u0026amp; White Illustrations\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731933605973,"sku":"FORLMGTC:FORLMGTC:bhpv","price":11690.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1678884104_1757131.jpg?v=1700741119"},{"product_id":"focal-press-loudspeakers-for-music-recording-and-reproduction","title":"Focal Press Loudspeakers: For Music Recording and Reproduction","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9781138554825 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003e\u003cb\u003eLoudspeakers: For Music Recording and Reproduction\u003c\/b\u003e, second edition, from \u003cb\u003eFocal Press\u003c\/b\u003e is a comprehensive guide, offering the tools and understanding needed to cut out the guesswork from loudspeaker choice and set-up. This new edition provides significant updates on the topics of digital control, calibration, and cinema loudspeaker systems.\u003c\/p\u003e\n    \u003cp\u003ePhilip Newell and Keith Holland, with the assistance of Sergio Castro and Julius Newell, combine their years of experience in the design, application, and use of loudspeakers to cover a range of topics from drivers, cabinets, and crossovers, to amplifiers, cables, and surround sound. Whether using loudspeakers in a recording studio, mastering facility, broadcasting studio, film post-production facility, home, or musician's studio, or if you simply aspire to improve your music-production system this book will help you make the right decisions.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Introduction \n       \u003cp\u003e\u003c\/p\u003e\n       \u003cp\u003e1. What Is a Loudspeaker?\u003c\/p\u003e\n       \u003cp\u003e2. Diversity of Design \u003c\/p\u003e\n       \u003cp\u003e3. Loudspeaker Cabinets \u003c\/p\u003e\n       \u003cp\u003e4. Horns\u003c\/p\u003e\n       \u003cp\u003e5. Crossovers \u003c\/p\u003e\n       \u003cp\u003e6. Amplifiers and Loudspeaker Cables - A General Review\u003c\/p\u003e\n       \u003cp\u003e7. Loudspeaker Behaviour in Rooms \u003c\/p\u003e\n       \u003cp\u003e8. Form Follows Function \u003c\/p\u003e\n       \u003cp\u003e9. Subjective and Objective Assessment \u003c\/p\u003e\n       \u003cp\u003e10. The Mix, the Music and the Monitors - The Instability of Perception \u003c\/p\u003e\n       \u003cp\u003e11. Low Frequency and Transient-Response Dilemmas \u003c\/p\u003e\n       \u003cp\u003e12. The Challenges of Surround Sound \u003c\/p\u003e\n       \u003cp\u003e13. Loudspeakers for Cinema Soundtrack Mixing\u003c\/p\u003e\n       \u003cp\u003e14. What to Measure: And Why - The Influence of Advanced Measurement and Psychoacoustic Concepts on Loudspeaker Design\u003c\/p\u003e\n       \u003cp\u003eGlossary of Terms\u003c\/p\u003e\n       \u003cp\u003eIndex\u003c\/p\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Authors\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Philip Newell is a Fellow of the Institute of Acoustics (IOA), a member of both the Audio Engineering Society (AES) and the Society of Motion Picture and Television Engineers (SMPTE), and a member of the Seaplane Pilots Association. He has written ten books on acoustics and electroacoustics, and has published around 200 related articles, journal papers, and conference papers. Since 1992 he has lived in Spain, and during the course of his work has travelled to over 30 countries. His recording career has been very musically varied, from the Duke Ellington Orchestra to Queen, from The Who to The Warsaw Philharmonic Orchestra, from Mike Oldfield to John Cale, and from English brass bands to Welsh choirs.\n       \u003cbr\u003e \n       \u003cbr\u003e Dr. Keith Holland is currently an Associate Professor (Senior Lecturer) at the Institute of Sound and Vibration Research (ISVR), University of Southampton, UK, where he has worked full time as a student, researcher, and lecturer since 1984, and from where he obtained a BSc in Engineering Acoustics and Vibration in 1987, and a PhD on loudspeaker horns in 1993. Since 1990, Keith has taught electroacoustics and various other subjects, mainly audio-related, to under and post-graduate students at the ISVR, and for ten of those years, also to the Tonmeister students at the University of Surrey.\n       \u003cbr\u003e \n       \u003cbr\u003e The artwork for Loudspeakers has been co-ordinated by Sergio Castro, a highly experienced musician, record producer, and recording engineer, with over 25 years of experience in the manufacturing of professional monitoring loudspeakers. The authors were also assisted by Julius Newell, an expert in electroacoustics and sound-system engineering, and who is also an established designer and manufacturer of professional monitoring loudspeakers.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Loudspeakers: For Music Recording and Reproduction\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9781138554825 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003ePhilip Newell\u003cbr\u003eKeith Holland\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRoutledge\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eNovember 15, 2018\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e2nd\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9781138554825\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e520\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e265 Black \u0026amp; White Illustrations\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731933704277,"sku":"FOLMRR:FOLMRR:bhpv","price":18985.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1680604838_1759804.jpg?v=1700741134"},{"product_id":"focal-press-game-audio-with-fmod-and-unity","title":"Focal Press Game Audio with FMOD and Unity","description":"\u003cdiv\u003e\n \u003ch2\u003eFocal Press 9781138315976 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cp\u003e\u003cb\u003eGame Audio with FMOD and Unity\u003c\/b\u003e from \u003cb\u003eFocal Press\u003c\/b\u003e introduces readers to the principles and practice of game audio through the process of creating their own First Person Shooter (FPS) game. Perfect for classroom use or independent study, Game Audio with FMOD and Unity also comes with a full suite of audio assets provided on a companion website.\u003c\/p\u003e\n    \u003cp\u003eAll the basics are covered as well as a simple introduction to coding. Using the free software Unity and FMOD Audio Middleware, the reader will be able to create a game of their own and develop a portfolio that demonstrates their capacities in interactive sound design.\u003c\/p\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Table of Contents\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       \u003cul\u003e\n        \u003cli\u003eList of Figures\u003c\/li\u003e\n        \u003cli\u003ePreface\u003c\/li\u003e\n        \u003cli\u003eChapter 1: Game Engines\u003c\/li\u003e\n        \u003cli\u003eChapter 2: Audio Middleware\u003c\/li\u003e\n        \u003cli\u003eChapter 3: Game Audio vs Film Sound\u003c\/li\u003e\n        \u003cli\u003eChapter 4: Getting Started with FMOD\u003c\/li\u003e\n        \u003cli\u003eChapter 5: Looping\u003c\/li\u003e\n        \u003cli\u003eChapter 6: 2D vs 3D Sound\u003c\/li\u003e\n        \u003cli\u003eChapter 7: Getting Started in Unity\u003c\/li\u003e\n        \u003cli\u003eChapter 8: Level Building in Unity\u003c\/li\u003e\n        \u003cli\u003eChapter 9: Exploring the Game Environment\u003c\/li\u003e\n        \u003cli\u003eChapter 10: Integrating FMOD and Unity\u003c\/li\u003e\n        \u003cli\u003eChapter 11: Interactive Game Objects\u003c\/li\u003e\n        \u003cli\u003eChapter 12: Crate Sounds\u003c\/li\u003e\n        \u003cli\u003eChapter 13: Putting the \"S\" into FPS\u003c\/li\u003e\n        \u003cli\u003eChapter 14: Changing Footsteps\u003c\/li\u003e\n        \u003cli\u003eChapter 15: The Enemies Shoot Back\u003c\/li\u003e\n        \u003cli\u003eChapter 16: Parameters\u003c\/li\u003e\n        \u003cli\u003eChapter 16b: Parameters 2\u003c\/li\u003e\n        \u003cli\u003eChapter 16c: Bonus Chapter � Parameters 2\u003c\/li\u003e\n        \u003cli\u003eChapter 17: Signal Routing in FMOD\u003c\/li\u003e\n        \u003cli\u003eChapter 18: FMOD Effect Plugins\u003c\/li\u003e\n        \u003cli\u003eChapter 19: Ambience and Transceivers\u003c\/li\u003e\n        \u003cli\u003eChapter 20: Real-Time Mixing\u003c\/li\u003e\n        \u003cli\u003eChapter 21: Mix Snapshots\u003c\/li\u003e\n        \u003cli\u003eChapter 22: The Health System\u003c\/li\u003e\n        \u003cli\u003eChapter 23: Game Over Man!\u003c\/li\u003e\n        \u003cli\u003eChapter 24: Game Music Part 1 � Variation\u003c\/li\u003e\n        \u003cli\u003eChapter 25: Game Music Part 2 � Parameter Control\u003c\/li\u003e\n        \u003cli\u003eChapter 26: Setting Up Unity for Music\u003c\/li\u003e\n        \u003cli\u003eChapter 27: Mixing the Game � Sidechains\u003c\/li\u003e\n        \u003cli\u003eChapter 28: Optimizing the Game\u003c\/li\u003e\n        \u003cli\u003eChapter 29: Building the Game\u003c\/li\u003e\n        \u003cli\u003eIndex\u003c\/li\u003e\n       \u003c\/ul\u003e\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       About the Author\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003cdiv\u003e\n       Ciarán Robinson has over 20 years' experience in teaching Audio Production, and has developed and delivered degree courses for universities and colleges. His original background is in TV, film, music, and studio electronics as well as in video production and editing. For the past three years he has worked in online education, where he developed courses on Game Audio as well as working with industry professionals to produce courses on Film Making and Visual Effects. Ciarán has written technical articles and equipment reviews for several magazines and websites, and currently runs a small video production studio, where he creates training and tutorial videos.\n      \u003c\/div\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003ch4\u003eIn the Box\u003c\/h4\u003e\n   \u003cul\u003e\n    \u003cli\u003e\u003cspan\u003eFocal Press Game Audio with FMOD and Unity\u003c\/span\u003e\u003c\/li\u003e\n   \u003c\/ul\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\u003c\/div\u003e\n \u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n \u003cdiv\u003e\n  \u003cdiv\u003e\n   \u003cdiv\u003e\n    \u003cdiv\u003e\n     \u003cdiv\u003e\n      \u003ch2\u003eFocal Press 9781138315976 Specs\u003c\/h2\u003e\n     \u003c\/div\u003e\n     \u003cdiv\u003e\n      \u003ctable\u003e\n       \u003ctbody\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eAuthor\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eCiarán Robinson\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublisher\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eRoutledge\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003ePublication Date\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eMarch 15, 2019\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eEdition\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e1st\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eISBN Number\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e9781138315976\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eNumber of Pages\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e278\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eCover Type\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003eSoft\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n        \u003ctr\u003e\n         \u003ctd\u003eIllustrations\u003c\/td\u003e\n         \u003ctd\u003e\n          \u003cdiv\u003e\n           \u003cspan\u003e\u003cspan\u003eYes\u003c\/span\u003e\u003c\/span\u003e\n          \u003c\/div\u003e\n\u003c\/td\u003e\n        \u003c\/tr\u003e\n       \u003c\/tbody\u003e\n      \u003c\/table\u003e\n     \u003c\/div\u003e\n    \u003c\/div\u003e\n   \u003c\/div\u003e\n  \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003eAll product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.","brand":"Focal Press-10","offers":[{"title":"Default Title","offer_id":40731942420565,"sku":"FOGAWFMU:FOGAWFMU:bhpv","price":14310.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/1611\/files\/1680604317_1759643.jpg?v=1700741484"}],"url":"https:\/\/www.tanotis.com\/collections\/audio-books-tutorials.oembed?page=2","provider":"Tanotis","version":"1.0","type":"link"}